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Respiro
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| Respiro | |
|---|---|
DVD cover | |
| Directed by | Emanuele Crialese |
| Written by | Emanuele Crialese |
| Produced by | Domenico Procacci Anne-Dominique Toussaint |
| Starring | Valeria Golino Vincenzo Amato |
Production companies | |
| Distributed by | Sony Pictures Entertainment |
Release dates |
|
Running time | 95 minutes |
| Country | Italy |
| Languages | Italian, Sicilian |
Respiro is a 2002 Italian-French drama film written and directed by Emanuele Crialese and released in English-language markets in 2003. The film stars Valeria Golino, Vincenzo Amato, and Francesco Casisa. In the Italian language, respiro means breath.
Plot
[edit]Grazia, played by Golino, is a free-spirited mother of three married to shy fisherman Pietro (Vincenzo Amato) and living on the idyllic but isolated island of Lampedusa in the Mediterranean Sea. She shows signs of manic depressive behaviour—one moment she is laughing wildly and swimming half-naked in the sea, while the next she is curled in a ball on her bed. Out of her earshot, the adult members of her extended family vaguely discuss sending her to a facility of some sort in Northern Italy.
Grazia is closely shepherded by her oldest son Pasquale, played by Casisa. After Pietro puts down one of Grazia's dogs because he thinks it might be dangerous, impulsive Grazia sets all the stray dogs free in the town's makeshift kennel. After the dogs swarm over the island, the locals demand that Pietro do something about his wife. But when he tells her he plans to send her away to Northern Italy, she runs away and hides in a cave on the shore, where she is secretly tended by Pasquale, who brings her food every day.
Pietro and some friends doggedly search the island for Grazia, so Pasquale leaves one of her dresses by the edge of the sea as a ruse. Pietro finds the dress—the one she was wearing the day she disappeared—and nearly everyone presumes she has drowned. Pietro, however, continues to search for her, and just before an important local religious festival, he sees her swimming in the water. He dives in to assist her, thinking a miracle has occurred, and many of the villagers follow suit, thus providing a sheltering circle around her as she is brought safely to shore.
Awards and nominations
[edit]Writer/director Crialese won the Critics Week Grand Prize and the Young Critics Award at the Cannes Film Festival. The film was also nominated for the Best European Union Film at the César Awards and received other nominations and awards in various European award competitions.
Soundtrack
[edit]Artist John Surman wrote the original score featuring sequenced synthesizer and alto saxophone. There was no soundtrack CD released, however part of the score can be found on his 1981 album The Amazing Adventures of Simon Simon. The track is called "Part 1 - Nestor's Saga (The Tale of The Ancient)". The soundtrack also featured "La Bambola" performed by the Italian artist Patty Pravo.
Critical reception
[edit]The English-language reviews for Respiro were generally positive. Steven Holden wrote in The New York Times that "not since Y Tu Mamá También has a movie so palpably captured the down-to-earth, flesh-and-blood reality of high-spirited people living their lives without self-consciousness." Writing for Premiere magazine, critic Peter Debruge noted, "in the annals of Mediterranean island love stories, Respiro reflects the effortless charm of a film like Il Postino."
Critic Desson Thomson of The Washington Post, however, felt "its long-winded denouement, in which Grazia runs away rather than be sent to an institution, doesn't bring the story full circle. It just extends it."
External links
[edit]- Respiro at IMDb
- {{Metacritic film}} template missing ID and not present in Wikidata.
- Respiro at Rotten Tomatoes
- Magazine article about the making of Respiro
Respiro
View on GrokipediaFilm overview
Plot
Respiro is inspired by a local legend from Lampedusa about a madwoman who was cured through prayer.[6] Set in the close-knit fishing community of Lampedusa, an island off the coast of Sicily, the film follows Grazia, a vibrant and unconventional mother of three whose manic-depressive episodes clash with the island's rigid social norms.[7] Married to the fisherman Pietro and devoted to her children, including her adolescent son Pasquale, Grazia finds fleeting joy in the sea but struggles with her impulsive tendencies on land.[3] As Grazia's behavior escalates—swimming nude with her children, defying traffic rules on a motorbike, and releasing stray dogs from a local pound—the village erupts in gossip and condemnation.[8] The dog incident, in particular, parallels the community's exclusionary attitudes, as the men round up and shoot the animals in a brutal display, heightening pressure on Pietro to act.[9] Overwhelmed by the town's demands, Pietro arranges for Grazia to receive psychiatric treatment in Milan, but upon learning of the plan, she flees and hides in seaside caves with Pasquale's secret assistance, bringing her food and supplies.[7] The community, discovering her abandoned dress on the beach, presumes Grazia has drowned and holds a mourning ritual that reveals their underlying affection for her.[10] In the climax, this belief in her death fosters a collective reflection on her uniqueness. Grazia eventually returns during the island's festival, leading to the family's reconciliation and a tentative acceptance by the villagers, blurring the lines between the real woman and the legendary madwoman of Lampedusa folklore.[9]Cast
The principal cast of Respiro features Valeria Golino as Grazia, the unconventional and vibrant mother whose free-spirited nature and manic energy drive much of the film's exploration of family dynamics on the isolated island of Lampedusa.[7] Vincenzo Amato portrays Pietro, Grazia's stoic and reserved fisherman husband, embodying the traditional, hardworking ethos of the island community.[2] Francesco Casisa plays Pasquale, Grazia's loyal teenage son, whose protective instincts and coming-of-age struggles through secrecy and rebellion highlight the tensions of adolescence amid the island's close-knit society.[3] In supporting roles, Veronica D'Agostino appears as Marinella, Grazia's daughter, contributing to the familial ensemble that captures the rhythms of island life.[11] Filippo Pucillo takes on the part of Filippo, the youngest son, adding to the portrayal of generational bonds in the fishing village.[12] Elio Germano plays Pier Luigi, a family friend and romantic interest who interacts with the core family, further illustrating the interconnectedness of the Lampedusa community.[11] Additional community members are depicted by non-professional actors drawn from local Lampedusa residents, enhancing the film's authenticity in depicting the raw, unpolished essence of island existence.[13] This mix of professional leads and local non-actors underscores the ensemble's naturalistic performance, reflecting the insularity and vitality of Sicilian coastal life.[7]Production
Development
Emanuele Crialese, born in Rome in 1965 but with deep Sicilian roots that informed his filmmaking, drew upon personal connections to the island of Lampedusa for Respiro. After studying at New York University's Tisch School of the Arts and spending a decade in New York—where he directed his debut feature Once We Were Strangers (1997)—Crialese returned to Italy seeking to reconnect with his heritage, spending eight months on Lampedusa to observe community life, take notes, and capture initial footage.[14][15] The film's core inspiration stemmed from a local Lampedusa legend about an unconventional woman scorned by the community who disappeared into the sea, leaving her clothes on the beach; presumed drowned, she was later sighted alive, fueling ongoing myths. Crialese reimagined this tale as a modern narrative centered on a free-spirited woman's struggles with mental health and the stifling demands of social conformity in a tight-knit island society. Initially, his observations focused on the island's boys and their dynamics, but the legend shifted the story toward exploring the "black sheep" archetype within communal folklore.[15] Crialese wrote and directed the screenplay himself, developing it during his extended stay on the island in the early 2000s, around 2000–2001, prior to principal photography in 2001. The script blended neo-realist techniques—emphasizing authentic locations and everyday rhythms—with fable-like elements, evoking the mythical undertones of the legend while grounding the drama in the harsh realities of island life. What began as a planned one-month visit extended to three months as inspiration deepened, allowing Crialese to refine the narrative through immersion.[15] Pre-production involved a co-production between Italy's Fandango and France's Les Films des Tournelles and Roissy Films, with additional support from Medusa Film and Eurimages (which awarded 250,000 € in 2001); the budget details were not publicly disclosed, reflecting the modest scale typical of independent European dramas.[7][16] For casting, Crialese prioritized local non-professional actors, particularly children from Lampedusa, to authentically convey the island's dialect, customs, and unpolished vitality, a choice aligned with neo-realist traditions. He selected established actress Valeria Golino for the lead role of Grazia, valuing her Mediterranean presence and ability to embody intense emotional depth.[15][2]Filming
Principal photography for Respiro took place entirely on location in Lampedusa, a small island off the coast of Sicily, Italy, encompassing beaches, fishing villages, and rugged cliffs to immerse the production in the authentic environment of the story.[17] The shoot occurred in 2001, following co-production funding awarded that year, and lasted approximately two months after a one-month rehearsal period, allowing the crew to capture the island's natural rhythms and lighting conditions.[16][17] Cinematographer Fabio Zamarion employed a handheld camera style to achieve an intimate, documentary-like feel, emphasizing the harsh yet beautiful landscape and the daily life of the isolated community.[9] The production adhered to a neo-realist approach with a minimal crew and no studio sets, prioritizing natural sounds and ambient noise over artificial enhancements to blend seamlessly with the local environment.[15] Dialogue was delivered in the local Sicilian dialect to enhance authenticity, with the low-budget nature of the project enabling extended preparation time on the remote island.[15][17] The cast largely consisted of non-professional actors from Lampedusa, including residents for crowd scenes and supporting roles, such as Vincenzo Amato—a local sculptor—as the protagonist's husband and his real-life mother in a small part, which contributed to the film's raw, unpolished realism.[17] Working with inexperienced performers presented logistical challenges, leading to chaotic on-set dynamics as the director Emanuele Crialese guided the locals through their roles without modern distractions like televisions or cell phones to maintain a timeless atmosphere.[17] The island's isolation amplified difficulties, with limited access to facilities like hospitals, though the community's participation helped integrate scenes organically.[17] Post-production, including editing by Didier Ranz, was handled in Italy and France, where the focus was on creating a rhythmic pacing that mirrored the film's themes of isolation and cyclical island life.[11] This process refined the footage to evoke the contemplative essence of Lampedusa without altering its on-location authenticity.[15]Release
Premiere
Respiro had its world premiere on May 20, 2002, as part of the International Critics' Week sidebar at the Cannes Film Festival, where it was selected for its distinctive storytelling and cultural authenticity.[18] The screening marked the film's debut to international audiences, showcasing director Emanuele Crialese's intimate portrayal of life on the Sicilian island of Lampedusa.[19] Following its Cannes bow, Respiro received its Italian theatrical release just two days later, on May 22, 2002, distributed by Medusa Film.[20] The film's French premiere occurred on January 1, 2003, allowing it to reach audiences in a key co-producing country after building festival momentum.[21] The movie continued its festival circuit with screenings at the Toronto International Film Festival in the Contemporary World Cinema section later that year, as well as the Bratislava International Film Festival.[22][5] These appearances helped expand its visibility among global cinephiles. Initial reactions at festivals were enthusiastically positive, with critics and attendees highlighting the film's raw, authentic representation of Sicilian island life and its stylistic nods to Italian neo-realism through non-professional casting and location shooting.[3] No significant controversies arose from these early screenings, allowing the focus to remain on its evocative visuals and emotional depth.[7] Marketing efforts positioned Respiro as a contemporary revival of Italian neo-realist traditions, emphasizing themes of community and freedom, while trailers prominently featured the breathtaking Mediterranean island landscapes to draw in viewers.[23]Distribution and box office
Respiro was distributed in Italy by Medusa Film, beginning with its theatrical release on May 22, 2002, where it grossed $466,127.[24][21] In France, the film was handled by Pan-Européenne Distribution and released on January 1, 2003, achieving a strong performance with $3,237,045 in earnings, contributing significantly to its European success.[24][21] Sony Pictures Classics managed the U.S. distribution, launching the film on May 23, 2003, in a limited arthouse release across seven screens, where it opened to $71,677 and ultimately earned $1,072,834 domestically.[24][25] The film's international rollout emphasized European markets, with additional releases in countries like Germany ($520,072 on April 10, 2003) and Spain ($288,247 on August 29, 2003), leading to a worldwide gross of $7,309,845, of which approximately 85% came from international territories.[24] This performance was bolstered by its limited release strategy targeting niche arthouse audiences, where festival acclaim and word-of-mouth drove attendance despite modest initial openings.[24][26] For home media, Sony Pictures Classics issued a DVD in 2003, making the film accessible beyond theaters.[27] Later, it became available on streaming platforms, including MUBI, expanding its reach to digital viewers.[28]Soundtrack
Composition
The score for Respiro was composed by British jazz musician John Surman and Italian composer Andrea Guerra, with Surman known for his work in ambient and improvisational styles.[1] Surman crafted an original soundtrack featuring prominent alto saxophone lines alongside synthesized elements, creating an atmospheric ambient-jazz sound that evokes the film's island setting. This approach blends sparse, sonorous instrumentation to mirror the rugged beauty and isolation of Lampedusa, avoiding conventional orchestral arrangements in favor of restrained, evocative textures that align with the film's neo-realist aesthetic.[29][30] Composed in post-production during 2002, the score integrates seamlessly with the narrative, heightening moments of emotional intensity such as Grazia's liberating swims in the sea and the mounting family conflicts on the island.[7] The saxophone's melancholic tones underscore the protagonist's inner turmoil and the community's stifling dynamics, while subtle synth layers amplify the sensory immersion of sun-drenched landscapes and crashing waves, contributing to the film's lyrical and tactile quality.[29] This minimalist jazz framework enhances the story's themes of freedom and confinement without overpowering the naturalistic performances or visuals.[31]Track listing
The soundtrack of Respiro features an original score composed by John Surman and Andrea Guerra.[11] Surman's contributions emphasize atmospheric instrumental pieces using alto saxophone and sequenced synthesizer, totaling approximately 20 minutes of music integrated throughout the film's 95-minute runtime.[32] These elements underscore the isolation and rhythms of island life, with songs selected for their evocation of mid-20th-century Italian cultural authenticity. A key licensed song is "La bambola," a 1968 Italian pop track performed by Patty Pravo, written by Ruggero Cini, Franco Migliacci, and Bruno Zambrini. It appears in a dance scene, highlighting themes of freedom and societal norms.[33] The film also incorporates traditional Sicilian folk tunes during community gathering scenes, featuring local dialects and instrumentation to ground the narrative in regional heritage; the Italian release emphasizes these elements more prominently.[34] No official soundtrack album was released, though elements from Surman's 1981 ECM Records album The Amazing Adventures of Simon Simon (with Jack DeJohnette) are used, including the instrumental "Nestor's Saga (The Tale of the Ancient)," which plays in the closing sequence for a reflective tone.[35]Known Tracks in the Film
| Track Title | Artist/Composer | Type | Notes |
|---|---|---|---|
| La bambola | Patty Pravo (music by Bruno Zambrini, lyrics by Ruggero Cini and Franco Migliacci) | Licensed song | Featured in dance scene; 1960s Italian pop evoking era's vibrancy.[33] |
| Nestor's Saga (The Tale of the Ancient) | John Surman & Jack DeJohnette | Score excerpt | From 1981 ECM album; used in finale for contemplative mood; 10:49 duration.[35] |
| Traditional Sicilian Folk Tunes (various) | Local performers | Licensed folk | Used in gatherings; includes dialect vocals and acoustic instruments for authenticity. |
