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Project 1950
Studio album by
the Misfits
ReleasedJuly 29, 2003
GenrePunk rock
Length24:20
LabelMisfits Records
ProducerJohn Cafiero
The Misfits chronology
Famous Monsters
(1999) 		Project 1950
(2003) 		Psycho in the Wax Museum
(2006)
Singles from Project 1950
  1. "This Magic Moment"
    Released: 2003

Project 1950 is the sixth studio album by the American horror punk band the Misfits, released in 2003. It consists of cover versions of rock and roll songs from the 1950s and 60's and marks bassist Jerry Only's debut as the Misfits' lead singer. Except for Only, no members of the band from their previous album returned for Project 1950.

The album cover artwork was done by Pennsylvania artist Tony Squindo. The liner notes include explanations from the band members about why they chose each particular song.[1]

Receiving generally positive critical reviews from publications such as Allmusic, the album became a commercial success and hit the No. 2 slot on Billboard's 'Top Heatseekers' chart as well as No. 5 on its 'Top Independent Albums' chart.[2]

Recording

[edit]

Ronnie Spector guest starred as a backing vocalist on two tracks. Other members of the band at that point had also previously been associated with famous groups, with a lineup including punk rockers Marky Ramone of the Ramones and Dez Cadena of Black Flag. Marky said in 2011 he was compelled to join out of pity for Jerry as he had recently bought the rights to the band name but only to have the original members walk off on him.[3]

In October 2014, the band released an expanded edition of the album, adding three new tracks with current drummer Eric "Chupacabra" Arce performing on the new tracks. A limited picture disc LP of the expanded album was also released with new artwork by Tom Whalen[4]

Reception

[edit]
Professional ratings
Review scores
SourceRating
AllMusicStarStarStar[2]
Punknews.orgStarStarStarHalf star[5]

The album received positive reviews. AllMusic ran a supportive review by critic Johnny Loftus, who stated that "it's good to hear their excitement in the recordings, which crackle with enthusiasm" and called the album "really enjoyable in a nostalgia sort of way".[2] Reviewing the Expanded Edition of the album Ken Pierce, of Piercing Metal stated "Overall the tunes retain a large part of their original sound but with there being renditions by The Misfits they are faster and quicker to finish when it all comes down to it." rating the album 4 out of 5.[6]

Track listing

[edit]
No.TitleWriter(s)Original artistLength
1."This Magic Moment"Doc Pomus, Mort ShumanThe Drifters2:36
2."Dream Lover"Bobby DarinBobby Darin2:28
3."Diana"Paul AnkaPaul Anka2:09
4."Donna"Ritchie ValensRitchie Valens2:33
5."Great Balls of Fire"Otis Blackwell, Jack HammerJerry Lee Lewis1:50
6."Latest Flame"Pomus, ShumanElvis Presley2:17
7."Monster Mash"Bobby Pickett, Leonard L. CapizziBobby (Boris) Pickett and the Crypt-Kickers2:37
8."Only Make Believe"Conway Twitty, Jack NanceConway Twitty2:16
9."Runaway"Del Shannon, Max CrookDel Shannon2:24
10."You Belong to Me"Pee Wee King, Chilton Price, Redd StewartJo Stafford3:10
Total length:24:20
Expanded edition[4]
No.TitleWriter(s)Original artistLength
11."Witchcraft"Cy Coleman, Carolyn LeighFrank Sinatra1:47
12."Daughter of Darkness"Les Reed, Geoff StephensTom Jones2:40
13."(You're the) Devil in Disguise"Bill Giant, Bernie Baum, Florence KayeElvis Presley2:43
Total length:31:30

Charts

[edit]
Chart (2003) Peak
position
US Billboard 200[7] 133
US Independent Albums (Billboard)[8] 5
US Heatseekers Albums (Billboard)[9] 2


Bonus DVD

[edit]
  1. "This Magic Moment"
  2. "Dream Lover"
  3. "Diana"
  4. "Donna"
  5. "Runaway"
  • Tracks 1–4, recorded at the Phillips US Open Snowboarding Championships
  • Track 5, recorded live, at The World in NYC

Bonus material

  • Day the Earth Caught Fire: Live in NYC- Misfits with Balzac
  • The Haunting/Don't Open 'Till Doomsday: Live in Japan- Balzac with Misfits
  • Day the Earth Caught Fire: Live in Japan- Balzac with Misfits
  • The Haunting/Don't Open 'Till Doomsday- Balzac
  • Out of the Blue- Balzac

Personnel

[edit]
  • Jerry Only – bass, lead vocals
  • Marky Ramone – drums, percussion
  • Dez Cadena – guitars
  • John Cafiero – background vocals on "Dream Lover", "Monster Mash" and "Runaway"
  • Ronnie Spector – background vocals on "This Magic Moment" and "You Belong to Me"
  • Jimmy Destri – keyboards on "Runaway" and "Great Balls of Fire"
  • Ed Manion – saxophone on "Diana" and "Runaway"
  • Eric "Chupacabra" Arce – drums, percussion on "Witchcraft", "Daughter of Darkness" and "(You're the) Devil in Disguise"[4]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Project 1950

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from Grokipedia
Project 1950 is the sixth studio by the American band Misfits, released on July 29, 2003, through their independent label Misfits Records. The is a special project featuring covers of classic 1950s songs, highlighting the era's influence on punk music and the band's horror-themed aesthetic. It marks the first full-length release under the Misfits Records imprint, distributed by and Warner Bros. Records. The recording lineup includes on bass and lead vocals, on guitars, and —formerly of the —on drums, assembled specifically for this tribute to 1950s icons. Notable guest artists enhance the album's nostalgic appeal, with of providing vocals on "" and "You Belong to Me," of Blondie on keyboards for "Runaway" and "," and additional contributions from on saxophone and on backing vocals. Produced by the band themselves, the 10-track album runs approximately 24 minutes and includes covers such as "" (), "Diana" (), "Donna" (Ritchie Valens), and "" (Bobby "Boris" Pickett). Upon release, Project 1950 achieved commercial success on niche charts, debuting at number 2 on the Billboard Heatseekers chart and number 5 on the Top Independent Albums chart. The single "Monster Mash" reached number 1 on FMQB's SubModern chart in 2003, underscoring the band's ability to revive holiday-themed rock staples with their punk energy. An expanded edition followed in 2014, adding bonus tracks, live performances, and a DVD with music videos, while limited-edition vinyl pressings in colors like blue, purple, and neon green quickly sold out and became collector's items.

Background

Conception

Project 1950 marked Jerry Only's debut as the for the Misfits, a significant shift following the departure of in 2000, after which Only assumed vocal duties alongside his longstanding role on bass. This change positioned Only as the central creative force, allowing him to pursue long-held personal visions for the band without a dedicated frontman. The album emerged as a deliberate "special project" rather than a conventional Misfits release, conceived to pay tribute to the 1950s rock 'n' roll classics that formed the foundational roots of punk music. The concept originated from Only's childhood nostalgia, shaped by listening to his mother's collection of 1950s 45s featuring artists like and , which instilled in him an appreciation for the era's simple chord progressions, vocal melodies, and raw energy. Only envisioned the as a "music lesson" that bridged generational gaps, blending these vintage influences with the Misfits' horror aesthetic—deeply tied to 1950s monster movies and B-horror nostalgia, evoking a playful yet aggressive vibe akin to " Meets ." This approach highlighted how 1950s music's unbridled enthusiasm directly informed punk's high-octane style, with examples such as the frenetic piano-driven intensity of paralleling the Misfits' explosive performances. The idea took shape around 2002 during the band's 25th anniversary activities, after the post-1995 reunion lineup had stabilized following earlier upheavals, enabling Only to assemble a supergroup featuring sympathetic collaborators who shared his affinity for the material. Initial song selections drew from harmonies, early rock anthems, and novelty hits of the era, selected to underscore punk's debt to these precursors while infusing them with the Misfits' signature horror-themed reinterpretations. Released in 2003 as the inaugural full-length from the band's independent label Misfits Records, the project fulfilled Only's years-long ambition to revisit and revitalize these influences in a punk context.

Lineup

The core lineup for Project 1950 consisted of on bass and lead vocals, on guitar, and on drums, marking the first full-length studio album recorded by this post-reunion configuration of the Misfits. This trio emerged from the band's lineup evolution following the dissolution of the 1995–2000 incarnation, which had featured singer , drummer , and guitarist . Cadena, formerly of Black Flag, joined in 2001 after Doyle's departure during the Misfits' 25th Anniversary Tour, initially alongside rotating members before solidifying as the permanent guitarist. Ramone, ex-Ramones, had begun contributing as a touring in 2001, replacing the Graves-era and becoming a fixture by the time of the album's recording. Only assumed lead vocal duties for the entirety of Project 1950, a shift from his previous role providing primarily backing vocals and occasional leads in the band's earlier studio efforts, establishing him as the frontman in this era. This lineup built upon the momentum of the 1999 album Famous Monsters—the final release with the prior configuration—but pivoted toward a covers project emphasizing influences.

Recording

Sessions

The recording sessions for Project 1950 occurred in early 2003, primarily at Schoolhouse Studio in for the instrumental tracks and at West West Side Music in , for vocals, keyboards, percussion, mixing, and mastering. These sessions adopted a brisk pace to preserve the raw, live energy of the performances, drawing on the vitality of 1950s while accelerating it with punk's intensity; the core drum tracks were laid down in just eight hours by , and the full album was completed in under two months. To evoke a retro aesthetic, 's lead vocals employed multi-tracking to fuse his signature horror-punk growl with layered harmonies, enhancing the nostalgic yet aggressive sound. A key challenge involved reworking the classic songs' arrangements for the core three-piece lineup of on bass and vocals, on guitar, and on drums, necessitating omissions of period-specific elements like pianos in favor of streamlined punk interpretations, supplemented by guest contributions such as keyboards from . Producer provided oversight throughout the process.

Production

John Cafiero served as the primary producer, engineer, and mixer for Project 1950, overseeing the transformation of classic 1950s covers into punk-infused tracks. Guest artists played key roles in enhancing the recordings, with delivering featured vocals on "" and "You Belong to Me." of Blondie added keyboards to "Runaway" and "Great Balls of Fire," bringing a pop-rock flair to those selections. also contributed backing vocals on several tracks, including "," "," and "Runaway." Vocals, keyboards, and additional percussion were recorded at West West Side Music in , while the core music was tracked at Schoolhouse Studio in . In post-production, the album was mastered by Alan Douches at West West Side Music, ensuring a dynamic balance between vintage nostalgia and punk aggression. Project 1950 marked the inaugural full-length release for Misfits Records, the band's independent label established in 2003 and distributed by Rykodisc, enabling full creative autonomy over the project's direction.

Musical style

Song selection

The Misfits' Project 1950 features ten cover songs drawn exclusively from hits of the late and early 1960s, selected to evoke the nostalgic spirit of the pre-Beatles era while aligning with the band's identity. The tracklist includes "" originally by in 1960, "" by in 1959, "Diana" by in 1957, "Donna" by in 1958, "" by in 1957, "Runaway" by in 1961, "His Latest Flame" by in 1961, "" by Bobby "Boris" Pickett in 1962, "You Belong to Me" by in 1962, and "" by in 1957. These selections were curated from the 45 rpm singles in bassist Jerry Only's mother's collection, emphasizing personal and a tribute to the music that influenced his early years. The choice of songs prioritized upbeat, youthful anthems that mirrored the rebellious energy of , transforming innocent and into a framework for the Misfits' aggressive reinterpretations. Only explained that tracks like "Donna," "Diana," and "" were picked for their "classy" oldies appeal, aiming to create a sound distinct from the band's typical heavy guitar style and to serve as a "music lesson" for fans. The inclusion of the horror-themed "" specifically catered to the Misfits' signature aesthetic, blending campy novelty with their punk edge to reinforce thematic continuity. Notably, the album contains no original compositions, adhering strictly to pre-1963 to maintain a cohesive evocation without venturing into later rock developments. This deliberate omission underscores the project's focus as a homage rather than new material creation. The standard edition's total runtime is 24:16, delivering a concise collection that captures the era's brevity in .

Adaptations

The Misfits adapted the covers on Project 1950 by accelerating tempos and infusing punk aggression, transforming laid-back originals into high-energy performances. For example, "You Belong to Me" begins slowly before shifting to one of the album's fastest paces, while tracks overall adopt a blocky, punchy rhythm suited to punk's drive. Jerry Only's deep warbling vocals provided a menacing contrast to the smoother, crooning styles of the originals, enhancing the edge with a raw, distinctive delivery. His performance stands out particularly on "," where the gravelly tone and attention-grabbing intro amplify the song's intensity, while guest added authentic girl-group backing on selections like "" and "You Belong to Me." Thematic ties to were emphasized through reinterpretations that evoked dark, ghoulish vibes, most notably on "," where Only's full-throated effort, snarling delivery, and retention of original sound effects heightened the atmosphere central to the band's identity. Instrumentation shifted from orchestral or piano-driven arrangements to a stripped-down punk trio of , and drums, courtesy of Only, , and , respectively, for a direct, aggressive sound. Occasional period touches preserved authenticity, such as Jimmy Destri's keyboards on "Runaway" and "," and saxophone flourishes in "Diana" to nod to the roots. The resulting hybrid blended harmonies and vintage rock elements with Ramone's Ramones-influenced drumming, yielding an upbeat fusion of nostalgia and punk menace that aligned with the Misfits' horror-inflected aesthetic.

Release

Formats

Project 1950 was initially released on July 29, 2003, through Misfits Records in format, accompanied by a bonus DVD in some editions, while a limited vinyl LP pressing was also issued that year in colored variants including blue, purple, and neon-green, limited to 1,000–3,000 copies each depending on the region. An expanded edition followed on October 27, 2014, available in both and vinyl formats via Misfits Records, adding three previously unreleased bonus tracks: "," "Daughter of Darkness," and "(You're the) Devil in Disguise." The original came in a standard jewel case, but the expanded edition utilized a featuring diner-themed artwork illustrated by Tony Squindo, with later reissues incorporating additional detailing the project's covers and collaborations. Initially self-released under Misfits Records with distribution support from , subsequent editions and digital versions became available through the label's direct sales and streaming platforms such as .

Promotion

The release of Project 1950 was supported by the Misfits Fiend Fest tour, a month-long U.S. trek that began on July 23, 2003, in , and concluded on August 23, 2003, in , featuring the Misfits alongside Project 1950 presented as a dedicated to punk-infused covers of rock classics. The tour lineup also included The Damned, , , and Balzac, with performances across major venues such as the Marquee Theatre in , the 4th & B in , the Avalon Ballroom in , and the in , aligning closely with the album's debut on July 29, 2003, to build immediate visibility for the record. Setlists during the Fiend Fest emphasized tracks from Project 1950, including high-energy renditions of covers like "," alongside Misfits staples and selections from associated punk acts such as the and Black Flag, to showcase the album's nostalgic rock 'n' roll reinterpretations. This touring strategy extended into 2004 with additional U.S. dates, sustaining momentum for the project through live performances that highlighted its all-star guest vocalists and thematic ties to 1950s-era music. Promotion efforts included coverage in punk publications that underscored the album's conceptual blend of horror punk aesthetics with retro rock influences, positioning it as a distinctive side venture rather than a standard Misfits release. The initial edition featured a bonus DVD with live footage from events like the 2003 US Open Snowboarding Championships and a 2002 New York City Halloween show, enhancing media outreach by providing visual content of the band's performance style. In 2014, the expanded edition of Project 1950—adding three previously unreleased bonus tracks with a horror-centric theme—was marketed primarily through the band's official website and Misfits Records, emphasizing the updated packaging with new artwork and to appeal to longtime fans of the group's punk-rockabilly fusion.

Reception

Critical response

Upon its release in 2003, Project 1950 received mixed reviews from critics, who generally appreciated its energetic punk-infused covers of 1950s classics but criticized the for lacking innovation and original material. awarded it three out of five stars, describing the collection as an "enthusiastic" effort that delivers "fun covers" while acknowledging it as "not groundbreaking." Similarly, Punknews.org gave it a 7 out of 10, calling it a "solid " to the band's punk roots and highlighting the enthusiastic performances, particularly Marky Ramone's drumming and Jerry Only's vocals on tracks like "" and "." Critics often praised the album's ability to capture the nostalgic spirit of music through a lens, with guest appearances adding authenticity and appeal. For instance, Ronnie Spector's backing vocals on "" were singled out as a highlight for injecting girl-group charm against Only's deeper style, while Jimmy Destri's keyboards on "" enhanced the vibe. However, reviewers frequently pointed to weaknesses such as the absence of new songs and occasional muddy production, which prevented the project from standing out in the . Sputnikmusic's assessment echoed this, labeling it a departure that felt disconnected from the band's core despite its energy. Retrospective coverage has positioned Project 1950 as an underrated entry in the Misfits' catalog, particularly following its 2014 expanded reissue, which added three bonus tracks like "(You're the) Devil in Disguise" and received a four-out-of-five rating from Piercing Metal for maintaining the original's fast-paced charm while expanding its scope. A 2023 Tinnitist review reflected on it as a "classic" covers album that succeeds in but falls short as a true Misfits statement due to its brevity (just 24 minutes) and reliance on reinterpretations without fresh compositions, though it commended the live DVD bonus for added value. Overall, aggregate scores reflect this ambivalence, with Album of the Year compiling a critic average of 60 out of 100 based on limited professional reviews, underscoring its appeal as a lighthearted rather than a pivotal work.

Commercial performance

Project 1950 marked the highest-charting album on the Heatseekers and charts in the Misfits' career at the time of its release. In the United States, it debuted at number 133 on the chart in August 2003. The album performed stronger on genre-specific charts, reaching number 5 on the chart and number 2 on the Heatseekers Albums chart. Internationally, the album saw limited but notable placements, peaking at number 18 on the chart during its second week. The album's market impact stemmed from the Misfits' dedicated cult following, which helped elevate its visibility within punk and rock circles. However, its format as a collection of 1950s covers restricted mainstream radio airplay, confining success primarily to niche audiences and independent distribution channels. No RIAA certifications were awarded, reflecting its modest broader commercial footprint. The 2014 expanded edition, featuring bonus tracks and retro artwork, reinvigorated interest among fans but did not significantly alter the album's overall sales trajectory.

Personnel

Core members

The core lineup for Project 1950 consisted of , , and , who together formed the primary trio responsible for the album's instrumentation and punk reinterpretations of 1950s rock classics. Jerry Only, the Misfits' founding bassist, performed bass and lead vocals on all tracks, marking his first album as the band's primary singer. He also co-produced the record and contributed that highlighted the project's emphasis on fundamentals, underscoring the trio's shared affinity for the era's music. Dez Cadena, formerly of Black Flag, handled guitar duties across every song, infusing the covers with aggressive, riff-driven punk elements inspired by his hardcore background. His contributions are noted in the album's extensive booklet for adding dynamic guitar textures tailored to each track's original style. , renowned for his work with the , provided drums and percussion on all tracks, delivering tight, high-energy beats that echoed the ' rapid-fire punk precision. The emphasize the seamless chemistry among the three, crediting their combined experience for the album's cohesive revival of 1950s influences.

Guests

The album features several guest contributors who brought distinctive elements to its retro rock 'n' roll covers, enhancing the punk-infused sound with period-appropriate flair. , lead singer of , provided background vocals on "," infusing the track with authentic girl-group harmonies reflective of her band's legacy. She also contributed vocals to "You Belong to Me," further emphasizing the era's influences. Jimmy Destri, keyboardist from Blondie, supplied keyboards on "Runaway" and "," delivering the buoyant, nostalgic instrumentation central to rock. His contributions, courtesy of Sony International, helped recreate the upbeat energy of the originals while aligning with the project's thematic homage to mid-century hits. Longtime Misfits collaborator added backing vocals across multiple tracks, including "," "," and "Runaway," providing layered support that amplified the album's festive, horror-tinged vibe. Joan Tyler provided backing vocals on "Diana." Ed Manion contributed saxophone on "Diana" and "Runaway." In the 2014 expanded edition, drummer Eric "Chupacabra" Arce joined for the three bonus tracks—"Witchcraft," "Daughter of Darkness," and "(You're the) Devil in Disguise"—handling percussion to complete the rhythm section and give these unreleased cuts a fuller, live-wire punch. Ed Stasium assisted with mixing and production duties for these bonus tracks. These guests were selected for their historical connections to , and the aesthetic, enriching the album's conceptual tribute without overshadowing the core lineup.

Track listing

Original edition

The original edition of Project 1950, released on July 29, 2003, by Misfits Records, consists of ten cover versions of and roll songs primarily from the late and early , performed in the Misfits' signature style with guest contributors enhancing the arrangements. The tracks were selected to pay homage to the era's influential hits, with on lead vocals and bass, on guitar, and on drums, incorporating punk energy through faster tempos and distorted guitars while retaining the songs' melodic cores. The sequencing begins with ballads and transitions to more upbeat rockers and novelties, building a dynamic flow that evokes the excitement of sock hops reimagined for a punk audience.
No.TitleDurationWritersOriginal Artist
1"This Magic Moment"2:35, (1959)
2""2:28 (1959)
3"Diana"2:09 (1957)
4"Donna"2:33 (1958)
5""1:50Jack Hammer, (1957)
6"Latest Flame"2:16, as "(Marie's the Name) His Latest Flame" (1961)
7""2:37Leonard Capizzi, Bob PickettBobby "Boris" Pickett (1962)
8"Only Make Believe"2:15, as "It's Only Make Believe" (1958)
9"Runaway"2:23, (1961)
10"You Belong to Me"3:10Chilton Price, , Redd Stewart (1952), popularized by (1962)
These adaptations apply punk rock elements, such as aggressive and horror-themed production touches, to the source material without altering core .

Expanded edition

The expanded edition of Project 1950 was released on October 28, 2014, by Misfits Records, featuring three previously unreleased bonus tracks appended to the original 2003 album's tracklist as tracks 11 through 13. These additions extended the overall runtime from approximately 24 minutes to around 31 minutes, providing a more comprehensive collection of the project's 1950s rock 'n' roll covers infused with and horror elements. The bonus tracks consist of new recordings of classic songs reinterpreted in the album's signature style. Each track maintains the retro and aesthetics of the core album, with handling bass and lead vocals, on guitar, and Eric "Chupacabra" Arce joining on drums for the first time in this project to complete the rhythm section. Produced by , the sessions were conducted in 2014 specifically for this reissue, aiming to preserve the original's energetic, nostalgic vibe while emphasizing horror-centric themes in the song selections.
No.TitleDurationWritersOriginal Artist
11"Witchcraft"1:46, (1957)
12"Daughter of Darkness"2:40Geoff Stephens, Tom SellersTom Jones (1970)
13"(You're the) Devil in Disguise"2:33Bill Giant, Bernie Baum, Florence Kaye (1963)
These bonus tracks serve to deepen the album's retrospective appeal, bridging the Misfits' punk roots with additional era-specific covers that align with the band's identity and enhancing the package as a definitive edition of the 2003 concept. The reissue also included updated packaging with expanded artwork by Tony Squindo, further elevating its status as a collector's item.

Bonus media

DVD content

The bonus DVD accompanying the initial CD edition of Project 1950 features live performances of select tracks from the album, captured during 2003 events. These include footage of "," "," "Diana," and "Donna," recorded live at the US Open Snowboarding Championships. Additionally, "Runaway" appears in a live rendition from the band's Halloween 2002 show at The Ritz in . The DVD also includes supplemental material highlighting collaborations with the Japanese punk band Balzac, such as live performances of "Day The Earth Caught Fire" from and , along with "The Haunting / Don’t Open ‘Till Doomsday" from the latter location. It concludes with promotional music videos for "The Haunting / Don’t Open ‘Till Doomsday" and "Out Of The Blue," emphasizing the Misfits' signature aesthetic through stylized visuals and thematic elements. The content was produced, edited, and directed by , with a total runtime of approximately 20 minutes. This DVD was included exclusively with the first pressing of the released on July 29, 2003, via Misfits Records, and was not part of subsequent Japanese or limited vinyl editions. While the expanded reissue added audio bonus tracks, the video content from the DVD is not available on streaming platforms or the band's archives.

Additional features

The expanded edition of Project 1950 includes extensive contributed by , , and , featuring personal anecdotes from the band members about the recording process and song selections, as well as a "Rock and Roll DNA" section explaining the evolution of chord progressions from influences. These notes appear in both the original 2003 booklet (24 pages) and the expanded edition, providing historical context on the covered tracks' origins without delving into full biographies. The album's artwork, created by illustrator Tony Squindo, features cartoon-style illustrations of monsters and horror-themed elements in a retro aesthetic, integrated into the cover and a 24-page booklet for the CD edition. Inner sleeves for vinyl releases include printed and credits, though they do not feature of the original song artists. Digital versions of Project 1950 are available on platforms like and , with the expanded edition offering 13 tracks including bonus content from the 2014 . While official lyric videos are not explicitly produced for the , streaming services provide full album playback and user-generated lyric overlays for select tracks like "" and "." Collectible items tied to Project 1950 releases include variant vinyl pressings such as solid blue (1,000 units), transparent purple (1,000 units), and slime green (3,000 units). The Japanese import CD from 2003 also came with a limited-edition 5-inch vinyl single featuring "Day the Earth Caught Fire" in studio and live versions. A 2021 expanded vinyl (MRLP 01601) was released on 180-gram black vinyl with a full-color printed inner sleeve and digital download card.

References

  1. https://misfitsrecords.com/mr/catalog/project-1950/
  2. https://www.discogs.com/master/8098-Misfits-Project-1950
  3. http://www.markprindle.com/only-i.htm
  4. http://www.concertlivewire.com/interviews/misfits.htm
  5. https://www.therockpit.net/2013/interview-jerry-only-misfits/
  6. https://www.misfits.com/info/discography.html
  7. https://www.punknews.org/review/2409/the-misfits-project-1950
  8. https://blabbermouth.net/news/veteran-black-flagmisfits-rocker-dez-cadena-battling-throat-cancer
  9. https://loudwire.com/misfits-jerry-only-glenn-danzig-team-player-were-good/
  10. https://www.ramonesheaven.com/gigs/misfits25.html
  11. https://www.discogs.com/release/421096-Misfits-Project-1950
  12. https://crypticrock.com/interview-jerry-only-of-the-misfits/
  13. https://www.discogs.com/release/1859379-Misfits-Project-1950
  14. https://www.discogs.com/release/3581994-Misfits-Project-1950
  15. https://genius.com/albums/Misfits/Project-1950
  16. https://rateyourmusic.com/release/album/misfits/project-1950/
  17. https://www.sputnikmusic.com/review/816/Misfits-Project-1950/
  18. https://www.punknews.org/review/16143/the-misfits-project-1950
  19. https://tinnitist.com/2023/09/12/classic-album-review-the-misfits-project-1950/
  20. https://mvdshop.com/products/misfits-project-1950-expanded-edition-cd
  21. https://www.discogs.com/release/6399234-Misfits-Project-1950-Expanded-Edition
  22. https://www.amazon.com/Project-1950-Misfits/dp/B00MZ3X9PI
  23. https://misfitsrecords.com/mr/catalog/misfits-project-1950-expanded-edition-lp-cd/
  24. https://open.spotify.com/album/4Xy6HuHsLWJs2bRFu9iNQu
  25. https://blabbermouth.net/news/misfits-fiend-fest-tour-2003-first-dates-announced
  26. https://www.setlist.fm/setlist/misfits/2003/the-grove-of-anaheim-anaheim-ca-33c82c2d.html
  27. https://www.concertarchives.org/bands/misfits?page=1&year=2003
  28. https://www.allmusic.com/album/project-1950-mw0000314573
  29. https://www.piercingmetal.com/project-1950-expanded-by-the-misfits/
  30. https://www.albumoftheyear.org/album/19976-misfits-project-1950.php
  31. https://elpee.jp/artist/Misfits/
  32. https://www.officialcharts.com/charts/independent-albums-chart/20030810/131/
  33. https://www.discogs.com/release/17992015-Misfits-Project-1950-Expanded-Edition
  34. https://www.discogs.com/release/7115506-Misfits-Project-1950-Expanded-Edition
  35. https://www.discogs.com/release/4692585-Misfits-Project-1950
  36. https://open.spotify.com/album/7JcjFMVKzK0yPMqX8SNEcE
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