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Miami Supercops
Miami Supercops
Miami Supercops
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Miami Supercops
Theatrical release poster by Renato Casaro
Directed byBruno Corbucci
Written byBruno Corbucci
Luciano Vincenzoni
Produced byJosi W. Konski
Max Wolkoff
StarringTerence Hill
Bud Spencer
Ken Ceresne
Richard Liberty
Rhonda Lundstedt
Buffy Dee
Michael Warren
Luke Halpin
Jackie Castellano
CinematographySilvano Ippoliti
Edited byDaniele Alabiso
Music byCarmelo La Bionda
Michelangelo La Bionda
Distributed byColumbia Pictures Italia
Release date
  • 11 December 1985 (1985-12-11) (Milan)
Running time
96 minutes
CountryItaly
LanguageItalian

Miami Supercops (Italian: Miami Supercops (I poliziotti dell'8ª strada)) is a 1985 Italian action comedy film starring the comedy team of Terence Hill and Bud Spencer.[1] It was their final non-Western film together.

The film opens with a bank robbery in Detroit. Only one of the robbers was caught and imprisoned. Following his release, the man was found dead in Miami. Two FBI agents start working undercover as Miami police officers, in hope of locating the last surviving robber and his loot.

Synopsis

[edit]

In 1978, $20 million was stolen from a Detroit bank. One of the robbers was caught, one was found dead, and the third disappeared. The money was never found. In 1985, the captured robber was released from jail. He immediately went to Miami, only to be found dead the next day.

Now FBI agents Doug Bennet (a cop in New York) and Steve Forest (who has opened a school for helicopter pilots in Tampa) have been called in to investigate the case while posing as Miami police officers. Somewhere in Miami, the third robber is hiding with his $20 million, and he has a seven-year head start on the authorities.

References

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Miami Supercops

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from Grokipedia
Miami Supercops (Italian: I poliziotti dell'8ª strada) is a 1985 Italian film directed by , starring the duo of in their final collaboration on a non-Western project. The film follows two former FBI agents who go undercover as police officers to investigate the theft of $20 million from a bank seven years earlier, after the released thief is murdered upon his return to the city. Set against the vibrant backdrop of , the story blends high-energy chases, fistfights, and humorous antics as the protagonists dismantle a criminal involved in and schemes. With a runtime of 97 minutes, the movie was originally produced in Italian and later dubbed into English for international release. Produced by Trans-Cinema TV, Miami Supercops highlights Hill and Spencer's signature action-comedy dynamic, though it received mixed reviews for its formulaic plot. The film holds an audience score of 58% on based on over 500 ratings and a 6.1/10 average on from over 8,900 users, as of November 2025, praised for its lighthearted entertainment value despite not ranking among the duo's top works.

Production

Development

Miami Supercops represented the final non-Western collaboration between , the Italian filmmaking duo whose on-screen partnership had begun in the late 1960s with action-comedies and evolved into successful films such as (1977). Developed in the early as their sixteenth joint project, the film sought to extend their formula of paired with lighthearted crime-solving to an American setting. Bruno Corbucci directed and co-wrote the screenplay, marking the only time Hill and Spencer worked with him on a feature, although Corbucci had previously collaborated with Spencer on other productions. Joining Corbucci as co-writer was , whose contributions emphasized a blend of action sequences and comedic elements consistent with the duo's established style. The script drew inspiration from contemporary American television, particularly the aesthetic of , which had premiered the previous year, to infuse the narrative with a vibrant, neon-lit urban atmosphere. The production was handled by Trans-Cinema TV Inc., with Josi W. Konski serving as and Max Wolkoff as ; their involvement focused on in the United States to enhance international market appeal. By setting the story in , the filmmakers contrasted the duo's prior rural Westerns and European urban tales with a modern, sun-drenched American cityscape, aligning with the era's popular depictions of as a hub of glamour and .

Filming

Principal photography for Miami Supercops occurred from mid-1984 to early 1985, with the majority of scenes shot on location in , , to authentically capture the city's vibrant urban environment. Additional filming took place in , and at specific sites such as 46 Drive in Beach, where key sequences involving landings were captured. Silvano Ippoliti employed vibrant, sunlit shots to highlight 's neon-lit streets and beachfront aesthetics, particularly in action sequences like the high-speed car chases along Ocean Drive that emphasized the film's dynamic energy. His approach drew on the natural lighting of 's subtropical climate to enhance the colorful, 1980s-inspired visual palette central to the movie's cop thriller homage. Editing duties fell to Daniele Alabiso, who utilized quick cuts to sharpen the comedic timing in the film's fight scenes, accentuating the duo's signature brawls through rhythmic pacing that blended humor with . This technique contributed to the fast-paced rhythm that defined the production's action-comedy tone. The score was composed by brothers Carmelo and Michelangelo La Bionda, who crafted an upbeat synth-driven soundtrack infused with elements to evoke the era's popular cop television shows, providing an energetic backdrop for the on-screen antics. Their music, characterized by pulsating rhythms and funky basslines, underscored the film's lighthearted pursuit sequences and chase scenes.

Plot

Act one

The film opens with a daring in in 1978, during which three robbers steal $20 million from a . One of the robbers, Joe Garrett, is apprehended by former FBI agents Doug Bennett and Steve Forest, while another, identified as , is killed in a subsequent with authorities; the third robber escapes undetected with the entire haul, which is never recovered. This unresolved case haunts Bennett and Forest, establishing their long-standing partnership as tenacious but comically mismatched investigators who blend physical prowess with bumbling antics. Seven years later, in 1985, Garrett is released from prison and travels to Miami, Florida, where he attempts to contact a mysterious associate linked to the heist, only to be murdered shortly after his arrival. His body is discovered the following day, drawing immediate attention from federal authorities and reigniting the cold case. The FBI assigns Bennett (played by ) and Forest (played by ) to investigate undercover, tasking the duo with posing as local police officers to infiltrate Miami's underworld and locate the escaped robber and the missing fortune. The narrative establishes the vibrant yet seedy underbelly of as the central backdrop, featuring neon-lit , bustling beaches, and pervasive among criminal elements that contrast sharply with the agents' straightforward, out-of-place demeanor from the Midwest. Bennett and Forest's adjustment to their undercover roles highlights their fish-out-of-water status, as they navigate the city's glitzy excesses and shady dealings while maintaining their tough, no-nonsense approach to law enforcement. This setup introduces the central mystery of the vanished robber and loot, propelling the protagonists into a web of intrigue without yet unveiling key antagonists or resolutions.

Act two

In Act two, former FBI agents Doug Bennett and Steve Forest—Steve now retired as a and tricked by Doug into rejoining the case—arrive in and assume undercover identities as local beat cops, Jay Donell and L.A. Wray, to investigate the of released convict Joe Garrett. Posing as part of the police force, they navigate suspicion from actual officers while infiltrating the city's criminal underworld, leading to comedic mishaps such as bungled stakeouts where their bumbling antics nearly expose their true roles. As they delve deeper, uncovers crucial clues tying Garrett's killing to the elusive third robber from the 1978 Detroit heist and the missing $20 million, including leads from shady informants like ex-convict , an Indian chief who reveals connections to Garrett's old gang. Their investigation escalates through tense encounters with the criminal gang operating in Miami's seedy underbelly, including thwarting schemes such as preying on local buses and an attempted of star quarterback Joe Ranieri for ransom, heightening the risks of their deception. Key action unfolds in a humorous high-speed pursuit through Miami's bustling streets, where Doug and Steve's improvised turns a routine tail into chaotic comedy, showcasing their physical prowess and teamwork. This is followed by a raucous brawl in a dimly lit , blending punches with pratfalls as they fend off enforcers amid flashing lights and blaring music. Running parallel is a subplot involving glamorous informant Irene, who provides vital intelligence on the gang's operations and shares a subtle romantic spark with Doug, adding lighthearted tension to their partnership without derailing the mission. Her assistance proves instrumental in piecing together the robber's hidden identity as a prominent local businessman.

Act three

As the investigation intensifies, Doug Bennett and Steve Forest unmask the elusive third robber from the heist as Robert Delmann, a prominent local businessman who has undergone to conceal his identity as Ralph Duran. This revelation, pieced together from clues like an incriminating tape found in Joe Garrett's , triggers a high-stakes pursuit leading to Delmann's warehouse hideout on the outskirts of . The climax unfolds in a sprawling brawl at the , where Doug and confront Delmann's henchmen in a chaotic melee. Utilizing their physical prowess—Doug's acrobatic agility and Steve's brute force—they overpower the gang using improvised weapons such as exploding cans of and electrified machinery, turning the industrial space into a battlefield of violence and gunfire. Amid the frenzy, the agents recover the long-lost $20 million in stolen loot hidden within the facility, securing the heist's fortune. The murder plot reaches its resolution when it emerges that Garrett was killed by a double-crossing associate within Delmann's , motivated by over the shared spoils. Delmann himself is apprehended through the combined evidence of the tape and the recovered money, closing the case despite the agents' unorthodox undercover tactics as faux cops. The FBI commends Doug and Steve for their success, overlooking their rule-bending methods in light of the triumphant outcome. In a humorous denouement, the duo sheds their badges and returns to private life, with Steve bidding Doug farewell amid banter about avoiding future trouble, subtly hinting at more adventures to come. The film closes on a comedic as they deal with the confiscated loot, underscoring their unbreakable partnership with lighthearted irony.

Cast

Main cast

portrays Doug Bennett / Jay Donell, a quick-witted and agile FBI agent known for his clever use of gadgets and disguises during undercover operations. Bennett's athleticism and sly demeanor contrast sharply with his partner's approach, highlighting the film's humor through personality clashes. Bud Spencer plays Steve Forest / L.A. Ray, a retired FBI agent turned helicopter pilot who embodies the hulking, no-nonsense enforcer relying on brute physicality for both action and comedy. This characterization underscores Spencer's recurring screen presence in action-comedies, where raw power generates laughs through exaggerated confrontations. The contrasting styles—agile intellect versus physical dominance—create comedic tension rooted in their undercover assignment as mismatched agents.

Supporting cast

Ken Ceresne portrays the dual roles of Robert Delmann, the ex-convict whose serves as the inciting incident, and Ralph Duran, the primary . Richard Liberty plays Joe Garret, the corrupt police captain who acts as an antagonistic foil to the protagonists by suspecting their undercover activities and imposing bureaucratic obstacles. Rhonda S. Lundstead appears as Anabelle, and who aids the heroes with key . C.B. Seay plays Chief Tanney, the police chief involved in the undercover operation. The ensemble is rounded out by Buffy Dee as , a involved in the criminal schemes; Michael Warren as the bag snatcher; as the gang leader; and Jackie Castellano as Irene Allen.

Release

Premiere

Miami Supercops had its world on December 11, 1985, at a theater in , , strategically scheduled during the holiday season to appeal to family audiences. The film runs for 97 minutes and received a general audience rating in , making it suitable for broad viewership. Promotional posters emphasized the glamorous setting alongside dynamic action poses of stars . The film marked the final collaboration between Hill and Spencer, generating interest among Italian media outlets.

Distribution

The film premiered theatrically in Italy on December 11, 1985, marking the initial domestic release for this Italian-American co-production. Subsequent international theatrical distribution followed shortly thereafter, with screenings in the Netherlands on December 12, 1985, and in Spain, Portugal, and Finland by late December 1985, reflecting a strategy to capitalize on the stars' popularity in European markets. In the United States, the release was limited and delayed until early 1986, primarily targeting niche audiences familiar with the Bud Spencer-Terence Hill duo through prior spaghetti Westerns and action comedies. To broaden appeal beyond Italy, the film underwent dubbing into multiple languages, including English, where key roles such as Steve Forrest (voiced by Edward Mannix) and Annabelle (voiced by Pat Starke) featured Americanized dialogue to align with overseas viewer expectations for buddy-cop dynamics. This dubbed English version facilitated television broadcasts across and by the late 1980s, often aired on channels emphasizing action programming to leverage the duo's established . Marketing efforts centered on promotional trailers highlighting high-energy car chases, physical brawls, and the comedic interplay between the leads, distributed via theatrical previews and early packaging. Home video distribution played a key role in extending the film's reach, with VHS releases emerging in 1987 through various international labels, followed by a U.S. DVD edition from Miracle Pictures in 2005 (under the alternate title Trinity: Good Guys and Bad Guys) and a Warner Home Video VHS in 1998. Blu-ray editions became available internationally starting in 2020. These formats emphasized the film's action-comedy elements in artwork and synopses, though U.S. theatrical competition from domestic cop genres constrained wider cinema exposure to art house venues. As of 2025, the film is available for streaming on various platforms including Tubi and Amazon Prime Video in select regions.

Reception

Critical response

Upon its release in Italy in 1985, critics praised the enduring chemistry between , whose interplay as mismatched partners provided reliable comedic energy, though many noted the film's formulaic plotting and departure from the duo's earlier, more whimsical Westerns. Italian reviewers highlighted this as a partial success in revitalizing the pair for a modern audience, with MYmovies.it describing it as a "partially successful attempt to relaunch the famous spaghetti-western duo" through family-friendly adventures and brawls, assigning it a score of 2.6 out of 5. Similarly, FilmTV.it critiqued the narrative's heavy elements as ill-suited to the stars' strengths, calling it one of the "lowest steps" in their due to insufficient humor and a derivative mimicry of American cop shows like . Internationally, reception was mixed, with reviewers appreciating the action sequences while faulting the reliance on dated tropes such as pastel aesthetics and synth-driven chases. The Spinning Image lauded the duo's dynamic as a "wily and " that sustained the film's , including memorable brawls, but criticized the convoluted mystery plot and underdeveloped supporting characters like the female leads, who served more as props than fully realized figures. Bands About Movies echoed this, noting the film's attempt to emulate through its settings and soundtrack but lamenting a shift toward gunplay over the pair's signature slaps, resulting in less humor and originality. Common themes across critiques included admiration for the visual flair of Miami's vibrant backdrops, which lent a colorful, era-specific energy to the action, contrasted with complaints about the over-reliance on physical humor at the expense of depth. Supporting characters were frequently dismissed as stereotypical and shallow, with little development beyond serving the leads' antics. Later reassessments in film enthusiast publications have positioned Miami Supercops as a solid, if unremarkable, entry in Hill and Spencer's oeuvre, valuing its nostalgic appeal as their penultimate collaboration but acknowledging its lack of innovation compared to their peaks. The Spinning Image, in a , affirmed its place as enjoyable fare for fans, while Bands About Movies viewed it as a transitional work hampered by stylistic borrowing rather than bold creativity.

Audience reception

Upon its release, Miami Supercops garnered a mixed response from audiences, earning an average rating of 6.1 out of 10 on based on 8,951 user votes (as of November 2025). Viewers frequently commended the on-screen chemistry and banter between leads , highlighting their comedic timing in buddy-cop scenarios, alongside the film's energetic action set pieces, such as chase sequences and brawls. However, some fans pointed out repetitive gags, like recurring mishaps, which occasionally felt formulaic and lessened the overall comedic impact. The film has cultivated a dedicated cult following, especially in Europe and Latin America, regions where Hill and Spencer's films enjoy enduring popularity due to their lighthearted action-comedy style and nostalgic appeal from the 1970s and 1980s. In these markets, audience appreciation tends to run higher, often around 7/10 in informal fan polls and retrospectives, emphasizing the duo's iconic status. On Rotten Tomatoes, it holds a 58% audience score from over 500 verified ratings (as of November 2025), reflecting polarized but engaged viewer sentiment. Fan discussions, particularly in online communities during the , have revived interest through shared clips and bootleg viewings, with enthusiasts frequently citing memorable action scenes like the climactic fight as standout moments for their over-the-top choreography and the stars' . Despite these highlights, some viewers criticized the pacing in non-action segments, describing them as draggy and underdeveloped, which disrupted the film's momentum. Additionally, audiences noted stereotypical depictions of American culture and settings by the Italian filmmakers, including exaggerated cop tropes and cultural caricatures that felt inauthentic to U.S. viewers.

Legacy

Cultural impact

Miami Supercops marked the conclusion of Terence Hill and Bud Spencer's non-Western filmmaking phase, serving as their last action-comedy collaboration outside the western genre before reuniting for the 1994 western Troublemakers. This shift encapsulated the duo's evolution from urban adventures to frontier tales, influencing Italian export comedies by solidifying their buddy dynamic as a model for European cinema's action pairs, with parallels appearing in 1990s films featuring mismatched cop duos blending humor and brawls. The movie contributed to the "spaghetti cop" subgenre—an Italian twist on films—by merging American cop show aesthetics with signature Italian . Its opening sequence parodies -style visuals, including neon-lit montages of bikini-clad women, armed officers, and synth-heavy scores, exaggerating 1980s tropes for comedic effect while highlighting the duo's physical humor in undercover investigations. In fan culture, Miami Supercops spurred merchandise demand in , such as original posters and apparel that capitalized on the film's vibrant imagery and the duo's star power. Following Bud Spencer's death in 2016, the film featured in tributes to their partnership, including a 2021 exhibition marking the fifth anniversary of his passing, which showcased memorabilia and underscored their embedded role in European pop culture. The picture aided in globalizing Italian action-comedy, sustaining Hill and Spencer's appeal in international markets amid the 1980s home video surge, where their tapes became staples in video stores across and beyond, fostering a dedicated following through accessible rentals and dubbed releases.

Retrospective views

In the 21st century, Miami Supercops has received reappraisals through fan-driven retrospectives, such as the Spencerhill Festivals held in and since the 2010s, where the film is celebrated alongside other works by for its campy charm and nostalgic evocation of buddy-cop tropes. These events highlight the duo's enduring appeal in European pop culture, often screening the movie to audiences appreciating its lighthearted transatlantic blend of Italian comedy and American action aesthetics. The film's home media availability has evolved significantly, with initial DVD releases appearing around 2005 in regions like and , followed by a Blu-ray edition in 2020 that included restored visuals. Streaming platforms have further broadened access since at least 2017, with the movie available on , exposing it to younger viewers through on-demand viewing and introducing its physical humor to global audiences beyond theatrical or eras. Scholarly interest in Miami Supercops fits within broader analyses of Eurocrime and Italian action-comedy cinema, as explored in the 2012 documentary Eurocrime! The Italian Cop and Gangster Films That Ruled the '70s, which contextualizes late entries like this film as extensions of the 's transatlantic cultural fusion, blending U.S. settings with European stylistic flair. Enhanced in modern releases have improved its accessibility for non-Italian speakers, facilitating deeper appreciation of its mash-up elements in academic discussions of hybridity. As of , the film maintains a stable user rating of 6.1/10 on based on over 8,900 votes, reflecting consistent mid-tier appreciation for its formulaic entertainment value. Renewed interest has surged via , where full uploads and clip compilations have garnered millions of views, amplified by post-2020 pandemic trends in nostalgic home viewing of cult action comedies. Fan edits and discussions on platforms like further sustain its niche following, emphasizing memorable fight scenes and the stars' chemistry.

References

  1. https://www.rottentomatoes.com/m/miami_supercops
  2. https://www.imdb.com/title/tt0089591/
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  13. https://www.filmexport.net/portfolio/miami-supercops/
  14. https://www.themoviedb.org/movie/10295-miami-supercops
  15. https://villains.fandom.com/wiki/Ralph_Duran
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  35. https://www.imdb.com/title/tt0089591/reviews/
  36. https://www.facebook.com/groups/1794314294148092/posts/4160505070862324/
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  38. https://www.atlasobscura.com/places/bud-spencer-museum-berlin
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  40. https://www.postermania.it/azione/67664-manifesto-miami-supercops-bud-spencer-terence-hill-bruno-corbucci-a485.html
  41. https://www.dw.com/en/bud-spencer-cult-actor-gets-berlin-tribute/a-58046216
  42. https://welovebudapest.com/en/article/2016/10/26/why-are-bud-spencer-and-terence-hill-such-big-heroes-in-budapest/
  43. https://www.youtube.com/watch?v=Ug0SKeg-NXU
  44. https://www.loot.co.za/product/miami-supercops/gfys-602-g770
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  47. https://www.youtube.com/watch?v=ZkYh5axbtWs
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