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Rachel Maines
Rachel Maines
Rachel Maines
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Rachel Pearl Maines (born July 8, 1950) is an American scholar specializing in the history of technology. Since 2015 she has been a visiting scientist at Cornell University's School of Electrical and Computer Engineering. Her book The Technology of Orgasm won the American Historical Association's Herbert Feis Award. The book was also the inspiration for the film Hysteria and the play In the Next Room.[2] However, one of the main claims of the book has been debunked as false.[3]

Key Information

Early life and career

[edit]

Maines was born in Brookline, Massachusetts, and received her BA in classics with a specialization in ancient science and technology from the University of Pittsburgh in 1971. She received her PhD in applied history and social science from Carnegie Mellon University in 1983 with a doctoral dissertation entitled Textiles for Defense: Emergency Policy for Textiles and Apparel in the Twentieth Century.[4] Much of her early scholarship centered on the history of textiles and needlework. She was one of the founders of the Center for the History of American Needlework in Pittsburgh.[5]

She is married to Garrel S. Pottinger, PhD, a retired professor of philosophy, with whom she has written several books.[6][7] They have a daughter, Rachel Amanda Pottinger of Acme, Washington.

Vibrator research

[edit]

Publications

[edit]

While researching needlework in late 19th- and early 20th-century women's magazines, Maines encountered what she would argue were highly circumspect advertisements for vibrators. The advertisements, she claimed, showed women using the electrical devices to massage their necks and backs but the accompanying text described the devices as "thrilling, invigorating" and promised that "all the penetrating pleasures of youth will throb in you again". Maines recalled in a 1999 interview, "I kept thinking to myself, this can't be what I think it is."[8]

She then began researching and writing articles on the history of vibrators, the first one for the newsletter of the Bakken Museum of Electricity in Life. According to Maines, the article caused her to lose her post as assistant professor at Clarkson University in 1986 because the university was convinced that the nature of her research would drive away benefactors and alumni donors, though no evidence was presented to substantiate this claim. Three years later she submitted a more detailed article, "Socially Camouflaged Technologies: The Case of the Electromechanical Vibrator", to Society and Technology, the magazine of the IEEE Society on Social Implications of Technology. Initially, the IEEE thought the article was a joke perpetrated by the magazine's editors and that there was no such person as Rachel Maines. However, after checking all the internal citations and Maines's own background, the IEEE finally allowed the article to be published in the June 1989 edition of the magazine.[8][9] Her book-length treatment of the subject, The Technology of Orgasm, was published in 1998 by Johns Hopkins University Press. Subtitled "Hysteria," the Vibrator, and Women's Sexual Satisfaction, it won the American Historical Association's Herbert Feis Award and was the inspiration for Sarah Ruhl's 2009 play In the Next Room and Tanya Wexler's 2011 film Hysteria.[10][11] The book also formed the basis for Passion & Power, a 2007 documentary by Emiko Omori and Wendy Slick.[12]

Controversy

[edit]

Many of Maines's claims in The Technology of Orgasm have been challenged, notably by classicist Helen King and researchers at the Wellcome Collection.[13][14] In 2012, King's article on Maines's misuse of classical material was awarded the Barbara McManus Prize of the Women's Classical Caucus.[15]

A central claim in Maines's book—that Victorian physicians routinely used electromechanical vibrators to stimulate female patients to orgasm as a treatment for hysteria—was challenged by Hallie Lieberman and Eric Schatzberg of the Georgia Institute of Technology.[16] Lieberman and Schatzberg failed to find references to this practice in Maines's sources.[16] In January 2020, Lieberman wrote an op-ed in The New York Times which drew further attention to Maines' role in promoting the latter widespread myth as fact.[3]

In an interview from 2018, Maines stated, "I never claimed to have evidence that this was really the case. What I said was that this was an interesting hypothesis, and as [Lieberman] points out—correctly, I think—people fell all over it. It was ripe to be turned into mythology somehow. I didn't intend it that way, but boy, people sure took it, ran with it."[17]

Other research

[edit]

Maines's next book, Asbestos and Fire: Technological Trade-offs and the Body at Risk, was published by Rutgers University Press in 2005.[18] She returned to the subject of needlework and textiles in Hedonizing Technologies published by Johns Hopkins University Press in 2009. The book traces the evolution of fiber arts from an industry to a hobby.[19][20] Since 2015 Maines has been a visiting scientist at Cornell University's School of Electrical and Computer Engineering.[4][2]

References

[edit]
[edit]
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Rachel Maines

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Rachel P. Maines is an American of specializing in the intersections of , , and , most notably for her seminal work on the medical use of in treating female "hysteria" during the 19th and early 20th centuries. Her research illuminates how technologies have shaped human experiences of the body, including sexuality, occupational health risks, and leisure pursuits, challenging conventional narratives through archival analysis of medical texts, advertisements, and patents. Maines earned her Ph.D. in applied history and from in 1983, with a dissertation titled Textiles for Defense: Emergency Policy for Textiles and Apparel in the Twentieth Century, for which she received a Fellowship in . She holds a B.A. in from the , awarded summa cum laude in 1971. Early in her career, she founded Maines and Associates in 1985, a firm providing cataloging and research services to museums and archives, including clients such as the Agricultural Museum in Stone Mills, New York. From 1999 to 2015, Maines held various positions at , beginning as a technical processor in the Nestle Library of the School of Hotel Administration and later serving as a visiting in the School of Electrical and Computer Engineering. In spring 2015, she was a visiting lecturer at and in . Since 2015, she has operated Rachel Maines Inc., focusing on independent research in areas like litigation, mass torts, and architectural , while maintaining affiliations such as associate status in the Seminar in the . Maines's most influential publication is The Technology of Orgasm: "Hysteria," the Vibrator, and Women's Sexual Satisfaction (Johns Hopkins University Press, 1999), which traces the evolution of vibrator technology from ancient concepts of hysteria to electric devices marketed as household appliances by the 1920s, arguing that these tools were framed as legitimate medical interventions to avoid acknowledging female sexual pleasure. The book received the Herbert Feis Prize from the American Historical Association in 2000 and the Biennial Book Award from the American Foundation for Gender and Genital Medicine and Science in 2001, along with their Science Award. It has been widely cited in academic and popular discourse, inspiring cultural works such as the 2011 film Hysteria. Her subsequent books expand on technology's societal impacts: Asbestos and Fire: Technological Tradeoffs and the Body at Risk (Rutgers University Press, 2005) examines the historical benefits and health dangers of in fireproofing, advocating a nuanced risk-assessment approach rather than outright condemnation. In Hedonizing Technologies: Paths to Pleasure in Hobbies and Leisure ( Press, 2009), she analyzes how 19th- and 20th-century innovations in hobbies—such as machines and model railroads—transformed everyday activities into sources of personal satisfaction and economic value. Maines has also authored numerous articles on topics ranging from standards to , contributing to journals in , studies, and . Throughout her career, Maines has served as an in legal cases involving and mass torts, leveraging her expertise in historical evidence to inform policy and litigation. Her work emphasizes the unintended consequences of technological adoption, particularly on marginalized bodies, and continues to influence interdisciplinary fields like .

Early life and education

Early years

Rachel Maines was born on July 8, 1950, in Brookline, Massachusetts. Maines attended Austin High School in Austin, Texas.

Academic background

Rachel Maines began her undergraduate studies in the Classics Department at the University of Texas at Austin from 1967 to 1969, where she received the William James Battle Scholarship. She completed her B.A. in Classics with a specialization in ancient science and technology at the University of Pittsburgh in 1971, graduating summa cum laude and earning a place on the Dean's List. In 1972, Maines took graduate courses at the University of Pittsburgh's Graduate School of Library and Information Sciences. She then pursued her doctoral studies at , earning a Ph.D. in Applied History and in 1983 while holding a Fellowship in from 1979 to 1983. Her dissertation, titled "Textiles for Defense: Emergency Policy for Textiles and Apparel in the Twentieth Century," explored policies on production and allocation during national crises, such as wartime shortages and defense mobilization efforts. This focus on material technologies and trade-offs in contexts foreshadowed her later scholarship on substances like in applications.

Professional career

Early positions

Following her PhD in applied from in 1983, Rachel Maines obtained an assistant professor position at in , where she taught in the humanities department. This role represented her initial entry into academia after graduate school. During her time at Clarkson, she founded Maines and Associates in 1985, a consulting firm focused on museum collections management and material culture research for clients including historical societies and agricultural museums. However, in 1986, Maines was terminated from Clarkson shortly after publishing her first article on the history of vibrators in the newsletter of the Bakken Museum of Electricity in Life, which sparked controversy surrounding her emerging research and challenged academic norms in the history of technology field. The loss of this position exemplified the broader challenges Maines encountered in securing and retaining tenure-track roles amid biases and resistance to her unconventional topics in a male-dominated . After her termination, unable to find stable academic employment, she focused on her independent consulting work. By the late , Maines supplemented her independent work with institutional roles outside academia, serving as a technical processing assistant at Cornell University's School of Hotel Administration Library (known as the Library) from 1999 to 2003. In this capacity, she handled cataloging and processing of materials on and related technologies, bridging her expertise in with library technical services. During this period, she also engaged in short-term , including adjunct instruction on the history of textiles and , as well as guest lectures on technology history at universities. These experiences underscored her adaptability in leveraging historical skills in applied settings amid ongoing barriers in traditional academia.

Independent and consulting work

After leaving traditional academic positions, Rachel Maines established herself as an independent scholar and in the . Maines and Associates, which she had founded in 1985, operated until 2002 and served clients such as the Agricultural Museum in Stone Mills, New York, and Later, in February 2015, she launched Rachel Maines Inc., focusing on consulting services as a of . Maines has held several visiting scholar positions that supported her independent work. From January 2005 to January 2009, she was a in the Department of at , followed by a role as visiting scientist in the School of Electrical and Computer Engineering from January 2009 to January 2015; she has continued in the latter capacity since 2015. Additionally, since October 2016, she has been a seminar associate with the Seminar in the . In her consulting practice, Maines has served as an in legal cases related to litigation, mass torts, , standards, and building codes, often testifying on behalf of asbestos defendants. Her work in this area, which began around 2005, has involved analyzing historical uses of materials in and . This consulting experience has briefly informed her broader research on materials safety by providing practical insights into regulatory and historical contexts.

Vibrator research

Research origins

Maines' research into the history of vibrators began during her doctoral studies in applied history and at , where her dissertation focused on textiles policy but involved broader explorations of women's roles in and . While examining 19th- and early 20th-century women's magazines for needlework-related content, she discovered numerous advertisements promoting electromechanical vibrators as household appliances for health and relaxation, prompting a shift in her investigative focus toward their origins and cultural significance. This unexpected find initiated a prolonged research and writing process in the 1980s, spanning approximately 12 years and evolving from a slim, speculative manuscript titled The Vibrator and Its Predecessor Technologies into a more rigorous historical analysis. The effort required extensive archival pursuits, including visits to remote collections and meticulous verification of sources, but encountered substantial obstacles in academic dissemination owing to the subject's perceived sensitivity. Early article submissions were rejected by prominent journals, and in 1989, the Institute of Electrical and Electronics Engineers (IEEE) threatened to revoke the charter of its publication Technology and Society for accepting her piece on the topic. At the core of Maines' emerging framework was the "androcentric" model of sexuality, which she identified as a historically dominant paradigm viewing female sexual satisfaction exclusively through penile-vaginal intercourse, thereby pathologizing non-coital orgasms as manifestations of "hysteria" requiring medical intervention. Her textiles background, emphasizing material culture and gender dynamics in domestic technologies, directly influenced these archival insights into vibrators as socially camouflaged devices.

Key publications

Rachel P. Maines' seminal work on the history of vibrators is her 1999 book, The Technology of Orgasm: "Hysteria," the Vibrator, and Women's Sexual Satisfaction, published by Johns Hopkins University Press. In this book, Maines traces the development of the electromechanical vibrator from its origins in the 1880s as a medical device designed to automate manual pelvic massage—a treatment physicians used to induce "hysterical paroxysm" (orgasm) in women diagnosed with hysteria—to its eventual commercialization as a consumer product in the early 20th century. She argues that this evolution reflected broader cultural and technological shifts in understandings of female sexuality, where medical practices obscured erotic elements under the guise of therapeutic intervention, drawing on historical medical texts, advertisements, and patents to illustrate how vibrators reduced treatment time from up to an hour to mere minutes. Prior to the book, Maines published foundational articles that laid the groundwork for her research. One key piece is "Socially Camouflaged Technologies: The Case of the Electromechanical Vibrator," appearing in IEEE Technology and Society Magazine (Vol. 8, No. 2, June 1989, pp. 3–11), where she examines the vibrator's invention as a labor-saving medical tool for treatment, highlighting how social taboos led to its "camouflage" as a non-sexual device through descriptions and . Another related work includes her chapter "Socially Camouflaged Technologies: The Case of the Electromechanical Vibrator" in the edited volume Women, Science, and Technology: A Reader in Feminist Perspectives (, 1993), which expands on the article by integrating feminist critiques of technology and gender, focusing on vibrator from the late that emphasized therapeutic applications over explicit sexual ones. The book received significant recognition, including the Science Award and the Biennial Book Award from the American Foundation for Gender and Genital Medicine and Science (2000 and 2001, respectively), as well as the Herbert Feis Prize from the (2000). Some of the book's interpretive claims about the prevalence of vibrator use in medical practice have sparked subsequent scholarly debates.

Controversy and critiques

Maines' central thesis in The Technology of Orgasm (1999), which posited that Victorian physicians routinely used electromechanical to induce orgasms in female patients as a treatment for , has faced significant scholarly scrutiny since the late for lacking primary evidence. Historians Hallie Lieberman and Eric Schatzberg, in their 2018 analysis, examined Maines' cited sources and found no documentation of physicians employing for clitoral stimulation to produce "hysterical paroxysms" (orgasms); instead, vibrator applications in contexts were typically penetrative and aimed at treating conditions like or spinal irritation, not . They argued that Maines misinterpreted or selectively quoted sources, such as 19th-century texts by figures like , which emphasized non-genital massage without any reference to orgasmic outcomes. The critiques extended beyond evidentiary gaps to broader concerns about academic rigor and the propagation of historical myths. Lieberman and Schatzberg described the book's enduring influence—garnering over 400 citations on by 2018—as a "failure of academic ," attributing it to lax in scholarship and a tendency for uncritical citations that reinforced the narrative without verification. This has been echoed in outlets like , which highlighted how the thesis perpetuated a misleading view of women's historical sexual agency by framing physicians as unwitting facilitators of pleasure rather than enforcers of patriarchal norms. In response to these challenges, Maines has characterized her work as a "" based on "slender" rather than definitive , expressing surprise that substantive critiques took nearly two decades to materialize and insisting she never intended the idea to evolve into popular mythology. Regarding her , Maines anticipated professional derailment from the topic's nature, stating in a 2010 that it "did" hinder her advancement, though it ultimately brought her notoriety through media appearances and invitations to discuss women's sexual . Despite the scholarly debunking, the vibrator-hysteria narrative has persisted and evolved in , influencing a Broadway play (In the Next Room, or The Vibrator Play), a 2011 (Hysteria), and features that dramatized the story even while noting disputes. This cultural embedding, as noted by Lieberman and Schatzberg, has amplified the myth's reach, appearing in legal arguments (e.g., a 2002 U.S. court case challenging vibrator bans) and reinforcing a romanticized view of Victorian sexuality untethered from historical accuracy.

Other research

Hedonizing technologies

In her 2009 book Hedonizing Technologies: Paths to Pleasure in Hobbies and Leisure, published by Johns Hopkins University Press, Rachel Maines examines the historical evolution of hobbies and leisure activities in from antiquity to the present day. The work analyzes how technologies originally developed for essential tasks—such as survival and domestic comfort—have been repurposed for recreational enjoyment, transforming labor into sources of personal satisfaction. Maines employs from instructional and U.S. retail records spanning the late onward to trace the growth of consumer demand for hobby-related tools and materials, highlighting their economic impact. Central to Maines' analysis is the concept of "hedonizing" technologies, where tools and methods shift from utilitarian efficiency to aesthetic and sensory appeal in non-professional contexts. This process intersects with , emphasizing human satisfaction derived from the act of engagement rather than mere productivity. For instance, implements evolve from basic farming aids into ornate, specialized devices that prioritize visual and tactile ; similarly, electronics kits and home mechanics tools become vehicles for creative experimentation outside work obligations. equipment and supplies exemplify this trend, as industrialization in the 18th and 19th centuries decoupled necessity from recreation, allowing technologies to diverge into paths of voluntary delight. Maines extends these ideas in related scholarly articles, such as her 2013 piece "'Stinks and Bangs': Amateur Science and in Twentieth-Century Living Spaces," published in . This article explores how amateur scientific hobbies—like chemistry sets, rocketry, and model railroading—shaped domestic spaces and reinforced gender norms, with "stinks and bangs" activities often confined to male-designated areas due to their messiness and perceived risks. Through these works, Maines underscores technology's role in fostering personal fulfillment via leisure pursuits, broadening the discourse on human-technology interactions beyond industrial or medical applications.

Asbestos and fire safety

Rachel Maines conducted extensive research on the historical use of asbestos in fire prevention and safety, emphasizing its role as a key material in 20th-century building and emergency standards. In her book Asbestos and Fire: Technological Tradeoffs and the Body at Risk, published in 2005 by Rutgers University Press, she examines the development and application of testing methods for incombustible and fire-retardant materials, including asbestos-based fabrics and composites. The work details standardized tests such as the Steiner Tunnel Test (ASTM E84), which established asbestos-cement boards as a zero flame-spread benchmark, and explores how these methods influenced national fire safety protocols from the early 1900s onward. Maines also analyzes emergency policies, such as those implemented after major fires like the Iroquois Theatre disaster in 1903, which mandated asbestos curtains and fireproofing in public venues, highlighting the tradeoffs between fire protection and emerging health risks. Building on her PhD dissertation on textiles policy, Maines published scholarly articles addressing textiles in defense applications and fire retardancy. Her 1985 article "Wartime Allocation of Textile and Apparel Resources: Emergency Policy in the Twentieth Century," appearing in The Public Historian, discusses how U.S. government policies during World Wars I and II prioritized fire-retardant for military uniforms and protective gear, including asbestos-infused fabrics for flame resistance in combat zones. In pieces like "Asbestos in the Table of Clearances to Combustible Construction" (2004) and "The Asbestos Litigation Master Narrative: Building Codes, Engineering Standards, and 'Retroactive Inculpation'" (2012, Enterprise & Society), she critiques how engineering codes, such as those from the (NFPA) and ASTM, integrated for insulation and fire barriers, arguing that compliance with these standards was later reframed as negligence in legal contexts. These works underscore the evolution of fire safety , from mandatory asbestos use in insulation under the Table of Clearances to post-WWII codes. Maines contributed to mass tort litigation as an expert witness for defendants in asbestos-related cases, providing historical testimony on the material's integration into standards and the absence of widespread of hazards prior to the . Drawing from archival evidence in her 2005 book, she testified on how was endorsed by organizations like Underwriters Laboratories for zero combustibility in construction, influencing verdicts on liability for building owners and manufacturers. Her involvement highlighted the policy-driven adoption of in emergency contexts, such as shelters during the , where it was specified for fire resistance in nuclear scenarios.

References

  1. https://www.press.jhu.edu/books/title/2867/technology-orgasm
  2. https://news.cornell.edu/stories/2000/04/rachel-maines-book-19th-century-female-sexuality-garners-two-top-awards
  3. https://independent.academia.edu/RachelMaines/CurriculumVitae
  4. https://www.amazon.com/stores/author/B002M0384G/about
  5. https://www.amazon.com/Asbestos-Fire-Technological-Tradeoffs-Body-ebook/dp/B000T6AKM8
  6. https://www.amazon.com/Hedonizing-Technologies-Pleasure-Hobbies-Leisure-ebook/dp/B07DFFX23R
  7. https://independent.academia.edu/RachelMaines
  8. https://bigthink.com/people/rachelmaines/
  9. https://www.nndb.com/people/344/000159864/
  10. https://www.austinchronicle.com/arts/feel-good-generations-11701889/
  11. https://www.theguardian.com/world/1999/jan/28/gender.uk1
  12. https://bigthink.com/videos/big-think-interview-with-rachel-maines/
  13. https://www.researchgate.net/profile/Rachel-Maines
  14. https://muse.jhu.edu/article/4481/summary
  15. https://www.hamilton.edu/news/story/rachel-maines-lectures-on-vibrators-and-viagra-1-1
  16. https://www.historynewsnetwork.org/article/rachel-maines-historian-who-wrote-a-book-about-vib
  17. https://muse.jhu.edu/article/33597/summary
  18. https://www.nytimes.com/books/first/m/maines-technology.html
  19. https://press.jhu.edu/books/title/2867/technology-orgasm
  20. https://www.researchgate.net/publication/270133906_The_Technology_of_Orgasm_Hysteria_the_Vibrator_and_Women%27s_Sexual_Satisfaction
  21. https://books.google.com/books/about/The_Technology_of_Orgasm.html?id=iNKw0XuaSxoC
  22. https://www.researchgate.net/publication/3226476_Socially_Camouflaged_Technologies_The_Case_of_the_Electromechanical_Vibrator
  23. https://www.taylorfrancis.com/chapters/edit/10.4324/9780203427415-13/socially-camouflaged-technologies-case-electromechanical-vibrator-rachel-maines
  24. https://www.researchgate.net/publication/349578096_A_failure_of_academic_quality_control_The_technology_of_orgasm
  25. https://journalofpositivesexuality.org/wp-content/uploads/2018/08/Failure-of-Academic-Quality-Control-Technology-of-Orgasm-Lieberman-Schatzberg.pdf
  26. https://www.theatlantic.com/health/archive/2018/09/victorian-vibrators-orgasms-doctors/569446/
  27. https://www.nytimes.com/2020/01/23/opinion/vibrator-invention-myth.html
  28. https://www.bbc.com/future/article/20181107-the-history-of-the-vibrator
  29. https://www.press.jhu.edu/books/title/9640/hedonizing-technologies
  30. https://muse.jhu.edu/pub/1/article/416421/pdf
  31. https://www.cambridge.org/core/journals/business-history-review/article/hedonizing-technologies-paths-to-pleasure-in-hobbies-and-leisure-by-rachel-p-maines-baltimore-johns-hopkins-university-press-2009-xi-211-pp-illustrations-tables-glossary-appendix-notes-index-cloth-5500-isbn-9780801891465/3060BC14E0D21089AE5F0F003886AD09
  32. https://www.icohtec.org/icon/volume-19-2013/
  33. https://www.researchgate.net/publication/261471794_%27Stinks_and_Bangs%27_Amateur_Science_and_Gender_in_Twentieth-Century_Living_Spaces
  34. https://www.rutgersuniversitypress.org/asbestos-and-fire/9780813564722/
  35. https://online.ucpress.edu/tph/article/7/1/29/91091/Wartime-Allocation-of-Textile-and-Apparel
  36. https://www.cambridge.org/core/journals/enterprise-and-society/article/asbestos-litigation-master-narrative-building-codes-engineering-standards-and-retroactive-inculpation/1212DA51D870207C46AE4A40A1D18583
  37. https://dokumen.pub/asbestos-and-fire-technological-tradeoffs-and-the-body-at-risk-9780813570235.html
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