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Peter Ustinov
Sir Peter Alexander Ustinov [needs IPA] (16 April 1921 – 28 March 2004) was a British actor and humanitarian. An internationally known raconteur, he was a fixture on television talk shows and lecture circuits for much of his career. Ustinov received numerous accolades including two Academy Awards, three BAFTA Awards, three Emmy Awards, an Olivier Award and a Grammy Award.
Ustinov received two Academy Awards for Best Supporting Actor for his roles in Spartacus (1960), and Topkapi (1964). He also starred in notable films such as Quo Vadis (1951), The Sundowners (1960), Billy Budd (1962), and Hot Millions (1968). He voiced Prince John and King Richard in the Walt Disney Animated film Robin Hood (1973), and portrayed Agatha Christie's fictional detective Hercule Poirot six times for both film and television.
Ustinov also displayed a unique cultural versatility which frequently earned him the accolade of a Renaissance man. Miklós Rózsa, composer of the music for Quo Vadis and of numerous concert works, dedicated his String Quartet No. 1, Op. 22 (1950) to Ustinov.
An intellectual and diplomat, Ustinov held various academic posts, and served as a goodwill ambassador for UNICEF and president of the World Federalist Movement (WFM). In 2003, Durham University changed the name of its Graduate Society to Ustinov College, in honour of the significant contributions Ustinov had made as chancellor of the university from 1992 until his death.
Peter Alexander Freiherr von Ustinov was born on 16 April 1921 at 45 Belsize Park, London. His father, Jona Freiherr von Ustinov, was of Russian, German, Polish, Ethiopian, and Jewish descent. Ustinov's paternal grandfather was Baron Plato von Ustinov, a Russian noble, and his grandmother was Magdalena Hall, of mixed German-Ethiopian-Jewish origin. Ustinov's great-grandfather Moritz Hall, a Jewish refugee from Kraków and later a Christian convert and colleague of Swiss and German missionaries in Ethiopia, married into a German-Ethiopian family. Ustinov's paternal great-great-grandparents (through Magdalena's mother) were the German painter Eduard Zander and the Ethiopian aristocrat Court-Lady Isette-Werq of Gondar.
Ustinov's mother, Nadezhda Leontievna Benois, known as Nadia, was a painter and ballet designer of French, German, Italian, and Russian descent. Her father, Leon Benois, was an Imperial Russian architect and owner of Leonardo da Vinci's painting The Benois Madonna. Leon's brother Alexandre Benois was a stage designer who worked with Stravinsky and Diaghilev. Their paternal ancestor Jules-César Benois was a chef who had left France for Saint Petersburg during the French Revolution and became a chef to Emperor Paul I of Russia.
Jona (or Iona) worked as a press officer at the German embassy in London in the 1930s and was a reporter for a German news agency. In 1935, two years after Adolf Hitler came to power in Germany, Jona von Ustinov began working for the British intelligence service MI5 and became a British subject, thus avoiding internment during the war. Ustinov claimed that the statutory notice of his application for citizenship was published in a Welsh newspaper so as not to alert the Germans; notice of "Iona von Ustinow"'s intention to apply for naturalisation was published in a London newspaper in July 1935 and his naturalisation gazetted in December. He was the controller of Wolfgang Gans zu Putlitz, an MI5 spy in the German embassy in London, who furnished information on Hitler's intentions before the Second World War. (Peter Wright mentions in his book Spycatcher that Jona was possibly the spy known as U35; Ustinov says in his autobiography that his father hosted secret meetings of senior British and German officials at their London home.)
Ustinov was educated at Westminster School and had a difficult childhood because of his parents' constant fighting. While at school, Ustinov considered anglicising his name to Peter Austin, but was counselled against it by a fellow pupil who said that he should "Drop the 'von' but keep the 'Ustinov'". In his late teens he trained as an actor at the London Theatre Studio. While there, on 18 July 1938 he made his first appearance on the stage at the Barn Theatre, Shere, playing Waffles in Chekhov's The Wood Demon, and his London stage début later that year at the Players' Theatre, becoming quickly established. He later wrote, "I was not irresistibly drawn to the drama. It was an escape road from the dismal rat race of school".
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Peter Ustinov
Sir Peter Alexander Ustinov [needs IPA] (16 April 1921 – 28 March 2004) was a British actor and humanitarian. An internationally known raconteur, he was a fixture on television talk shows and lecture circuits for much of his career. Ustinov received numerous accolades including two Academy Awards, three BAFTA Awards, three Emmy Awards, an Olivier Award and a Grammy Award.
Ustinov received two Academy Awards for Best Supporting Actor for his roles in Spartacus (1960), and Topkapi (1964). He also starred in notable films such as Quo Vadis (1951), The Sundowners (1960), Billy Budd (1962), and Hot Millions (1968). He voiced Prince John and King Richard in the Walt Disney Animated film Robin Hood (1973), and portrayed Agatha Christie's fictional detective Hercule Poirot six times for both film and television.
Ustinov also displayed a unique cultural versatility which frequently earned him the accolade of a Renaissance man. Miklós Rózsa, composer of the music for Quo Vadis and of numerous concert works, dedicated his String Quartet No. 1, Op. 22 (1950) to Ustinov.
An intellectual and diplomat, Ustinov held various academic posts, and served as a goodwill ambassador for UNICEF and president of the World Federalist Movement (WFM). In 2003, Durham University changed the name of its Graduate Society to Ustinov College, in honour of the significant contributions Ustinov had made as chancellor of the university from 1992 until his death.
Peter Alexander Freiherr von Ustinov was born on 16 April 1921 at 45 Belsize Park, London. His father, Jona Freiherr von Ustinov, was of Russian, German, Polish, Ethiopian, and Jewish descent. Ustinov's paternal grandfather was Baron Plato von Ustinov, a Russian noble, and his grandmother was Magdalena Hall, of mixed German-Ethiopian-Jewish origin. Ustinov's great-grandfather Moritz Hall, a Jewish refugee from Kraków and later a Christian convert and colleague of Swiss and German missionaries in Ethiopia, married into a German-Ethiopian family. Ustinov's paternal great-great-grandparents (through Magdalena's mother) were the German painter Eduard Zander and the Ethiopian aristocrat Court-Lady Isette-Werq of Gondar.
Ustinov's mother, Nadezhda Leontievna Benois, known as Nadia, was a painter and ballet designer of French, German, Italian, and Russian descent. Her father, Leon Benois, was an Imperial Russian architect and owner of Leonardo da Vinci's painting The Benois Madonna. Leon's brother Alexandre Benois was a stage designer who worked with Stravinsky and Diaghilev. Their paternal ancestor Jules-César Benois was a chef who had left France for Saint Petersburg during the French Revolution and became a chef to Emperor Paul I of Russia.
Jona (or Iona) worked as a press officer at the German embassy in London in the 1930s and was a reporter for a German news agency. In 1935, two years after Adolf Hitler came to power in Germany, Jona von Ustinov began working for the British intelligence service MI5 and became a British subject, thus avoiding internment during the war. Ustinov claimed that the statutory notice of his application for citizenship was published in a Welsh newspaper so as not to alert the Germans; notice of "Iona von Ustinow"'s intention to apply for naturalisation was published in a London newspaper in July 1935 and his naturalisation gazetted in December. He was the controller of Wolfgang Gans zu Putlitz, an MI5 spy in the German embassy in London, who furnished information on Hitler's intentions before the Second World War. (Peter Wright mentions in his book Spycatcher that Jona was possibly the spy known as U35; Ustinov says in his autobiography that his father hosted secret meetings of senior British and German officials at their London home.)
Ustinov was educated at Westminster School and had a difficult childhood because of his parents' constant fighting. While at school, Ustinov considered anglicising his name to Peter Austin, but was counselled against it by a fellow pupil who said that he should "Drop the 'von' but keep the 'Ustinov'". In his late teens he trained as an actor at the London Theatre Studio. While there, on 18 July 1938 he made his first appearance on the stage at the Barn Theatre, Shere, playing Waffles in Chekhov's The Wood Demon, and his London stage début later that year at the Players' Theatre, becoming quickly established. He later wrote, "I was not irresistibly drawn to the drama. It was an escape road from the dismal rat race of school".