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Larry Gott
Larry Gott
Larry Gott
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Larry Gott performing with James at Haldern Pop 2013

James Lawrence "Larry" Gott (born 24 July 1957, Manchester) is an English musician, formerly of the band James, originating from Manchester. He is also a designer.

Music

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Within the band Gott mainly played guitar and provided backing vocals, but also featured on keyboards and the flute on earlier albums. Prior to joining the band, he had been the guitar tutor for founder members Jim Glennie and Paul Gilbertson. He was later invited to join the band after Gilbertson's playing began to decline due to his drug problems, which eventually led to Gilbertson's sacking. Gott was to remain with James throughout the heyday of their career, forming part of what was considered to be the core nucleus of James for a long time, together with singer Tim Booth and bassist Glennie.[citation needed]

Gott announced his intention to leave the band in 1995, after the Laid / Wah Wah albums. According to the band's Folklore biography by Stuart Maconie, he was exhausted from the pressures of touring and wanted to spend more time with his family. He stayed in close contact with the other band members during the following year, writing and recording most of the songs on the band's following album Whiplash effectively as a regular member.[citation needed]

He went on to study Art and Design and subsequently pursued a career designing furniture.[1] He also taught music lessons at colleges around Manchester, including Manchester College of Arts and Technology.[citation needed]

Gott made two guest appearances on the band's so-called 'farewell tour' in 2001 at the MEN and Wembley Arenas. Following the band's apparent split, he started to work with bassist Glennie in low key, informal improvisation sessions.[citation needed]

During these intervening years, Gott also worked with Manchester maverick Edward Barton on an, as yet, unreleased album.[citation needed]

James reformed in January 2007, and Gott was at the centre of the reformation, reprising his duties as lead guitarist.[2] In August 2015 he left the band for unspecified reasons; he was replaced by Adrian Oxaal on lead guitar.[3][4]

Design

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Gott studied three-dimensional design at Manchester Metropolitan University graduating in 2000. His work, similar to his guitar playing, followed the Kiss principle, and found favour among the established design community. His 'reaction recliner' won many plaudits and awards including the Allemuir Award for Industry and the Blueprint Award for Creativity,[5] presented by the Milanese architect Mario Bellini at the 2001 '100% design' show at London's Earls Court. An early prototype of this design resides in the permanent collection of the Manchester City Art Gallery.[citation needed]

Another of Gott's award-winning pieces, an outdoor chair and table set made from wire mesh, caught the eye of Sir Terence Conran and subsequently retailed in the Conran shops worldwide under Gott's brandname 'MeshMan'.[5]

References

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Larry Gott

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from Grokipedia
James Lawrence Gott (born 24 July 1957), known professionally as Larry Gott, is an English musician best known as the former lead guitarist, flautist, and multi-instrumentalist for the Manchester-based alternative rock band James. Gott joined James as a permanent member in 1984, shortly after the band's formation in 1982, where he contributed significantly to their evolving sound through lead and acoustic guitar, keyboards, flute, and backing vocals. Over the next decade, he played a core role in the band's rise to prominence during the Britpop era, appearing on landmark albums such as Stutter (1986), Gold Mother (1990)—which included the hit single "Sit Down"—and Laid (1993), helping James achieve multiple UK top-40 singles and albums. After departing the group in 1995 amid personal pursuits including furniture design, Gott returned in 2007 for the band's reformation and the reunion album Hey Ma (2008), rejoining full-time and contributing to subsequent releases like The Night Before and The Morning After (2012), as well as extensive touring, including North American dates in 2010. He left the band again in 2015. His improvisational style and influence on the band's diverse blend of jazz, punk, and rock elements have been highlighted as enduring aspects of James' dynamic performances.

Early life and education

Early life

James Lawrence Gott, known professionally as Larry Gott, was born on 24 July 1957 in , . Gott grew up in Manchester during a vibrant period for the city's music scene, which influenced his early interest in . He left school at age 14 and became self-taught on the guitar, developing his skills independently before engaging more formally with local musicians. As a local guitar player, Gott began tutoring aspiring musicians, including and Paul Gilbertson around 1982, when they sought his guidance to improve their playing. This role introduced him to the emerging band that would become James and marked his entry into collaborative music-making.

Education

After departing from the band James in 1995, Larry Gott enrolled at , where he pursued a degree in 3D design, beginning his studies around 1996 and graduating in 2000. His coursework challenged his initial romantic notions of furniture craftsmanship, broadening his perspective to encompass design as an intellectual, creative, practical, and philosophical process under the guidance of influential tutors.

Music career

Involvement with James

Larry Gott joined James in 1984 as the band's lead guitarist and backing vocalist, having earlier tutored founders and Paul Gilbertson in guitar techniques during the group's formative years in . His arrival stabilized the lineup following Gilbertson's departure, allowing James to refine their sound blending and atmospheric elements. Gott contributed guitar and backing vocals to the band's debut album Stutter (1986), which featured raw, experimental tracks like "Johnny Yen" and marked their initial foray into recording with producer . Gott's tenure saw James achieve commercial breakthrough in the early 1990s, with his distinctive slide guitar and melodic contributions elevating their live performances and studio work. He played a central role in the production of Laid (1993), produced by Brian Eno, where his guitar riffs defined the album's anthemic energy during extensive UK and US tours that solidified the band's festival presence. The follow-up Wah Wah (1994), a companion collection of improvisational outtakes from the Laid sessions, further showcased Gott's improvisational style and multi-instrumental input on keyboards and flute, though its experimental nature limited mainstream appeal compared to its predecessor. In 1995, Gott departed James amid exhaustion from relentless touring, prioritizing time with his family after over a decade on the road. He briefly returned to contribute guitar to the band's seventh album Whiplash (1997), adding his signature textures to tracks like "" during a transitional period for the group. Gott made guest appearances during James's 2001 farewell tour, joining for select performances at Manchester's MEN Arena and London's to perform classics amid the band's initial disbandment. Gott rejoined James in as part of the band's reunion, initiated by discussions with Glennie and vocalist , reprising his role on the album Hey Ma (2008) and subsequent tours that revitalized their fanbase. His return brought continuity to the sound, evident in co-writing efforts like the introspective "," which blended folk influences with the band's signature dynamics. However, in August 2015, during the recording of Girl at the End of the World, Gott left the band for personal reasons, with stepping in to handle guitar duties and complete the sessions. Throughout his time with James, Gott's guitar work was integral to several hit singles, including the soaring riffs on "Sit Down" (1991), the raw energy of "Laid" (1993), and the urgent drive of "Come Home" (1990). These contributions, often developed through band improvisations, helped propel James from indie obscurity to arena-filling status, with Gott's backing vocals adding harmonic depth to their communal, anthemic style.

Other musical contributions

Following his departure from James in 1995, Gott sustained his musical creativity through informal improvisation sessions with longtime collaborator and James bassist . These low-key gatherings, which commenced around 2001 in a Victorian warehouse in , typically featured the pair—often joined by drummer David Baynton-Power—recording lengthy, unstructured jams using drum machines or live percussion. The process emphasized spontaneous composition, with Gott contributing guitar layers to build atmospheric and rhythmic foundations, reflecting his affinity for experimental and ambient sounds. These sessions not only provided a creative respite during the band's hiatus but also yielded fragments that informed James' eventual reunion material on their 2001 album Pleased to Meet You. Gott also pursued collaborations with other Manchester-based artists, notably Edward Barton, an eccentric producer and performer known for his ties to the local scene and prior work with James on video projects. In early 2003, Gott joined Barton and vocalist Mark Curtis for a live performance at the opening of the SixtySouth bar in Manchester, blending guitar improvisation with Barton's signature quirky arrangements. The duo further explored joint songwriting, aiming to develop new material for a prospective album release, though the project ultimately remained unreleased. This partnership underscored Gott's interest in unconventional, homegrown productions outside the commercial pressures of band commitments. While Gott's songwriting credits and performances largely centered on James, his post-hiatus efforts highlighted a shift toward intimate, exploratory music-making rather than high-profile guest appearances or work. These activities reinforced his influence on improvisational techniques, prioritizing collaborative freedom and sonic experimentation as enduring elements of his musical legacy.

Design career

Transition to design

After departing from James in 1995, Larry Gott sought a significant change, driven by burnout from the relentless demands of touring and the overall intensity of band life. He described the need for respite from the "madness" of constant performances and studio work, which had left him exhausted after over a decade with the group. To recover, Gott retreated to his remote house , where he began reflecting on new creative pursuits beyond music. This period of reflection led Gott to furniture design as a natural extension of his artistic inclinations, marking a deliberate pivot from to tangible craftsmanship. Having left school at age 14 and been largely self-taught in music, he recognized the value of formal training to bridge his intuitive creativity into a professional design practice. Around 1995, he enrolled in an Art and Design course at , focusing on three-dimensional design, which provided the foundational skills for his new field. He graduated in 2000, having found the program both inspiring and challenging, as it dismantled his earlier romanticized notions of furniture making and emphasized practical innovation. Gott's music career profoundly influenced his initial forays into , infusing his work with an innovative mindset toward form and function derived from years of experimenting with and structure in compositions. His self-taught approach to guitar and band arrangements translated into a multidisciplinary perspective, where he approached design problems with the same emphasis on and that characterized his musical contributions. This creative crossover allowed him to experiment early on with concepts that blended aesthetic appeal and usability, setting the stage for his professional output.

Notable works and awards

One of Larry Gott's most prominent furniture designs is the Reaction Recliner, introduced in 2000. This arabesque-shaped features a seat formed from pressure-moulded laminated with charcoal-impregnated over 2 cm for durability and UV protection. The recliner rests on a base equipped with rubber-coated rollers on sealed bearings, enabling adjustable up-and-down movement secured by a quick-release , allowing the piece to adapt to the user's posture. The Reaction Recliner garnered significant recognition shortly after its debut, winning the FX/Allemuir Furniture for Manufacture Award for its innovative manufacturability. In 2000, it also received the Blueprint Award for Creativity, presented by architect at the 100% Design exhibition in , , highlighting its blend of form and function. Another key contribution from Gott is the wire mesh chair and table set, developed as an outdoor furniture collection under his MeshMan brand starting in 2001. Crafted from durable wire mesh, the set's lightweight and versatile design attracted the attention of retailer Sir , leading to its global distribution through Conran shops in , , and New York. Beyond these pieces, Gott pursued partnerships with wire manufacturers to explore innovative, production-friendly furniture solutions, emphasizing practical materials and scalable techniques in his early 2000s designs.

Later activities

Teaching and performances

Following his departure from James in 2015, Larry Gott continued to participate in musical performances on a selective, low-key basis, often in intimate local settings around Manchester. He performed original material with informal groups of friends at venues such as cellar bars, emphasizing collaborative and improvisational jamming sessions reminiscent of early James influences. In recent years, Gott has extended his musical engagement through appearances at specialized events that blend performance and education. Notably, in 2025, he took part in the Guitar Dreams retreat at Cameron House on Loch Lomond, Scotland, joining esteemed guitarists like Robben Ford and Larry Carlton for masterclasses, live performances, and discussions on guitar techniques and improvisation drawn from his professional experiences. These activities highlight his ongoing role in fostering musical development among enthusiasts, sharing practical insights into creative guitar playing without the demands of full-scale touring. Since his 2015 sabbatical, Gott has not rejoined James for tours, including their 2025 North American dates.

Film and media appearances

Larry Gott has contributed to several films through his songwriting with the band James, where his compositions were featured on soundtracks. Similarly, in Lone Scherfig's romantic drama One Day (2011), the song "Sometimes," co-authored by Gott, Booth, and Glennie, is included in the film's emotional sequences. His work also featured in Edgar Wright's comedy The World's End (2013), with the James track "Come Home," co-written by Gott and bandmates, playing over the end credits. Beyond film soundtracks, Gott made on-screen appearances as himself during James' performances on British television in the 1990s. He performed on The O-Zone, a music show, in a 1993 episode promoting the band's music. Gott's media presence extended to music videos and live footage. He featured prominently in the 1992 promotional video for James' single "Born of Frustration," directed as a piece involving . Additionally, in 2001, he made a as on James' at Manchester's M.E.N. Arena, captured in the 2002 release James: ... Live, which includes performances of tracks like "Say Something" and "Sit Down."
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