Hubbry Logo
Rab Ne Bana Di JodiRab Ne Bana Di JodiMain
Open search
Rab Ne Bana Di Jodi
Community hub
Rab Ne Bana Di Jodi
logo
7 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Rab Ne Bana Di Jodi
Rab Ne Bana Di Jodi
Rab Ne Bana Di Jodi
View on Wikipedia
from Wikipedia

Rab Ne Bana Di Jodi
Theatrical release poster
Directed byAditya Chopra
Written byAditya Chopra
Produced byYash Chopra
Aditya Chopra
StarringShah Rukh Khan
Anushka Sharma
Vinay Pathak
CinematographyRavi K. Chandran
Edited byRitesh Soni
Music bySalim–Sulaiman
Production
company
Distributed byYash Raj Films
Release date
  • 12 December 2008 (2008-12-12)
Running time
164 minutes[1]
CountryIndia
LanguageHindi[2]
Budget₹31 crore[3]
Box officeest. ₹157 crore[4]

Rab Ne Bana Di Jodi (transl. A Match Made in Heaven), also known by its initialism as RNBDJ, is a 2008 Indian Hindi-language romantic comedy film written and directed by Aditya Chopra. It was produced by his father Yash Chopra under their production banner of Yash Raj Films. The film stars Shah Rukh Khan as Surinder Sahni, a mild-mannered office employee who marries his deceased professor's daughter, Taani, portrayed by Anushka Sharma in her debut. His friend, played by Vinay Pathak, eventually transforms him into the fun-loving "Raj Kapoor" to win Taani's love. The film's soundtrack was composed by Salim–Sulaiman, and it became the first Bollywood soundtrack to reach the top 10 album sales on the iTunes Store.[5]

Rab Ne Bana Di Jodi was released worldwide on 12 December 2008 and marked Chopra's return to direction after an 8-year hiatus, following his previous directorial venture, Mohabbatein (2000), which also starred Khan. The film was not heavily promoted pre-release by either Khan or YRF, mainly due to uncertainty and apprehensions regarding cinema-market conditions following the terror attacks in Mumbai.[6] Upon release, the film received positive reviews from critics and broke several box-office records. It was declared a year-end super-hit, and at the end of its theatrical run, it grossed over ₹1.57 billion (US$19 million) worldwide, becoming the highest-grossing Hindi film of the year overseas, as well as YRF and Khan's highest-grossing film at the time.[7]

At the 54th Filmfare Awards, Rab Ne Bana Di Jodi received a leading 10 nominations, including Best Film, Best Director (Aditya), Best Actor (Khan), Best Actress (Sharma) and Best Supporting Actor (Pathak), and won 2 awards – Best Male Playback Singer (Sukhwinder Singh for "Haule Haule") and Best Scene of the Year.

The film's script was recognized by a number of critics and was invited to be included in the Margaret Herrick Library of the Academy of Motion Picture Arts and Sciences, just a day after its release.[8] The script is accessible for research purposes only; students, filmmakers, writers, and actors are among the regular patrons.[9]

Plot

[edit]

Shy, introverted, and kind-hearted Surinder "Suri" Sahni (Shahrukh Khan) is an office worker for Punjab Power. He quietly falls in love with the daughter of his former professor Shirish (M.K. Raina), the beautiful and vivacious Tania "Taani" Gupta (Anushka Sharma), whom he first meets during the preparations for her wedding. Upon their first meeting, however, Taani jokingly berates and blames Suri for setting an impossible set of standards for her father that she was never able to meet as a child. A short while later, the entire wedding party learns that Taani's fiancé and his family were killed in a traffic accident, causing her father to suffer a heart attack. Fearing that Taani will be alone in the world, the professor on his deathbed asks Suri to marry her. Suri concedes; Taani tearfully agrees only for her father's sake.

After a hasty wedding, Suri takes Taani to his ancestral home in Amritsar. While his good nature leads Suri to treat her with exceptional care and patience, he is too frightened to profess his love for her. Later on, Surinder's office colleagues and his best friend Bobby invite themselves to his house for a party after learning of his marriage from the neighbors. Surinder feels awkward, but is later surprised when Taani shows up. However, Taani tells him that while she will try to be a good wife, she can never love him due to having no love left within her. Suri, though, continues to indulge her every desire. This includes frequent visits to the cinema to see song and dance films which appeal to Taani's fantasies about romance and her passion for dancing. She soon asks for Suri's permission, which he grants, to take an expensive dance class with the company Dancing Jodi to escape her mundane life at home.

During one visit to the cinema, Suri feels inadequate in comparison to the strong, masculine images that Taani admires and later asks his childhood friend Balwinder "Bobby" Khosla (Vinay Pathak), a hair-salon owner, for advice on how to win her love. Bobby is eager to help and suggests a complete makeover (shaving off his mustache, changing his hairstyle, outfitting him in casual Western-style clothing including aviator-style sunglasses with oversized pastel lenses). Suri is thus transformed into the swaggering, loud, rude, and fun-loving "Raj Kapoor", named by Suri after the hero in a film Taani admires. He joins the dance class and by chance — or, as he believes, by divine intervention — becomes Taani's partner in the competition. Despite Raj's initial crudeness — a result of Suri's inexperience with women and his attempt to emulate the "cool" images from movies — he and Taani become friends as they work together on their dance routine. Suri feels encouraged when Taani does not tie a rakhi (holy thread) on "Raj's" wrist during the festival of Raksha Bandhan (for to do so would indicate that she thought of him only as a brother). Thus, after a period of time, Raj declares his love for her.

Suri's ruse poses a dilemma for both of them. Taani enters into a period of internal conflict, desperately wanting to escape from her despair-filled life through finding a new person to love. Despite wanting to escape what she believes is a loveless marriage, Taani feels compelled to stay with Suri due to the promise that she made to her father. Suri also faces an extraordinary paradox: Taani's sheer misery as his wife in contrast to her delight with his fabricated alter ego, Raj. He thus attempts to win Taani's love as Suri. Suri gets two tickets from his office to a Japan-themed festival, where he wrestles a Japanese sumo wrestler in an attempt to win two tickets to Japan to showcase his love for Taani. During the match, Suri gets injured badly but manages to win. Taani gets angry at Suri for his recklessness, which only alienates her further. She eventually runs away to find Raj in order to tell him the predicament she is in, hoping he will help her. He offers to elope with her, which she agrees to tearfully. They set the date for their elopement to the next night, the night of the competition.

On the day of the competition, Suri takes Taani to the Golden Temple in order to garner God's blessings for her competition that night—and internally, also for her life with Raj. While there, Taani has an epiphany in which she believes God has shown her a sign that tells that her marriage to Suri is divinely inspired. For the first time, she reflects on her husband and becomes aware of the strength and integrity of Suri's character. Taani thus tells Raj that she cannot run away with him. She leaves him in what appears to be a state of shock with tears in his eyes. When the time comes for their performance Taani is stunned to see Suri, instead of Raj, joining her on stage. During their performance, Taani puts two and two together and through a series of flashbacks, discovers that Suri is Raj. Backstage, she confronts Suri and when he confesses his love for her, she tearfully admits that she returns his feelings. The two win the competition and head off on a honeymoon to Japan.

Cast

[edit]

Cameo appearances

Special appearances in the song "Phir Milenge Chalte Chalte"

Production

[edit]

Theme

[edit]

Rab Ne Bana Di Jodi tells a story from the point of view of an ordinary person and, most importantly, conveys a message that being 'ordinary' is cool. The filmmakers were confident that it would be able to strike a chord with millions because the film has ordinary people as its target audience:[10]

"As middle-class people, so many of us have a routine life. We wake up in the morning, get dressed, go to the office, come back, sometimes for a change we buy things to take home, watch TV, eat dinner and go to sleep. And then we repeat this day after day, week after week. Rab Ne Bana Di Jodi talks about one such man who lives a routine life. It is a simple film at heart."[10]

Casting and filming

[edit]

In February 2008, Aditya Chopra announced that he would be helming another film titled Rab Ne Bana Di Jodi which would once again star his lucky mascot, Shah Rukh Khan. Initial speculations put Sonam Kapoor as the lead actress while the movie was to be inspired by the 1964 Hollywood classic My Fair Lady, but Sonam eventually dismissed reports about her being a part of the movie.[11] The female lead was to be a newcomer who would be chosen following a massive talent hunt for a young, demure woman with quintessential Punjabi features.[12] In May 2008, Yash Raj announced the casting of the 20-year-old model Anushka Sharma as the leading lady opposite Khan. Yash Chopra commented:

"We were looking first for someone who could truly embody the spirit of small-town Punjab. We know we have found her in Anushka. While she has no previous acting experience, we have seen that unique spark in her that makes us confident that she will be a standout even opposite Shah Rukh."[13]

Sharma was chosen over hundreds of girls for this role and was kept hidden from the media during the filming. When asked about that, Khan said: "The idea was not to keep her a secret; we wanted her work to speak for her. When new actors come into films, it is important for people to see their work and then question them. It becomes easier after the film releases."[14] Vinay Pathak was cast to play an important role in the film, making it his first commercial outing.[15]

Filming began in May 2008; Yash Chopra was present at the shoot.[16] A portion was shot with Khan at the Golden Temple in Amritsar, Punjab.[17] Khan had to lose the six-pack abs he developed for the song "Dard-E-Disco" from Om Shanti Om (2007) since he was playing the role of a very normal, regular person.[18]

Music

[edit]
Main article: Rab Ne Bana Di Jodi (soundtrack)

The soundtrack of Rab Ne Bana Di Jodi was composed by Salim–Sulaiman. The lyrics of all the songs have been given by Jaideep Sahni. This marks the second collaboration of the composer duo with Shah Rukh Khan after Chak De! India (2007).[19] The album was mixed by Vijay Dayal at YRF Studios in Mumbai and was mastered by Brian "Big Bass" Gardner at Bernie Grundman Mastering in Hollywood, Los Angeles, California.[20]

The song "Phir Milenge Chalte Chalte" pays homage to Bollywood actors Raj Kapoor, Dev Anand, Shammi Kapoor, Rajesh Khanna and Rishi Kapoor and actresses Nargis Dutt, Sadhana Shivdasani, Helen Khan, Sharmila Tagore and Neetu Singh. The performance of the song includes appearances by Kajol Devgn, Bipasha Basu, Lara Dutta, Preity Zinta and Rani Mukerji.[21]

Serbian pop singer Jelena Karleuša remade the song "Dance Pe Chance" as "Insomnia" in 2010. Bulgarian pop singer Ivana also made a copy of the same song as "Nedei".

The soundtrack of Rab Ne Bana Di Jodi was released on 14 November 2008. It is the first Bollywood soundtrack to reach the top 10 album sales for the iTunes Store.[5] According to the Indian trade website Box Office India, with around 19,00,000 units sold, this film's soundtrack album was the year's second highest-selling.[22]

Release

[edit]

Rab Ne Bana Di Jodi was released across 30 countries worldwide on 12 December 2008 on over 1,200 screens, including approximately 300 prints for the overseas market, making it the first time a Bollywood film was released on such a wide scale.[23] Before release, the film witnessed a large volume of advance bookings.[24] Aditya Chopra, who is known for maintaining secrecy over his films and not showing them to anyone until the day of release, made an exception and held a special screening on 23 November 2008 at Yash Raj Studios. The screening was attended by Khan and his family, Karan Johar, Yash Chopra, and debutante Sharma.[25]

There was a huge debate in the industry whether Aditya Chopra's decision to go ahead with the release of the film in the wake of the terror strikes in Mumbai was the right one. With the trauma of the terrorist attacks on Mumbai city on 26, 27, and 28 November still fresh, there was divided opinion on the release schedule. While some felt that Chopra should go ahead with the release because the public, tired and depressed after watching news of the attacks and the aftermath on television screens, would be waiting for a true entertainer to divert its mind, others thought he should postpone the film release as the audiences, not just in Mumbai but all over the country, were still not in a mood to visit theatres.[26]

Promotion

[edit]

The first poster of Rab Ne Bana Di Jodi was released in October in theatres and multiplexes across India, with full-page advertisements in national dailies. The first theatrical promo was released on 14 November, with Karan Johar's Dostana. Initially very little was known about the movie, and there were many theories floating around on the Internet about the story.[27][28] The first music promo of the song "Haule Haule" was released on 2 November 2008, across all leading television channels to coincide with Khan's 43rd birthday.[29] The song promo had received praise from the public.[30]

Home media

[edit]

Joginder Tuteja of Bollywood Hungama gave the DVD of Rab Ne Bana Di Jodi 3.5 out of 5 stars stating that it is a good choice if you "want to watch a clean family movie at home." The DVD includes the documentaries, The Making of the Film and The Making of the Songs ("Haule Haule", "Dance Pe Chance", "Phir Milenge Chalte Chalte"), as well as a number of deleted scenes and interviews.[31] The film, was released on Blu-ray a year after its theatrical release.

Reception

[edit]

Critical reception

[edit]

Upon release, the film received positive reviews. Robert Abele of the Los Angeles Times calls Rab Ne Bana Di Jodi an "agreeably amusing comedy/romance/musical" noting that, "the magnetic Khan is a skilled enough comic actor with his physical transformation—like a Peter Sellers-ish recessive turning into a Jerry Lewis extrovert—that believing Taani wouldn't notice isn't difficult."[32] Rachel Saltz of The New York Times describes it as "soft, sweet and slow, in the words of one of its songs. It deftly blends comedy, the ruling tone of the new Bollywood, with melodrama, the ruling tone of the old."[33] Manish Gajjar of the BBC gave the film 4 out of 5 stars noting that, "Shah Rukh Khan makes you laugh and cry as the nerdy-looking, clumsy, bespectacled Surinder and all hip and happening Raj. A true professional in his own right, Khan breezes through his dialogues during the emotional and comic scenes."[34] Frank Lovece of Film Journal International argues that it is "smarter and more self-aware of its rom-com contrivances than most Hollywood movies" and notes that while "the movie's cleverness eventually devolves into a simplistic Harlequin-Romance-for-males wish-fulfillment about beauty and the geek, it's a very well-acted variation on a Hollywood staple."[35] Critic and author Maitland McDonagh of MissFlickChick.com stated that the film, "has been dismissed in some quarters as self-conscious and artificial, a coyly self-referential reworking of outdated movie tropes a la Todd Haynes' Far From Heaven, but it works for me in a way that most contemporary Hollywood romcoms don't."[36]

The film also received some negative reviews. Rajeev Masand of CNN-IBN was critical, giving it 2 out of 5 stars and stating that "Aditya Chopra's return to direction after 8 years is marked by a flawed script, which in turn spawns a disappointing film. Where's the smart dialogue and the spirited characters that defined his debut film, Dilwale Dulhania Le Jayenge? There's no trace of either in this film...the problem then, at the root of Rab Ne Bana Di Jodi, is that much like those artificial sets in the film, the emotions too are contrived."[37] Derek Elley of Variety argues that the film has "a huge, hollow center that sinks the project early on...A paper-thin script drags itself to the finish line amid tiresome mugging by Khan, a huge credibility gap (she never recognises him without his spectacles and moustache?), and a blah score with only one showstopper (featuring 5 famous actresses)."[38]

A number of critics have further noted the similarities between this movie and superhero films. Khalid Mohamed, of the Hindustan Times, gave the film 3.5 out of 5 stars stating that Surinder "is a soul brother to the mousy Clark Kent-cum-Superman" who "makes you laugh and sob alternately."[39] Mayank Shekhar from Mumbai Mirror gave the film three out of five stars and argues that "[The] same person, oppositely twinned, is usually the stuff of superhero films; the kinds of Clark Kent-Superman, Peter Parker-Spider-Man etc. You feel entirely lost in this fantasy flick because for the most part, it’s built around something so intimate and real. It’d be much easier to travel to foreign countries around far-fetched situations with fake heroes."[40] In addition, Sudish Kamath of The Hindu stated that while Rab Ne Bana Di Jodi could have been an interesting art film exploring the dynamics of an arranged marriage, the director instead "treats this character type like Sam Raimi would treat Spider-Man...Superhero 'Raj' slips into costume and out, complaining about how it gets uncomfortable around the crotch, to win over his Mary Jane with not much saving-the-world business to keep him busy. But while Spidey does it for a bigger reason than just MJ, Raj’s sole motivation is to stalk his wife and play out his fantasy as somebody else. His obsession with his alter-ego reaches new heights when he wants his wife to cheat on the real him—the goofy Surinder Sahni who starts off well."[41]

Box office

[edit]

Rab Ne Bana Di Jodi collected ₹420 million (US$5.0 million) in its opening week.[42] By its fourth week, it had earned ₹860 million (US$10 million), making it Shah Rukh Khan's fifth consecutive blockbuster in 3 years and Aditya Chopra's third blockbuster as a director.[43][44] The film grossed $8.43 million in the overseas market of which $2.09 million was contributed by the United States and $2.24 million from the UK, and was declared as a blockbuster overseas.[45]

At the end of its theatrical run, it grossed ₹1,578.9 million (US$19 million) worldwide, thus becoming Yash Raj Films' and Khan's highest-grossing film at the time of its release.[7] It was the second-highest-grossing film domestically and the highest-grossing in the overseas market that year.

Awards

[edit]
Award Category Recipients and Nominees Results
54th Filmfare Awards Best Male Playback Singer Sukhwinder Singh for "Haule Haule" Won
Best Scene of the Year First breakfast flower scene
Best Film Aditya Chopra Nominated
Best Director
Best Actor Shah Rukh Khan
Best Actress Anushka Sharma
Best Female Debut Anushka Sharma
Best Supporting Actor Vinay Pathak
Best Female Playback Singer Sunidhi Chauhan for "Dance Pe Chance"
International Indian Film Academy Awards Best Actor Shah Rukh Khan Nominated
Best Actress Anushka Sharma
Best Supporting Actor Vinay Pathak
Best Lyrics Jaideep Sahni for "Haule Haule"
Best Male Playback Singer Sukhwinder Singh for "Haule Haule"
Apsara Film and Television Producers Guild Awards Best Actor Shah Rukh Khan Won
Best Female Debut Anushka Sharma
Best Lyrics Jaideep Sahni for "Tujh Mein Rab Dikhta Hai"
Best Female Playback Singer Shreya Ghoshal for "Tujh Mein Rab Dikhta Hai"
Best Choreography Shiamak Davar for "Dance Pe Chance"
Stardust Awards Best Film Aditya Chopra, Yash Chopra Nominated
Best Director Aditya Chopra
Star of the Year - Male Shah Rukh Khan
Superstar of Tomorrow - Female Anushka Sharma
Star Screen Awards Best Actor Shah Rukh Khan Nominated
Most Promising Newcomer - Female Anushka Sharma
Best Lyricist Jaideep Sahni for "Haule Haule"
Best Male Playback Singer Sukhwinder Singh for "Haule Haule"
Best Female Playback Singer Sunidhi Chauhan for "Dance Pe Chance"
Best Choreography Vaibhavi Merchant for "Haule Haule"

References

[edit]

Further reading

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Rab Ne Bana Di Jodi

View on Grokipedia
from Grokipedia
Rab Ne Bana Di Jodi is a Indian Hindi-language romantic comedy-drama film directed and produced by under the banner of . The film stars in a as the mild-mannered Surinder Sahni and the flamboyant Raj, alongside newcomer as Taani, with supporting performances by and . Released on 12 December , it explores themes of love, self-transformation, and destiny through the story of Surinder, an ordinary office worker, who enters into an with the lively Taani, only to disguise himself as the outgoing Raj to fulfill her dreams and win her affection after she joins a competition. The film marked Anushka Sharma's debut and was produced by and , with music composed by and lyrics by , featuring popular tracks like "Tujh Mein Rab Dikhta Hai" and "Dance Pe Chance." Shot primarily in and , it runs for 167 minutes and was distributed worldwide by . Commercially, Rab Ne Bana Di Jodi was a blockbuster, grossing ₹151.58 crore worldwide, with ₹84.68 crore nett in , making it the highest-grossing film for and at the time of release. It opened strongly with ₹6.76 crore on its first day across 1350 screens. Critically, the film received mixed reviews for its predictable plot but was praised for Shah Rukh Khan's versatile performance and the emotional depth of the narrative. At the 54th Filmfare Awards, it garnered 10 nominations, including Best Film, Best Director for , and Best Actor for , ultimately winning Best Actor for Khan, Best Female Debut for , Best Choreography for "Dance Pe Chance," and Best Lyrics for "Tujh Mein Rab Dikhta Hai." The title, translating to "A Match Made by God," underscores the film's spiritual undertones, blending romance with humor and dance sequences that became iconic in Bollywood.

Background

Development

Aditya Chopra marked his return to directing after an eight-year absence since Mohabbatein (2000), helming Rab Ne Bana Di Jodi as a project to revive Yash Raj Films following a string of commercial disappointments. Seeking a "sure-shot hit," Chopra traveled to London to pen the screenplay, drawing inspiration from everyday romance and the idea of an ordinary man transforming to win his wife's affection, reflecting themes close to his vision of relatable love stories. The script, completed around 2007, centered on a dual-role concept tailored for , leveraging his long-standing collaboration with since (1995) to explore contrasting personas of a reserved office worker and a flamboyant . commenced in early 2008, with the project announced in February under ' banner to emphasize character-driven storytelling over high-octane action. A key pre-production decision was to a newcomer in the female lead, prompting Chopra to launch a nationwide talent hunt in search of a young actress embodying demure Punjabi traits to pair opposite Khan, ensuring fresh dynamics in the romantic narrative.

Casting

Aditya Chopra cast Shah Rukh Khan in the dual roles of Surinder Sahni, a mild-mannered office worker, and his alter ego Raj Kapoor, a flamboyant alter persona, to explore the contrast between ordinary and extraordinary love through the actor's range. Khan's enthusiasm for the characters led him to meticulously develop Surinder's mannerisms, including his walk, speech, and attire, highlighting his versatility in deconstructing his romantic superstar image for a more grounded narrative. For the female lead of Taani Sahni, Chopra conducted auditions and initially considered , who had tested for the part but was dropped after she was cast as a Delhi girl in another film. He ultimately selected newcomer , a model making her acting debut, for her fresh presence in the final audition, emphasizing the need for an unknown face to surprise audiences. Chopra instructed Sharma to keep her involvement secret, even from her parents, to maintain the element of surprise until the film's release. Vinay Pathak was cast as Balwinder "Bobby" Khosla, Surinder's supportive best friend and salon owner, bringing his established comedic flair to the ensemble. Supporting actors such as , who portrayed Taani's father, were chosen to authentically represent the film's Punjabi family dynamics and cultural backdrop.

Filming

Principal photography

for Rab Ne Bana Di Jodi began on May 16, 2008, in , , under the direction of , who was returning to the director's chair after an eight-year absence since (2000). , the film's producer, was present on set for the first day, alongside leads and newcomer . The production emphasized practical locations throughout to evoke the authentic essence of and daily life. A significant portion of the shoot took place at the , where sequences for the devotional song "Tujh Mein Rab Dikhta Hai" were filmed, capturing the site's spiritual ambiance. The overall schedule was planned for approximately 70 days but wrapped ahead of time in 49-50 days, reflecting efficient on-location work despite the demands of capturing diverse scenes. Challenges arose in filming the film's pivotal dance competition sequences, which involved intricate and coordination between Khan and , as well as the transformation scenes depicting Khan's character shift from the reserved Surinder to the flamboyant Raj. These required multiple takes to achieve the visual and emotional transitions central to the narrative. Aditya Chopra's hands-on directing style guided these efforts, as he immersed himself fully on set, drawing personal inspiration from the collaborative energy with the cast. The inclusion of debutant added a fresh dynamic to the shoot, with her enthusiasm evident from the outset.

Post-production

The of Rab Ne Bana Di Jodi was led by editor Ritesh Soni, who focused on pacing the film's 167-minute runtime to balance its blend of introspective romance, comedic moments, and song sequences, ensuring a smooth narrative flow without abrupt transitions. were handled by Tata Elxsi's Visual Computing Labs, remaining minimal to preserve the story's grounded realism, with the key transformation sequences for Khan's dual roles relying primarily on practical elements such as makeup, wigs, and alterations rather than extensive digital manipulation. Sound design integration was overseen by at YRF Studios, with contributions from mixing engineer Anuj Mathur and sound recordist Indrajit Neogi, who layered dialogue, ambient effects, and the Salim-Sulaiman score to accentuate the film's shifting comedic and romantic tones, enhancing emotional intimacy in quieter scenes and energy in musical numbers. , under the supervision of cinematographer Ravi K. Chandran's team, differentiated the desaturated, earthy palette of Surinder's subdued existence from the brighter, more saturated visuals surrounding Raj's exuberant , visually underscoring the character's internal conflict and thematic evolution.

Story and themes

Plot summary

Surinder "Suri" , a reserved and unassuming employee at Punjab Power in , quietly falls in love with the vibrant Taani Gupta while attending preparations for her to her fiancé. On the wedding day, tragedy strikes when Taani's fiancé and his family die in a bus accident, leading to her father suffering a severe heart attack. With his dying wish, Taani's father requests Suri to marry his daughter to ensure she has a supportive family, and Taani, overwhelmed by grief, consents to the out of obligation. The couple settles into a quiet life together, but Taani remains emotionally distant, haunted by her loss and unable to reciprocate Suri's gentle affections. Determined to bring joy back into Taani's life and fulfill her suppressed passion for , Suri undergoes a dramatic transformation, adopting the flamboyant persona of "Raj"—a carefree, stylish young man with loose hair, trendy clothes, and an outgoing demeanor—to join her dance class incognito. Posing as a fellow student, Raj becomes Taani's practice partner for an upcoming dance competition, leading to shared adventures, including a memorable trip where their bond deepens through laughter and mutual encouragement. Unaware of his true identity, Taani finds solace and excitement in Raj's company, gradually emerging from her despair and rediscovering her love for life and , while Suri maintains their home life in secrecy. As the competition approaches, tensions rise when Taani confesses her feelings for Raj and considers leaving Suri. In a climactic revelation at the event, Suri discloses that he and Raj are the same person, prompting Taani to confront her emotions and recognize the depth of his unwavering love. Embracing self-acceptance, Taani affirms her commitment to Suri, and the couple wins the competition before embarking on a joyful honeymoon to Japan, symbolizing the renewal of their relationship. Shah Rukh Khan portrays both Suri and Raj in dual roles throughout the narrative.

Themes and analysis

The film Rab Ne Bana Di Jodi centers on the theme of embracing one's authentic self over performative facades, using Surinder Sahni's transformation into the flamboyant Raj as a to critique rigid roles and traditional notions of in Indian . This duality highlights the tension between Surinder's unassuming, "personality-less" demeanor—representing the overlooked —and Raj's exaggerated , which ultimately proves unsustainable, underscoring that genuine connection requires vulnerability rather than artifice. Critics interpret this as a commentary on how societal expectations pressure men to adopt hyper-masculine traits to gain affection, only for true love to affirm the ordinary self. Within the Indian cultural context, the narrative explores as a duty-bound institution intertwined with and redemption. Taani's forced union with Surinder, prompted by her father's dying wish after her fiancé's death, embodies the of lost and the sacrificial ethos of stri-dharma, where familial obligations supersede personal desire. Her journey toward redemption lies in reconciling this imposed role with emotional fulfillment, portraying s not merely as constraints but as potential paths to mutual understanding and healing, aligned with conservative Punjabi values that prioritize marital stability over romantic idealism. This depiction critiques yet ultimately redeems the system by emphasizing personal growth through adversity, a common motif in Bollywood's negotiation of tradition and modernity. Symbolism permeates the film's settings and songs, reinforcing layers of spirituality and emotional introspection. The Golden Temple in Amritsar serves as a pivotal backdrop in the song "Tujh Mein Rab Dikhta Hai," symbolizing purity and divine intervention in human relationships, where Taani's epiphany aligns romantic love with spiritual enlightenment. Songs like "Haule Haule" further this by depicting Surinder's awkward dance steps as emblematic of the common man's tentative pursuit of joy, blending humor with pathos to underscore themes of self-acceptance and gradual emotional awakening. The recurring motif of yellow attire and decor, evoking Punjabi vibrancy, represents hope and transformation, visually tying the characters' inner evolution to cultural optimism. On gender politics, the film grants Taani significant agency, challenging through her active resistance to passivity and pursuit of personal happiness within patriarchal bounds. Anushka Sharma's debut portrayal of Taani as a spirited, small-town Punjabi woman subverts expectations of the docile bride, emphasizing her —from dance classes to relational choices—as a form of quiet that redefines beyond . This empowers the female lead to drive the narrative's resolution, offering a nuanced of how women navigate and duty in arranged setups while asserting their identity.

Cast

Main cast

Shah Rukh Khan stars in the dual role of Surinder Sahni, a mild-mannered and reserved office employee, and Raj Kapoor, an outgoing and flamboyant alter ego. Anushka Sharma makes her Bollywood acting debut as Taani Sahni, portraying a young woman grieving the death of her fiancé who evolves into a passionate dance enthusiast. Vinay Pathak plays Balwinder "Bobby" Khosla, Surinder's quirky best friend who injects comic relief into the narrative. M.K. Raina portrays Taani's father, a supportive figure in her life.

Guest appearances

The finale song "Phir Milenge Chalte Chalte" features several special guest appearances by prominent Bollywood actresses, who portray iconic heroines from Hindi cinema's history, paired with in various legendary male star avatars. These include as (from ), as (from Baazi), as Helen (from China Town), as (from Brahmachari), and as Jaya Bhaduri (from ). The appearances recreate signature moments and dialogues from classic films, infusing the sequence with meta-humor and nostalgia while highlighting Bollywood's enduring romantic tropes. These guest roles, drawn from Yash Raj Films' extended network of stars, enhance the song's celebratory tone and provide visual flair to the narrative's resolution, emphasizing themes of love's timeless reinvention.

Music and songs

Soundtrack

The soundtrack of Rab Ne Bana Di Jodi was composed by the musical duo , with all lyrics written by . Released on 14 2008 by YRF Music, the consists of seven tracks that fuse Punjabi folk influences with contemporary elements, creating an accessible yet culturally resonant sound. The composition process emphasized simplicity and emotional depth to align with the film's narrative, as collaborated closely with director , who contributed initial melodic ideas for standout tracks like "Haule Haule," inspired by the dialogue "Taani partner, haule haule ho jayega pyaar." Singer selections were tailored to the songs' moods: Roop Kumar Rathod was chosen for his silky, devotional vocals on the prayer-like "Tujh Mein Rab Dikhta Hai," while brought energetic flair to the Punjabi-tinged "Haule Haule"; provided the female rendition of "Tujh Mein Rab Dikhta Hai" and paired with lesser-known vocalist Diby for the playful "Rang De." Other tracks featured on the upbeat "Phir Se Ud Chala" and alongside for the dance-oriented "Dance Pe Chance," with a remix version of "Haule Haule" rounding out the .
No.TitleSinger(s)Duration
1Tujh Mein Rab Dikhta HaiRoop Kumar Rathod4:41
2Haule Haule4:23
3Dance Pe Chance, 4:21
4Phir Se Ud Chala4:42
5Rang DeDiby, 4:24
6Tujh Mein Rab Dikhta Hai (Female Version)4:35
7Haule Haule (Remix)DJ Amy, 4:17
This album marked a milestone as the first Bollywood soundtrack to enter the top 10 on international iTunes album charts, highlighting its global digital appeal. The songs integrate seamlessly into the plot, underscoring themes of love and transformation through sequences like the dance competition featuring "Haule Haule."

Chart performance

The soundtrack of Rab Ne Bana Di Jodi achieved significant commercial success in , selling approximately 1.9 million units and ranking as one of the top-selling s of . It dominated domestic charts upon release and was projected to lead the year's rankings due to its widespread appeal. Internationally, the entered the top 10 on download charts, marking a milestone as the first Bollywood to do so. Among its tracks, "Haule Haule" sung by emerged as the standout hit, gaining enduring popularity as a staple at Indian weddings for its upbeat rhythm and romantic lyrics. The song's success was recognized at the , where won Best Male . The album's longevity is evident in its continued relevance through and covers; an official remix featuring was released, while fan covers and lo-fi versions have proliferated on platforms like and , sustaining its cultural footprint over a decade later.

Release and marketing

Distribution

Rab Ne Bana Di Jodi was distributed by and released theatrically on 12 December 2008 in and across 30 worldwide. The film rolled out on over 1,200 screens, including both analog and digital formats, marking a significant strategy for a film at the time. The release occurred shortly after the terror attacks from 26 to 29 November 2008, amid security concerns and debates within the industry about postponing major film launches. Despite recommendations to delay due to the paralyzed state of and broader national mourning, proceeded with the scheduled date to maintain momentum. In some markets like , the release was postponed indefinitely owing to heightened tensions. Internationally, the distribution emphasized markets with large communities, achieving simultaneous releases in —including countries such as , , , , , and —for the first time on such a scale for an Indian film. This approach contributed to overseas earnings of approximately $8 million, underscoring the film's appeal to global audiences familiar with Bollywood tropes. The film received a U certification from the (CBFC) in , indicating suitability for unrestricted public exhibition, and has a runtime of 167 minutes.

Promotion

The promotion of Rab Ne Bana Di Jodi was notably subdued compared to typical releases, primarily due to the filmmakers' decision to maintain a low profile following the 26/11 terror attacks, which created uncertainty in the cinema market. This approach emphasized the film's feel-good romantic themes to resonate with audiences seeking upliftment amid national grief. To build anticipation, unveiled the first song promo for "Haule Haule" on 2 November 2008, coinciding with Khan's 43rd birthday, airing it across leading television channels and on the YRF website. Additional song promos, such as "Dance Pe Chance Maar Le," were similarly premiered on television to highlight the film's musical elements without large-scale events or star cameos. Trailers focused on Khan's as the unassuming Surinder and the vibrant Raj, showcasing his transformation to intrigue viewers with the romantic comedy's core premise. As part of the marketing, YRF installed life-sized standees at theaters to promote the film visually, though no major brand tie-ups for merchandise were pursued amid the restrained strategy. Anushka Sharma's debut as the female lead was highlighted during the film's premiere, positioning her as a fresh talent opposite Khan in this Yash Raj production.

Reception

Critical reception

Upon its release, Rab Ne Bana Di Jodi received mixed reviews from critics, who praised Shah Rukh Khan's versatile performance in dual roles while critiquing the film's predictable narrative and excessive runtime. Khan's portrayal of the unassuming Surinder Sahni was highlighted as a standout, evoking through his subtle mannerisms and transformation into the flamboyant Raj, which added layers to the character's internal conflict. Anushka Sharma's debut as Taani was commended for its freshness and confidence, bringing earnest energy to the role of a grieving rediscovering joy, holding her own opposite the established star. Critics frequently pointed to the screenplay's flaws, including a contrived where Taani fails to recognize her husband in disguise, which strained credibility and led to repetitive scenes that dragged the pacing. The film's length, nearing three hours, was a common complaint, with unnecessary extensions in the second half emphasizing themes of divinity and love at the expense of narrative momentum. of rated it 2/5, noting the middling screenplay lacked tightness despite a strong emotional climax. Overseas, the film garnered acclaim for its emotional depth and universal appeal, particularly in the portrayal of unspoken love and personal reinvention. A review from the described it as an entertaining love story with fine dialogues and a flawless , awarding it 4/5 for blending and effectively. Variety, however, was harsher, calling the script paper-thin and Khan's antics tiresome, though it acknowledged Sharma's sprightly presence. On aggregate platforms, the film holds a 7.2/10 rating on based on over 59,000 user votes as of November 2025, reflecting its enduring popularity despite divided critical opinion. The film has limited critical reviews on , with an audience score of 91%.

Box office

Rab Ne Bana Di Jodi was produced on a budget of ₹31 . The film achieved a worldwide gross of ₹151.58 , marking it as a major commercial success. In , it opened strongly with a first-week nett collection of ₹41.79 . By the end of its run, the nett collections reached ₹84.68 , contributing significantly to its domestic performance. Overseas, the film grossed $8.5 million, establishing it as the highest-grossing film of in international markets, with strong contributions from the and territories. This overseas success was bolstered by extensive promotional efforts that heightened anticipation ahead of its release. At the time of its release, Rab Ne Bana Di Jodi ranked 11th among the highest-grossing films of the decade in adjusted nett gross. The film was re-released in 2025 as part of a festival celebrating Khan's films.

Awards

Nominations

Rab Ne Bana Di Jodi received 10 nominations at the in 2009, tying for the highest number of the evening alongside films like and . These encompassed key categories such as Best Film, Best Director for , Best Actor for , and Best Actress for in her debut role. Additional nods went to for Best Supporting Actor, for Best Music Director, for Best Lyrics ("Haule Haule"), for Best Male Playback Singer ("Haule Haule"), for Best Female Playback Singer ("Dance Pe Chance"), and for Best Choreography ("Dance Pe Chance"). At the 10th International Indian Film Academy (IIFA) Awards in 2009, the film earned several nominations, highlighting its performances and soundtrack. was nominated for Best Actor, for Best Actress, and for Best Supporting Actor. The music team received recognition with nominated for Best Music Direction and for Best Lyrics ("Haule Haule"). also contended for Best Male Playback Singer for "Haule Haule." The film was nominated for Best Film, Best Actor for Shah Rukh Khan, and Best Actress for Anushka Sharma at the 16th Screen Awards in 2009, reflecting its commercial and artistic impact. Anushka Sharma further received a nomination for Most Promising Newcomer.

Wins

At the 54th Filmfare Awards held in 2009, Rab Ne Bana Di Jodi secured two victories, highlighting its musical and narrative strengths. Sukhwinder Singh won the Filmfare Award for Best Male Playback Singer for his rendition of "Haule Haule," a song that became a chart-topping hit and emblematic of the film's lighthearted romance. Additionally, the film received the Filmfare Award for Best Scene of the Year for the poignant "Flower on the dining table" sequence, directed by Aditya Chopra, which captured the emotional core of the story's themes of unspoken love and revelation. At the 10th IIFA Awards in 2009, won Best Debut (Female) for her role as Taani. Beyond the Filmfare accolades, the film garnered recognition at other prestigious ceremonies. At the Apsara Film Producers Guild Awards, it won in multiple categories, including Best Actor for Khan's dual performance, Best Female Debut for , Best Female Playback Singer for Ghoshal's "Tujh Mein Rab Dikhta Hai," Best Lyrics for ("Tujh Mein Rab Dikhta Hai"), and Best Choreography for 's work on "Dance Pe Chance." The V. Shantaram Awards also honored the film with wins for Best Debut Female (), Best Choreography (), and Best Sound (Anuj Mathur at YRF Studios). Furthermore, the Aaj Tak Movie Awards recognized and as producers for Best Film, alongside for Best Director and for Best Debutant. The film's screenplay achieved a notable milestone in international archival recognition. Shortly after its release, the Academy of Motion Picture Arts and Sciences invited the script to join its permanent collection at the Margaret Herrick Library, praising its sensitive portrayal of a unique love story; the script is available for research by students, filmmakers, writers, and actors but does not circulate or allow photocopying. In 2010, Rab Ne Bana Di Jodi also received the Grand Prix of the Peace Category Trophy at the Okinawa International Movie Festival, underscoring its global appeal as a tale of harmony and transformation.

Legacy

Cultural impact

Rab Ne Bana Di Jodi popularized the transformation trope in Bollywood romances, wherein characters undergo significant changes in appearance and behavior to foster romantic connections, as seen in Khan's portrayal of contrasting personas that challenged conventional hero archetypes. This narrative device deconstructed Khan's longstanding image as an idealized lover, paving the way for deeper explorations of identity and authenticity in subsequent productions. The film's depiction of Khan's roles emphasized by valuing inherent qualities over external alterations, thereby critiquing beauty standards that favor polished, glamorous ideals in romantic narratives. By affirming the appeal of an ordinary, unpretentious figure, it encouraged audiences to embrace genuine self-expression in relationships, influencing broader discussions on personal authenticity within Indian popular culture. Songs from the , notably "Haule Haule," achieved lasting popularity and frequently featured in wedding sangeet performances across , becoming an anthem for themes of patient, evolving romance and thereby shaping selection trends in matrimonial celebrations. Post-, media and academic analyses have examined the film's gender dynamics, highlighting its reinforcement of traditional domestic roles for women alongside subversive elements like masculine role inversion and female agency, contributing to ongoing dialogues about and relational power structures in Bollywood. Its blockbuster status, as the second highest-grossing Indian film of , further extended these influences into societal conversations.

Career milestones

Rab Ne Bana Di Jodi served as a pivotal launchpad for Anushka Sharma's acting career, marking her debut in Bollywood opposite Shah Rukh Khan. At just 19 years old, Sharma was cast in the lead role of Taani after impressing director Aditya Chopra during auditions, leading to a three-film contract with Yash Raj Films. Chopra maintained strict secrecy around her involvement, instructing her not to inform her parents or anyone else about the project to preserve the surprise element for audiences. This debut performance earned her critical praise for her natural portrayal, propelling her to stardom; it directly led to her breakthrough role in Band Baaja Baaraat (2010), where she starred as a wedding planner alongside Ranveer Singh, solidifying her position as a leading actress with back-to-back commercial successes. For , the film reinforced his enduring status as Bollywood's quintessential romantic hero following his critically acclaimed turn in the sports drama (2007), where he played a non-romantic coach role. In Rab Ne Bana Di Jodi, Khan's dual portrayal of the shy Surinder Sahni and the flamboyant Raj allowed him to revisit and deconstruct his romantic persona, blending vulnerability with charm in a way that resonated with fans and critics alike. The film's success helped sustain his box-office dominance during a transitional phase, bridging his dramatic explorations with his signature romantic appeal. The project marked Aditya Chopra's successful directorial comeback after an eight-year hiatus since (2000), though it echoed the romantic ethos of his breakthrough (1995). Chopra, who had focused on producing for in the interim, returned to the director's chair with a story emphasizing simple, heartfelt romance, which grossed ₹151.58 worldwide and revived his track record for crafting enduring love stories. This achievement reaffirmed his prowess in directing star-driven vehicles, paving the way for future YRF productions under his leadership. The film's soundtrack, composed by the duo , significantly boosted their career , earning them widespread acclaim and international recognition. Their score, featuring hits like "Tujh Mein Rab Dikhta Hai" and blending Sufi influences with contemporary beats, won multiple awards including the IIFA for Best Background Score and helped establish them as go-to composers for emotional, melody-driven films. This success opened doors to global opportunities, such as composing for Hollywood projects and the anthem, expanding their influence beyond Indian cinema.

References

  1. http://www.yashrajfilms.com/movies/rab-ne-bana-di-jodi
  2. https://www.rottentomatoes.com/m/rab_ne_bana_di_jodi_2008
  3. https://www.rottentomatoes.com/m/rab_ne_bana_di_jodi_2008/cast-and-crew
  4. https://www.imdb.com/title/tt1182937/
  5. https://www.bollywoodhungama.com/movie/rab-ne-bana-di-jodi/box-office/
  6. https://www.yashrajfilms.com/news/detail/2016/06/03/rab-ne-bana-di-jodi-is-the-highest-grossing-film-of-all-time-for-both-yash-raj-films-shah-rukh-khan%21?ReturnUrl=https%253A%252F%252Fwww.yashrajfilms.com%252Fnews%252Fdetail%252F2016%252F06%252F03%252Frab-ne-bana-di-jodi-is-the-highest-grossing-film-of-all-time-for-both-yash-raj-films-shah-rukh-khan%21
  7. https://boxofficeindia.com/movie.php?movieid=313
  8. https://www.imdb.com/title/tt1182937/awards/
  9. http://www.yashrajfilms.com/about-us/awards/all-awards/rab-ne-bana-di-jodi
  10. https://www.yashrajfilms.com/about-us/aditya-chopra
  11. https://timesofindia.indiatimes.com/entertainment/hindi/bollywood/news/aditya-chopra-recalls-yrf-getting-a-new-lease-of-life-with-shah-rukh-khan-and-anushka-sharma-starrer-rab-ne-bana-di-jodi/articleshow/97951622.cms
  12. https://www.rediff.com/movies/report/aditya-chopra-makes-directorial-comeback-with-befikre/20150928.htm
  13. https://m.rediff.com/movies/2008/feb/01chopra.htm
  14. https://mumbaimirror.indiatimes.com/entertainment/bollywood/aditya-chopra-is-looking-for-a-girl/articleshow/15782317.html
  15. https://www.filmfare.com/news/read-about-the-shah-rukh-khan-only-adtiya-chopra-knows-16555.html
  16. https://indianexpress.com/article/entertainment/bollywood/shah-rukh-khan-turns-60-rab-ne-bana-di-jodi-fan-reveals-actor-freed-from-bonds-of-superstardom-10337791/
  17. https://timesofindia.indiatimes.com/entertainment/hindi/bollywood/news/throwback-when-sonam-kapoor-revealed-why-aditya-chopra-dropped-her-from-rab-ne-bana-di-jodi-and-choose-anushka-sharma/articleshow/98409398.cms
  18. https://timesofindia.indiatimes.com/entertainment/hindi/bollywood/news/anushka-aditya-chopra-told-me-not-to-tell-my-parents-about-rab-ne-bana-di-jodi/articleshow/97982928.cms
  19. https://variety.com/2008/film/reviews/rab-ne-bana-di-jodi-1200472698/
  20. http://im.rediff.com/movies/2008/may/16look1.htm
  21. https://www.republicworld.com/entertainment/bollywood/rab-ne-bana-di-jodi-shooting-locations-and-other-interesting-details-read
  22. https://www.indiatvnews.com/photos/entertainment-films-shot-inside-golden-temple-bollywood-movies-2025-11-05-1015921
  23. https://www.telegraphindia.com/entertainment/i-am-a-common-man/cid/515493
  24. https://indianexpress.com/article/entertainment/bollywood/aditya-chopra-shah-rukh-khan-anushka-sharma-rab-ne-bana-di-jodi-the-romantics-8444814/
  25. https://www.yashrajfilms.com/movies/rab-ne-bana-di-jodi
  26. https://baradwajrangan.wordpress.com/2008/12/13/review-rab-ne-bana-di-jodi/
  27. https://www.imdb.com/title/tt1182937/plotsummary/
  28. https://www.commonsensemedia.org/movie-reviews/rab-ne-bana-di-jodi
  29. https://www.ottplay.com/news/revisiting-rab-ne-bana-di-jodi-notes-on-masculinity-gender-politics-and-anushka-sharmas-debut-feature-role/7db8ab2146483
  30. https://economictimes.indiatimes.com/industry/media/entertainment/rab-ne-bana-di-jodi-movie-review/articleshow/3829525.cms
  31. https://hasp.ub.uni-heidelberg.de/journals/izsa/article/viewFile/844/817
  32. https://www.academia.edu/117619866/Architecture_and_Heritage_in_Indian_Cinema_The_Built_and_Unbuilt
  33. https://www.eatmy.news/2024/10/the-sunny-significance-of-yellow-in-rab.html
  34. https://www.fandango.com/rab-ne-bana-di-jodi-115472/cast-and-crew
  35. https://www.tvguide.com/movies/rab-ne-bana-di-jodi/cast/2030350798/
  36. https://www.indiatvnews.com/entertainment/celebrities-anushka-sharma-talks-about-her-debut-film-rab-ne-bana-di-jodi-changed-my-life-491698
  37. https://www.youtube.com/watch?v=jDErhADhhmg
  38. https://www.bollywoodhungama.com/movie/rab-ne-bana-di-jodi/cast/
  39. https://music.apple.com/us/album/rab-ne-bana-di-jodi-original-motion-picture-soundtrack/673596457
  40. https://www.discogs.com/master/1291563-Salim-Sulaiman-Jaideep-Sahni-Rab-Ne-Bana-Di-Jodi
  41. https://www.filmfare.com/news/bollywood/composers-salim-sulaiman-talk-about-hit-tracks-from-rab-ne-bana-di-jodi-on-its-12th-anniversary-45300.html
  42. https://www.jiosaavn.com/album/rab-ne-bana-di-jodi/HGHJBJnoiXs_
  43. https://www.bollywoodhungama.com/news/bollywood/rab-ne-bana-di-jodi-features-in-itunes-top-10-charts/
  44. https://bestsellingalbums.org/album/43380
  45. https://www.filmibeat.com/bollywood/gupshup/2008/rab-ne-bana-di-jodi-music-121208.html
  46. https://timesofindia.indiatimes.com/india/the-big-fat-punjabified-wedding/articleshow/5851541.cms
  47. https://www.hindustantimes.com/music/sukhwinder-singh-young-at-42/story-c9NuO6nAtrw1isABQLnJTL.html
  48. https://open.spotify.com/track/4EmvODWLfVqz5iVEEaPuVx
  49. https://www.yashrajfilms.com/news/detail/2016/06/02/rab-ne-bana-di-jodi-prints
  50. https://www.news18.com/news/india/rab-ne-not-released-in-pakistan-303878.html
  51. https://www.bollywoodhungama.com/news/bollywood/rab-ne-bana-di-jodi-in-over-1200-screens/
  52. https://www.koimoi.com/bollywood-news/shah-rukh-khan-anushka-sharmas-rab-ne-bana-di-jodi-gave-yrf-a-new-lease-of-life-recalls-aditya-chopra-i-took-the-risk/
  53. https://www.indiatodayne.in/entertainment/story/how-yrfs-gamble-leads-to-blockbuster-success-with-rab-ne-bana-di-jodi-725129-2023-12-12
  54. https://www.yashrajfilms.com/news/detail/2016/06/02/rab-ne-bana-di-jodi-becomes-first-indian-film-to-receive-extensive-same-day-release-in-europe
  55. https://www.yashrajfilms.com/news/detail/2016/06/03/rab-ne-bana-di-jodi-is-the-highest-grossing-film-of-all-time-for-both-yash-raj-films-shah-rukh-khan%21
  56. https://in.mashable.com/entertainment/9370/11-years-of-rab-ne-bana-de-jodi-thank-you-shah-rukh-khan-for-tackling-toxic-masculinity-in-a-romanti
  57. https://www.tribuneindia.com/2008/20081211/ttlife1.htm
  58. https://www.hindustantimes.com/videos/entertainment/rab-ne-bana-di-jodi-song-promo-launched/video-m0sl6lPwRLlLo3Tc3Q3UwN.html
  59. https://www.bollywoodhungama.com/amp/news/bollywood/yrf-to-unveil-first-song-promo-of-rab-ne-bana-di-jodi-on-srks-birthday/
  60. https://www.youtube.com/watch?v=MQj-2fBHodY
  61. https://www.youtube.com/watch?v=eBi8syxPd14
  62. https://www.indiaforums.com/article/rab-ne-bana-di-jodi-promo-unveiled_9102
  63. https://timesofindia.indiatimes.com/entertainment/hindi/bollywood/news/rab-ne-bana-di-jodi-clocks-13-years-anushka-sharma-shares-special-memories-from-her-bollywood-debut-with-shah-rukh-khan-watch/articleshow/88236480.cms
  64. https://www.rediff.com/movies/2008/dec/12rnbdj-review.htm
  65. https://www.bollywoodhungama.com/movie/rab-ne-bana-di-jodi/critic-review/rab-ne-bana-di-jodi-movie-review/
  66. https://timesofindia.indiatimes.com/entertainment/hindi/movie-reviews/rab-ne-bana-di-jodi/movie-review/3829767.cms
  67. https://www.bbc.com/shropshire/content/articles/2008/12/19/bollywood_reviews_rab_ne_feature.shtml
  68. https://m.economictimes.com/industry/media/[entertainment](/page/Entertainment)/rs-120-cr-riding-on-rab-ne-bana-di-jodi-jumbo-ghajini/articleshow/3820791.cms
  69. https://www.boxofficeindia.com/movie.php?movieid=313/1000
  70. https://boxofficeindia.com/years.php?year=2008&pageId=4
  71. https://boxofficeindia.com/circuit_collection.php?movieid=313&cityid=118&area=domestic
  72. https://boxofficeindia.com/hit-down.php?txtYearlyData=2000-2009
  73. https://www.cnbctv18.com/entertainment/shah-rukh-khan-announces-theatrical-re-release-of-7-iconic-films-worldwide-19726625.htm
  74. https://www.filmibeat.com/bollywood/news/2009/idea-filmfare-awards-nominees-170209.html
  75. https://www.musicaloud.com/2009/02/24/filmfare-nominations-2009-music-section/
  76. https://bollyspice.com/the-nominations-for-the-2009-iifa-awards-have-been-announced/
  77. https://www.last.fm/music/Rab%2BNe%2BBana%2BDi%2BJodi/%2Bwiki
  78. https://www.yashrajfilms.com/about-us/awards/all-awards/rab-ne-bana-di-jodi
  79. https://www.yashrajfilms.com/news/detail/2016/06/03/rab-ne-bana-di-jodi-catches-the-eye-of-the-academy-of-motion-pictures-arts-sciences-oscar-library
  80. https://dontcallitbollywood.com/2017/11/17/friday-classics-rab-ne-bana-di-jodi-the-deconstruction-of-shahrukh-khan/
  81. https://baradwajrangan.wordpress.com/2012/11/17/jab-tak-hai-jaan-837285-8735/
  82. https://spusht.blogspot.com/2011/08/bollywood-hindi-sangeet-dance-song-idea.html
  83. https://www.youtube.com/watch?v=OKl7rUzpsxY
  84. https://research.library.fordham.edu/cgi/viewcontent.cgi?article=1001&context=international_senior
  85. https://www.theguardian.com/film/filmblog/2008/dec/16/bollywood-and-women
  86. https://www.boxofficeindia.com/years.php?year=2008&pageId=5
  87. https://www.ndtv.com/entertainment/anushka-sharma-reveals-how-aditya-chopra-wanted-to-keep-her-rab-ne-bana-di-jodi-debut-under-wraps-3788044
  88. https://www.hindustantimes.com/entertainment/bollywood/anushka-sharma-says-aditya-chopra-told-her-to-hide-film-debut-news-from-parents-101676563725583.html
  89. https://www.hindustantimes.com/bollywood/ajay-devgn-to-ramesh-sippy-directors-making-a-comeback-in-bollywood/story-v7o54p806FN2FUSuK7QRbO.html
  90. https://www.news18.com/news/india/salim-sulaiman-go-international-compose-music-for-hollywood-630908.html
Add your contribution
Related Hubs
User Avatar
No comments yet.