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Robert Sabuda
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Robert Sabuda
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Robert Sabuda (born March 8, 1965) is a children's pop-up book artist and paper engineer. His innovative designs have made him well known in the book arts, with The New York Times referring to Sabuda as "indisputably the king of pop-ups" in a 2003 article.[1]

Key Information

Early life

[edit]

Sabuda was raised in Pinckney, Michigan.[1] His father was a mason and a carpenter, providing Sabuda with an appreciation for precise construction.[2] His mother worked as a secretary for the Ford Motor Company and brought home manila folders that Robert would use to create art projects such as pop-up cards and books.[2]

He attended Pratt Institute in New York City, earning a Bachelor of Fine Arts in communications design in 1987.[2]

Career

[edit]

Sabuda's interest in paper engineering was sparked in childhood by reading a version of Cinderella illustrated by Vojtěch Kubašta.[3] He created his first pop-up book at age eight.[2]

His career in book illustration began with an internship at Dial Books for Young Readers while attending Pratt.[4] Initially working as a package designer, he illustrated his first children's book series, Bulky Board Books, in 1987. He began gaining professional recognition in 1994 when he designed his first pop-up books for children, The Christmas Alphabet.[5]

Within the books he has designed, Sabuda has used techniques including:[2]

  • faux stained glass (Arthur and the Sword, 1995)
  • batik (Blizzard's Robe, 1999)
  • papyrus-textured illustrations (Tutankhamen's Gift, 1994)
  • murals (Saint Valentine, 1992)

Recognition

[edit]

Sabuda works from his studio in New York City and is involved in a wide variety of projects that involve movable paper. Sabuda has been awarded the Meggendorfer Prize for Best Paper Engineering three times by the Movable Book Society.[6] He is a multiple No. 1 New York Times best-selling children's book creator and has over five million books in print published in over 25 languages.[7]

Book critic Ted Chapin described Sabuda as a "prolific master of the pop-up book" and "something of an artistic and engineering genius" in The New York Times.[8] A 2011 article in The Wall Street Journal said Sabuda is "a master at making books come to life" and referred to him as "the reigning prince of pop-up books."[9] Sabuda's versions of The Wonderful Wizard of Oz (2000) and Alice's Adventures in Wonderland (2003) have been particularly praised, with graphic designer Steven Heller saying of Alice that "the intelligent paper trickery on each spread is, well, awesome."[10]

Personal life

[edit]

Sabuda married Nasdaq technologist James Talvy on June 25, 2016.[11] They were married at their artist's retreat, 10 Horse Art Center,[12] in Highland, New York. They spend their time in New York City; New Paltz, New York; and Fort Lauderdale, Florida.[11]

Bibliography

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Robert Sabuda

View on Grokipedia
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Robert Sabuda is an American paper , , and renowned for his innovative and intricate pop-up books that transform classic literature and original stories into three-dimensional experiences for children and adults alike. Born on March 8, 1965, and raised in Pinckney, , Sabuda discovered his artistic talent early, spending his childhood drawing, painting, and experimenting with paper crafts in his rural hometown. His father, a tool-and-die maker, instilled in him an appreciation for precision, while his mother, a secretary at , encouraged nightly storytelling sessions that sparked his love for books. After graduating summa cum laude with a B.F.A. in communication design from in 1987, Sabuda interned at a children's publishing house and began his career as a traditional for titles like Tutankhamen's Gift (1994). Sabuda's transition to pop-up books came in the early , when he taught himself the craft without formal guides, drawing inspiration from childhood gifts of interactive volumes and his own experiments with folders. His debut pop-up work, The Alphabet (1994), marked the start of a prolific career, earning him the Boston Globe-Horn Book Honor and establishing him as a master of . From his studio, where he collaborates with a team including fellow paper engineer Matthew Reinhart, Sabuda hand-designs elaborate mechanisms that bring narratives to life, often using cut paper, intricate folds, and vibrant illustrations. Among his most celebrated creations are pop-up adaptations of literary classics such as The Wonderful Wizard of Oz (2000), Alice's Adventures in Wonderland (2003), and Peter Pan (2008), which feature soaring castles, unfolding gardens, and dynamic characters that have captivated readers worldwide. Sabuda has also co-authored the bestselling Encyclopedia Prehistorica series (2005–2007) with Reinhart, including volumes on dinosaurs, sea monsters, and mega beasts, blending educational content with jaw-dropping pop-ups of prehistoric creatures. Original works like America the Beautiful (2003) and The 12 Days of Christmas (1996) showcase his ability to interpret American icons and holiday traditions through multidimensional artistry. Beyond books, Sabuda shares his expertise through online tutorials and templates on his website, promoting pop-up design as an accessible art form, and he supports causes like the Children's Relief Fund. Married to technologist James Talvy since 2016, he divides his time between , , and , continuing to push the boundaries of movable book design. His contributions have earned international acclaim, including multiple New York Times bestseller listings and exhibitions of his work in museums.

Early life and education

Childhood influences

Robert Sabuda was born on March 8, 1965, in the rural town of Pinckney, in southeastern . He grew up in a working-class family, with his father, Bruce Edward Sabuda, employed as a tool-and-die maker, mason, and carpenter, and his mother, Judith Elaine Sabuda, working at while pursuing interests in singing and literature. From a young age, Sabuda showed a profound fascination with and paper crafts, spending hours, days, and weeks in his bedroom experimenting with crayons, paints, cutting, and gluing to create his own illustrated stories. His mother's nightly readings in their humble lakeside home further nurtured his imagination and love for books. Sabuda's exposure to pop-up books began during a childhood dentist visit, where he discovered a for Children publication in a wire basket that dramatically "leapt off the page" with its three-dimensional features, leaving him shocked and delighted. This encounter ignited his passion for , and soon family and friends were gifting him pop-up books for birthdays and holidays, enabling him to dissect and study their intricate mechanisms. A pivotal influence was Vojtěch Kubašta's , which Sabuda received at age ten and described as his first truly beautiful pop-up, profoundly shaping his appreciation for innovative . Entirely self-taught in pop-up techniques, Sabuda honed his skills through using manila file folders his mother brought home from work, constructing simple mechanisms that evolved with practice. His father's expertise in and construction instilled a sense of precision, balance, and structural integrity crucial to designing durable three-dimensional forms, while his mother's background introduced concepts of that informed the dynamic movement in his creations. By elementary , around age eight, Sabuda was making his own pop-up cards and , marking the start of a dedicated hobby in that would define his career.

Academic background

Robert Sabuda graduated from Pinckney High School in Pinckney, , in 1983, where he demonstrated exceptional talent in art classes from an early stage. As a freshman, his abilities were quickly recognized by his art teacher, Maureen Lucas, who provided pivotal encouragement and guidance that shaped his artistic growth throughout high school. During this period, Sabuda continued to develop his skills as an illustrator and designer, building on childhood interests in paper folding and model-making to explore more structured creative projects. After high school, Sabuda enrolled at the in , New York, from 1983 to 1987, pursuing a in communications design with an emphasis on and graphic techniques. The program's rigorous curriculum allowed him to refine his technical proficiency in visual and design principles, preparing him for professional applications in . In his junior year at Pratt, Sabuda secured an internship at Dial Books for Young Readers, where he gained practical experience in the production of children's books, from concept development to final assembly. This immersion in the industry not only exposed him to the collaborative aspects of book creation but also confirmed his passion for illustration within the sector. Sabuda graduated summa cum laude with his BFA in 1987, marking the culmination of his formal education. To establish himself professionally, he immediately took on freelance illustration assignments in New York City, leveraging his training to secure early commissions in the competitive field of children's book design.

Professional career

Entry into publishing

After graduating from in 1987 with a B.F.A. in communications design, Robert Sabuda entered the industry through freelance work for magazines and advertisements in the late . To support himself financially during this period of instability, he also took on packaging design assignments, including creating boxes for women's undergarments and bras. Sabuda's debut in children's book illustration came in 1988 with his contract to illustrate The Fiddler's Son by Eugene Bradley Coco, published by Green Tiger Press, which introduced him to the demands of the genre. Seeking stable employment and deeper industry knowledge, Sabuda worked as a at Crown Publishing in the late . At this New York-based publisher, he honed traditional illustration techniques and gained practical experience in book production processes. These entry-level roles were marked by ongoing financial challenges, as Sabuda balanced low-paying design tasks with sporadic illustration opportunities, while beginning to shift from conventional flat illustrations toward more dynamic, interactive formats in response to the evolving needs of children's publishing.

Rise in pop-up book design

Sabuda entered the realm of pop-up book design with his debut work, The Christmas Alphabet, published in 1994 by Orchard Books. This self-illustrated and self-engineered volume featured 26 symmetrical pop-up mechanisms, each tied to a Christmas-themed letter of the alphabet, showcasing his early mastery of intricate, elegant paper structures that transformed flat pages into multidimensional displays. The book's innovative approach to layering and folding marked a pivotal shift from his prior flat illustration work, establishing a foundation for his distinctive style. Building on this foundation, Sabuda refined unique techniques that emphasized precision and interactivity, including multi-layered folds to build depth and mechanisms for dynamic movement. His process involved hand-prototyping hundreds of pieces per book to ensure elements folded flat when closed, creating immersive 3D scenes that unfolded seamlessly with each page turn. While production assembly incorporated glue for durability, Sabuda's designs prioritized fold-based to achieve structural integrity and visual fluidity, allowing for complex, self-supporting pop-ups without excessive adhesives. These advancements enabled him to craft books that balanced artistic with mechanical . A breakthrough came with the 2000 publication of , engineered and illustrated by Sabuda for to mark the centennial of L. Frank Baum's original. The book's elaborate pop-ups, including a rotating and expansive vista, demonstrated his evolved techniques on a grand scale, contributing to his books' large initial print runs of up to 300,000 copies and cementing his status as a premier adapter of literary classics through pop-up innovation. Sabuda's rise further accelerated through collaborative projects, notably the Encyclopedia Prehistorica series co-engineered with Matthew Reinhart from 2005 to 2007, published by . Spanning Dinosaurs (2005), Sharks and Other Sea Monsters (2006), and Mega-Beasts (2007), the trilogy integrated factual prehistoric information with highly interactive pop-ups, such as leaping dinosaurs and unfolding sea creatures, merging educational depth with Sabuda's layered engineering to engage young readers in exploratory storytelling. Sabuda continued his innovative solo projects into the 2020s with Ten Horse Farm (2018), Believe: A Pop-Up Book of Possibilities (2019), and Love: A Pop-Up Celebration (2021), all published by Candlewick Press, featuring intricate pop-ups that explore themes of nature, wonder, and emotion.

Key collaborations

One of Robert Sabuda's most significant partnerships is his long-term collaboration with fellow paper engineer and author Matthew Reinhart, which began in 2005 with the creation of the Encyclopedia Prehistorica series. This three-volume set, including Dinosaurs, Sharks and Other Sea Monsters, and Mega-Beasts, blended Sabuda's intricate pop-up engineering with Reinhart's research-driven content on prehistoric life, resulting in interactive educational books that became New York Times bestsellers. The duo extended their teamwork into the Encyclopedia Mythologica series (2009–2011), covering fairies, dragons, and gods and heroes, further showcasing their complementary skills in transforming complex topics into multidimensional experiences. Sabuda has maintained a longstanding partnership with , particularly its Little Simon imprint, dating back to the , which has supported the production of his ambitious pop-up projects on a large scale. This relationship enabled the publication of high-profile works such as the 2003 pop-up adaptation of , where Sabuda engineered elaborate mechanisms to bring Lewis Carroll's narrative to life while staying true to John Tenniel's original illustrations. The collaboration has yielded numerous titles, allowing Sabuda to experiment with advanced techniques suited for mass production and widespread distribution. Sabuda has also collaborated on adaptations of classic literature, including Shakespearean tales, contributing to pop-up interpretations that highlight dramatic elements through mechanical innovation. His 2005 The Winter's Tale: A Pop-Up Book, published under Little Simon, features intricate scenes from the play, demonstrating how such partnerships with literary estates and publishers facilitate accessible yet sophisticated retellings for young audiences. In the , Sabuda partnered with designers and institutions for pop-up exhibitions that brought his work into three-dimensional public displays. A notable example is the 2016 "Wizards of Pop" show at the Arkell Museum, co-curated with Reinhart, which displayed over 70 original pieces from their joint books and highlighted the artistry behind pop-up creation. These installations expanded the reach of their collaborative efforts beyond printed pages, influencing museum programming on interactive book arts.

Notable works

Pop-up adaptations of classics

Robert Sabuda has distinguished himself in the realm of pop-up literature by transforming works into interactive experiences that emphasize intricate to evoke the essence of the original narratives. His adaptations prioritize visual and mechanical innovation, allowing readers to physically engage with key scenes and motifs, thereby enhancing the through three-dimensional elements. These works often feature multi-layered pop-ups that unfold to reveal dynamic interpretations of tales, drawing on Sabuda's expertise in combining precise cuts and folds to mimic movement and depth. One of Sabuda's seminal adaptations is (2000, Little Simon/Simon & Schuster), a commemorative pop-up edition marking the 100th anniversary of L. Frank Baum's novel. This book includes elaborate double-page spreads, such as a swirling that lifts Dorothy's Kansas farmhouse and a gleaming viewed through included green-tinted glasses, capturing the story's journey from rural peril to fantastical arrival. It became a New York Times children's bestseller, underscoring its commercial success and appeal in reimagining Baum's whimsical world through mechanical drama. Sabuda's Alice's Adventures in Wonderland: A Pop-Up Adaptation (2003, Little Simon/Simon & Schuster) further exemplifies his ability to convey literary surrealism via pop-up mechanics, featuring seven elaborate constructions that illustrate Lewis Carroll's dreamlike sequences. Highlights include unfolding rabbit holes, expanding tea parties, and blooming gardens, all rendered in a style inspired by John Tenniel's original engravings to immerse readers in Alice's topsy-turvy descent. The design challenges lay in engineering pop-ups that collapse neatly while preserving the narrative's chaotic fluidity, a hallmark of Sabuda's approach to balancing intricacy with functionality. In Peter Pan: A Classic Collectible Pop-Up (2008, Little Simon/Simon & Schuster), Sabuda reimagines J.M. Barrie's tale of with pop-ups emphasizing flight and adventure, such as soaring pirate ships and landscapes that emerge from the pages. The engineering focused on simulating aerial motion through layered, angled folds, presenting unique challenges in ensuring stable elevation without compromising the book's portability. This adaptation also achieved New York Times bestseller status, reflecting its impact in bringing the Darling children's escapades to life interactively. Sabuda's Beauty & the Beast: A Pop-Up Book of the Classic Fairy Tale (2010, Little Simon/Simon & Schuster) adapts the timeless story with mechanisms that highlight transformation and enchantment, including a multi-tiered pop-up that reveals hidden rooms and a beast figure that shifts in scale across spreads. The design navigated challenges in creating enclosed, revealing structures to mirror the tale's themes of concealment and revelation, resulting in a New York Times bestseller that sold as part of Sabuda's cumulative two-million-plus circulation. More recently, The Little Mermaid: A Pop-Up Adaptation of the Classic Fairy Tale (2013, Little Simon/Simon & Schuster) brings Hans Christian Andersen's underwater saga to three dimensions with flowing pop-ups of ocean currents, merfolk realms, and a transformative surface world. Engineering challenges centered on mimicking fluid motion through flexible, wave-like paper elements, allowing the story's poignant voyage to unfold dynamically for young readers.

Original creations and series

Robert Sabuda's original pop-up books demonstrate his ability to conceive and craft interactive narratives from scratch, often blending educational elements with festive or thematic storytelling through intricate paper engineering. His debut in this vein, The Christmas Alphabet (1994, Orchard Books), presents a holiday-themed alphabet where each letter reveals a pop-up illustration of Christmas symbols, such as angels and wreaths, using delicate white paper constructions that unfold to evoke seasonal wonder. This work marked a breakthrough in modern pop-up design, emphasizing simplicity and elegance in its mechanical reveals hidden behind lettered flaps. Similarly, The Movable Mother Goose (1999, Little Simon), reimagines classic nursery rhymes in a vibrant, explosive format with multicolored pop-ups that bring characters like Humpty Dumpty and Little Bo Peep to life in dynamic scenes, showcasing Sabuda's innovative approach to animating folklore for young readers. In 2003, Sabuda released America the Beautiful (Simon & Schuster), an original pop-up journey inspired by the patriotic anthem, featuring seven spreads that tour iconic U.S. landmarks like the Grand Canyon and the through architecturally precise white pop-ups, accompanied by lyrical text that celebrates the nation's diverse beauty. This book highlights Sabuda's skill in integrating national symbolism with mechanical storytelling, creating a collectible to American heritage. Sabuda's most ambitious original series, Encyclopedia Prehistorica (2005–2007, ), co-authored with paper engineer Matthew Reinhart, comprises three volumes that educate on prehistoric life through elaborate pop-ups and detailed illustrations. The first, Dinosaurs (2005), unfolds massive creatures like Tyrannosaurus rex in multi-layered spreads, drawing from paleontological facts to immerse readers in the era. Subsequent entries, Sharks and Other Sea Monsters (2006) and Mega-Creatures (2007), explore ancient marine predators and Ice Age giants, respectively, with interactive elements that reveal evolutionary details and habitats, establishing the series as a landmark in educational pop-up literature. More recently, Sabuda's Love (2021, Candlewick Press) offers an abstract exploration of affection through six pop-up spreads, each illustrating phrases like "I love you because..." with symbolic scenes of intertwined animals and natural forms, using subtle mechanisms to convey emotional depth in a gentle, bedtime-appropriate format. This work underscores Sabuda's evolution toward thematic introspection in pop-up art, prioritizing emotional resonance over narrative complexity.

Non-pop-up illustrations

Before achieving prominence with pop-up books, Robert Sabuda established himself as a traditional , creating two-dimensional artwork for using watercolor and ink techniques to produce detailed, flat illustrations that emphasized narrative storytelling through color and line work. His early projects included the illustrations for The Fiddler's Son by Eugene Bradley Coco, published in 1988 by Green Tiger Press, where Sabuda's watercolor and ink renderings depicted the folk tale's musical themes with whimsical, expressive characters and landscapes. Similarly, in The Wishing Well by the same author and publisher that year, his artwork featured soft watercolor washes and precise ink outlines to evoke a sense of wonder in the story's magical elements. Throughout the 1990s, Sabuda contributed cover designs and interior illustrations to numerous children's titles, including board books published by Little Simon, an imprint of Simon & Schuster, such as the Bulky Board Books series starting in 1987 with volumes like Magic Carpet and Fire Engine. These works highlighted his versatility in creating durable, engaging visuals for young readers, often incorporating bold colors and simple compositions suitable for interactive handling without mechanical elements. He also provided graphic illustrations for classic texts, such as a 1990 edition of Henry David Thoreau's Walden and adaptations of Mother Goose tales, demonstrating his ability to adapt historical and literary themes into accessible children's formats. In addition to books, Sabuda's non-pop-up work extended to packaging design for brands and contributions to children's magazines, where his and watercolor style supported educational and whimsical content aimed at early readers. By the early , however, Sabuda largely shifted his focus to pop-up engineering, limiting non-interactive freelance illustrations to occasional projects while prioritizing three-dimensional designs.

Recognition and impact

Awards and honors

Robert Sabuda has received numerous accolades for his innovative contributions to children's book illustration and paper engineering, particularly in the pop-up genre. These honors recognize his ability to blend intricate mechanical design with artistic storytelling, elevating the medium and influencing subsequent creators in the field. His work The Christmas Alphabet (1994) was praised for its elaborate pop-up elements that transform each letter into a festive scene, marking an early milestone in his career that established his reputation for technical precision. Similarly, Alice's Adventures in Wonderland: A Pop-Up Adaptation of Lewis Carroll's Original Tale (2003) earned the New York Times Best Illustrated Children's Books distinction, celebrated for its seven elaborate pop-up spreads that capture the surreal whimsy of the classic narrative through multi-layered engineering. Sabuda's titles have also been designated as (ALA) Notable Children's Books on multiple occasions, highlighting their educational value and artistic merit for young readers. The Encyclopedia Prehistorica series, co-created with Matthew Reinhart, exemplifies this recognition; the inaugural volume, Dinosaurs (2005), was named an ALA Notable Children's Book in 2006 for its dynamic pop-up reconstructions of prehistoric creatures that make complex scientific information accessible and engaging. In the specialized realm of movable books, Sabuda has been honored with the Meggendorfer Prize for Best from the Movable Book Society three times, underscoring his pioneering techniques in pop-up mechanics. These awards, named after 19th-century innovator Lothar Meggendorfer, were bestowed for The Christmas Alphabet (1998 prize), Cookie Count: A Tasty Pop-up (2000 prize), and (2002 prize), each lauded for groundbreaking engineering that pushed the boundaries of durability and visual impact in .

Cultural influence

Robert Sabuda's innovative contributions to design in the 1990s played a pivotal role in revitalizing the genre, transforming it from a niche novelty into a respected form of and artistry. Alongside contemporaries like Matthew Reinhart, Sabuda elevated through intricate, multi-dimensional constructions that appealed to both young readers and adults, fostering a renewed interest in during a period when the format had waned due to production challenges and shifting publishing trends. His collaborative series Encyclopedia Prehistorica, co-created with Reinhart, has had a notable educational impact, particularly in STEM curricula. The books integrate scientific facts about prehistoric creatures with elaborate pop-up mechanisms, encouraging hands-on exploration of topics like and ; teacher's guides accompany the series, providing classroom activities such as crafts, games, and prompts to extend learning beyond reading. This approach has made the volumes a tool for engaging students in interactive , blending artistic with factual content to spark curiosity in complex subjects. Sabuda's work has been showcased in prestigious exhibitions, underscoring its cultural significance in . A dedicated show, Pop-ups and Palettes: The Many Dimensions of Robert Sabuda, at the Eric Carle Museum of Picture Book Art from December 2004 to May 2005, highlighted his mastery of pop-up techniques and their intersection with , drawing attention to the genre's potential as . As a mentor, Sabuda has influenced subsequent generations of pop-up artists, most notably Reinhart, who apprenticed under him and credits Sabuda's guidance for launching his career in . Their partnership has been described as central to a "golden age" of , inspiring a wave of creators to explore three-dimensional narratives. Sabuda's ongoing contributions, including his 2024 pop-up book Love: A Pop-up Celebration, continue to demonstrate his enduring impact on interactive literature. Through media features, Sabuda has promoted the value of interactive reading in fostering imagination and engagement. Profiles in , such as a 2003 article praising his designs as architectural storytelling, have amplified awareness of pop-up books' role in enhancing and for diverse audiences.

Personal life

Sabuda married Nasdaq technologist James Talvy on June 25, 2016, at their artist's retreat, 10 Horse Art Center in Highland, New York. They divide their time between , , and .

References

  1. https://www.readingrockets.org/people-and-organizations/robert-sabuda
  2. https://www.simonandschuster.com/authors/Robert-Sabuda/1077661
  3. https://www.barnesandnoble.com/w/believe-robert-sabuda/1129102669
  4. https://www.robertsabuda.com/biography.html
  5. https://biography.jrank.org/pages/2312/Sabuda-Robert-1965.html
  6. https://www.paulliveshere.com/longform-interviews/2018/8/15/paper-engineering-with-robert-sabuda
  7. https://www.simonandschuster.com/books/Peter-Pan/Robert-Sabuda/9780689853647
  8. https://blog.bookstellyouwhy.com/robert-sabuda-and-the-art-of-pop-up-books
  9. https://www.simonandschuster.com/books/America-the-Beautiful/Robert-Sabuda/9780689847448
  10. https://www.deseret.com/2007/7/16/20029429/the-art-of-robert-sabuda/
  11. https://www.nytimes.com/2014/01/31/arts/design/pop-ups-from-prague-celebrates-vojtech-kubasta.html
  12. https://heritageetal.blogspot.com/2019/02/vojtech-kubasta-pop-up-book-creator.html
  13. https://www.nytimes.com/2003/12/09/nyregion/public-lives-in-him-storyteller-meets-architect.html
  14. https://www.encyclopedia.com/children/scholarly-magazines/sabuda-robert-1965
  15. https://universe.byu.edu/2012/09/26/pop-up-book-artist-to-visit-byu/
  16. https://letterpressproject.co.uk/inspiring-young-readers/2017-11-01/robert-sabuda
  17. https://www.robertsabuda.com/faq.html
  18. http://www.lookingglassreview.com/html/robert_sabuda.html
  19. https://www.candlewick.com/author/robert-sabuda/
  20. https://www.amazon.com/Christmas-Alphabet-Robert-Clarke-Sabuda/dp/0531068579
  21. https://www.simonandschuster.com/books/The-Wonderful-Wizard-Of-Oz/L-Frank-Baum/9780689817519
  22. https://archive.nytimes.com/www.nytimes.com/learning/students/pop/20031210snapwednesday.html
  23. https://www.candlewick.com/9780763677840/ten-horse-farm/
  24. https://www.candlewick.com/9780763667393/believe/
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  30. https://www.antiquesandthearts.com/wizards-of-pop-on-view-at-arkell-museum/
  31. https://www.oldbookshopofbordentown.com/pages/books/E23652/l-frank-baum-robert-sabuda/the-wonderful-wizard-of-oz-a-commemorative-pop-up
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  35. https://inkandescent.us/our-authors/robert-sabuda/
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  43. https://www.lib.utah.edu/collections/rarebooks/exhibits/past/ffppp.php
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  45. https://www.amazon.com/Magic-carpet-Bulky-board-book/dp/0874492351
  46. https://www.publishersweekly.com/pw/by-topic/childrens/childrens-book-news/article/68913-four-questions-for-robert-sabuda.html
  47. https://movablebooksociety.org/awards/
  48. https://www.ala.org/news/news/pressreleases2006/februray/alsc06notablebooks
  49. https://library.kutztown.edu/c.php?g=1128563&p=8235333
  50. https://www.nytimes.com/2000/11/27/books/boing-pop-up-books-are-growing-up-flaps-foldouts-complexities-attract-adult-eyes.html
  51. https://www.teachervision.com/reference-materials/encyclopedia-prehistorica-teachers-guide
  52. https://www.ebay.com/itm/177544897458
  53. https://carlemuseum.org/explore-art/exhibitions/past-exhibition/pop-ups-and-palettes-many-dimensions-robert-sabuda
  54. https://www.onlypicturebooks.com/2019/09/09/illustrator-interview-matthew-reinhart/
  55. https://www.nytimes.com/2006/11/12/books/review/Garner.t.html
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