Nudie Cohn

Nuta Kotlyarenko (Ukrainian: Нута Котляренко; December 15, 1902 – May 9, 1984), known professionally as Nudie Cohn, was a Ukrainian-American tailor who designed decorative rhinestone-covered suits, known popularly as "Nudie Suits", and other elaborate outfits for some of the most famous celebrities of his era. He also became famous for his outrageous customized automobiles.

Kotlyarenko was born in Kyiv on December 15, 1902, to a Jewish family. To escape the pogroms of Czarist Russia, his parents sent him, at age 11 with his brother Julius, to America. For a time, he criss-crossed the country, working as a shoeshine boy and later a boxer. He later claimed associating with gangster Pretty Boy Floyd. While living in a boardinghouse in Mankato, Minnesota, he met Helen "Bobbie" Kruger, and married her in 1934. In the midst of the Great Depression, the newlyweds moved to New York City and opened their first store, "Nudie's for the Ladies", specializing in custom-made undergarments for showgirls.

Cohn and Kruger relocated to California in the early 1940s, and began designing and manufacturing clothing in their garage. In 1947, Cohn persuaded young, struggling country singer Tex Williams to buy him a sewing machine with the proceeds from auctioning off a horse. In exchange, Cohn made clothing for Williams. As their creations gained a following, the Cohns opened "Nudie's of Hollywood" on the corner of Victory Blvd and Vineland Ave in North Hollywood, dealing exclusively in Western wear, a style much in fashion at the time.

Cohn's designs brought the already-flamboyant Western style to a new level of ostentation with the liberal use of rhinestones and themed images in chain stitch embroidery. One of his early designs, in 1962, for singer Porter Wagoner, was a peach-colored suit featuring rhinestones, a covered wagon on the back, and wagon wheels on the legs. He offered the suit to Wagoner for free, confident that the popular performer would serve as a billboard for his clothing line. His confidence proved justified, and the business grew rapidly. In 1963, the Cohns relocated their business to a larger facility on Lankershim Boulevard in North Hollywood and renamed it "Nudie's Rodeo Tailors".

Many of Cohn's designs became signature looks for their owners. Among his most famous creations was Elvis Presley's $10,000 gold lamé suit worn by the singer on the cover of his 50,000,000 Elvis Fans Can't Be Wrong album. Cohn created Hank Williams' white cowboy suit with musical notations on the sleeves, and Gram Parsons' infamous suit for the cover of the Flying Burrito Brothers' 1969 album The Gilded Palace of Sin, featuring pills, poppies, marijuana leaves, naked women, and a huge cross. He designed the iconic costume worn by Robert Redford in the 1979 film Electric Horseman, which was exhibited by the National Cowboy & Western Heritage Museum in Oklahoma City.

Many of the film costumes worn by Roy Rogers and Dale Evans were Nudie's designs. John Lennon was a customer, as were John Wayne, Gene Autry, George Jones, Cher, Ronald Reagan, Elton John, Robert Mitchum, Pat Buttram, Tony Curtis, Michael Landon, Glen Campbell, Michael Nesmith, Hank Snow, Hank Thompson, and numerous musical groups, notably America and Chicago. ZZ Top band members Billy Gibbons and Dusty Hill sported Nudie suits on the cover photo of their 1975 album Fandango!.

In 2006, Porter Wagoner said he had accumulated 52 Nudie suits, costing between $11,000 and $18,000 each, since receiving his first free outfit in 1962. Belgian entertainer Bobbejaan Schoepen was a client and personal friend; his collection of 35 complete stage outfits is the largest in Europe.

Cohn strutted around town in his own outrageous suits and rhinestone-studded cowboy hats. His sartorial trademark was mismatched boots, which he wore, he said, to remember his humble beginnings in the 1930s, when he could not afford a matching pair of shoes. He shamelessly promoted himself and his products throughout his career. According to his granddaughter, Jamie Lee Nudie (who changed her last name to her grandfather's first name), he would often pay for items with dollar bills sporting a sticker of his face covering George Washington's. "When you get sick of looking at me," he would say, "just rip [the sticker] off and spend it."