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Michael Kulas
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Key Information
Michael Wade Kulas (born January 27, 1969) is a Canadian singer and songwriter who was a member of the English rock band James between 1997 and 2001.[1]
Personal life
[edit]Kulas was born in Oakville, Ontario, Canada on January 27, 1969. His family relocated to Lakefield, Ontario in the early 1980s where he attended the prestigious Lakefield College School from 1982 to 1987. He is married to Canadian actress Katie Griffin with whom he has two sons named Jett and Wyatt.
Career
[edit]Although part of many independent Toronto music projects in the late 1980s and early 1990s, it was not until 1995 that his professional career began to take off. Having been granted the FACTOR New Talent Demo Award for music that year and being runner up in the Toronto radio station Q107's Scott Liddle Songwriters Award, Kulas also released his first solo studio album titled Mosquito. Produced by Saul Davies, multi-instrumentalist with the British rock band James, it went on to be hailed as one of Canada's "top 20 independent albums" of 1995/1996 by Chart magazine. The album would also gain the attention of James front man Tim Booth who midway through 1996 and at the behest of producer Brian Eno was considering filling the vocal void created when guitarist and backing vocalist Larry Gott departed in 1995.
In January 1997 Kulas was invited by James to New York as a backing vocalist and multi-instrumentalist to test the waters with a handful of American shows and an appearance on Late Show with David Letterman. The ad-hoc "audition" would prove to be a success and garner an invitation for Kulas to join the band in the UK for what would turn out to be a five-year period.
In performing with James, Kulas was a singer and multi-instrumentalist on 4 Top 40 albums including Whiplash, the number one The Best Of, Millionaires and Pleased To Meet You. In that time he and the band toured extensively in Asia, South Africa, Europe and North America, including the Lollapalooza Festival and Glastonbury Festival in 1997. In the UK, James continued to perform sold out Arena Tours including Wembley and Manchester Evening News Arena and also played to a live TV audience of 500 million as the torch was passed from Kuala Lumpur to Manchester for the 2002 Commonwealth Games. After a decision by singer Booth to leave James to pursue other interests in December 2001 saw the band informally break up, Kulas returned home to Canada to pick up where he left his solo career years before.
In 2002 he completed his second, self-produced solo album titled Another Small Machine while performing many live shows across Canada. In keeping with his passion for film, Kulas also went on to compose and perform music for the film Jade Love which won the 2004 Best Short Documentary at the Reel Film Festival in Toronto as well as composing original music for the Park Bench feature film The Death Of Alice Blue in 2006. His composing skills have also seen him cross over to writing music for television. In that same year Kulas wrote and produced the theme song for the Marathon animated series Team Galaxy on The Cartoon Network as well as producing full-length albums for artists Katie Griffin and Stephanie Belding. His first EP titled Imperial Cheerleader was released in December 2006 exclusively through Apple iTunes.
In January 2007, after a six-year absence, James re-formed, this time with the original band member line up from the 1992 album Seven. While performing in Toronto to promote their 10th studio album, Hey Ma, in September 2008, Kulas joined the band on stage for a selection of songs that included "Just Like Fred Astaire", "Five-O" and "Destiny Calling".
Discography
[edit]- Mosquito (LP/1995/1A Records)
- Another Small Machine (LP/2001/Interloper Records)
- Imperial Cheerleader (EP/2006/Interloper Records)
References
[edit]- Stuart Maconie: Folklore, Virgin Books, 2000 (ISBN 0-7535-0494-4).
- Michael Kulas turns on to pop-Toronto Star, June 2002
- Michael Kulas-Life After James-Chart Attack [1]
- Kulas Makes New Machines After James-Chart Attack [2]
- Michael Kulas-One of Canada's Least-Known Musical Artists on the International Stage-National Post online-January 2001
- James Band Member Comes Home-Peterborough Examiner-January 2002
- James Are Returning Kings-Chart Attack-September 2008 [3]
External links
[edit]Notes
[edit]- ^ Carlson, Dean. "Biography: Michael Kulas". AllMusic. Retrieved May 31, 2010.
Michael Kulas
View on GrokipediaEarly life
Upbringing
Michael Kulas was born on January 27, 1969, in Peterborough, Ontario, Canada, though some sources list Oakville, Ontario, as his birthplace.[6][7][8] His family relocated to the Lakefield area in the early 1980s, where Kulas grew up and developed an early interest in music.[9] He took up the guitar at age 11 and formed his first band, The Crowd, during his teenage years.[9] Exposure to the local music scene in the Peterborough region further shaped his interests, leading to his participation in the band The Sea around 1989, an independent project that toured Ontario.[9] In 1995, Kulas received early recognition with the FACTOR New Talent Demo Award and as runner-up in the Q107 Scott Liddle Songwriters Award contest.[10] These accolades highlighted his emerging songwriting talent amid his pre-professional musical explorations in Lakefield.[11]Education
Michael Kulas attended Lakefield College School in Lakefield, Ontario, from 1982 to 1987, graduating in 1987.[11] After high school, Kulas was accepted to the Berklee College of Music but opted to pursue a professional career in music instead.[9] During his high school years, Kulas immersed himself in the school's music programs and extracurricular activities, which nurtured his emerging talents in songwriting and performance. He formed a band at Lakefield where he played rhythm guitar, featuring aspiring vocalist Sebastian Bach—later the frontman of Skid Row—as the lead singer.[12] This group performed at least one notable high school gig, marking Kulas's initial foray into live music and contributing to the development of his instrumental and collaborative skills during his formative educational period.[12]Career
Early career
Michael Kulas began his music career in the late 1980s and early 1990s as a member of the Peterborough-based band The Sea, a local group with which he performed regionally, including a show in Peterborough in 1989.[9][13] During this period, Kulas participated in various independent music projects in the Toronto scene, gaining initial recognition for his songwriting through local performances and collaborations that helped him build connections among musicians and industry contacts.[14][13] In 1994, Kulas met Saul Davies, multi-instrumentalist with the British rock band James, through a mutual friend employed at a Toronto music shop, marking an early international link that influenced his subsequent work.[13] This association led to Kulas's debut solo album, Mosquito, released in 1995 on the independent label 1A Records. Produced by Davies, the album was recorded over two weeks in Vancouver and featured Kulas on vocals and guitar, with contributions from Davies on additional instruments; standout tracks included "Archive," "Burning Down Hollywood," and "Sleepwalk."[2][15][9][16] Mosquito achieved acclaim on the Canadian independent radio circuit and was named one of the top 20 independent albums of 1995 by Chart magazine, further solidifying Kulas's presence in the Toronto music community and opening doors to broader opportunities between 1994 and 1996.[13][9]Time with James
In January 1997, Michael Kulas was invited by James to join them in New York for a series of American promotional shows, where he auditioned successfully as a backing vocalist and multi-instrumentalist, leading to his official addition to the band shortly thereafter.[10][9] This opportunity arose from a recommendation by band member Saul Davies, who had admired Kulas's earlier work in Canada. As the band's rhythm guitarist, backing vocalist, and multi-instrumentalist, Kulas performed on tours supporting four key albums released during his tenure: Whiplash (1997), the compilation The Best Of (1998), which reached number one on the UK Albums Chart, Millionaires (1999), and Pleased to Meet You (2001).[10][17] He provided recording contributions on later albums such as Millionaires, produced by Brian Eno, where he offered prominent backing vocals that enhanced the album's layered sound, particularly on tracks like "I Know What I'm Here For" where producer OTT focused on his contributions during sessions without lead singer Tim Booth.[18] His guitar work and percussion added to the band's evolving post-Britpop style, helping maintain their commercial momentum with multiple top-40 UK releases. Kulas's time with James marked a period of significant international exposure, highlighted by major tours including performances at Lollapalooza and Glastonbury in 1997, sharing stages with acts like Tool and Snoop Dogg at Lollapalooza.[10][19] In the UK, they played sold-out arena shows at venues such as Wembley Arena and the Manchester Evening News Arena, solidifying their status as a major live act with energetic performances that drew large crowds.[10] Early highlights included a U.S. TV appearance on Late Night with David Letterman performing "She's a Star" during his initial tryout shows in cities like New York and Atlanta.[9] The band entered an informal hiatus in December 2001 following Tim Booth's departure to pursue solo interests, prompting Kulas to return to Canada and effectively end his full-time membership.[10] He briefly reunited with James for a one-off performance at Toronto's Phoenix Concert Hall in September 2008, joining them onstage for songs like "Just Like Fred Astaire," "Five-O," and "Destiny Calling," which evoked the high-energy live style of his original era with the group.[20][21]Solo career
Following his departure from the band James in 2001, Michael Kulas returned to Canada and focused on independent music production, releasing his second solo album, Another Small Machine, on his own Interloper Records label in March of that year.[13] Self-produced and recorded in a remote cottage in Scotland near the sea, the album features introspective songwriting with jangly guitar elements reminiscent of his time in James, blended with more stripped-down, reflective arrangements akin to early Coldplay.[22] Its themes center on feelings of isolation, smallness, and uncertainty about personal and professional futures, capturing Kulas's transitional state after years abroad.[22] The release was limited to a Canadian distribution with no major promotional efforts or international plans, targeted primarily at a close audience of friends and family.[13][2] In 2006, Kulas issued his next project, the Imperial Cheerleader EP, also on Interloper Records and distributed exclusively via iTunes in December.[10] Self-produced, the five-track EP incorporates songs originally contributed to the soundtrack of the independent film The Death of Alice Blue, a vampire-themed thriller.[23] The tracks emphasize melodic pop structures with atmospheric production, exploring nocturnal and introspective motifs. The EP's track listing is as follows:- "Instamatic Camera" (4:21)
- "The Days of My Life" (4:23)
- "Sweet Lips" (3:15)
- "You Only Come Out at Night" (3:11)
- "Starland" (3:54)
