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Ransom!
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| Ransom! | |
|---|---|
Theatrical release poster | |
| Directed by | Alex Segal |
| Screenplay by | Cyril Hume Richard Maibaum |
| Based on | Fearful Decision 1954 TV play by Cyril Hume Richard Maibaum |
| Produced by | Nicholas Nayfack |
| Starring | Glenn Ford Donna Reed Leslie Nielsen Juano Hernandez Robert Keith |
| Cinematography | Arthur E. Arling |
| Edited by | Ferris Webster |
| Music by | Jeff Alexander |
Production company | |
| Distributed by | Loew's Inc. |
Release date |
|
Running time | 102 minutes |
| Country | United States |
| Language | English |
| Budget | $1,003,000[1] |
| Box office | $2,172,000[1][2] |
Ransom! is a 1956 American crime drama film about the kidnapping of the son of a wealthy couple. Written by Richard Maibaum and Cyril Hume, the film is based on a popular 1954 episode of The United States Steel Hour titled "Fearful Decision" starring Ralph Bellamy.[3]
Directed by stage and television veteran Alex Segal, the film stars Glenn Ford, Donna Reed and Leslie Nielsen.
The 1996 film Ransom, directed by Ron Howard and starring Mel Gibson, was loosely based on Ransom!.
Plot
[edit]Young Andy Stannard is the son of wealthy executive father Dave Stannard and mother Edith. Andy's school principal calls to inform the Stannards that the family doctor's nurse has collected Andy from school with an infection. Dave contacts the doctor and is told that the doctor had not requested to retrieve Andy. Dave realizes that Andy has been kidnapped and calls the police.
Police chief Jim Backett organizes a search and has an additional telephone line installed in the Stannards' house in order to keep the main line free should the kidnappers call with a ransom demand. Newspaper reporter Charlie Telfer enters the house and meets hostile resistance from Dave but is allowed to remain.
When the principal of Andy's school arrives and demands not to be held responsible for Andy's abduction, Edith attacks her with a fire poker. The doctor sedates Edith, and she is asleep upstairs when the kidnapper finally calls. The kidnapper demands a $500,000 ransom and instructs Dave to signal his intention to pay by having a popular television host wear a white jacket on the next evening's broadcast. The police trace the phone call to a phone booth and arrive in time to find the kidnapper's cigarette still burning.
With his brother and business partner Al, Dave collects the ransom money. Telfer explains that even if Dave pays the ransom, there is no guarantee that Andy will be returned alive, as he is evidence of the kidnapper's crime, and that Andy's fate will be the same regardless of what Dave decides to do. Backett expresses his wish that families would not pay ransoms, because assenting to kidnappers' demands encourages more kidnappings.
The next day, instead of following the kidnapper's plan, Dave appears on the designated television show with the $500,000 spread on the table before him. He angrily announces that he will not pay the ransom but that it will be offered as a reward to anyone who captures the kidnapper if Andy is killed.
Worried because it appears as though he had advised Dave to refuse the ransom, Backett requests a letter from Dave absolving him of any responsibility for the decision. When Edith discovers that Dave has refused to pay, she becomes furious and must be restrained before she is eventually removed from the house.
The next day, Backett presents Dave with Andy's bloody T-shirt that had been discovered behind a seat in a stolen car. Convinced that his son is dead, Dave presses his lawyer to arrange a trust that will pay the ransom money as a bounty to anyone who locates the kidnapper. Dave retreats to the backyard and sits next to a fort that Andy had been building with his friends. He begins weeping but Andy suddenly appears and Dave is overjoyed. Andy tells him that the shirt was bloodied when he had bitten the kidnapper who had posed as a nurse. The family is reunited in an embrace as the butler thanks God.
Cast
[edit]- Glenn Ford as Dave Stannard
- Donna Reed as Edith Stannard
- Leslie Nielsen as Charlie Telfer
- Juano Hernandez as Jesse Chapman
- Robert Keith as Police Chief Backett
- Richard Gaines as Langly
- Mabel Albertson as Mrs. Partridge
- Alexander Scourby as Dr. Gorman
- Bobby Clark as Andy Stannard
- Ainslie Pryor as Al Stannard
- Lori March as Elizabeth Stannard
- Robert Burton as Sheriff Kessing
- Juanita Moore as Shirley Lorraine
- Charles Herbert as Butchie Ritter
- Ethan Laidlaw as Townsman (uncredited)
- Olan Soule as Bank Clerk (uncredited)
Production
[edit]The film was based on a television play by Richard Maibaum and Cyril Hume which Maibaum called "probably the best thing Cyril and I ever did." They turned it into a stage play which was not produced, but the television play sold to MGM for $85,000. Maibaum and Hume wrote the script. Maibaum felt Glenn Ford "was not as effective as Ralph Bellamy had been on television" and Alex Segal's direction was not as effective because he directed it with too much intensity. "As a result, just when the story should have gripped you the most, the audience was emotionally depleted. Although I thought it was a good film, I wasn’t as fond of it as of the TV show."[4]
Reception
[edit]According to MGM records, the film earned $1,224,000 in the U.S. and Canada and $948,000 elsewhere, resulting in a profit of $336,000.[1]
See also
[edit]References
[edit]- ^ a b c The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study.
- ^ Domestic take - see 'The Top Box-Office Hits of 1956', Variety Weekly, January 2, 1957
- ^ "Fearful Decision". IMDb. 10 May 1955.
- ^ McGilligan, Patrick (1986). "Richard Maibaum: A Pretense of Seriousness". In Patrick McGilligan (ed.). Backstory: Interviews with Screenwriters of Hollywood's Golden Age. University of California Press. p. 283. ISBN 9780520056893.
External links
[edit]- Ransom! at IMDb
- Ransom! at the TCM Movie Database
- Ransom! at the AFI Catalog of Feature Films
Ransom!
View on GrokipediaBackground
Source Material
The film Ransom! (1956) originated from the television play "Fearful Decision," written by Cyril Hume and Richard Maibaum for the anthology series The United States Steel Hour. The play aired live on June 22, 1954, as part of the series' first season.[4] With a runtime of approximately 60 minutes, it adhered to the standard format of live dramatic anthologies of the era, emphasizing contained storytelling within broadcast limitations. Starring Ralph Bellamy as the father and directed by Alex Segal, the live production imposed stage-like constraints, relying on minimal sets, real-time dialogue delivery, and a small ensemble to maintain dramatic intensity without the flexibility of pre-recorded editing or extensive locations.[4] At its core, "Fearful Decision" explores a father's profound moral and emotional struggle amid a kidnapping crisis, highlighting the tension between personal anguish and decisive action.[5] In adapting the play to cinema, Ransom! expanded its narrative scope, incorporating broader visual storytelling, additional subplots, and dynamic sequences that transcended the original's teleplay boundaries. Cyril Hume and Richard Maibaum, longtime collaborators, brought their established screenwriting expertise to the project; their prior joint works included the 1937 crime drama They Gave Him a Gun and the 1949 adaptation of The Great Gatsby. Maibaum, in particular, went on to achieve prominence as a key screenwriter for the James Bond film series, contributing to 13 entries from Dr. No (1962) to Licence to Kill (1989).[6]Development
Following the successful broadcast of the teleplay "Fearful Decision" on ABC's The U.S. Steel Hour on June 22, 1954, Metro-Goldwyn-Mayer (MGM) promptly acquired the rights to adapt it into a feature film, recognizing its dramatic potential for theatrical release.[1] Development commenced in late 1954, shortly after the television airing, with the project advancing through script revisions and planning into 1955, culminating in a finalized screenplay by mid-year. This rapid timeline reflected MGM's interest in capitalizing on the story's timeliness.[7] The screenplay adaptation was handled by the original teleplay authors, Cyril Hume and Richard Maibaum, who expanded the narrative by adding roughly an hour of new material to enhance character depth, introduce subplots involving law enforcement and media pressures, and incorporate visual elements like tense confrontations and location-based suspense unsuitable for live television constraints.[1] These revisions shifted focus from the mechanics of the abduction—deemed too sensitive for direct depiction—to the psychological and ethical turmoil faced by the parents, ensuring compliance with Production Code Administration standards after initial script concerns raised by the Breen office in 1955.[1] Under producer Nicholas Nayfack's oversight, key creative decisions emphasized the father's bold public announcement of a reward as the story's pivotal twist, heightening the drama around moral dilemmas and public scrutiny rather than a straightforward ransom negotiation.[1] Nayfack's input guided the adaptation toward a more cinematic exploration of family resilience and societal intrusion, aligning with MGM's goal of a suspenseful yet restrained crime drama.[7]Production
Pre-Production
The pre-production of Ransom! began with the selection of Alex Segal as director, leveraging his extensive background in television drama. Segal, a veteran of live TV productions during the Golden Age of Television, had previously directed the original 1954 teleplay "Fearful Decision" on The United States Steel Hour, which served as the basis for the film adaptation.[3][8][9] His familiarity with the material from the small-screen version made him a natural choice to helm the expansion to feature length.[1] Nicholas Nayfack oversaw production for Metro-Goldwyn-Mayer (MGM), handling key logistical aspects including budget allocation and securing distribution through Loew's Incorporated, MGM's theatrical division at the time.[2][10] Nayfack's role ensured the project's alignment with MGM's slate of mid-1950s crime dramas, facilitating a smooth transition from television origins to cinematic release.[11] Casting preparations focused on leads capable of conveying intense familial tension. Glenn Ford was chosen for the role of David G. Stannard, drawing on his established reputation for portraying resolute, everyman protagonists in moral quandaries, as seen in prior MGM vehicles.[3] Donna Reed was selected as Edith Stannard, capitalizing on her dramatic versatility demonstrated in post-war films following her breakout in It's a Wonderful Life.[12][10] Key crew hires included cinematographer Arthur E. Arling, tasked with achieving the film's stark black-and-white visuals to enhance its noir atmosphere.[1][10] Pre-production involved adapting the teleplay by adding material to expand from the intimate TV format to feature length.[1]Filming
Principal photography for Ransom! took place primarily at the Metro-Goldwyn-Mayer Studios in Culver City, California, from September 23 to November 1955, ahead of the film's January 1956 release.[13] The production utilized the studio's facilities to construct sets recreating urban New York environments, including apartments and police stations, while incorporating limited exterior filming in Westwood, Los Angeles, to enhance realism in key sequences such as the kidnapping.[13] The film was shot in black-and-white on 35mm film, with cinematographer Arthur E. Arling overseeing the visual style to emphasize psychological tension through close-ups and shadowed interiors typical of 1950s crime dramas.[1] Direction by Alex Segal, transitioning from television to features, focused on authentic emotional performances, particularly in scenes involving Glenn Ford and Donna Reed.[1] Editing wrapped by late 1955, with no significant reshoots required, allowing MGM to meet its release timeline efficiently.[1]Plot
Warning: Spoilers below. Wealthy industrialist David "Dave" Stannard (Glenn Ford) and his wife Edith (Donna Reed) live a comfortable life with their young son Andy (Bobby Clark) in a small town. Andy is abducted from his school by unknown criminals who telephone the family demanding a $500,000 ransom. Dave quickly liquidates assets to gather the money, while Edith becomes increasingly distraught. The family butler, Uncle Jesse (Juano Hernandez), provides quiet support amid the chaos.[14][3] Police Chief Jim Backett (Robert Keith) and persistent reporter Charlie Telfer (Leslie Nielsen) arrive at the Stannard home. They advise Dave that paying the ransom does not guarantee Andy's safe return and may encourage future kidnappings. Influenced by their counsel, Dave decides against paying and instead publicly announces on national television that he will offer the $500,000 as a reward for information leading to the capture of the kidnappers, dead or alive—effectively turning the ransom into a bounty. This controversial move shocks Edith, who begs him to pay for their son's life, and draws fierce backlash from the community, media, and even Dave's brother.[14][1][3] As tension mounts, Edith's emotional state deteriorates; when the school principal arrives to disclaim responsibility for the abduction, a hysterical Edith attacks her with a fire poker before being sedated by a doctor. Isolated and vilified, Dave endures public scorn and personal agony, with the media eventually abandoning the story. However, tips from the bounty lead authorities to the kidnappers' hideout. The perpetrators are apprehended in a violent confrontation, and Andy is rescued unharmed. The family reunites, with Dave's resolute strategy vindicated, though at great emotional cost.[14][3][1]Cast and Characters
Ransom! features the following principal cast members:- Glenn Ford as David G. Stannard, a wealthy executive whose son is kidnapped.[10]
- Donna Reed as Edith Stannard, David's distraught wife and the boy's mother.[10]
- Leslie Nielsen as Charlie Telfer, a persistent reporter advising on the media strategy.[10]
- Juano Hernandez as Jesse Chapman, the family butler.[10]
- Robert Keith as Chief Jim Backett, the police chief involved in the investigation.[10]
