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Rowan Robinson
Rowan Robinson
Rowan Robinson
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Rowan Robinson is an English actress. On television, she is known for her roles in the ITV thriller Passenger (2024), the Angel fantasy series The Wayfinders (2025–) and the final series of the Sky Max comedy Brassic (2025). She also appeared in the film A Haunting in Venice (2023).

Key Information

Early life and education

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Robinson is from Salford.[1] She studied musical theatre at Pendleton College and later trained at RADA.[2][3]

Career

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Initially credited as Eve Rowan, Robinson made her television debut in a 2019 episode of the CBBC sitcom So Awkward.[4] A member of Meighan Youth Theatre, Robinson appeared as Abigail Williams in a stage production of Arthur Miller's The Crucible at Altrincham Garrick.[3] She played Velma Kelly in a performance of Chicago at Waterside Arts Centre in Sale, Greater Manchester in 2019.[5] Additionally, she appeared in several productions with the youth theatre company Manchester Musical Youth.[6][7][8]

Robinson made her feature film debut as Alicia Drake in the Kenneth Branagh 2023 film A Haunting in Venice, a loose adaptation of Agatha Christie's 1969 novel Hallowe'en Party.[9]

In 2024, she appeared as Jo, alongside Jill Halfpenny, in a stage production of Shelagh Delaney's classic play A Taste of Honey at the Royal Exchange, Manchester.[10][11] She received praise for her performance,[12] including Mark Brown in The Daily Telegraph describing her as "superb"[13] and Clive Davis in The Times describing her a "mercurial presence" who delivers a "remarkably mature performance".[14] She also appeared as part of Sir Trevor Nunn's A Man For All Time: Shakespeare Masterclass.[15][16]

In March 2024, Robinson starred as Katie Wells in the Andrew Buchan written ITVX television series Passenger.[17][18] She appeared as Rowan "Red" Fossoway in the HBO fantasy series A Knight of the Seven Kingdoms, a Game of Thrones prequel.[19]

Filmography

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Key
† Denotes works that have not yet been released
Year Title Role Notes
2019 So Awkward Jodie Episode: "Head Boy Hearts Girl"
2022 Gym Short films
Am I Who Sam
The Fight in the Dog Al
2023 A Haunting in Venice Alicia Drake
2024 Passenger Katie Wells Main role, 6 episodes
2025 A Cruel Love: The Ruth Ellis Story Vicki Martin 2 episodes
2025–present The Wayfinders Zaya Main role
2025 Brassic Ally Main role (series 7)
2026 A Knight of the Seven Kingdoms Rowan "Red" Fossoway 4 episodes

References

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Rowan Robinson

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from Grokipedia
Rowan Robinson is a British actress renowned for her work in both classical and contemporary theatre, as well as emerging roles in television and film. She graduated from the Royal Academy of Dramatic Art (RADA) in London in 2022, where she honed her skills in productions showcasing her versatility across genres. Robinson appeared in the 2022 Boulevard Theatre production of Shakespeare: A Man for All Time directed by , portraying and . Her professional stage debut came in 2024 as Jo in at the Royal Exchange Theatre, directed by Emma Baggott. She later collaborated with Tim Sheader in the 2025 production of at . During her time at , she appeared in notable student-led works such as Bold Girls directed by Ola Ince, The Gift directed by Jasmine Teo, and directed by Rafaela Marcus, demonstrating her range in roles from Queen Victoria to historical figures. On screen, Robinson has garnered attention for her television debut in the 2024 series Passenger as Katie Wells, followed by her role as Vicki Martin in the 2025 miniseries . She also featured in the 2023 film directed by , playing , marking her entry into feature films. Additional credits include the series A Knight of the Seven Kingdoms (2026) as well as appearances in (2025) and (2025). Represented by Independent Talent Group, Robinson has been honored as a Warner Bros Creative Scholar and winner of the Award in 2022, underscoring her rising prominence in the industry.

Education

Royal Academy of Dramatic Art

Rowan Robinson enrolled at the in London, one of the world's most prestigious drama schools, where she pursued a rigorous three-year . Founded in 1904, RADA is renowned for its intensive training in , offering students a comprehensive curriculum that includes voice, movement, text work, and , all designed to equip graduates for professional careers on stage and screen. Robinson's studies at RADA, located in the heart of London's , provided her with foundational techniques essential for versatile acting, emphasizing practical experience through a blend of theoretical and hands-on classes. Upon completing her training, Robinson graduated from in 2022.

Training productions at RADA

During her time at the , Rowan Robinson participated in several training productions that showcased her versatility across classical and contemporary works, all as part of her non-professional student coursework. In 2022, Robinson performed the role of Cassie in Bold Girls, a play by set in during , directed by Ola Ince as part of ; her portrayal contributed to the ensemble's exploration of female resilience and solidarity amid conflict. That same year, she took on dual roles as and Harriet Waller in The Gift by Jodi Gray, directed by Jasmine Teo, a production that delved into themes of legacy, power, and personal sacrifice through a fantastical lens; Robinson's performance highlighted her ability to navigate contrasting historical and modern characterizations within the same narrative. Also in 2022, Robinson appeared as #46 in 's The Wolves, directed by Katie Bonna, an ensemble-driven piece focusing on a girls' team and their interpersonal dynamics; her role emphasized the collaborative energy of the group, underscoring themes of adolescence, , and camaraderie in a fast-paced, naturalistic setting. In 2021, as part of her earlier training, Robinson played and Henry Percy in Shakespeare's , directed by Rafaela Marcus, offering a that brought fresh perspectives to these traditionally male roles and demonstrated her command of and . These training experiences at helped build Robinson's foundational skills in and character depth, paving the way for her professional debut.

Career

Professional stage debut

made her professional stage debut in 2024, portraying the lead role of Jo in 's at the Royal Exchange Theatre in Manchester. This production, directed by Emma Baggott, marked Robinson's transition from her training at the to paid professional work, following her graduation in 2022. The play, a seminal 1958 exploring themes of class, race, sexuality, and single motherhood in , originally written for the stage, focused on its raw emotional intensity and social commentary, resonating with contemporary audiences through its portrayal of a young woman's struggles in industrial . The Royal Exchange Theatre announced the casting in early 2024, highlighting Robinson's role alongside a diverse ensemble including as and other emerging talents, with the production running from March to April as part of the venue's spring season. Directed by Baggott, known for her work in , the staging emphasized the play's gritty realism and feminist undertones, receiving positive notices for its energetic performances and faithful yet fresh interpretation of the text. Robinson's portrayal of the rebellious, pregnant teenager Jo was praised for its vulnerability and depth, establishing her as a promising talent in . This debut solidified her representation by Independent Talent Group and underscored her versatility honed during training.

Subsequent theatre roles

In 2025, appeared as Nancy Holmes in 's comedy at the prestigious , directed by Tim Sheader. The production, a revival of the 1938 set in 1908 , ran from December 6, 2025, to February 7, 2026, and featured intimate staging in the Donmar's compact 250-seat auditorium, emphasizing and as three couples confront revelations during their celebration. The Donmar Warehouse, known for its innovative interpretations of classic and contemporary works, provided a high-profile platform that underscored the venue's reputation for nurturing emerging talent in London's theatre scene. This role illustrates Robinson's career progression in , as evidenced by announcements from her representatives at Independent Talent Group and the producing theatres. This trajectory demonstrates her growing presence, building on collaborations with esteemed directors like Sheader.
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