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Oberhofer
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Oberhofer is a band from Brooklyn, New York City, formed in 2008 to perform the music of its founder and frontman Brad Oberhofer. Current members are Brad Oberhofer on synths, guitar and vocals, Zöe Brecher on drums, Dylan Treleven on bass, and Ben Roth on guitar.

Key Information

In July 2011, Brad Oberhofer signed with Glassnote Records, which released Oberhofer's debut album, Time Capsules II, on March 27, 2012, an EP entitled Notalgia (2013), and their second album, Chronovision (2015), in the United States and worldwide.

History

[edit]

Oberhofer started in 2008 as the recording project of Brad Oberhofer. After moving from his native Tacoma, Washington to New York City, Oberhofer attended New York University to study music composition.[2] After using several different names, the young singer adopted his own name as the title of the project. Although the band has since gone through various lineup formations, the name has remained the same because Oberhofer writes all the music himself.[3]

In 2010, Oberhofer self-released his first single, "o0Oo0O0o", and was soon asked to go on tour with bands like Sleigh Bells, Neon Indian, and Matt and Kim.[2] After hitting the road for a year, Oberhofer released "Away Frm U" [sic] and "I Could Go" in 2011. The two singles brought the attention of independent label White Iris Records, who released the band's next single, "Gotta Go/Mahwun", in the summer of 2011. Soon after, Oberhofer signed with Glassnote Records to release their debut album.[4] Stereogum ranked the band as the 39th most anticipated album of 2012.[5]

Brad began work on Time Capsules II in the studio with Grammy Award–winning producer Steve Lillywhite in November 2011, recording vocals and most instrumental tracks himself, and pulling in bandmates and other instrumentalists to complete certain tracks. Glassnote released Time Capsules II in the United States on March 27, 2012.[6] In anticipation of the release, the band performed "Away Frm U" on the Late Show with David Letterman.[7]

Oberhofer performed widely in clubs and on the festival circuit in support of Time Capsules II. Notable performances include in the Mojave Tent at the 2012 edition of the Coachella Valley Music and Arts Festival[8] and the Budweiser stage at Lollapalooza in Chicago on August 5, 2012.[9] They performed at the Austin City Limits Music Festival on October 13, 2013.[10]

Their song "I Could Go" was included as a sound track of the freeride biking movie Where The Trail Ends, sponsored by brands such as Specialized Bicycle Components, Red Bull and others. Many of their other songs have been licensed to television programs, advertisements, and online series, including Catfish: The TV Show, Skins, LUV, T-Mobile, SoBe, BoJack Horseman, Kevin from Work, Underemployed, Teen Wolf, and Table 19.

Their song "Gold" also was included as a sound track of the soccer simulation game by Konami, Pro Evolution Soccer 2013. In 2016, their song "Sea of Dreams" from Chronovision was prominently featured in the fourth episode of season 3 of Netflix's animated TV series BoJack Horseman, "Fish Out of Water", which was voted Time Magazine's best episode of television in 2016.

Discography

[edit]

Albums

[edit]

EPs

[edit]

Singles

[edit]
Single Video Label/year
o0Oo0Oo0 No Self-released, 2010
Away Frm U Yes Inflated Records, 2011
I Could Go No Self-released, 2011
Gotta Go/Mahwun No White Iris Records, 2011
Dead girls dance No Self-released, 2009
Haus No Self-released, 2012
Cruisin' FDR Yes 2012
Earplugs No Glassnote Records, 2013
You + Me (Still Together In The Future) No Glassnote Records, 2013
Together/Never Yes Glassnote Records 2013
Memory Remains Yes Glassnote Records 2015
White Horse, Black River No Glassnote Records 2015
Sun Halo No Glassnote Records 2015
Dreamt I Was Gonna Be Your Man[11] Yes Glassnote Records 2018
Wikimedia Commons has media related to Oberhofer (band).

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Oberhofer

View on Grokipedia
from Grokipedia
Oberhofer is an American indie rock and band founded in 2008 in , New York, by , , and Brad Oberhofer as a vehicle to perform his original compositions. Originally hailing from , Oberhofer relocated to to attend , where he began recording and developing his eclectic sound characterized by energetic rhythms, playful lyrics, and multi-instrumental arrangements. The project gained prominence with its debut full-length album, Time Capsules II, released in 2012, which featured production by Grammy-winning engineer Steve Lillywhite and showcased Oberhofer's knack for blending indie pop hooks with experimental flair. Follow-up releases included the EP Notalgia in 2013 and the sophomore album Chronovision in 2015, both of which expanded the band's reputation for vibrant, synth-driven tracks that earned critical praise from outlets like Billboard, Rolling Stone, and The Guardian. Oberhofer toured extensively during this period, supporting acts such as Sleigh Bells, Beach House, and Matt & Kim, while performing at major festivals including Coachella, Lollapalooza, Austin City Limits, and SXSW, and appearing on The Late Show with David Letterman. In recent years, Oberhofer has evolved into a more solo-oriented endeavor for Brad Oberhofer, now based in , with a focus on composition for , television, and advertising, including soundtracks for (2022) and I Wish You All The Best (2025), and collaborations with artists like , , and . The project's 2021 album Smothered, released via Telefono Records, marked a return to original material with introspective themes, followed by the 2022 compilation Smothered: Demos & Outtakes and a 2024 single, "Angel Number," reflecting ongoing creative output. During the in 2020, Oberhofer streamed 115 consecutive nights of improvised piano performances on Live, providing comfort to audiences worldwide.

Formation and Early Years

Brad Oberhofer's Background

Brad Oberhofer was born in , in 1991. Growing up in this city, he developed an early interest in music composition, influenced by his mother, an opera singer, and began experimenting with recordings in his parents' basement around 2006. As a gifted high school student, he composed and conducted a school orchestra symphony that moved his classmates to tears, showcasing his precocious talent for orchestral arrangements. In 2008, Oberhofer relocated from Tacoma to , , to attend , where he studied and composition. This move marked a pivotal shift, immersing him in the vibrant New York music scene and prompting further development of his songwriting. At NYU, he balanced academic pursuits with personal creative endeavors, honing his skills as a proficient in guitar, keyboards, and more. Prior to assembling a live band, Oberhofer conducted initial solo recording experiments using rudimentary home setups, building on his basement sessions in Tacoma to craft demos that reflected his eclectic indie-pop style. These efforts laid the groundwork for transitioning his work into the project known as Oberhofer.

Band Formation and Initial Releases

Oberhofer was established in 2008 in , New York, as a solo recording project by musician Brad Oberhofer, who sought to create and perform his own compositions after relocating from , to attend . The name Oberhofer directly derives from its founder, underscoring his position as the primary songwriter and the project's origins as a one-person operation focused on home recordings. By 2009, the endeavor began transitioning from solitary production to a collaborative live setup, with Oberhofer recruiting supporting musicians including Andrew Heaton, Mike Parham, and Pete Sustarsic to enable performances. This shift allowed the project to expand beyond recordings into a functional band capable of delivering energetic sets. Early rehearsals and initial gigs highlighted Oberhofer's multi-instrumental role on vocals, synths, and guitar, while the recruited members provided the rhythmic foundation essential for stage dynamics. The project's first output arrived in 2010 with the self-released debut single "o0Oo0Oo0," distributed independently to showcase Oberhofer's quirky, synth-driven sound. This track marked the initial public exposure of his material, emphasizing lo-fi production and infectious hooks that captured attention in New York's underground scene. Building on this momentum, the follow-up single "Away Frm U" was released in January 2011 through Inflated Records, quickly generating buzz for its upbeat energy and earning praise for lighting up venues with its tightly spun quirk-rock appeal. To cultivate a local audience, Oberhofer scheduled early live performances at key New York venues, including the in August 2010 and appearances at the CMJ Music Marathon that fall. These shows, often supporting acts like and Twin Sister, helped solidify the band's presence in the indie circuit through high-energy delivery and word-of-mouth endorsements from festival-goers.

Musical Career

Signing with Glassnote and Debut Album

In July 2011, Oberhofer signed with Glassnote Records after generating significant industry buzz through early independent singles like "Gotta Go/Mahwun," released via White Iris Records. This deal marked a major step for the band, transitioning them from DIY releases to a prominent indie label known for artists like Mumford & Sons and Phoenix. The band's debut full-length album, Time Capsules II, was produced by Grammy-winning veteran at Mission Sound Studios in , with recording sessions beginning in 2011. Lillywhite's involvement emphasized a dense, orchestral production approach, featuring layered synths, guitars, , strings, and flourishes to create a bombastic yet melodic sound blending with new-wave and surf-rock elements. Key tracks included the upbeat "I Could Go," which showcased Oberhofer's hook-driven songwriting, alongside the earlier single "Gotta Go/Mahwun" that carried over into the album's promotional cycle. Time Capsules II was released on March 27, 2012, receiving positive reviews for its energetic and eclectic style. Initial promotion highlighted festival debuts, including a performance in the Mojave Tent at Coachella 2012 and a set on the Bud Light Stage at 2012, which helped expand the band's visibility among larger audiences. Further exposure came from media placements, notably the track "Gold" featured on the soundtrack for the video game .

Subsequent Releases and Tours

Following the success of their debut album, Oberhofer built momentum through performances, leading into a period of creative expansion with the release of the EP Notalgia in April 2013 via Glassnote Records. The five-track collection featured experimental elements, including the lead single "Together / Never," which blended with emotive harmonies and timpani-driven builds. In 2015, the band delivered their second studio album, Chronovision, released on October 9 through Glassnote. Self-produced by frontman Brad Oberhofer from over 106 demos, the record was tracked across multiple locations, including his hometown of Tacoma, the Catskills, Los Angeles, and New York City, resulting in a dense, memory-infused sound. Key singles "Nevena," an introspective opener exploring isolation, and "Memory Remains," a brooding reflection on loss, highlighted the album's thematic depth and sonic experimentation. Oberhofer maintained an intensive touring schedule during this era to promote both the EP and album, performing 23 shows in 2013 and 19 in 2015 across and Europe. Highlights included festival sets at Osheaga in and Bunbury Music Festival in in 2013, where they delivered high-energy renditions of their catalog to growing audiences, alongside headlining club dates and support slots in major cities. The band also ventured into media scoring, contributing the full soundtrack Table 19: Oberhofer's Ultimate Wedding Mixtape to the 2017 comedy film Table 19, featuring Oberhofer's covers of '80s classics like "Hold Me Now" and "Dance Hall Days" alongside originals. Earlier, their Chronovision track "Sea of Dreams" served as the emotional closer for the 2016 BoJack Horseman episode "Fish Out of Water," underscoring themes of underwater isolation and longing. Marking a shift toward more introspective work, Oberhofer released the standalone single "Dreamt I Was Gonna Be Your Man" in October 2018 via Glassnote, a lo-fi track produced by Ryan Spraker that evoked dreamlike vulnerability and hinted at upcoming solo explorations.

Recent Projects and Scoring Work

Following the release of Chronovision in 2015, Oberhofer entered a six-year hiatus from major album releases, attributed to label rejections of over 100 demos deemed "not good enough" without further explanation, as well as personal challenges including a breakup, managerial fallout, and depression that left Brad Oberhofer unable to write or sing for an extended period. These setbacks, compounded by the COVID-19 pandemic, prompted a creative pivot toward film and television scoring, where Oberhofer found renewed artistic outlet amid the constraints on traditional band output. He overcame this rut by retreating to his hometown of Tacoma, Washington, for five weeks to rediscover his voice through intensive solo work. In 2021, Oberhofer independently released the Smothered on November 12 via his self-founded label, Telefono Records, marking a return to unfiltered, experimental that reflected themes of resilience amid adversity. The record featured collaborations with artists such as and Shamir, emphasizing Oberhofer's shift toward more intimate, synth-driven songwriting free from prior label interference. A follow-up collection, Smothered: Demos & Outtakes, arrived on December 9, 2022, compiling unreleased tracks and early versions from the 's sessions to provide insight into Oberhofer's raw creative process during the hiatus recovery. Oberhofer's expansion into scoring gained prominence in the early , with original music for the documentary series in 2022, where he composed a 42-track blending nostalgic and ambient elements to underscore the artist's life and era. This work highlighted his ability to adapt indie sensibilities to narrative-driven media. In 2024, he provided the score for Tommy Dorfman's directorial debut feature I Wish You All the Best, a coming-of-age drama that premiered at SXSW and received a , further establishing his contributions to indie soundtracks. In 2025, Oberhofer composed the score for the Bubble & Squeak, which premiered in competition at the . By the early 2020s, Oberhofer had relocated to , facilitating proximity to film and TV opportunities while maintaining a sporadic live presence. Notable performances included a 2025 appearance at Zebulon in on October 26, supporting the artist PETS in a collaborative bill that showcased his ongoing ties to the indie scene. These endeavors, alongside contributions to other indie projects, underscored Oberhofer's evolution from band-fronted releases to multifaceted work.

Band Members

Current Lineup

The current lineup of Oberhofer, as of , features founder Brad Oberhofer on vocals, synths, and guitar, alongside Zöe Brecher on drums, Dylan Treleven on bass, and Ben Roth on guitar. Brad Oberhofer serves as the primary songwriter and is central to the band's recordings, performances, and scoring projects, including his composition for the 2025 film I Wish You All the Best and contributions to Bubble & Squeak. He leads the creative direction, drawing from the project's origins as his solo endeavor in the late . Zöe Brecher joined in the mid-2010s, bringing dynamic percussion that enhances the band's live energy on tours and supports the rhythmic drive in recent studio work. Dylan Treleven has provided the bass foundation since 2012, anchoring the group's sound in productions spanning from Chronovision to ongoing 2025 sessions. Ben Roth contributes guitar, adding textural layers to albums like Chronovision and contemporary live sets, while collaborating on recent band productions such as tracks recorded in earlier this year.

Past Members

Oberhofer's lineup experienced significant fluidity during its formative years from to , as the project evolved from Brad Oberhofer's solo recordings to a live band assembled primarily from affiliates and local musicians. Early live performances featured drummer Clyde Kurtis and guitarist Andrew Heaton, who provided support during Oberhofer's initial shows in 2009. By 2010, the rotating ensemble had stabilized somewhat around bassist Mike Parham and drummer Pete Sustarsic, both of whom joined to enable more consistent touring and performances alongside Oberhofer on vocals and guitar. These members contributed to the band's early buzz, including festival appearances, but the group relied on session players for recordings, reflecting Oberhofer's dominant creative control. Heaton and Parham departed around 2011-2012 amid increasing tour demands, with guitarist Matthew Scheiner stepping in to fill the guitar role by the time of the debut album Time Capsules II in 2012. Post-debut, between 2012 and 2015, further changes occurred due to scheduling conflicts from extensive touring, including the replacement of Parham with bassist Dylan Treleven and the addition of Ben Roth on guitar and bass duties. Sustarsic remained a fixture through this period, drumming on the 2015 album Chronovision, which also featured temporary contributions from guitarist Collin Caulfield during sessions. Scheiner and Sustarsic both exited around 2016, attributed to the rigors of the road rather than any publicized disputes. This early-to-mid-period turnover allowed Oberhofer to maintain his singular artistic vision while experimenting with personnel, ultimately leading to a more stable core lineup by the late .

Musical Style

Genre and Influences

Oberhofer's music is primarily classified within the and genres, incorporating elements particularly in its early releases. These styles manifest through a blend of energetic rhythms and eclectic , drawing from the band's origins and Brad Oberhofer's solo production approach. Key influences on Oberhofer's sound include 1980s synth-pop acts such as New Order and classical composers such as Ravel. Brad Oberhofer has also drawn from his formal training in music theory and composition at , incorporating classical elements like impressionist piano structures inspired by composers such as Ravel. Signature elements of Oberhofer's style feature layered synths and upbeat, raucous rhythms that create an infectious, kitchen-sink orchestration, often accented by sweet harmonies and ornate flourishes like and strings. The lyrics frequently explore themes of youth, transience, and emotional vulnerability, blending playful optimism with underlying heartbreak. Critics have praised the energetic and anthemic quality of Oberhofer's debut album Time Capsules II, highlighting its festival-ready choruses and urgent drumming that evoke a sense of epic uplift amid 's shine.

Evolution

Oberhofer's early phase, spanning 2008 to 2012, was characterized by raw, lo-fi rooted in bedroom recordings, exemplified by the self-released single "o0o0o0o0o" in 2010, which showcased glitchy synths and energetic, punk-infused delivery. The debut album Time Capsules II (2012) amplified this with ebullient, extravagant arrangements featuring jangly guitars and over-excited vocals, creating anthemic tracks that blended and in a band-driven format. In the mid-period from 2013 to 2018, the sound evolved toward polished production, as heard in the Notalgia EP (2013), which introduced zany synth lines, dense builds to sparse moments, and themes of nostalgia laced with morbid hope, maintaining a cheery yet rough-edged energy. The album Chronovision (2015) further refined this progression with glam and orchestral touches, balancing dark, loud New Wave-inspired rockers like "White Horse Black River" against soft ballads such as "Sea of Dreams," resulting in a more finely tuned mix of euphoria and introspection. By the 2020s, Oberhofer's music shifted to introspective, demo-like intimacy in Smothered (2021), featuring glitchy beats, hazy synths, and lush, closely mixed arrangements that emphasize healing and duality, with tracks like highlighting electronic and cinematic scoring influences from Brad Oberhofer's parallel work on projects such as (2022). This evolution continued with solo piano singles such as "Angel Number" (2024) and "i hugged a clown in my dream" (2024), alongside film scores for I Wish You All The Best (2025) and Bubble & Squeak (2025), emphasizing instrumental and cinematic composition as of November 2025. This era marks an overall arc from collective, band-driven anthems to Brad Oberhofer-centric multimedia compositions, integrating film and TV scoring elements like ambient abstraction and orchestral subtlety.

Discography

Studio Albums

Oberhofer's debut studio , Time Capsules II, was released on March 27, 2012, by Glassnote Records. The 10-track record, produced by , captures themes of youthful exuberance blended with early-onset nostalgia, reflecting the band's energetic sound through playful instrumentation and heartfelt lyrics about and transience. Critics praised its vibrant production and crowd-pleasing choruses, though some noted its overproduced elements occasionally overshadowed the songwriting. The band's second studio album, Chronovision, arrived on October 9, 2015, also via Glassnote Records. Featuring 11 tracks, the album delves into explorations of time, , and emotional recall, described by frontman Brad Oberhofer as a "high-concentration dose of pure ." Its production earned acclaim for incorporating orchestral flourishes and psych-pop elements, creating a lush, amped sound that built on the debut's energy while introducing more introspective layers. Singles such as "Nevena" and "Someone Take Me Home" highlighted the record's catchy hooks and thematic depth, contributing to a positive critical reception averaging around 70 out of 100. In , following a six-year hiatus, Oberhofer independently released Smothered on November 12 through Telefono Records. The 12-track album, co-produced by Brad Oberhofer and with input from band members, confronts personal vulnerability, anxiety, and depression through tense dream-pop arrangements and wistful harmonies. This self-reflective work marked a return to experimental roots, emphasizing raw emotional expression after years of scoring and side projects.

Extended Plays

Oberhofer released their first , Notalgia, in 2013 through Glassnote Records, following the band's debut studio Time Capsules II. This five-track EP, available primarily on vinyl in a limited pressing, features experimental elements including a brief interlude titled "-", which serves as a sonic bridge between tracks. The release explores themes of reminiscence, personal pain, and recovery, with songs like "You + Me (Still Together In the Future)" and "Earplugs" delving into emotional and the destructiveness of , often interpreted as referencing use and depression. Clocking in at around 16 minutes, Notalgia acts as a transitional work, bridging the energetic of the debut to more introspective sounds in subsequent projects. In 2022, Oberhofer issued Smothered: Demos & Outtakes as an independent release via , serving as a companion to the 2021 full-length album Smothered. This EP compiles 11 raw demo versions and previously unreleased outtakes, including stripped-down renditions of tracks such as "In the Blink of an Eye (Time Passes By) - Demo" and "All I Want - Demo," alongside exclusive pieces like "Catching Feelings" and "Kiss Of Fate." Spanning approximately 36 minutes, the collection highlights the band's creative process, offering unpolished glimpses into song evolution with minimal production that emphasizes Brad Oberhofer's vocal and layering. Unlike the polished parent album, this EP underscores experimental facets and unfinished ideas, providing fans insight into the iterative nature of Oberhofer's songwriting.

Singles

Oberhofer's early singles established the band's reputation in the scene through self-released and independent label efforts. The debut single "o0Oo0Oo0," self-released in 2010, showcased frontman Brad Oberhofer's raw, lo-fi production style and energetic sound, gaining initial buzz among radio stations and online music communities. In 2011, the band issued several key singles that expanded their reach. "Away Frm U," released on Inflated Records, featured driving rhythms and emotive vocals, serving as a promotional vehicle for upcoming material and attracting attention from major labels. "I Could Go," also from 2011, highlighted Oberhofer's ability to blend psychedelic elements with catchy hooks, contributing to the band's growing live following. Later that year, the double A-side "Gotta Go/Mahwun" on White Iris marked a pivotal moment, peaking at number 64 on the Official Physical Singles Chart for one week and underscoring the band's appeal in niche indie markets. Mid-period releases in 2015 reflected Oberhofer's maturation toward more introspective themes. "Nevena," drawn from the Chronovision era, explored isolation and longing through layered , functioning as a lead promotional track to build anticipation for the album. Similarly, "Heart" emphasized emotional vulnerability with its house-like metaphors and abandoned-love narrative, reinforcing the band's evolution in storytelling. By 2018, "Dreamt I Was Gonna Be Your Man" emerged as a standalone single, capturing themes of relational uncertainty with synth-driven production and lo-fi visuals in its accompanying video, helping maintain Oberhofer's visibility during a transitional phase. In 2021, "Let It Go" served as a promotional single for the Smothered, embracing in its jangling guitars and themes of release and solace, released via Telefono Records to herald the project's introspective direction. In 2024, Oberhofer released the standalone single "Angel Number" on August 28, featuring introspective themes in a style. These singles collectively amplified Oberhofer's media presence, with tracks like "Gold" (from the 2011 Time Capsules II sessions) featured on the soundtrack, exposing the band to international gaming audiences and boosting indie chart traction.

References

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  72. https://www.soundoflife.com/blogs/people/rising-young-composers
  73. https://www.newreleasesnow.com/album/oberhofer-time-capsules-ii
  74. https://littlevillagemag.com/album-review-brad-oberhofer-time-capsules-ii/
  75. https://www.discogs.com/release/7577484-Oberhofer-Chronovision
  76. https://northerntransmissions.com/someone-take-me-home-by-oberhofer/
  77. https://www.albumoftheyear.org/album/34011-oberhofer-chronovision.php
  78. https://telefonorecords.com/products/oberhofer-smothered-lp/
  79. https://www.discogs.com/release/6024838-Oberhofer-Notalgia
  80. https://open.spotify.com/album/1syv44lCv5CjQaAwal3Mtw
  81. https://diymag.com/feature/track-by-track-oberhofer-nostalgia-ep
  82. https://wcdbfm.wordpress.com/2013/04/17/oberhofer-nostalgia-ep/
  83. https://open.spotify.com/album/0WIIQxhHZepqPPNWjLGY6x
  84. https://www.indiependent.co.uk/single-review-memory-remains-oberhofer/
  85. https://inflatedrecords.bandcamp.com/album/oberhofer-away-frm-u-single
  86. https://www.officialcharts.com/songs/oberhofer-gotta-go/
  87. https://open.spotify.com/track/08U1scE713zjiURjZqnxyJ
  88. https://open.spotify.com/track/6gdhhsUoEHxqfGDP7MZajo
  89. https://dustyorgan.com/2021/09/09/l-a-singer-songwriter-oberhofer-finds-the-beauty-in-simplicity-on-new-single-let-it-go-announces-new-lp/
  90. https://www.tunefind.com/game/pro-evolution-soccer-2013-2012
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