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Saint Ralph
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Saint Ralph
DVD cover
Directed byMichael McGowan
Written byMichael McGowan
Produced byMichael Souther
Teza Lawrence
Andrea Mann
Seaton McLean
StarringAdam Butcher
Campbell Scott
CinematographyRene Ohashi
Edited bySusan Maggi
Music byAndrew Lockington
Distributed byMotion Picture Distribution LP
Release dates
  • September 11, 2004 (2004-09-11) (TIFF)
  • April 8, 2005 (2005-04-08)
Running time
98 minutes
CountryCanada
LanguageEnglish
Box office$1.4 million[1]

Saint Ralph is a 2004 Canadian comedy-drama film written and directed by Michael McGowan. Its central character is a teenage boy who trains for the 1954 Boston Marathon [de] in the hope a victory will be the miracle his mother needs to awaken from a coma.

The film premiered at the 2004 Toronto International Film Festival and was given a theatrical release in 2005.

Plot

[edit]

Ralph Walker is a teenager attending a Catholic school in Hamilton, Ontario. His father was killed in World War II and his mother is hospitalized with an unidentified illness. Ralph is naturally prone to mischief and often finds himself an outcast among his classmates. He tries to emulate the conduct of grown ups, and is caught smoking cigarettes and masturbating by headmaster Father Fitzpatrick. Already labeled a troublemaker, Ralph is forced to join the school's cross country team to relieve him of his "excess energy".

When Ralph's mother falls into a coma, he is told it will take a miracle for her to survive. When running coach Father Hibbert, a former world class marathoner who was forced to quit running when he injured his knee, claims it would be a miracle if a member of his team won the Boston Marathon, Ralph decides to train for it in the hope his victory would fulfill the miracle needed to save his mother's life.

At first, Ralph cannot even keep up with his teammates in practice. He reads books to learn about running, uses the new techniques, and gradually improves. Father Hibbert decides to train him despite disapproval from Father Fitzpatrick. Ralph begins to win the respect of his classmates, and eventually earns the attention of the local media when he wins a prestigious regional race.

When Father Fitzpatrick learns Ralph intends to run the Boston Marathon, he threatens to expel him if he participates, as well as remove Father Hibbert from the priesthood should he try to interfere. Both Ralph and his mentor must then decide how deeply they believe in miracles, and what is possible when a person risks everything without promise of success.

Both he and Father Hibbert defy Father Fitzpatrick and decide to go to Boston. Ralph ends up winning second place after a close race with the previous year's winner and gives the medal to his mother who wakes up from her coma.

Cast

[edit]

Production and release

[edit]

The film was shot on location in Cambridge, Hamilton, and Toronto.

The song "Hallelujah" by Leonard Cohen is performed by Gord Downie.

After premiering at the Toronto International Film Festival, the film was shown at the Portland International Film Festival, the Festival du Film d'Aventures de Valenciennes and the Paris Film Festival before opening in Canada on April 8, 2005.

Critical reception

[edit]

On the review aggregator website Rotten Tomatoes, 65% of 66 critics' reviews are positive. The website's consensus reads: "Saint Ralph is an amiable tear-jerker that walks a fine line between being inspirational and being hokum."[2] Metacritic, which uses a weighted average, assigned the film a score of 51 out of 100, based on 21 critics, indicating "mixed or average" reviews.[3]

In his review in The New York Times, Stephen Holden said, "This crude, inspirational tear-jerker is as sweet as a bowl of instant oatmeal smothered in molasses."[4] Sean Axmaker of the Seattle Post-Intelligencer thought the "conventionally heartwarming underdog drama doesn't miss a cliche." He continued, "The climactic race footage is well directed... and the understated period detail adds to the charm, but the route is painfully familiar and the obstacles are as contrived as the clunky performances. The exception is Scott, whose sensitive turn as a priest inspired by Ralph's conviction and commitment gives the film a touch of grace at the cost of revealing McGowan's drab direction of every other actor. Yet there is something inherently rousing in the finale, no matter how hackneyed, as if his conviction ultimately holds its own against the cliches."[5]

In the Austin Chronicle, Marrit Ingman rated the film two stars and called it "very conventional in its characterizations and narrative." He added, "The movie does have two things going for it (besides Tilly in a nurse’s uniform). One is its brisk, sunny aplomb. It zips right along in cheerful montages and abbreviated scenes, divided by intertitles announcing the feasts of saints. The second is Butcher, who seems to be something like the masculine Amanda Bynes of Canada: goofy and authentically youthful but remarkably assured onscreen... The film isn't going to catapult Butcher to international stardom, but he holds his own in it and helps to sell its curious logic."[6]

Award and nominations

[edit]

See also

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Saint Ralph

View on Grokipedia
from Grokipedia
Saint Ralph is a 2004 Canadian comedy-drama film written and directed by Michael McGowan, centering on a 14-year-old Catholic schoolboy who trains to win the Boston Marathon in the belief that it will qualify as a miracle to revive his comatose mother. The film stars Adam Butcher in the title role as Ralph Walker, a ninth-grader at St. Magnus Catholic School in Hamilton, Ontario, during the 1953–1954 school year, alongside Campbell Scott as Father Hibbert, Gordon Pinsent as the strict headmaster Father Fitzpatrick, and Jennifer Tilly as Ralph's nurse, Nurse Alice. Set against the backdrop of post-World War II life, the plot follows , who has already lost his father in the war and now faces the prospect of after his mother's sudden illness following . Motivated by a on miracles from a visiting —who explains that they require "the of a saint"— vows to achieve the extraordinary feat of winning the , prompting him to join the school's cross-country team despite his initial lack of athletic prowess. Throughout his training, Ralph navigates challenges including punishment for , conflicts with authority figures, budding adolescent interests, and moral guidance from the empathetic Father Hibbert, who becomes an unlikely mentor. The story blends humor, heartfelt emotion, and themes of , perseverance, and the power of , culminating in Ralph's journey to the marathon. Produced by Communications with a runtime of 98 minutes, Saint Ralph premiered at the on September 11, 2004, before receiving a in on April 8, 2005, and in the United States on August 5, 2005, distributed by . It grossed $489,389 in the U.S. box office and earned positive reception for its uplifting narrative and young lead's performance, holding a 65% Tomatometer score based on 66 reviews and an 85% audience score.

Synopsis

Plot

Set in 1954 , Saint Ralph follows 14-year-old Ralph Walker, a precocious and rebellious ninth-grader at St. Magnus Catholic High School, whose father died in and whose mother, Emma, lies in a following surgery. Ralph lives alone in his late grandparents' house, fending for himself while visiting his mother in the hospital and grappling with and isolation. His mischievous behavior at school, including and rule-breaking, escalates when he is caught masturbating in the community pool while attempting to spy on a changing, leading to and detention. As penance, the strict headmaster, Father Fitzpatrick, forces Ralph to join the school's cross-country team, coached by the more compassionate Father George Hibbert, a former marathon runner. Desperate for a miracle to awaken his mother, Ralph consults Father Hibbert, who explains that true miracles demand saintly virtues such as unwavering , , and fervent , drawing from Catholic teachings on sainthood. Inspired by this and his emerging talent for running, vows to win the 1954 , believing the extraordinary feat will prove his sanctity and compel divine intervention to make his mother walk again. Under Father Hibbert's guidance, undergoes rigorous , including a montage of grueling runs, weight exercises supervised by a nurse, and studying the techniques of historical runner , who won the in 1907. He faces physical exhaustion and setbacks but wins local and regional races, building confidence while developing his first crush on classmate Claire Collins, a devout girl who encourages his ascetic lifestyle but rebuffs his romantic advances. Tensions rise with Father Fitzpatrick, who views 's quest as blasphemous and attempts to sabotage it, creating ongoing conflicts that test 's resolve. The story builds to the climax at the , where Ralph, despite his youth and inexperience, pushes through pain and doubt to finish in second place, collapsing in exhaustion but earning admiration from spectators and his coach. Upon returning home, Ralph learns that his mother has miraculously emerged from her and begun walking, coinciding with his achievement but portrayed without explicit elements. In the resolution, Ralph reflects on his journey, having matured through perseverance and deepened his understanding of , emerging more resilient and at with his circumstances.

Themes

Saint Ralph explores and primarily as products of human determination and effort rather than direct divine intervention, with Ralph Walker's quest to win the serving as a symbolic "saintly" act of perseverance aimed at awakening his comatose . This portrayal frames as achievable through , , and personal purity, emphasizing Ralph's rigorous training as the mechanism for potential redemption rather than occurrence. The film delves into coming-of-age motifs through Ralph's navigation of in a strict environment, highlighting teenage sexuality, guilt associated with , and the innocence of first love. These elements are depicted with humor and realism, such as Ralph's impulsive encounters with everyday objects symbolizing burgeoning hormones, juxtaposed against the repressive doctrines of his religious upbringing that equate such acts with . His experiences underscore the tension between natural youthful impulses and imposed moral constraints, fostering personal growth amid rebellion and self-discovery. A key critique of institutional religion emerges through the contrasting figures of Father Hibbert, a compassionate and progressive priest who supports Ralph's endeavors, and the authoritarian Father Fitzpatrick, whose rigid enforcement of rules stifles individuality and . This dynamic illustrates the film's examination of Catholicism's dual nature—nurturing versus oppressive—while questioning traditional that prioritizes doctrinal purity over empathetic guidance. Perseverance and community support are woven throughout, as Ralph's marathon training garners unlikely allies, including a sympathetic nurse and fellow students, transforming his solitary struggle into a inspiration that strengthens family bonds and communal spirit. The narrative balances these heartfelt moments with subtle anti-clerical humor, such as quips about venial versus mortal sins and divine visions resembling , ultimately affirming that ordinary individuals possess the capacity for extraordinary acts through resolve and mutual encouragement.

Cast

Main cast

The main cast of Saint Ralph features Adam Butcher in his film debut as Ralph Walker, the 14-year-old protagonist whose rebellious determination drives the narrative, earning critical praise for authentically capturing the vulnerabilities of youth. Campbell Scott portrays Father George Hibbert, a supportive priest grappling with his own faith who mentors Ralph in his marathon training. Gordon Pinsent plays Father Fitzpatrick, the strict Catholic school principal who staunchly opposes Ralph's unconventional quest. Jennifer Tilly appears as Nurse Alice, the compassionate hospital caregiver who offers emotional guidance to Ralph amid his personal turmoil. Shauna MacDonald depicts Mrs. Walker, Ralph's mother in a coma, whose condition serves as the emotional core motivating his extraordinary efforts.

Supporting cast

Michael Kanevsky plays Chester Jones, Ralph's awkward best friend who serves as through his involvement in school antics and exasperated reactions to Ralph's misadventures. Tamara Hope portrays Claire Collins, Ralph's schoolmate and first crush, whose pious demeanor and budding romance with Ralph add a lighthearted exploring teenage and spiritual . Jonathan Walker appears as Mr. Collins, Claire's strict father whose interactions create minor familial conflicts in the story. Other supporting roles include schoolmates that enhance the dynamic, such as Ploszczansky as the bully , Jeff as Cattana, and Daniel Karasik as Bolan, who contribute to the film's depiction of peer pressures and group humor at .

Production

Development and pre-production

Michael McGowan, making his feature directorial debut with Saint Ralph, drew inspiration from his own background as a competitive runner, having won the 1995 International Marathon, and his experiences attending a Catholic boys' high school in . The film's concept originated in the early from McGowan's idea of a 14-year-old boy attempting to win the as a miracle to save his mother, blending themes of faith, perseverance, and adolescence that reflected his personal encounters with and endurance sports. The screenplay, written by McGowan, underwent development focusing on historical accuracy for the 1954 setting, including extensive research into the Boston Marathon's rules, which at the time prohibited entrants under 18 without special permission, and the event's cultural significance in mid-20th-century . As a low-budget independent production, Saint Ralph was financed with an estimated budget of CAD 6 million, emphasizing efficient storytelling over high production values. The film was produced by Communications and Amaze Film + Television Inc., with key producers Teza Lawrence, Andrea Mann, Seaton McLean, and Michael Souther overseeing the project to ensure its Canadian perspective and accessibility for arthouse audiences. Pre-production wrapped by early 2004, aligning with the film's premiere at the later that year. Casting emphasized authenticity and emotional depth, with newcomer , then 15, selected for the lead role of Ralph Walker after open auditions where his natural vulnerability and energy stood out among hundreds of young actors. Established performers like American actor as the supportive priest Father Hibbert and Canadian veteran as the stern Father Fitzpatrick were secured to ground the film in relatable authority figures, with Pinsent's involvement enhancing the story's Canadian Catholic milieu.

Filming and post-production

Principal photography for Saint Ralph began in September 2003 and occurred primarily in fall across various locations in , . School and town scenes were captured in Hamilton to reflect the story's small-town setting, while residential neighborhoods were filmed in . served as the base for interior shots and recreations of the sequences, allowing the production to simulate the race's finish line without traveling to . Budget limitations influenced these choices, as director Michael McGowan sought to maintain logistical efficiency while striving for visual authenticity. Cinematographer Rene Ohashi shot the film on 35mm color negative , a deliberate choice to evoke the period aesthetic of the narrative. Challenges arose in achieving period accuracy through costumes, sets, and props, particularly for the running sequences that demanded physical endurance from the young cast and precise to blend humor with dramatic tension. On set, McGowan guided the young actors, including lead in his debut starring role, through sensitive emotional moments such as hospital visits, earning praise from the crew for their professionalism amid the demanding schedule. In post-production, editor Susan Maggi assembled the footage to emphasize the film's blend of and heartfelt drama. focused on enhancing emotional montages, integrating period-appropriate audio cues with the original score composed by . The also incorporated music and a cover of Leonard Cohen's "" performed by of , adding depth to key scenes. was handled by DeLuxe Laboratories, resulting in a final runtime of 98 minutes and a 35mm print format.

Release and distribution

Theatrical release

Saint Ralph had its world premiere at the (TIFF) on September 11, 2004, where it garnered positive audience acclaim and generated significant festival buzz. The film received a wide theatrical release in on April 8, 2005, distributed by Odeon Films, a division of Motion Picture Distribution LP. In the , it had a limited release on August 5, 2005, through , following the distributor's acquisition of rights shortly after the TIFF premiere. Subsequent releases occurred in the and select European markets later in 2005 and into 2006, though on a more restricted basis. Marketing efforts focused on trailers that highlighted the film's coming-of-age humor and the central theme, positioning it as a heartfelt dramedy about a young boy's improbable quest. The TIFF buzz facilitated international sales, including deals for North American and European distribution, amplifying its visibility ahead of the theatrical rollout. Worldwide, it ultimately grossed $1,881,975.

Home media and streaming

The film was released on DVD in on December 13, 2005, by . The edition includes an audio commentary track featuring director and writer Michael McGowan, along with a . No special edition with commentary involving actor has been documented in official releases. As of 2025, Saint Ralph has not received an official Blu-ray release, including limited editions in during the 2010s or any widespread 4K UHD versions. The film is available for streaming on several platforms as of November 2025, including for subscription viewing or rental, and free with ads on , , , and Plex. It has appeared periodically on but is not currently listed there; in , it streams on Hollywood Suite but not on Crave. Rental and purchase options are also offered via Apple TV and in various regions. A remastered version of the original trailer was uploaded to YouTube on October 20, 2024, by the channel TrailerTrackerEnglish, highlighting the film's coming-of-age dramedy elements. No digital restorations tied to specific anniversaries have been announced. Internationally, the film received a DVD release in the United Kingdom through distributors like Momentum Pictures, available via retailers such as Amazon UK. In Australia, it is accessible for streaming on platforms including Apple TV and 7plus, with region-specific home video editions handled by independent labels like Roadshow Entertainment.

Reception

Critical response

Saint Ralph received mixed reviews upon its release, with critics appreciating its heartfelt elements while noting its reliance on familiar tropes. On , the film holds a 65% approval rating from 66 reviews, with a critics' of 6.1/10. The site's consensus describes it as "an amiable tear-jerker that walks a fine line between being inspirational and being ." assigns it a score of 51 out of 100 based on 21 critics, reflecting "mixed or " reception. Critics frequently praised Adam Butcher's breakout performance as the determined teenager Ralph Walker, highlighting his ability to convey mischief and resilience in a manner reminiscent of classic coming-of-age roles. Director Michael McGowan's handling of the material also drew acclaim for its balance of whimsy and realism, particularly in the charming depiction of youth and the 's droll humor amid adolescent struggles. Variety noted that McGowan "strikes a satisfying balance of whimsy and realism," enhancing the period flavor through production design while maintaining a light touch on potentially sentimental scenes. The 's exploration of teenage sexuality within a Catholic context was seen as amusing and credible, adding emotional urgency to Ralph's journey. However, reviewers often criticized the miracle-driven plot for its clichés and predictable sentimentality, which led to an uneven tone between and . pointed to the story's shift from insightful observations to maudlin underdog tropes, faulting its flimsy aesthetic and undernourished character depth, particularly in archetypal figures like the stern headmaster. Stephen Holden of described it as a "crude, inspirational tear-jerker" overly reliant on mawkish stereotypes and excessive sentimentality, likening its sweetness to "instant oatmeal smothered in molasses." echoed these concerns, noting that the film hits a "credibility wall" in its second half due to and theological inconsistencies. Notable quotes underscored the film's dual appeal: Holden captured its "tear-jerker" draw for audiences seeking overt inspiration, while the consensus positioned it as a formulaic yet endearing indie effort. Initial 2005 reviews were mixed-positive, balancing charm against predictability. Retrospectively, the film has gained appreciation for its representation of Canadian cinema, having been selected as one of Canada's Top Ten films of 2004 by the .

Commercial performance

Saint Ralph was produced on a budget of approximately CAD 6 million, primarily funded through Canadian credits and independent financing sources that supported its development as a low-to-mid-range independent feature. This financing structure was typical for Canadian films in the early , leveraging government incentives to offset costs for domestic productions. In its domestic market, the film performed solidly in as part of its international earnings. The U.S. release earned $489,389 due to a limited distribution strategy by , which focused on select markets rather than a wide rollout. Internationally, earnings were modest, with contributions from releases in the UK and select European territories adding to the overall total worldwide gross of $1,881,975; these figures allowed the film to primarily through ancillary rights sales rather than theatrical revenue alone. The film's commercial trajectory benefited from its premiere at the 2004 , which generated buzz and aided initial Canadian openings, but it faced headwinds from its specific appeal to audiences interested in coming-of-age stories with religious undertones amid a crowded 2005 landscape. Without a major studio push for , visibility remained constrained, emphasizing the challenges for Canadian indies in penetrating larger markets. Over the long term, profitability has been sustained through home media sales on DVD and digital platforms, as well as streaming residuals on services like and as of 2025, extending its financial viability beyond initial returns.

Legacy

Awards and nominations

Saint Ralph received several accolades following its release, particularly from Canadian film organizations, highlighting its achievements in direction, writing, and overall production. The film was named one of Canada's Top Ten Films of 2004 by a national panel selected by the Toronto International Film Festival Group. In 2005, it won the Audience Award at the London Canadian Film Festival. The film also secured the Grand Prix (L'Arc D'or) at the Paris Film Festival. At the Writers Guild of Canada Awards, Michael McGowan received the award for Best Feature Film Screenplay. The Directors Guild of Canada Awards honored the film with two wins: Outstanding Achievement in Direction – Feature Film for McGowan and Outstanding Achievement in Production Design – Feature Film for Matthew Davies. At the 2006 Genie Awards, Saint Ralph earned five nominations, including Best Motion Picture (Michael Souther, Teza Lawrence, Andrea Mann, and Seaton McLean), Best Achievement in Direction (Michael McGowan), Best Performance by an Actor in a Leading Role (), Best Screenplay, Original (Michael McGowan), and Best Cinematography (Rene Ohashi), though it did not win any awards. At the 27th Young Artist Awards in , the film won Best Family (International) and received nominations for Best Performance in a – Leading Young Actor (). Additionally, in , the film received a nomination for Best in a Theatrical Feature from the Canadian Society of Cinematographers Awards for Rene Ohashi's work.

Cultural impact

Saint Ralph has garnered a dedicated following in , particularly for its authentic portrayal of life in , where the story unfolds at a fictionalized all-boys inspired by real . The film's depiction of working-class resilience and youthful mischief resonates with audiences familiar with the region's industrial heritage and religious traditions, contributing to its status as a touchstone of Canadian coming-of-age narratives. As writer-director Michael 's feature debut, Saint Ralph has influenced subsequent generations of Canadian indie filmmakers by demonstrating how personal stories rooted in everyday perseverance can achieve national recognition on modest budgets. McGowan, a former marathon runner himself, drew from his experiences to craft the film's central marathon motif, inspiring directors to blend humor, , and athletic ambition in low-budget productions. The movie's themes of amid have echoed in broader media discussions on secular interpretations of , often cited in analyses of how religious upbringing shapes personal growth in contemporary . In educational contexts, Saint Ralph serves as a case study in film studies programs for examining coming-of-age tropes, particularly the interplay of miracles, mortality, and determination in youth narratives. It appears in curricula exploring running-themed films, highlighting positive themes like collaboration and overcoming adversity while addressing negative elements such as bullying and loss. The film's modern accessibility has expanded its reach to younger audiences through widespread streaming availability, including platforms like Amazon Prime Video, Tubi, Pluto TV, and Kanopy, allowing new viewers to discover its blend of whimsy and heartfelt drama. This digital presence has revitalized interest, fostering online discussions that connect the story's themes to current indie cinema trends. Saint Ralph's inclusion in Canada's Top Ten canon for 2004, selected by a national panel of industry experts, underscores its broader impact on elevating Canadian films internationally and spotlighting emerging talent. Lead actor Adam Butcher's breakout role as Ralph propelled his career, leading to notable parts in films like Dog Pound () and The Lesser Blessed (2012), where he continued portraying complex teen characters.

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