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Ninth
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In music, a ninth is a compound interval consisting of an octave plus a second.[1] Like the second, the interval of a ninth is classified as a dissonance in common practice tonality. Since a ninth is an octave larger than a second, its sonority level is considered less dense.[2]

Major ninth

[edit]
major ninth
Inverseminor seventh
Name
Other namescompound second
AbbreviationM9
Size
Semitones14
Cents
12-Tone equal temperament1400.0

A major ninth is a compound musical interval spanning 14 semitones, or an octave plus 2 semitones. For instance, the interval between C4 and D5 (in scientific pitch notation) is a major ninth.


{
\override Score.TimeSignature
#'stencil = ##f
    \relative c' {
        \time 4/4
        \set Score.tempoHideNote = ##t \tempo 1 = 20
        <c d'>1
    }
}

If transposed into a single octave, it becomes a major second or minor seventh. The major ninth is somewhat dissonant in sound.

Transposition

[edit]

Some common transposing instruments sound a major ninth lower than written. These include the tenor saxophone, the bass clarinet, the baritone/euphonium when written in treble clef, and the trombone when written in treble clef (British brass band music).

When baritone/euphonium or trombone parts are written in bass clef or tenor clef they sound as written.

Minor ninth

[edit]
minor ninth
Inversemajor seventh
Name
Abbreviationm9
Size
Semitones13
Cents
12-Tone equal temperament1300.0

A minor ninth (m9 or -9) is a compound musical interval spanning 13 semitones, or 1 semitone above an octave (thus it is enharmonically equivalent to an augmented octave). For instance, the interval between C4 and D5 (in scientific pitch notation) is a minor ninth.


{
\override Score.TimeSignature
#'stencil = ##f
    \relative c' {
        \time 4/4
        \set Score.tempoHideNote = ##t \tempo 1 = 60
        <c des'>1
    }
}

If transposed into a single octave, it becomes a minor second or major seventh. The minor ninth is rather dissonant in sound,[3] and in European classical music, often appears as a suspension.

The fourth movement (an intermezzo) of Robert Schumann's Faschingsschwank aus Wien is constructed to feature prominent notes of the melody a minor ninth above the accompaniment:

Schumann, Faschingsschwank Intermezzo, bars 1–4

Béla Bartók wrote a study in minor ninths for piano. Several of Igor Stravinsky's works open with a striking gesture that includes the interval of a minor 9th, either as a chord, as in Les noces and Threni, or as an upward melodic leap, as a in Capriccio for Piano and Orchestra, Symphony in Three Movements, and Movements for Piano and Orchestra.

Augmented ninth

[edit]
augmented ninth
Inversediminished seventh
Name
AbbreviationA9
Size
Semitones15
Cents
12-Tone equal temperament1500.0

An augmented ninth is a compound musical interval spanning 15 semitones, or 3 semitones above an octave. For instance, the interval between C4 and D5 (in scientific pitch notation) is a major ninth.


{
\override Score.TimeSignature
#'stencil = ##f
    \relative c' {
        \time 4/4
        \set Score.tempoHideNote = ##t \tempo 1 = 60
        <c dis'>1
    }
}

Enharmonically equivalent to a compound minor third, if transposed into a single octave, it becomes a minor third or major sixth.

See also

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References

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