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Pink Cream 69
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Pink Cream 69 is a German hard rock/heavy metal band from Karlsruhe, formed in 1987.
Key Information
History
[edit]The band was formed in 1987 by Andi Deris, Dennis Ward, Kosta Zafiriou and Alfred Koffler. They gained their first contract by winning music magazine Metal Hammer's newcomer competition in Ludwigsburg one year after forming. In 1994, Deris left the band to join Helloween. He was replaced by British singer David Readman in August 1994. The band, often referred to as The Pinkies, became a five-piece in 2003, when Uwe Reitenauer was hired to support neuropathic guitar player Alfred Koffler. In March 2012, it was announced that drummer Kosta Zafiriou had left the band due to his activities as a manager at the company Bottom Row and as the drummer and manager of the new band Unisonic. He was replaced by Chris Schmidt.[1] In 2019 and 2020, respectively, bassist Dennis Ward and guitarist Uwe Reitenauer announced their departure from the band. They were replaced by Roman Beselt (Sons of Sounds) and Marco Wriedt (21 Octayne, Arc of Light, Axxis).[2]
In 2023, the last remaining founding member, Alfred Koffler, retired.[3]
Members
[edit]- Alfred Koffler – guitars, backing vocals (1987–2023): keyboards (2007, 2013, 2017)
- Dennis Ward – bass, keyboards, backing vocals (1987–2019)
- Kosta Zafiriou – drums, backing vocals (1987–2012): keyboards (1989)
- Andi Deris – lead vocals, occasional guitars (1987–1994)
- David Readman – lead vocals (1994–2023)
- Uwe Reitenauer – guitars, backing vocals (2003–2020)
- Chris Schmidt – drums (2012–2023)
- Marco Wriedt – guitars, backing vocals (2020–2023)
- Roman Beselt – bass, backing vocals (2020–2023)
Timeline
Discography
[edit]Studio albums
[edit]- 1989: Pink Cream 69
- 1991: One Size Fits All
- 1993: Games People Play
- 1995: Change
- 1997: Food for Thought
- 1998: Electrified
- 2000: Sonic Dynamite
- 2001: Endangered
- 2004: Thunderdome
- 2007: In10sity
- 2013: Ceremonial
- 2017: Headstrong
Live albums
[edit]- 1997: Live
- 2009: Live in Karlsruhe
EPs
[edit]- 1991: 49°/8°
- 1991: 36°/140°
- 2000: Mixery
Maxi-singles
[edit]- 1993: Face in the Mirror
- 1995: 20th Century Boy
VHS
[edit]- 1992: Size It Up – Live in Japan '92
DVD
[edit]- 2009: Past & Present[4]
References
[edit]- ^ "BLABBERMOUTH.NET - PINK CREAM 69 Parts Ways with Drummer, Announces R…". Archived from the original on 13 July 2012.
- ^ "Pink Cream 69". Facebook.com. Retrieved 7 March 2020.
- ^ https://www.facebook.com/share/p/18XkpEnKAY/
- ^ "Pink Cream 69 – Past & Present". Discogs.com. 16 October 2009. Retrieved 7 March 2020.
External links
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Pink Cream 69
View on Grokipediafrom Grokipedia
History
Formation and early years (1987–1991)
Pink Cream 69 was formed in 1987 in Karlsruhe, Germany, by vocalist Andi Deris, guitarist Alfred Koffler, bassist Dennis Ward, and drummer Kosta Zafiriou, shortly after the disbandment of Deris's previous band, Kymera.[5] The quartet drew from the local hard rock scene, blending melodic elements with heavy riffs to create a sound rooted in the glam and power metal influences of the era.[2] Early rehearsals and local performances in Karlsruhe clubs helped solidify their lineup and style, establishing a foundation for their rapid rise.[1] In 1988, the band won Metal Hammer magazine's newcomer competition in Ludwigsburg, which propelled them to a record deal with Epic Records (a [Sony BMG](/page/Sony_BM G) subsidiary).[6] This victory provided the platform for their self-titled debut album, released in October 1989 and recorded at Soundhaus Studio in Hamburg.[7] The album featured standout tracks such as "One Step into Paradise" and "Sugar for Love," showcasing Deris's soaring vocals and the band's catchy, anthemic hooks, which resonated in the European hard rock market.[8] While it did not achieve major chart success initially, the release sparked initial European tours, including opening slots for acts like White Lion, helping to build a dedicated fanbase through club and festival appearances.[9] The band's momentum continued with the recording and release of their second album, One Size Fits All, in May 1991. Produced to emphasize their melodic hard rock sound, it included key tracks like "Livin' My Life for You" and "Talk to the Moon," which highlighted polished production and radio-friendly melodies.[10] The album charted respectably in Germany, Switzerland, and Japan, reaching positions that affirmed their growing popularity.[11] Accompanied by further European tours as openers for established bands such as Europe and UDO, these efforts expanded their early fanbase, particularly among melodic rock enthusiasts in Germany and beyond.[4]Mid-career developments (1992–2000)
In 1993, Pink Cream 69 released their third studio album, Games People Play, which marked the final recording with original vocalist Andi Deris and showcased a polished hard rock sound with melodic hooks and guitar-driven energy.[12] The album, produced by the band alongside GGGarth Richardson, featured tracks emphasizing themes of introspection and resilience, solidifying their presence in the European melodic metal scene before the impending lineup shift.[13] A pivotal change occurred in 1994 when Deris departed to join Helloween as their new frontman, leaving the band to seek a replacement amid growing opportunities in the power metal genre.[2] After auditioning several candidates, including a brief stint with Doogie White, Pink Cream 69 recruited British vocalist David Readman in August 1994, whose soulful and versatile style brought a fresh dynamic to the group's sound.[2] This transition tested the band's cohesion but allowed them to adapt quickly, with bassist Dennis Ward taking on an expanded production role to maintain their signature blend of melody and power.[14] The impact of Readman's arrival was evident on the 1995 album Change, the first with the new lineup, which shifted toward a more modern, groove-oriented production while retaining the band's hard rock core. Ward's hands-on production emphasized Readman's emotive vocals and incorporated subtle grunge influences in the rhythm section to navigate the era's changing musical landscape, where the rise of alternative rock challenged traditional hard rock acts.[15] Despite commercial pressures from the grunge wave, the album highlighted the band's resilience, with tracks like "Until the End of Time" demonstrating a vocal evolution that broadened their appeal in Europe.[16] Building momentum, Pink Cream 69 released Food for Thought in 1997, followed by Electrified in 1998, both under Ward's production guidance, which refined their sound with tighter arrangements and guest vocal contributions from artists like D.C. Cooper. These efforts culminated in Sonic Dynamite in 2000, recorded in late 1999 at House of Audio Studios, featuring dynamic tracks such as "Seas of Madness" that blended high-energy riffs with Readman's soaring delivery.[17] Internally, Ward's multifaceted role as bassist, songwriter, and producer fostered stability, enabling the group to experiment while preserving their melodic identity amid the late-1990s hard rock revival.[18] Throughout the decade, the band sustained career momentum through extensive European tours supporting their releases, including headline shows and festival appearances that reinforced their live reputation for high-octane performances.[2] Key singles like "Signs of Danger" from their 1991 album, re-emphasized in early 1990s sets, exemplified their anthemic style during this period of adaptation. These efforts helped Pink Cream 69 weather industry shifts, focusing on core fans in Germany and beyond.[1]Later years and disbandment (2001–2023)
In the early 2000s, Pink Cream 69 released their eighth studio album, Endangered, on October 10, 2001, via the label NTS Records, featuring a mix of hard rock tracks that maintained the band's melodic style while addressing themes of perseverance.[19] To accommodate guitarist Alfred Koffler's focal dystonia, which affected his live performances, the band expanded to a five-piece lineup in 2003 by adding second guitarist Uwe Reitenauer, enhancing their stage presence and guitar harmonies.[20] This configuration supported the release of their ninth album, Thunderdome, on June 8, 2004, through SPV/Steamhammer, which showcased heavier riffs and anthemic choruses, solidifying their position in the European hard rock scene.[21] The band continued with In10sity in 2007, their tenth studio effort under Frontiers Records, emphasizing intensified production and vocal prowess from David Readman amid a shifting music industry that favored digital distribution over traditional sales.[22] In March 2012, founding drummer Kosta Zafiriou departed due to commitments as a manager at Bottom Row Productions, prompting the addition of Chris Schmidt as his replacement to maintain touring momentum.[23] This lineup change preceded Ceremonial in 2013, the band's eleventh album via Frontiers, which incorporated orchestral elements and reflected on personal resilience, though lineup instability began to pose challenges alongside declining physical album revenues in the streaming era.[24] Headstrong, released on November 10, 2017, by Frontiers Music Srl, served as the band's twelfth and final studio album, commemorating their 30th anniversary with energetic tracks like "We Bow to None" and a bonus live disc capturing their enduring live energy.[25] Bassist Dennis Ward, a member since 1987, exited in November 2019 after 32 years, citing the band's lack of activity and touring opportunities as key factors, and was replaced by Roman Beselt.[26] Reitenauer followed in early 2020 for personal reasons, with Marco Wriedt stepping in as second guitarist, further highlighting the toll of inconsistent scheduling on long-term members.[27] As the last founding member, Alfred Koffler announced his retirement on March 31, 2023, via the band's official Facebook page, expressing gratitude after fulfilling contracted shows through summer 2023, amid ongoing difficulties from member turnover and an industry increasingly dominated by younger acts and online platforms. The band's disbandment was effectively confirmed mid-2023, following a final social media post on June 14, 2023, stating "Thank you for everything dear fans and friends," with no subsequent activity on official channels, marking the end of a 36-year run that navigated lineup flux and evolving market dynamics.[28]Members
Current members
As of the band's final active period leading up to their disbandment in 2023, Pink Cream 69's lineup consisted of vocalist David Readman, drummer Chris Schmidt, guitarist Marco Wriedt, and bassist Roman Beselt.[29][3][2] David Readman served as lead vocalist from 1994 to 2023, joining the band after original singer Andi Deris departed to front Helloween.[3][2] He is recognized for his soulful vocal delivery, which became a hallmark of the band's sound in later years.[30][31] Readman also leads the melodic hard rock project Room Experience and was the frontman for Voodoo Circle from 2008 to 2016, rejoining briefly in 2020.[32][33] He provided vocals for the band's 2017 studio album Headstrong, contributing to its melodic hard rock style alongside his bandmates.[34][35] Chris Schmidt joined as drummer in 2012, replacing longtime member Kosta Zafiriou, and remained until 2023.[3][2] He performed on the band's final studio release, Headstrong (2017), delivering the driving rhythms that supported the album's energetic tracks.[34][35] Schmidt also anchored the rhythm section for live performances through the band's concluding tours.[29] Marco Wriedt took over guitar duties from 2020 to 2023, stepping in after Uwe Reitenauer's exit.[3][27] He contributed guitar work and backing vocals to the band's live sets during this period, enhancing their stage presence in the final years.[36][29] Roman Beselt handled bass from 2019 to 2023, succeeding Dennis Ward following his departure after 32 years with the group.[3][37] Beselt provided bass and backing vocals for live shows, including production support elements for the band's performances up to their last contracted dates in summer 2023.[36][29][38]Former members
Andi Deris served as the lead vocalist and a founding member of Pink Cream 69 from 1987 to 1994, providing the vocals for the band's first three studio albums, Pink Cream 69 (1989), One Size Fits All (1991), and Games People Play (1993).[1] His departure in 1994 was to join Helloween as their frontman.[2] Doogie White briefly joined as lead vocalist in 1994 following Deris's exit but left shortly thereafter to pursue an opportunity with Rainbow, making him a short-term interim member with no recorded album contributions.[2][9] Alfred Koffler was the band's founding and longest-serving guitarist from 1987 until his retirement in 2023, contributing guitar riffs and compositions across all 12 studio albums and serving as the only consistent member throughout the band's history.[1][39] Dennis Ward, a founding member, handled bass duties and also served as a producer for multiple albums from 1987 to 2019, significantly influencing the band's melodic hard rock sound during its early and mid-period releases, including production on Ceremonial (2013) and Headstrong (2017).[1] He departed in 2019 citing the band's lack of activity.[26][40] Kosta Zafiriou co-founded the band and played drums from 1987 to 2012, contributing to the rhythm section on the first 10 studio albums while also taking on management roles in later years; he left in 2012 to focus on production and management.[1][23] Uwe Reitenauer joined as the second guitarist in 2001 and remained until 2020, adding dual-guitar harmonies and leads to albums from Thunderdome (2004) onward, enhancing the band's layered sound in the 2000s and 2010s; his exit was announced in early 2020.[41][1]Musical style
Characteristics
Pink Cream 69's music is primarily classified as melodic hard rock with distinct heavy metal influences, characterized by its emphasis on accessible melodies and energetic dynamics.[42] The band's sound features catchy hooks, driving guitar riffs, and anthemic choruses that prioritize emotional resonance and crowd engagement, setting it apart in the European rock landscape.[43][44] The vocal delivery plays a central role in defining the band's identity, with high-range, emotive performances that convey intensity and vulnerability. Early vocalist Andi Deris employed an operatic tone capable of soaring into the fifth octave, adding a dramatic flair to the melodic structures.[45] Later frontman David Readman introduced a bluesier grit, marked by forceful, grainy expressions that enhance the raw emotional depth while maintaining versatility across aggressive and melodic passages.[44][30] Instrumentally, Pink Cream 69 relies on dual guitar work from Alfred Koffler and Uwe Reitenauer, which creates layered harmonies and intricate riffs inspired by 1980s glam metal and power metal aesthetics. Prominent bass lines from Dennis Ward provide a solid foundation, complemented by steady, propulsive drumming that supports the overall rhythmic drive without overpowering the melodic elements.[46][47] Lyrically, the band explores themes of love, personal inner struggles, societal observations, and the broader aspects of life, often infusing these subjects with positive, uplifting messages that encourage resilience and hope.[48][49] The production approach, largely shaped by bassist Dennis Ward, results in a polished, radio-friendly sound that balances clarity and power, contrasting with the rawer edges of contemporary metal acts through crisp mixes and transparent layering.[50][43] This style has remained a consistent hallmark, even as the band refined its approach over time.[51]Evolution
Pink Cream 69's musical evolution began in their formative years from 1987 to 1994, when the band drew heavily from the glam metal and high-energy pop-metal scenes, incorporating influences from acts like Van Halen and Whitesnake to craft a vibrant, melodic hard rock sound characterized by soaring vocals and anthemic choruses.[52] Their debut album in 1989 exemplified this phase, blending party-metal exuberance with accessible hooks that aligned with the late-1980s commercial hard rock wave, while maintaining a distinctly European flair rooted in the local metal scene alongside bands like the Scorpions.[42][2] Following Andi Deris's departure in 1994 to join Helloween, the band entered a mid-phase from 1994 to 2000 marked by a shift toward a harder, more experimental edge, integrating elements of alternative rock and grunge amid the era's musical landscape. This period saw influences from Deep Purple and Rainbow emerge more prominently, adding progressive undertones and heavier riffing to their melodic foundation, as evident in albums that balanced introspective lyrics with dynamic, guitar-driven compositions.[52] The transition reflected broader adaptations to changing tastes, moving away from glam's polished sheen toward a rawer intensity while preserving catchy, radio-friendly structures influenced by the enduring European hard rock tradition.[53] In their later phase from 2001 to 2023, Pink Cream 69 leaned into power metal leanings with the addition of guitarist Uwe Reitenauer, incorporating modern production techniques that enhanced their melodic metal core and nods to Helloween's style through Deris's legacy. Albums during this time emphasized high-octane energy and technical prowess, drawing from Whitesnake's bluesy hard rock and the Scorpions' arena-ready dynamics to sustain a dedicated fanbase.[42][1] Overall, the band's trajectory adapted from 1980s commercial hard rock to a resilient melodic metal identity, navigating genre shifts by prioritizing authentic songwriting over trends, as articulated by bassist Dennis Ward in reflections on their diverse influences like Rush and classic rock basslines.[54]Discography
Studio albums
Pink Cream 69 has released twelve studio albums over their career, transitioning from major label releases with Epic Records in the early years to independent labels such as Frontiers Records in later periods. Their music consistently blended melodic hard rock with heavy metal influences, evolving from glam-tinged sounds in the late 1980s to a more polished, power metal-infused style by the 2010s.[55] The band's self-titled debut album, Pink Cream 69, arrived in 1989 via Epic Records and consisted of 13 tracks that showcased high-energy riffs and Andi Deris's soaring vocals, including standout cuts like "Sugar for Love" and "One Step into Paradise." It marked their entry into the European hard rock scene and achieved moderate chart success in Germany.[55][11] One Size Fits All, the 1991 follow-up on Epic Records, featured 11 tracks emphasizing catchy melodies and tight songwriting, such as "Blowin' in the Wind" and "Stray Kids." The album reached high positions on the charts in Germany, Switzerland, and Japan, supporting the band's first headlining European tour.[55][11] In 1993, Games People Play became the third Epic Records release, with 13 tracks that refined their melodic hard rock formula ahead of Deris's departure; notable songs included "Face in the Mirror" and "Shattered," highlighting the band's dynamic range and emotional depth.[55] The 1995 album Change, also on Epic Records, introduced vocalist David Readman and shifted toward a harder, more modern edge with 12 tracks, incorporating grunge-inspired elements while retaining melodic hooks in songs like "The Life You Live" and "20th Century Boy." This lineup change signified a new era for the band, focusing on heavier riffs and collaborations.[55][56] Food for Thought (1997, High Gain Records) expanded to 14 tracks, exploring introspective themes with Readman's versatile delivery on pieces like "Follow Your Heart" and "Waiting for the Moon," though it received mixed reception for its experimental leanings.[55] Electrified (1998, High Gain Records) delivered 11 electrifying tracks, praised for its raw energy and anthemic choruses in tracks such as "Shame" and "Bitter Sweet," revitalizing the band's sound post-label shift.[55] The seventh album, Sonic Dynamite (2000, Massacre Records), contained 12 explosive tracks released on February 21, blending heavy grooves with melodic flair in songs like "Is This Love" and "Born to Be Wild" (a cover), marking a return to high-octane hard rock.[55][57] Endangered (2001, Massacre Records) followed with 12 tracks addressing themes of survival and intensity, featuring highlights like "Forever" and "Signs of Danger," and solidifying the band's cult following in Europe.[55] Thunderdome (2004, Steamhammer) ramped up to 14 tracks of thunderous power metal-infused rock, with key moments in "Helldiver" and "Breakdown," earning acclaim for its production and live-ready anthems.[55] In10sity (2007, Frontiers Records), a 12-track effort released on March 23, celebrated the band's twentieth anniversary with intense, riff-driven songs such as "Children of the Dawn" and "Crossfire," noted for its renewed vigor.[55][58] Ceremonial (2013, Frontiers Records) offered 12 ceremonial tracks marking another lineup evolution, debuting at No. 83 on the German Media Control charts; standouts included "Shadowflower" and "Pale Rider," emphasizing orchestral elements and epic scope.[55][59] The final studio album, Headstrong (2017, Frontiers Records), was a double-disc set with 19 tracks reflecting the band's resilient spirit, featuring powerful entries like "We Bow to None" and "Walls Come Down," and serving as a comprehensive retrospective of their melodic hard rock legacy.[55]Live albums and videos
Pink Cream 69's live releases capture the band's energetic performances, highlighting their melodic hard rock style through recordings from key tours and milestone events. The band's first official live album, titled # Live #, was recorded during their Food for Thought tour between May and July 1997 and released on November 3, 1997, by High Gain Records.[60][61] This double-disc set features fan favorites such as "Do You Like It," "Big Shot," "Welcome the Night," and "Signs of Danger," showcasing the original lineup's chemistry before vocalist Andi Deris departed for Helloween.[62] The album emphasizes the band's high-energy delivery and crowd interaction, drawing from material across their first four studio albums. In 1993, Pink Cream 69 released Size It Up: Live in Japan '92, a video concert filmed on January 31, 1992, at Club Citta' in Kawasaki, Japan, during their early international touring phase.[63] Originally issued on VHS and laserdisc by Epic Sony, this release includes performances of tracks like "Take Those Tears," "Welcome the Night," "Do You Like It Like That," and "Signs of Danger," capturing the band's glam-influenced stage presence and Deris's charismatic vocals in a full live set.[64] Later reissued on DVD, it provides a visual record of their rising popularity in Asia, blending concert footage with off-stage clips from the band's private library.[63] Marking their 20th anniversary, Pink Cream 69 issued Live in Karlsruhe, a double-CD live album recorded on January 24, 2009, at the Schwarzwaldhalle in their hometown of Karlsruhe, Germany.[65] Released on October 16, 2009, by Frontiers Records, the album features a comprehensive setlist spanning their career, including "Children of the Dawn," "Do You Like It Like That," "Hell's Gone Crazy," and "Lost in Illusions," with the current lineup delivering polished renditions of classics and newer material.[66] Produced by the band with Shay Baby, it highlights their enduring appeal and tight musicianship in a celebratory context.[67] Complementing the audio release, the double-DVD Past & Present was also issued on October 16, 2009, by Frontiers Records, documenting the same 2009 Karlsruhe anniversary concert alongside archival footage and interviews.[4] The package includes the full live show with visuals of the band's performance, emphasizing hits like "Signs of Danger" and "Walking After Midnight," as well as behind-the-scenes content tracing their history from formation in 1987.[68] This video release underscores Pink Cream 69's longevity, offering fans a multimedia retrospective of their evolution and stage dynamics.[69]Singles and EPs
Pink Cream 69 released several EPs and maxi-singles throughout their career, primarily during the early 1990s and early 2000s, often featuring alternate versions, acoustic remakes, live recordings, and covers to promote tours and albums. These releases were issued on labels such as Epic and Massacre Records, typically in CD and vinyl formats, and served as promotional tools in Europe and Japan.[70][2] The band's first EPs, both from 1991, were region-specific promotional efforts tied to their initial albums. The 36°/140° EP, released exclusively in Japan by Epic, included remakes and a live studio jam, showcasing their hard rock sound with influences from glam metal. Its tracklist comprised "I Only Wanna Be for You (Remake '91)," "Ballerina (Acoustic Version '91)," and "Detroit Rock City (Live Studio Jam)," a cover of the Kiss classic, highlighting the band's versatility and appeal in the Asian market.[71][72] Similarly, the 49°/8° EP, issued in Europe by Epic, offered extended and acoustic takes on existing material plus covers, with tracks like "Talk to the Moon (Long Version '91)," "Where the Eagle Learns to Fly (Acoustic Remake '91)," "Detroit Rock City (Live Studio Jam '91)," and a bonus track "White Men Do No Reggae" on select editions. These EPs emphasized the band's live energy and reinterpreted songs to engage fans during their early tours.[73][74] In the mid-1990s, Pink Cream 69 focused on maxi-singles to support their studio albums, often including b-sides, remixes, and non-album tracks. The 1993 maxi-single "Somedays I Sail," released on Epic in CD format, featured the title track from Games People Play alongside a previously unreleased song "A Good Waste of Time" and album cuts, aiding promotion across Europe.[75] That same year, "Keep Your Eye on the Twisted" followed as a CD maxi-single on Epic, containing the lead track, instrumental versions, and b-sides to extend the album's reach. "Signs of Danger" also appeared as a 1993 single on Epic, with remixes and live elements to boost radio play. By 1995, with the Change album, the band issued "Only the Good" as a CD maxi-single, including acoustic mixes and covers like T. Rex's "20th Century Boy," which appeared separately as well, reflecting their strategy of blending originals with tributes. Formats were predominantly CD, with some vinyl pressings for collectors.[76][2] Later, the 2000 EP Pink Cream 69's Mixery (Fan Edition) on Massacre Records marked a return to EP format, compiling rare tracks, acoustic renditions, and covers for dedicated fans. Released in CD format, it included "One Step Into Paradise (2000 Version)," "Seas of Madness (Acoustic Version)," "King of My World," and a cover of Mötley Crüe's "Looks That Kill," along with "Shame," serving as a bridge between albums with experimental elements. 1999's "Shame" rounded out their maxi-single output, on CD with b-sides, though less documented in charts. Overall, these approximately six releases emphasized promotional utility over standalone commercial success, with no major European chart entries but strong support for tours in Germany and Japan.[77][78][2]| Release | Year | Label | Format | Key Features |
|---|---|---|---|---|
| One Step Into Paradise | 1989 | Epic | 12" Vinyl | Extended version, b-sides from debut album era.[79] |
| 36°/140° | 1991 | Epic | CD | Japan promo; remakes, live jam (3 tracks).[80] |
| 49°/8° | 1991 | Epic | CD/Vinyl | Europe promo; long/acoustic versions, covers (4 tracks).[7] |
| Somedays I Sail | 1993 | Epic | CD | Maxi; unreleased track, album promotion (4 tracks).[75] |
| Keep Your Eye on the Twisted | 1993 | Epic | CD | Maxi; instrumentals, b-sides (4 tracks).[81] |
| Signs of Danger | 1993 | Epic | CD | Single/maxi; remixes for radio (3 tracks).[2] |
| Only the Good | 1995 | Epic | CD | Maxi; acoustic, covers (4 tracks).[76] |
| Pink Cream 69's Mixery (Fan Edition) | 2000 | Massacre | CD | Rare/acoustic/covers (5 tracks).[77] |
| Shame | 1999 | Unknown | CD | Single; promo from Electrified.[2] |