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Respiro
DVD cover
Directed byEmanuele Crialese
Written byEmanuele Crialese
Produced byDomenico Procacci
Anne-Dominique Toussaint
StarringValeria Golino
Vincenzo Amato
Production
companies
Fandango
Les Films des Tournelles
Roissy Films
Distributed bySony Pictures Entertainment
Release dates
  • 20 May 2002 (2002-05-20) (Cannes)
  • 22 May 2002 (2002-05-22) (Italy)
  • 1 January 2003 (2003-01-01) (France)
Running time
95 minutes
CountryItaly
LanguagesItalian, Sicilian

Respiro is a 2002 Italian-French drama film written and directed by Emanuele Crialese and released in English-language markets in 2003. The film stars Valeria Golino, Vincenzo Amato, and Francesco Casisa. In the Italian language, respiro means breath.

Plot

[edit]

Grazia, played by Golino, is a free-spirited mother of three married to shy fisherman Pietro (Vincenzo Amato) and living on the idyllic but isolated island of Lampedusa in the Mediterranean Sea. She shows signs of manic depressive behaviour—one moment she is laughing wildly and swimming half-naked in the sea, while the next she is curled in a ball on her bed. Out of her earshot, the adult members of her extended family vaguely discuss sending her to a facility of some sort in Northern Italy.

Grazia is closely shepherded by her oldest son Pasquale, played by Casisa. After Pietro puts down one of Grazia's dogs because he thinks it might be dangerous, impulsive Grazia sets all the stray dogs free in the town's makeshift kennel. After the dogs swarm over the island, the locals demand that Pietro do something about his wife. But when he tells her he plans to send her away to Northern Italy, she runs away and hides in a cave on the shore, where she is secretly tended by Pasquale, who brings her food every day.

Pietro and some friends doggedly search the island for Grazia, so Pasquale leaves one of her dresses by the edge of the sea as a ruse. Pietro finds the dress—the one she was wearing the day she disappeared—and nearly everyone presumes she has drowned. Pietro, however, continues to search for her, and just before an important local religious festival, he sees her swimming in the water. He dives in to assist her, thinking a miracle has occurred, and many of the villagers follow suit, thus providing a sheltering circle around her as she is brought safely to shore.

Awards and nominations

[edit]

Writer/director Crialese won the Critics Week Grand Prize and the Young Critics Award at the Cannes Film Festival. The film was also nominated for the Best European Union Film at the César Awards and received other nominations and awards in various European award competitions.

Soundtrack

[edit]

Artist John Surman wrote the original score featuring sequenced synthesizer and alto saxophone. There was no soundtrack CD released, however part of the score can be found on his 1981 album The Amazing Adventures of Simon Simon. The track is called "Part 1 - Nestor's Saga (The Tale of The Ancient)". The soundtrack also featured "La Bambola" performed by the Italian artist Patty Pravo.

Critical reception

[edit]

The English-language reviews for Respiro were generally positive. Steven Holden wrote in The New York Times that "not since Y Tu Mamá También has a movie so palpably captured the down-to-earth, flesh-and-blood reality of high-spirited people living their lives without self-consciousness." Writing for Premiere magazine, critic Peter Debruge noted, "in the annals of Mediterranean island love stories, Respiro reflects the effortless charm of a film like Il Postino."

Critic Desson Thomson of The Washington Post, however, felt "its long-winded denouement, in which Grazia runs away rather than be sent to an institution, doesn't bring the story full circle. It just extends it."

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Respiro is a 2002 Italian-French film written and directed by , centering on , a free-spirited mother living on the impoverished island of , whose erratic behavior—such as releasing stray dogs—leads the community to deem her mad and push for her institutionalization, only for her son to hide her in a to protect her. The film stars in the lead role as Grazia, alongside as her husband Pietro and Francesco Casisa as their son Pasquale, and was shot primarily on location in using non-professional actors from the island to capture authentic rhythms of local life. Released in in 2002 and in English-speaking markets in 2003, it runs for 95 minutes and explores themes of mental illness, family dynamics, and the clash between individual freedom and communal expectations in a isolated Mediterranean setting. Crialese's screenplay draws from personal observations of , blending elements of manic depression with , and the film's visual style—featuring handheld by Fabio Zamarion—evokes a raw, vibrant portrayal of the landscape and its inhabitants, contrasting the beauty of the environment with underlying social tensions. Produced as a co-production between and , Respiro premiered at the , where it won the Grand Prize, marking a significant achievement for Crialese in his second . It also received nominations at the Awards, including for Best Film and Best Actress for Golino, and a Special Mention at the Bratislava International . Critically, Respiro holds a 77% approval rating on based on 83 reviews, with the consensus describing it as "a sweet, but slight picture filled with beautiful people and locations," praised for its energy and life-affirming tone while noting its theatrical approach to as more entertaining than clinical. awarded it three out of four stars, commending the vivid characters and the film's cheerful depiction of youth and bonds, though he questioned the realism of its plot resolution in the context of actual Lampedusa society. The movie's audience score stands at 86%, reflecting appreciation for its emotional depth and scenic authenticity.

Film overview

Plot

Respiro is inspired by a local legend from about a madwoman who was cured through . Set in the close-knit fishing community of , an island off the coast of , the film follows , a vibrant and unconventional mother of three whose manic-depressive episodes clash with the island's rigid social norms. Married to the fisherman and devoted to her children, including her adolescent son Pasquale, finds fleeting joy in the sea but struggles with her impulsive tendencies on land. As 's behavior escalates—swimming nude with her children, defying traffic rules on a motorbike, and releasing stray dogs from a local pound—the village erupts in gossip and condemnation. The dog incident, in particular, parallels the community's exclusionary attitudes, as the men round up and shoot the animals in a brutal display, heightening pressure on to act. Overwhelmed by the town's demands, arranges for to receive psychiatric treatment in , but upon learning of the plan, she flees and hides in seaside caves with Pasquale's secret assistance, bringing her food and supplies. The community, discovering her abandoned dress on the beach, presumes Grazia has drowned and holds a ritual that reveals their underlying affection for her. In the climax, this belief in her death fosters a collective reflection on her uniqueness. Grazia eventually returns during the island's , leading to the family's and a tentative acceptance by the villagers, blurring the lines between the real woman and the legendary madwoman of Lampedusa folklore.

Cast

The principal cast of Respiro features as Grazia, the unconventional and vibrant mother whose free-spirited nature and manic energy drive much of the film's exploration of dynamics on the isolated of . portrays Pietro, Grazia's stoic and reserved fisherman husband, embodying the traditional, hardworking ethos of the island community. Francesco Casisa plays Pasquale, Grazia's loyal teenage son, whose protective instincts and coming-of-age struggles through secrecy and rebellion highlight the tensions of amid the island's close-knit society. In supporting roles, Veronica D'Agostino appears as Marinella, Grazia's daughter, contributing to the familial ensemble that captures the rhythms of . Filippo Pucillo takes on the part of , the youngest son, adding to the portrayal of generational bonds in the . plays Pier Luigi, a friend and romantic interest who interacts with the core , further illustrating the interconnectedness of the Lampedusa community. Additional community members are depicted by non-professional actors drawn from local residents, enhancing the film's authenticity in depicting the raw, unpolished essence of island existence. This mix of professional leads and local non-actors underscores the ensemble's naturalistic performance, reflecting the insularity and vitality of Sicilian coastal life.

Production

Development

Emanuele Crialese, born in in 1965 but with deep Sicilian roots that informed his filmmaking, drew upon personal connections to the island of for Respiro. After studying at New York University's Tisch School of the Arts and spending a decade in New York—where he directed his debut feature Once We Were Strangers (1997)—Crialese returned to seeking to reconnect with his heritage, spending eight months on Lampedusa to observe community life, take notes, and capture initial footage. The film's core inspiration stemmed from a local Lampedusa legend about an unconventional woman scorned by the community who disappeared into the sea, leaving her clothes on the beach; presumed drowned, she was later sighted alive, fueling ongoing myths. Crialese reimagined this tale as a modern narrative centered on a free-spirited woman's struggles with and the stifling demands of social conformity in a tight-knit . Initially, his observations focused on the island's boys and their dynamics, but the legend shifted the story toward exploring the "" archetype within communal . Crialese wrote and directed the screenplay himself, developing it during his extended stay on the island in the early , around 2000–2001, prior to principal photography in 2001. The script blended neo-realist techniques—emphasizing authentic locations and everyday rhythms—with fable-like elements, evoking the mythical undertones of the legend while grounding the drama in the harsh realities of . What began as a planned one-month visit extended to three months as inspiration deepened, allowing Crialese to refine the narrative through immersion. Pre-production involved a co-production between Italy's and France's Les Films des Tournelles and Roissy Films, with additional support from Medusa Film and (which awarded 250,000 € in 2001); the details were not publicly disclosed, reflecting the modest scale typical of independent European dramas. For casting, Crialese prioritized local non-professional actors, particularly children from , to authentically convey the island's dialect, customs, and unpolished vitality, a choice aligned with neo-realist traditions. He selected established actress for the lead role of Grazia, valuing her Mediterranean presence and ability to embody intense emotional depth.

Filming

Principal photography for Respiro took place entirely on location in , a small off the coast of , , encompassing beaches, fishing villages, and rugged cliffs to immerse the production in the authentic environment of the story. The shoot occurred in 2001, following co-production funding awarded that year, and lasted approximately two months after a one-month period, allowing the crew to capture the island's natural rhythms and lighting conditions. Cinematographer Fabio Zamarion employed a style to achieve an intimate, documentary-like feel, emphasizing the harsh yet beautiful landscape and the daily life of the isolated . The production adhered to a neo-realist approach with a minimal and no studio sets, prioritizing and ambient noise over artificial enhancements to blend seamlessly with the environment. Dialogue was delivered in the Sicilian to enhance authenticity, with the low-budget of the project enabling extended preparation time on the remote . The cast largely consisted of non-professional actors from , including residents for crowd scenes and supporting roles, such as —a local sculptor—as the protagonist's husband and his real-life mother in a small part, which contributed to the film's raw, unpolished realism. Working with inexperienced performers presented logistical challenges, leading to chaotic on-set dynamics as the director guided the locals through their roles without modern distractions like televisions or cell phones to maintain a timeless atmosphere. The island's isolation amplified difficulties, with limited access to facilities like hospitals, though the community's participation helped integrate scenes organically. Post-production, including editing by Didier Ranz, was handled in and , where the focus was on creating a rhythmic pacing that mirrored the film's themes of isolation and cyclical . This process refined the footage to evoke the contemplative essence of without altering its on-location authenticity.

Release

Premiere

Respiro had its world premiere on May 20, 2002, as part of the International sidebar at the , where it was selected for its distinctive storytelling and cultural authenticity. The screening marked the film's debut to international audiences, showcasing director Emanuele Crialese's intimate portrayal of life on the Sicilian island of . Following its bow, Respiro received its Italian theatrical release just two days later, on May 22, 2002, distributed by Medusa Film. The film's French premiere occurred on January 1, 2003, allowing it to reach audiences in a key co-producing country after building festival momentum. The movie continued its festival circuit with screenings at the in the Contemporary World Cinema section later that year, as well as the International Film Festival. These appearances helped expand its visibility among global cinephiles. Initial reactions at festivals were enthusiastically positive, with critics and attendees highlighting the film's raw, authentic representation of Sicilian island life and its stylistic nods to Italian neo-realism through non-professional casting and . No significant controversies arose from these early screenings, allowing the focus to remain on its evocative visuals and emotional depth. Marketing efforts positioned Respiro as a contemporary revival of Italian neo-realist traditions, emphasizing themes of community and freedom, while trailers prominently featured the breathtaking Mediterranean island landscapes to draw in viewers.

Distribution and box office

Respiro was distributed in by Medusa Film, beginning with its theatrical release on May 22, 2002, where it grossed $466,127. In , the film was handled by Pan-Européenne Distribution and released on January 1, 2003, achieving a strong performance with $3,237,045 in earnings, contributing significantly to its European success. managed the U.S. distribution, launching the film on May 23, 2003, in a limited arthouse release across seven screens, where it opened to $71,677 and ultimately earned $1,072,834 domestically. The film's international rollout emphasized European markets, with additional releases in countries like ($520,072 on April 10, 2003) and ($288,247 on August 29, 2003), leading to a worldwide gross of $7,309,845, of which approximately 85% came from international territories. This performance was bolstered by its limited release strategy targeting niche arthouse audiences, where festival acclaim and word-of-mouth drove attendance despite modest initial openings. For home media, issued a DVD in 2003, making the film accessible beyond theaters. Later, it became available on streaming platforms, including MUBI, expanding its reach to digital viewers.

Soundtrack

Composition

The score for Respiro was composed by musician John Surman and Italian composer Andrea Guerra, with Surman known for his work in ambient and improvisational styles. Surman crafted an original featuring prominent lines alongside synthesized elements, creating an atmospheric ambient-jazz sound that evokes the film's island setting. This approach blends sparse, sonorous instrumentation to mirror the rugged beauty and isolation of , avoiding conventional orchestral arrangements in favor of restrained, evocative textures that align with the film's neo-realist aesthetic. Composed in post-production during 2002, the score integrates seamlessly with the narrative, heightening moments of emotional intensity such as Grazia's liberating swims in the and the mounting conflicts on the . The saxophone's melancholic tones underscore the protagonist's inner turmoil and the community's stifling dynamics, while subtle synth layers amplify the sensory immersion of sun-drenched landscapes and crashing waves, contributing to the film's lyrical and tactile quality. This minimalist framework enhances the story's themes of freedom and confinement without overpowering the naturalistic performances or visuals.

Track listing

The soundtrack of Respiro features an original score composed by John Surman and Andrea Guerra. Surman's contributions emphasize atmospheric instrumental pieces using and sequenced , totaling approximately 20 minutes of music integrated throughout the film's 95-minute runtime. These elements underscore the isolation and rhythms of , with songs selected for their evocation of mid-20th-century Italian cultural authenticity. A key licensed song is "La bambola," a 1968 Italian pop track performed by , written by Ruggero Cini, Franco Migliacci, and Bruno Zambrini. It appears in a scene, highlighting themes of and societal norms. The film also incorporates traditional Sicilian folk tunes during community gathering scenes, featuring local dialects and instrumentation to ground the narrative in regional heritage; the Italian release emphasizes these elements more prominently. No official soundtrack album was released, though elements from Surman's 1981 album The Amazing Adventures of Simon Simon (with ) are used, including the instrumental "Nestor's Saga (The Tale of the Ancient)," which plays in the closing sequence for a reflective tone.

Known Tracks in the Film

Track TitleArtist/ComposerTypeNotes
La bambola (music by Bruno Zambrini, by Ruggero Cini and Franco Migliacci)Licensed Featured in dance scene; 1960s Italian pop evoking era's vibrancy.
Nestor's Saga (The Tale of the Ancient)John Surman & Score excerptFrom 1981 ECM album; used in finale for contemplative mood; 10:49 duration.
Traditional Sicilian Folk Tunes (various)Local performersLicensed folkUsed in gatherings; includes vocals and acoustic instruments for authenticity.

Reception

Critical reception

Respiro received generally positive reviews from critics upon its release, earning a 77% approval rating on based on 83 reviews, with the site's consensus describing it as "a sweet, but slight picture filled with beautiful people and locations." On , the film holds a 7.0 out of 10 rating from over 5,000 user votes. Roger Ebert awarded it three out of four stars, praising its "cheerful, life-affirming" energy and vivid characters. Critics commended the film's authentic depiction of the community, capturing the rhythms of island life with a sensual, neo-realist style reminiscent of Roberto Rossellini's postwar works. Valeria Golino's performance as was highlighted as captivating and sensual, blending childlike faith with emotional volatility in a plum role that anchored the ensemble. The visual beauty, enhanced by cinematographer Fabio Zamarion's sun-drenched imagery, contributed to the film's evocative portrayal of Sicilian sensuality and familial bonds. Some reviewers criticized the film's contrived ending and fable-like tone, resulting in a resolution that felt too pat and neither fully realistic nor poetic. Others found the pacing slow and the narrative drift toward symbolism ill-suited for mainstream audiences, abandoning a more grounded plot for an overly upbeat communal embrace. Key reviews emphasized the film's strengths in character and setting; lauded its sympathetic portrait of a tradition-bound society on the impoverished island as an arresting mix of tough realism and soft magic realism. The highlighted the fusion of love and healing themes, presenting a charming fable where redeems the amid the landscape's flowing grace. In , contemporary reviews positioned Respiro as a fresh Italian export in the arthouse circuit, blending neo-realist vibes with exotic familiarity to distinguish it amid global indie trends.

Legacy

Respiro has left a significant cultural imprint through its exploration of mental illness as a form of against patriarchal structures in conservative Sicilian society. The film's , , embodies a free-spirited whose unconventional behavior—such as nude and freeing caged dogs—challenges the rigid gender norms of her on , portraying her "madness" not as but as resistance to communal expectations. This depiction has inspired discussions on women's , highlighting the tensions between individual expression and traditional roles in isolated, patriarchal communities. The narrative also authentically represents Sicilian island life, capturing the rhythms of fishing, family dynamics, and the sea's omnipresent influence, while drawing on local migration where characters face pressures to leave for mainland opportunities like . Inspired by a Sicilian of an unconventional woman driven to apparent by village scorn, Respiro blends with everyday realities, influencing perceptions of island as a lens for examining social exile. In cinema, it is regarded as a modern neo-realist work, reviving post-war Italian traditions through its use of non-professional actors, on-location shooting, and focus on marginal communities' struggles. This approach contributed to the arthouse revival in , positioning Crialese among young auteurs exploring hybrid styles and social norms, and influencing his later films on similar themes of isolation and migration. The film's enduring presence is evident in later screenings and revivals, including a 2024 event at the Istituto Italiano di Cultura in , where it was presented in Italian with English subtitles. Academically, Respiro is studied for its seamless integration of and , with the serving as a generative space that symbolizes 's rebellion and the island's liquid materiality. Scholars draw parallels to global "madwoman" archetypes in , where atypical female figures like Grazia—hiding in caves and immersing in water—represent resistance to societal constraints, echoing tales of outcast women across Mediterranean and beyond cultures. Respiro's international success, including its Grand Prix win at the 2002 Cannes , boosted director 's career, establishing him as a prominent voice in global arthouse cinema and paving the way for subsequent works like Golden Door (2006), which continued themes of migration and cultural displacement.

Accolades

Festival awards

At the , Respiro competed in the International sidebar and won the Grand Prize, recognizing it as the best film in the section, along with the Young Critics Award for director . The film earned a Special Mention for Crialese at the 2002 International Film Festival. Respiro was screened at the 2002 , where it garnered positive attention from audiences and critics but did not receive any awards. These festival successes, particularly the Cannes honors, elevated the film's visibility on the global stage and contributed to its broader theatrical release in multiple markets.

Other awards and nominations

At the 29th César Awards in 2004, Respiro was nominated for Best European Union Film, recognizing its cross-border appeal as an Italian-French production. The film garnered multiple nods at the 48th David di Donatello Awards in 2003, including a nomination for Best Film, a nomination for Best Actress (Valeria Golino), while securing a win for Best Producer (Domenico Procacci). In the European Film Awards, Respiro received a nomination for European Discovery in 2002, and Golino was nominated for the People's Choice Award for in 2003, underscoring the film's international resonance. Overall, Respiro accumulated 21 wins and 11 nominations across industry awards, with particular emphasis on accolades for and direction rather than technical achievements.

References

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