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Sambandar
Sambandar (Tamil: சம்பந்தர், romanized: Campantar), also referred to as Thirugnana Sambandar (Tamil: திருஞானசம்பந்தர், romanized: Tiruñāṉacampantar), was a Shaiva poet-saint of Tamil Nadu who lived sometime in the 7th century CE. According to the Tamil Shaiva tradition, he composed an oeuvre of 16,000 hymns in complex meters, of which 383 (384) hymns with 4,181 stanzas have survived. These narrate an intense loving devotion (bhakti) to the Hindu god Shiva. Sambandar merged with the divine effulgence when he was sixteen years of age. The surviving compositions of the poet-saint are preserved in the first three volumes of the Tirumurai called Thirukkadik kaappu, and provide a part of the philosophical foundation of Shaiva Siddhanta.
He is one of the most prominent of the sixty-three Nayanars, Tamil Shaiva bhakti saints who lived between the sixth and the tenth centuries CE. He was a contemporary of Appar, another Shaiva poet-saint.
Information about Sambandar comes mainly from the Periya Puranam, the eleventh-century Tamil book on the Nayanars that forms the last volume of the Tirumurai, along with the earlier Tiruttondartokai, poetry by Sundarar and Nambiyandar Nambi's Tiru Tondar Tiruvandadi. A Sanskrit hagiography called Brahmapureesa Charitam is now lost. The first three volumes of the Tirumurai contain three hundred and eighty-four poems of Sambandar, all that survive out of a reputed more than 10,000 hymns.
According to the Tamil texts, Sambandar was born to Sivapada Hrudiyar and his wife Bhagavathiar who lived in Sirkazhi, Tamil Nadu. They were Shaivite Brahmins. When Sambandar was three years old, his parents took him to the Shiva temple, where Shiva and his consort Parvati appeared before the child. His father saw drops of milk on the child's mouth and asked who had fed him, whereupon the boy pointed to the sky and responded with the song Todudaya Seviyan, the first verse of the Tevaram. At the age of three, he is said to have mastered the Vedas. Sambandar merged with the divine effulgence in the Tamil month of Vaikasi at the age of sixteen at his wedding along with all the attendees.
An inscription of Rajaraja Chola I at Tiruvarur mentions Sambandar along with Appar, Sundarar and the latter's wife Nangai Paravaiyar.
Many other inscriptions likely are related to the musical bhakti singing tradition founded by Sambandar and other Nayanars. The singers of these hymns were referred to as Tirupadiyam Vinnapam seyvar or Pidarar in Tamil inscriptions from about the 8th to 16th centuries, such as the inscriptions of Nandivarman III in the Tiruvallam Bilavaneswara temple records. Rajaraja deputed 48 pidarars and made liberal provisions for their maintenance and successors. A few earlier records give details about the gifts rendered to the singers of Tevaram from Parantaka I of the 8th century. A record belonging to Rajendra I mentions Tevaranayakan, the supervisor of Tevaram and shows the institutionalisation of Tevaram with the establishment of a department. There are records from Kulothunga Chola III from Nallanyanar temple in South Arcot indicating singing of Tiruvempavai and Tiruvalam of Manickavasagar during special occasion in the temple.
Sambandar's image is found in almost all Shiva temples of Tamil Nadu. He is depicted as a dancing child or a young teen with his right forefinger pointing upwards, reflecting the legend where he credits Parvati-Shiva for what he has. A Chola bronze of Sambandar with a height of 52 cm (20 in) in standing posture dated to about the 12th century was found in Velankanni in Nagapattinam district. He is sported with catura posture with his feat on Padmasana and he is sported with jewels around his neck. Another image found in Tiruindalur in dancing posture with a height of 52 cm (20 in) dated 1150 has Sambandar sported with his right feet over a pedestal. Both the bronze images are stored in the Bronze gallery in Government Museum, Chennai.
Sambandar is the first poet-saint featured in the Tirumurai, the canonical works of Tamil Shaiva Siddhanta. His compositions grace Volume I, II and III of the twelve-volume compilation. He has been highly influential on Tamil Shaivism. His ideas and emotional devotion to Shiva are shared by other Nayanars and the Shaiva community they help organize. He is lucid in explaining the link between the Vedic tradition and the temple tradition. According to Cort, Sambandar clearly explains this through his hymn praising the power of the namah sivaya mantra:
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Sambandar
Sambandar (Tamil: சம்பந்தர், romanized: Campantar), also referred to as Thirugnana Sambandar (Tamil: திருஞானசம்பந்தர், romanized: Tiruñāṉacampantar), was a Shaiva poet-saint of Tamil Nadu who lived sometime in the 7th century CE. According to the Tamil Shaiva tradition, he composed an oeuvre of 16,000 hymns in complex meters, of which 383 (384) hymns with 4,181 stanzas have survived. These narrate an intense loving devotion (bhakti) to the Hindu god Shiva. Sambandar merged with the divine effulgence when he was sixteen years of age. The surviving compositions of the poet-saint are preserved in the first three volumes of the Tirumurai called Thirukkadik kaappu, and provide a part of the philosophical foundation of Shaiva Siddhanta.
He is one of the most prominent of the sixty-three Nayanars, Tamil Shaiva bhakti saints who lived between the sixth and the tenth centuries CE. He was a contemporary of Appar, another Shaiva poet-saint.
Information about Sambandar comes mainly from the Periya Puranam, the eleventh-century Tamil book on the Nayanars that forms the last volume of the Tirumurai, along with the earlier Tiruttondartokai, poetry by Sundarar and Nambiyandar Nambi's Tiru Tondar Tiruvandadi. A Sanskrit hagiography called Brahmapureesa Charitam is now lost. The first three volumes of the Tirumurai contain three hundred and eighty-four poems of Sambandar, all that survive out of a reputed more than 10,000 hymns.
According to the Tamil texts, Sambandar was born to Sivapada Hrudiyar and his wife Bhagavathiar who lived in Sirkazhi, Tamil Nadu. They were Shaivite Brahmins. When Sambandar was three years old, his parents took him to the Shiva temple, where Shiva and his consort Parvati appeared before the child. His father saw drops of milk on the child's mouth and asked who had fed him, whereupon the boy pointed to the sky and responded with the song Todudaya Seviyan, the first verse of the Tevaram. At the age of three, he is said to have mastered the Vedas. Sambandar merged with the divine effulgence in the Tamil month of Vaikasi at the age of sixteen at his wedding along with all the attendees.
An inscription of Rajaraja Chola I at Tiruvarur mentions Sambandar along with Appar, Sundarar and the latter's wife Nangai Paravaiyar.
Many other inscriptions likely are related to the musical bhakti singing tradition founded by Sambandar and other Nayanars. The singers of these hymns were referred to as Tirupadiyam Vinnapam seyvar or Pidarar in Tamil inscriptions from about the 8th to 16th centuries, such as the inscriptions of Nandivarman III in the Tiruvallam Bilavaneswara temple records. Rajaraja deputed 48 pidarars and made liberal provisions for their maintenance and successors. A few earlier records give details about the gifts rendered to the singers of Tevaram from Parantaka I of the 8th century. A record belonging to Rajendra I mentions Tevaranayakan, the supervisor of Tevaram and shows the institutionalisation of Tevaram with the establishment of a department. There are records from Kulothunga Chola III from Nallanyanar temple in South Arcot indicating singing of Tiruvempavai and Tiruvalam of Manickavasagar during special occasion in the temple.
Sambandar's image is found in almost all Shiva temples of Tamil Nadu. He is depicted as a dancing child or a young teen with his right forefinger pointing upwards, reflecting the legend where he credits Parvati-Shiva for what he has. A Chola bronze of Sambandar with a height of 52 cm (20 in) in standing posture dated to about the 12th century was found in Velankanni in Nagapattinam district. He is sported with catura posture with his feat on Padmasana and he is sported with jewels around his neck. Another image found in Tiruindalur in dancing posture with a height of 52 cm (20 in) dated 1150 has Sambandar sported with his right feet over a pedestal. Both the bronze images are stored in the Bronze gallery in Government Museum, Chennai.
Sambandar is the first poet-saint featured in the Tirumurai, the canonical works of Tamil Shaiva Siddhanta. His compositions grace Volume I, II and III of the twelve-volume compilation. He has been highly influential on Tamil Shaivism. His ideas and emotional devotion to Shiva are shared by other Nayanars and the Shaiva community they help organize. He is lucid in explaining the link between the Vedic tradition and the temple tradition. According to Cort, Sambandar clearly explains this through his hymn praising the power of the namah sivaya mantra:
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