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Live Dates
Live Dates
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Live Dates
Live album by
ReleasedNovember 1973[1]
Recorded17–24 June 1973
GenreProgressive rock, hard rock
Length81:46
LabelMCA
ProducerWishbone Ash
Wishbone Ash chronology
Wishbone Four
(1973)
Live Dates
(1973)
There's the Rub
(1974)
Professional ratings
Review scores
SourceRating
AllmusicStarStarStarStar [1]

Live Dates is a live album by the British rock band Wishbone Ash released in November 1973.[1]

Following the release of the album, founding member Ted Turner left the band.[2]

Recording

[edit]

The album features 11 tracks, 10 of which originally featured on the band's first four albums. The one new track was a cover of the Jimmy Reed blues standard "Baby What You Want Me to Do".

The tracks were recorded in June 1973 at Croydon Fairfield Halls (17th)[A], Reading University (23rd)[B], Newcastle City Hall (24th)[C], and Portsmouth Guildhall (21st)[D] using the Rolling Stones Mobile Studio.

In 2023, the band's other guitarist Andy Powell said, "We had made a name for ourselves as a dynamic live act, so it only made sense to capture the energy and vibrancy of our shows on a live album. Fortunately, the record company funded the costly Rolling Stones Mobile recording truck, so we were able to record several shows during our U.K. tour and compile the most powerful moments on Live Dates."[3] Also in 2023, Wishbone Ash undertook a 50th anniversary tour celebrating the album, and recorded and released Live Dates Live, as a tribute to the original Live Dates.[3]

Band founder and original bass guitarist Martin Turner also celebrated the 50th anniversary of the album in 2023, by touring across the UK.[4] He had previously released a double live album New Live Dates in 2016, which also featured Ted Turner.

Live Dates charted at number 86 in Canada in February 1974.[5] It is certified silver (60,000 sales) by the BPI in the UK.[6]

Track listing

[edit]

Side one

  1. "The King Will Come" [A] – 7:58
  2. "Warrior" [C] – 5:42
  3. "Throw Down the Sword" [C] – 6:01

Side two

  1. "Rock 'n Roll Widow" [B] – 6:06
  2. "Ballad of the Beacon" [B] – 5:21
  3. "Baby What You Want Me to Do" [D] – 7:48

Side three

  1. "The Pilgrim" [A] – 9:17
  2. "Blowin' Free" [C] – 5:28
  3. "Jail Bait" [B] – 4:40

Side four

  1. "Lady Whiskey" [B] – 6.13
  2. "Phoenix" [A] – 17:12[1]

Personnel

[edit]

Charts

[edit]
Chart (1973) Peak
position
Canada Top Albums/CDs (RPM)[8] 86
US Billboard 200[9] 82

Certifications

[edit]
Region Certification Certified units/sales
United Kingdom (BPI)[10] Silver 60,000^

^ Shipments figures based on certification alone.

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Live Dates is a double live album by the British rock band , released in November 1973 by . Recorded during the band's June 1973 UK tour at venues in Croydon, Newcastle, Reading, and Portsmouth, it features 11 tracks drawn primarily from their first four studio albums, showcasing their signature guitar harmonies and extended improvisational style. The album, produced by the band itself, captures the energetic live performances that built their reputation in the early 1970s and scenes. Wishbone Ash, formed in 1969 in Torquay, England, by guitarists and , bassist , and drummer Steve Upton, rose to prominence with their innovative use of dual lead guitars inspired by American influences. By 1973, following successful studio releases like Argus (1972), the band had established itself as a key player in the British rock landscape, blending hard rock riffs with progressive elements and folk-tinged melodies. Live Dates marked their first live recording, highlighting the contrast between their studio precision and onstage dynamism, with tracks like "The King Will Come," "," and "Blowin' Free" extended to emphasize guitar interplay and audience interaction. Commercially, Live Dates achieved silver in the UK for sales of 100,000 units and peaked at number 82 on the US 200. It solidified the band's live prowess, influencing their subsequent tours and recordings, including the follow-up Live Dates II in 1980. The album's enduring legacy lies in its authentic representation of rock concert energy, remaining a fan favorite and a benchmark for the genre; in 2023, the band released a 50th anniversary edition re-recorded live at Daryl's House Club.

Background and recording

Background

Live Dates was conceived by the British rock band Wishbone Ash shortly after the release of their fourth studio album, Wishbone Four, on May 11, 1973, as a means to document their growing acclaim as an electrifying live ensemble. The project emerged from the band's desire to translate their stage prowess—honed through relentless touring—to a recorded format, preserving the immediacy and vigor that had defined their performances. Reflecting on this period in 2023, guitarist stated, "We had made a name for ourselves as a dynamic live act, so it only made sense to capture the energy and vibrancy of our shows on a live album." In the early 1970s, had solidified their position within the progressive rock and landscapes, blending intricate compositions with robust, harmony-driven guitar work that captivated audiences across the and beyond. The album's November 1973 release marked a pivotal moment, immediately preceding the departure of founding guitarist , who announced his exit from the band on May 2, 1974, amid shifting creative dynamics.

Recording

The recordings for Live Dates were captured over eight consecutive days, from 17 to 24 June 1973, during the band's tour. Specific performances were sourced from four key venues: in on 17 June (providing tracks such as "The King Will Come," "Blowin' Free," "Jail Bait," and "Phoenix"), the on 23 June (featuring "Rock 'n Roll Widow," "Ballad of the Beacon," "The Pilgrim," and "Lady Whisky"), City Hall in Newcastle on 24 June (including "" and "Throw Down the Sword"), and in on 21 June (capturing the encore "Baby What You Want Me to Do"). The band utilized the Rolling Stones Mobile Studio for on-site at each location, allowing for high-fidelity capture of the performances directly from the stage without the need for a fixed studio environment. This mobile unit, renowned for its use on landmark albums by acts like Led Zeppelin and , enabled the engineering team led by Keith Harwood to record and remix the material efficiently during the tour. Live Dates was self-produced by , with the members—, , , and Steve Upton—overseeing the process to preserve the unpolished intensity of their live shows. Stage sound was handled by technician Mark Emery, ensuring minimal overdubs or alterations in to retain the raw, energetic essence of the band's renowned stage presence. This approach highlighted the dual-guitar interplay and improvisational flair that defined their concerts, resulting in a double album that clocked in at over 80 minutes of continuous live material.

Musical content

Track listing

Live Dates is structured as a double vinyl album containing 11 tracks recorded during Wishbone Ash's 1973 tour across various venues. The setlist primarily features material from the band's first four studio albums, presented in extended live arrangements that emphasize their dual-guitar harmonies and improvisational style, often surpassing the lengths of the original studio recordings. For instance, "Phoenix" stretches to over 17 minutes, incorporating extended solos not present in the 7:13 studio version from Argus. The sole cover song, "Baby What You Want Me to Do," a standard originally by , underscores the band's rock- foundations and is performed with raw energy typical of their live shows.
SideTrackTitleDurationOriginal source
A1"The King Will Come"7:58Argus (1972)
A2"Warrior"5:42Argus (1972)
A3"Throw Down the Sword"6:01Argus (1972)
B1"Rock 'n Roll Widow"6:06 (1973)
B2"Ballad of the Beacon"5:21 (1973)
B3"Baby What You Want Me to Do"7:48Jimmy Reed cover (original 1955)
C1"The Pilgrim"9:17 (1971)
C2"Blowin' Free"5:28 (1970)
C3"Jail Bait"4:40 (1970)
D1"Lady Whiskey"6:13 (1970)
D2"Phoenix"17:12Argus (1972)

Personnel

The personnel for Live Dates consisted of the core lineup performing all tracks, with no additional session musicians involved. handled , vocals, and duties, contributing to the album's extended improvisational solos that highlighted the band's dynamic live energy. provided and vocals, anchoring the rhythmic foundation while delivering harmonies that added depth to the performances. , on , vocals, and , complemented Powell's playing to create the signature twin-lead harmonies central to Wishbone Ash's live sound, a technique that influenced subsequent rock and metal acts. Steve Upton rounded out the quartet on drums and percussion, driving the propulsive rhythms essential to the album's concert atmosphere. These four members captured the recordings during their June 1973 tour across , showcasing their interplay without external contributions.

Release and reception

Release

Live Dates was released in November 1973 by as a double LP album. The album was produced by the band themselves. In the , it carried the catalog number MAPS 7169. The initial promotion of Live Dates was closely linked to Wishbone Ash's extensive touring schedule spanning late 1973 into 1974, including a U.S. tour in October and November 1973 followed by European dates in 1974. This timing allowed the live album to capture and extend the energy of their performances during that period. Shortly after the album's release, founding guitarist announced his departure from the band in May 1974, which necessitated changes to the lineup for subsequent tours.

Critical reception

Upon its release, Live Dates received positive critical attention for capturing Wishbone Ash's dynamic stage presence, with 's retrospective review highlighting the album's raw energy alongside a reproduction of the band's studio tracks in a live context. Reviewers praised the twin guitar interplay between Andy Powell and , which shone through in extended solos and harmonious leads that defined the band's sound during their 1973 tour. The album's emphasis on audience interaction further enhanced its appeal, as evident in the enthusiastic crowd responses integrated into the recordings from venues like and Reading University, fostering a sense of communal rock experience. However, some contemporary critiques pointed to the double LP format's potential to overwhelm casual listeners, with the 79-minute runtime occasionally diluting the intensity across its four sides despite strong individual . In modern reassessments, particularly around the 50th anniversary celebrations in 2023—which extended into a dedicated "Live Dates" tour in 2024 and ongoing performances in 2025—the album's enduring appeal has been reaffirmed through re-recordings and tours that revisit its setlist, underscoring its status as a benchmark for the band's live prowess.

Commercial performance

Charts

Live Dates achieved moderate commercial success on international album charts following its November 1973 release. , the album peaked at number 82 on the chart during February 1974, marking Wishbone Ash's highest-charting live release at the time. In , Live Dates entered the RPM 100 Albums chart and reached its peak position of number 86 on February 2, 1974, with one week at that ranking before dropping off the chart. Despite being released domestically in the , Live Dates did not achieve a significant entry on the , failing to register in the top 100 positions.
Chart (1974)Peak PositionSource
US 82Billboard
Canadian RPM 100 Albums86RPM
Official Charts

Certifications

Live Dates was certified Silver by the (BPI) in the on the basis of 60,000 units shipped. The album received no gold or platinum certifications from the (RIAA) in the United States. This certification underscores the album's modest commercial success, which aligned with Wishbone Ash's enduring in the progressive rock genre.

References

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