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Secret Machines
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Secret Machines are an American alternative rock band, originally from Dallas, Texas, before moving to New York City. The original lineup consisted of two brothers, Brandon (vocals, bass guitar and keyboards) and Benjamin Curtis (guitar and backing vocals), and Josh Garza (drums). Benjamin left the band in March 2007 to focus on his work with School of Seven Bells, and was replaced on guitar by Phil Karnats. The re-activated band is a two-piece, with the remaining members being Brandon Curtis and Josh Garza.[1]
Key Information
History
[edit]Early years
[edit]Before forming Secret Machines, the members played in various Dallas bands such as UFOFU, Captain Audio, Comet, When Babies Eat Pennies, and Tripping Daisy. Captain Audio was formed by Garza and vocalist/guitarist/chief songwriter Regina Chellew in the late Nineties as a two-piece noise duo.[2] Brandon—and occasionally Ben—Curtis joined soon after as the original duo began to develop a more standard rock sound. In a little over a year they had recorded and released the EP My Ears Are Ringing But My Heart's OK and the full-length Luxury Or Whether It Is Better To Be Loved Than Feared. Shortly after the release of Luxury the band went on extended hiatus and eventually disbanded when Garza and the Curtis brothers moved to New York, leaving Chellew in Dallas to form the band Chao and later join indie pop outfit The Happy Bullets.
September 000 and Now Here Is Nowhere
[edit]The band first recorded their EP September 000 in Chicago, six weeks after forming. Upon moving to New York the band further developed their sound and signed to Warner Brothers.[3] In 2004, Secret Machines released their debut album, Now Here Is Nowhere. The song "Nowhere Again" was used in promotional spots during its launch and appeared in the 2006 video game Driver: Parallel Lines.[4] Contemporary reviews for the album were favourable.[5] The band's second EP, The Road Leads Where It's Led, was released on June 7, 2005. During this time, the band opened for Interpol during their 2004 tour[6] before supporting Oasis in Europe in 2005[7] and co-headlining a US tour with Kings of Leon.[8]
Marfa Mystery Lights: A concert for the UFO's
[edit]French director Charles De Meaux teamed up with the band for a film set in the Texas town of Marfa and included footage of the band recording new material and included an outdoor "concert" at night.[9] The new "Marfa Song" was exclusively available in the film.[10]
Ten Silver Drops and Ben's departure
[edit]In 2006, Ten Silver Drops, their second album, leaked onto file-sharing websites following the release of their lead single "Alone, Jealous and Stoned" in the UK. The album was critically-acclaimed by many publications.[11] They embarked on a series of tours in support of the album, including opening for U2 for three dates in Mexico.[12] Following the album's release, the band were interviewed for radio by David Bowie – a fan of the band.[13]
On March 3, 2007, Benjamin Curtis announced his departure in order to focus full-time on his new band, School of Seven Bells. On December 29, 2013, Curtis died of lymphoma in New York City at age 35.[14]
Third album and later years
[edit]After Ben's departure from the band, Secret Machines played two shows in New York, one at the Annex,[15] and the other at the newly opened Highline Ballroom.[15] At these shows, the band played mostly new material off of their next album. They included two new members: Blasco (Interpol's touring keyboardist) on guitar, keyboards, and bass, and ex-Tripping Daisy member Phil E. Karnats on guitar. Since these shows, Karnats has become the official guitarist of the band, replacing Ben.
The band finished recording quickly during May 2007 and released a new, self-titled album in the United States on October 14, 2008,[16] on their newly formed TSM recording and distributed by Worlds Fair Records.[17] Karnats announced on his MySpace blog that he recorded guitar parts for the album and would continue to play live with the band.
In 2010, a new single "Like I Can" along with "A terrible light" was released digitally, and Brandon announced plans for a new Secret Machines album, to be titled The Moth, The Lizard and The Secret Machines. While no official announcement was made, the band was inactive since 2010.
In 2016, Run Out Groove Records, a subsidiary of Warner Brothers, announced that fans had voted Now Here is Nowhere as the new label's third project for vinyl re-issue.[18] This marked the first release of the title in the U.S. on vinyl, limited to 1,625 copies. On September 10, 2018, the label announced that the band's album Ten Silver Drops had been voted by fans as the next ROG re-release and would include a six-song bonus disc containing B-sides and unreleased alternate versions of songs.[19] Subsequently, Run Out Groove announced the release of a double live album culled from a show on January 18, 2006 at the London nightclub The Garage.[20]
Return to activity in 2020
[edit]In January 2018 Brandon published on his twitter account a video of himself and drummer Josh Garza in the studio recording drums, leading to speculation of a return to activity for the band. On June 26 the band announced the availability of Awake in the Brain Chamber, to be released digitally and in a limited 500 copy vinyl release of August 21, 2020 via TSM Recordings.[21] The band addressed the long period of inactivity and the rebirth of the band in press coverage of the release. A single, "Talos' Corpse", was released simultaneously.[21] "Awake in the Brain Chamber" is performed by Brandon Curtis and Josh Garza, featuring musicians Benjamin Curtis, Chris Kyle, Brian Bisordi and Sarah Pedinotti (of Okkervil River and LipTalk). Songs were mixed by Claudius Mittendorfer[22] and mastered by Joe Lambert. Original album artwork was by Danny Scales.[23] In promotional interviews the band indicated the shelved album from 2010, "the Moth, The Lizard and the Secret Machines" would be released.[24]
The Secret Machines released two companion EP's digitally and on cassette tape, Day 21 and dreaming of dreaming, in July 2022. Day 21 consisted of previously un-released material. Dreaming of Dreaming contains a re-mixed version of the 2008 EP as well as an alternate version recorded with Peter Mavrogeorgis on guitar and Jim Sclavunos contributing percussions.[25]
In September it was announced that The Secret Machines would accompany Metric on the US leg of their Doomscroller tour with Phil Karnats re-joining on guitar for the tour.
Style
[edit]Secret Machines has been described as progressive rock with some krautrock influences. They describe themselves as space rock. Many have also cited Secret Machines as a style of shoegaze.
The band described Ten Silver Drops as "being influenced by our love for Brian Eno and all things experimental, on the other hand was our love for The Beatles."[26]
They have toured with U2,[27] Foo Fighters, Spiritualized, Oasis,[28] Interpol,[29] M83, Kings of Leon,[30] among others. Secret Machines supported the British rock trio Muse at London's Earls Court in December 2004. They appeared at Lollapalooza 2006 in Chicago and the Carling Reading and Leeds Festivals in England in the same year, as well as the Austin City Limits Music Festival in Texas. On September 7, 2022, Emily Haines of Metric announced that Secret Machines will be supporting Metric on the U.S. leg of their Doomscroller tour.
Members
[edit]Current members
[edit]- Brandon Curtis – vocals, bass, keyboards
- Josh Garza – drums
- Phil Karnats – guitar (2007–2010, 2022–present)
Former members
[edit]- Benjamin Curtis – guitar, backing vocals (2000–2007; died 2013)
Discography
[edit]Albums
[edit]- Now Here Is Nowhere (May 18, 2004) Reprise
- Ten Silver Drops (April 25, 2006) Reprise No. 43 UK,[31] No. 159 US[32]
- Secret Machines (October 14, 2008) World's Fair Label Group[33] & TSM Recordings U.S. No. 12 Heatseekers
- Live at the Garage (limited edition vinyl only) (July 12, 2019) Reprise[20]
- Awake in the Brain Chamber (August 21, 2020) TSM Recordings
- The Moth, the Lizard, and the Secret Machines (March 24, 2023) TSM Recordings
EPs
[edit]- September 000 (2002)
- The Road Leads Where It's Led (2005)
- Live At Austin City Limits Music Festival 2006 (iTunes Exclusive EP) (2006)
- Morning Becomes Eclectic (Live At KCRW) (2006)
- Dreaming of Dreaming (2008)
- Allaire Sessions (2019)
- Day 21 (2022)
- Dreaming of Dreaming (2022)
Singles
[edit]- "What Used To Be French (Revisit)" (7" vinyl only) (2003) UK
- "Nowhere Again" (2004) UK No. 49[31]
- "Sad And Lonely" (2004) UK No. 38[31]
- "The Road Leads Where It's Led" (2005) UK No. 56[31]
- "Alone, Jealous & Stoned" (12" vinyl only) (2006) No. 93
- "Lightning Blue Eyes" (2006) UK No. 57[31]
- "All At Once (It's Not Important)" (2006) UK No. 76
- "Dreaming of Dreaming" (2008)
- "Like I Can B/W Terrible Light" (2010)
- "Quisiera Ser Alcohol (Nos Vamos Juntos: Un Tributo a Caifanes y Jaguares)" (2010) Mexico
DVD
[edit]- Marfa Mystery Lights – The Secret Machines – A Concert for the UFO's [sic] (a performance conceived and filmed by Charles de Meaux) (2007), Les presses du réel
Soundtracks
[edit]The band contributed three tracks to the soundtrack for the 2007 film Across the Universe: a duet of "I Am the Walrus" with Bono on lead vocals, and the instrumentals "Flying", and "Blue Jay Way".
References
[edit]- ^ "Secret Machines Add Tour Dates". Clashmusic.com. December 17, 2008. Retrieved February 10, 2019.
- ^ Swihart, Stanton. "My Ears Are Ringing But My Hearts OK - Captain Audio". AllMusic. Retrieved October 15, 2011.
- ^ Wilonsky, Robert (June 24, 2004). "Anatomy of a Buzz". Dallas Observer. Retrieved January 28, 2018.
- ^ "Driver: Parallel Lines: Sounds of 2006 - Music News at IGN". Music.ign.com. Archived from the original on August 25, 2011. Retrieved October 15, 2011.
- ^ "Now Here Is Nowhere by Secret Machines". Metacritic.com. Retrieved January 28, 2018.
- ^ "Interpol, Secret Machines Plan Tour". Billboard.com. Retrieved January 28, 2018.
- ^ "Oasis at The National Bowl (Milton Keynes) on 10 Jul 2005". Last.fm. Retrieved January 28, 2018.
- ^ "Kings Of Leon, Secret Machines Make Touring Team". Billboard.com. Retrieved January 28, 2018.
- ^ Wilonsky, Robert (January 15, 2007). "Secret Machines' Marfa Trip Not So Secret Anymore, Looks Like". Dallas Observer. Retrieved September 21, 2020.
- ^ "Charles de Meaux : Marfa Mystery Lights - Les presses du réel". Lespressesdureel.com. Retrieved September 21, 2020.
- ^ "Ten Silver Drops by Secret Machines". Metacritic.com. Retrieved January 28, 2018.
- ^ "Archived copy". Archived from the original on October 26, 2020. Retrieved May 27, 2023.
{{cite web}}: CS1 maint: archived copy as title (link) - ^ "David Bowie interviews Secret Machines". Nme.com. April 5, 2006. Retrieved January 28, 2018.
- ^ "R.I.P. School of Seven Bells' Benjamin Curtis". Pitchfork.com. December 30, 2013. Retrieved January 28, 2018.
- ^ a b "Secret Machines Gigography, Tour History". Songkick. Retrieved October 15, 2011.
- ^ "NME news story about future album". Nme.com. August 4, 2008. Retrieved October 15, 2011.
- ^ "The Secret Machines: A Band Reborn". JamBase.com. October 14, 2008. Retrieved January 28, 2018.
- ^ "Now Here is Nowhere 2LP". RFunoutgroovevinyl.com. Retrieved January 28, 2018.
- ^ "Ten Silver Drops Expanded Edition by Run Out Groove - MP3 Downloads, Streaming Music, Lyrics". Runoutgroovevinyl.com. Retrieved September 24, 2018.
- ^ a b "Live at the Garage". Shop.runoutgroovevinyl.com. Retrieved September 21, 2020.
- ^ a b "Secret Machines on their long-awaited return with new album 'Awake In The Brain Chamber': "After my brother's death I was sure that I was done writing songs"". Nme.com. June 26, 2020. Retrieved September 21, 2020.
- ^ "Claudius Mittendorfer". Claudiusmittendorfer.com. Retrieved September 21, 2020.
- ^ "Track: Secret Machines – Talos' Corpse, plus news of return with album 'Awake in the Brain Chamber'". Backseatmafia.com. June 27, 2020. Retrieved September 21, 2020.
- ^ Gordon, Jeremy (August 16, 2020). "Secret Machines Are Back. So Much Has Changed". The New York Times.
- ^ "Secret Machines Announce New EP \'Day 21\' & \'Dreaming of Dreaming\' Reissue". June 21, 2022.
- ^ "Secret Machines Announces Release of Ten Silver Drops Expanded Edition and Share Rare Gillian Welch Cover of "Everything Is Free" -". Music.mxdwn.com. October 3, 2018. Retrieved June 29, 2020.
- ^ "U2's Opening Acts (1976-present)". Atu2.com. Retrieved September 21, 2020.
- ^ "OASIS GIVE SECRET MACHINES HOPE | NME". NME Music News, Reviews, Videos, Galleries, Tickets and Blogs | NME.COM. July 28, 2005. Retrieved June 29, 2020.
- ^ "Interpol, Secret Machines Plan Tour". Billboard.com. August 31, 2004. Retrieved September 21, 2020.
- ^ "Kings Of Leon, Secret Machines Make Touring Team". Billboard. June 6, 2005. Retrieved June 29, 2020.
- ^ a b c d e "SECRET MACHINES | Artist". OCC. Retrieved October 15, 2011.
- ^ "Ten Silver Drops - Secret Machines". Billboard. Retrieved October 15, 2011.
- ^ Breihan, Tom (August 26, 2009). "World's Fair Shuts Down". Pitchfork Media. Retrieved October 15, 2011.
External links
[edit]- Official website

- Secret Machines at AllMusic
- Secret Machines discography at Discogs
- Secret Machines discography at MusicBrainz
Secret Machines
View on GrokipediaHistory
Formation and early years
Secret Machines formed in the summer of 2000 in Dallas, Texas, when brothers Brandon Curtis (vocals, bass, and keyboards) and Benjamin Curtis (guitar and backing vocals) joined forces with drummer Josh Garza.[16] The trio drew from the local music scene, experimenting with expansive psychedelic and space rock sounds that echoed the city's underground rock heritage.[17][18] In late 2000, the band relocated to New York City, seeking immersion in the burgeoning indie rock community of Brooklyn and the Lower East Side.[19] This move marked a pivotal shift, allowing them to refine their immersive, guitar-driven style amid a vibrant scene that included acts like Interpol and Yeah Yeah Yeahs.[20] The group's initial lineup as a trio solidified during this period, with early rehearsals and performances helping to build their chemistry. By early 2001, they began playing small venues in the NYC underground circuit, generating word-of-mouth buzz through energetic live sets that showcased their atmospheric, riff-heavy compositions.[21] A notable early show occurred at Brownies in Manhattan on February 3, 2002, supporting Nada Surf and drawing attention from local tastemakers.[21] Shortly after their formation, in September 2000, Secret Machines traveled to Chicago to record their debut EP, September 000, at Clava Studios with producer Brian Deck and contributions from Califone members Tim Rutili and Ben Massarella on additional percussion.[22] Released on March 26 by Ace Fu Records, the EP featured five tracks—"Marconi's Radio," "What Used to Be French," "Breathe," "Still See You," and "It's a Bad Wind That Don't Blow Somebody Some Good"—capturing their raw, echoing space rock aesthetic with layered guitars and driving rhythms.[23][24] The release further amplified their growing presence in New York's indie underground, setting the stage for broader recognition.[22]Now Here Is Nowhere and breakthrough
Following the success of their early EPs, Secret Machines signed with Reprise Records in 2003.[25] The band recorded their debut full-length album, Now Here Is Nowhere, at Stratosphere Sound in New York City, co-produced by the group and Jeff Blenkinsopp.[26] Released on May 18, 2004, the album showcased the band's expansive sound through tracks like the driving single "Nowhere Again" and the atmospheric "Sad and Lonely," blending rhythmic precision with psychedelic textures.[27][28] Now Here Is Nowhere garnered strong critical praise for its ambitious fusion of classic rock energy and experimental undercurrents, earning an 8.2 rating from Pitchfork, which highlighted its "classic rock front to launch a full-out musical assault" and drew comparisons to 1970s-era Pink Floyd, particularly in tracks like "Pharaoh's Daughter" evoking The Dark Side of the Moon.[27] The record marked a breakthrough, establishing the band as a notable force in alternative and space rock circles.[29] To promote the album, Secret Machines embarked on extensive touring throughout 2004, opening for Interpol on a North American run starting in October and headlining their own dates, including shows at venues like Slim's in San Francisco.[30][31] This period solidified their live reputation for immersive, high-energy performances that amplified the album's sonic scope.[32]Live releases and Ten Silver Drops
In 2006, Secret Machines released a live concert film documenting their performance at the Chinati Foundation in Marfa, Texas, titled Marfa Mystery Lights: A Concert for the UFO's. The event, conceived and directed by artist Charles de Meaux, took place in February 2006 amid the desert landscape famous for its unexplained mystery lights often associated with UFO sightings. The performance incorporated thematic elements of extraterrestrial phenomena, with the band's psychedelic rock set enhanced by the remote, otherworldly setting, and the DVD edition was issued in 2008 by Les presses du réel.[33] Building on the momentum from their debut album Now Here Is Nowhere, which facilitated larger-scale tours, Secret Machines recorded and released their second studio album, Ten Silver Drops, on April 25, 2006, through Reprise Records. The band self-produced the effort, with mixing handled by Alan Moulder, resulting in a collection of eight tracks clocking in at just under 46 minutes. The lead single, "Alone, Jealous and Stoned," was issued in January 2006, highlighting the album's blend of introspective songcraft and expansive arrangements.[34][35] Lyrically, Ten Silver Drops explores themes of isolation, romantic disillusionment, and narcotic-fueled paranoia, as seen in tracks like "Alone, Jealous and Stoned," which delves into breakup aftermaths, and "I Hate Pretending," evoking intraband tensions and drug-related unease. The album retains the band's psychedelic undercurrents but adopts a stronger rock edge compared to the debut's more ambient, sprawling soundscapes, shifting toward tighter, earthbound structures with midtempo grooves and less emphasis on extended jams. This evolution yields a more focused yet occasionally stagnant feel, with the opening trilogy—"Alone, Jealous and Stoned," "All at Once (It's Not Important)," and "Lightning Blue Eyes"—standing out for their emotional directness and melodic drive.[36] The release spurred extensive touring throughout 2006, including headlining dates across the U.S., appearances at major festivals like Lollapalooza in Chicago, and European shows such as their set at the Glastonbury Festival in the UK. These performances showcased the band's live prowess, emphasizing the album's rock-oriented energy in immersive settings that echoed their desert-themed visual aesthetics.[37][38] In 2007, the band contributed covers of "Flying" and "Blue Jay Way" to the soundtrack of the film Across the Universe.[39] Commercially, Ten Silver Drops achieved moderate success, peaking at No. 43 on the UK Albums Chart, though it saw limited U.S. impact without a prominent Billboard 200 entry. Reviews were mixed, praising the album's melodic accessibility and psychedelic flair while critiquing its lack of the debut's dynamic ambition, resulting in an average score of around 6.3 out of 10 from outlets like Pitchfork, which noted the shift to a more grounded, aggressive sound as both a refinement and a dilution of the band's earlier sprawl.[40][36]Lineup changes and hiatus
In mid-2007, founding guitarist and vocalist Benjamin Curtis announced his departure from Secret Machines to pursue his new project, School of Seven Bells.[41][42] The band, now reduced to the core duo of vocalist/bassist/keyboardist Brandon Curtis and drummer Josh Garza, recruited guitarist Phil Karnats to continue.[43] They pressed forward with recording their third album, a self-titled effort produced by Brandon Curtis and Brandon Mason, which leaned into more experimental and electronic elements compared to prior releases.[44] Secret Machines was released on October 14, 2008, through the band's own TSM Recordings imprint in association with the World's Fair Label Group.[45][46] The album featured fragmented, atmospheric tracks such as "The Fire is Waiting" and "Atomic Heels," drawing Bowie-esque influences and earning praise for its darker, innovative sound, though some critics noted its inconsistency.[47][48] However, the release faced significant challenges, including the label's bankruptcy midway through promotion, which limited touring and distribution.[43][20] These setbacks, compounded by managerial issues, led to reduced activity, and by 2010, the band entered an unofficial hiatus with no new releases or tours.[10][49] During this period, Brandon Curtis pursued production work for other artists and joined Interpol for live performances on keyboards and vocals, while Garza contributed to various side endeavors.[50] The hiatus deepened tragically on December 29, 2013, when Benjamin Curtis died at age 35 from T-cell lymphoblastic lymphoma after a year-long battle.[5] Brandon Curtis later described the loss as devastating, expressing profound awe at his brother's resilient approach to his illness.[20][10]Reformation and recent activity
Following a decade-long hiatus, Secret Machines reformed in 2020 as a duo consisting of vocalist-bassist-keyboardist Brandon Curtis and drummer Josh Garza, driven by the need for personal healing in the wake of guitarist Benjamin Curtis's death in 2013 and enduring interest from their cult following, which included admirers like David Bowie and Muse.[10][51] The reformation yielded Awake in the Brain Chamber, released on August 21, 2020, via the band's own TSM Recordings imprint—their first new studio album in 12 years since 2008's self-titled effort.[52][53] The record opened with the lead single "Talos' Corpse" and delved into themes of awakening and renewal amid grief and isolation.[51] Building momentum, the duo issued two EPs in July 2022: the new Day 21, comprising original tracks, and a reissued edition of their 2008 EP Dreaming of Dreaming featuring remixes and collaborations, such as the version by Mavrogeorgis and Sclavunos; both were offered in limited cassette and digital formats.[54][55] In October 2022, the band announced the long-shelved "lost" album The Moth, The Lizard, and the Secret Machines, recorded during sessions paused in 2010 and finalized post-reformation, which was released on March 24, 2023, via TSM Recordings.[56][57] Preceded by singles like "There's No Starting Over," the release drew on unfinished material from the hiatus era while incorporating contemporary production.[58] The revival spurred a return to touring, beginning with support slots on Metric's 2022 U.S. Doomscroller tour—marking their first extensive run in over a decade—and extending to headline performances in 2023 and 2024 across North America.[59] As of 2025, Secret Machines continue as an active duo, often augmented by guest musicians including guitarist Phil Karnats for live dates, with ongoing projects including potential new material. In 2024, to mark the 20th anniversary, they released an anniversary edition of their 2004 debut Now Here Is Nowhere.[60][61][14]Artistry
Musical style
Secret Machines' music is primarily rooted in alternative rock, infused with space rock and psychedelic elements that emphasize expansive, atmospheric soundscapes. Their songs often feature long-form structures, reverb-drenched guitars creating towering walls of noise and feedback, and atmospheric keyboards that contribute to a hypnotic, droning texture.[43][62][10] This style draws on progressive and krautrock influences, resulting in propulsive rhythms and winding arrangements that build from subtle grooves to monolithic crescendos.[43][48] The band's sound evolved significantly across their discography, beginning with the ambient, sprawling psychedelia of their 2004 debut Now Here Is Nowhere, which showcased hard-hitting space rock with wide-screen, Floydian expanses.[20][43] By their 2006 follow-up Ten Silver Drops, the music shifted toward a punchier garage rock edge, incorporating catchier hooks and more direct, muscular indie rock dynamics while retaining emotional depth.[20][48] Their 2008 self-titled album marked a darker, more experimental turn, introducing electronic and synth-driven motifs alongside abstract progressive interludes.[48][62] After a hiatus, the 2020 album Awake in the Brain Chamber returned with spacey rock emphasizing thick drumming, noisy bass lines, and progressive psychedelic elements, though shorter in length and less conceptually unified than prior works.[63] The 2022 self-titled album maintained recognizable traits with a subtle shift toward more streamlined structures, while the 2023 release The Moth, the Lizard, and the Secret Machines—originally begun in 2010—leaned into meditative experimentation, featuring pulsing rhythms, fuzzy riffs, layered sounds, and dark psych-rock atmospheres.[46][64] Central to their sonic identity are the layered harmonies delivered through the dual vocals of brothers Brandon and Benjamin Curtis, with Brandon's ethereal, breathy lead complemented by Benjamin's backing for a lush, melancholic effect.[62][10] Drummer Josh Garza's dynamic, thumping style provides primal propulsion, driving the band's hypnotic grooves and enabling seamless transitions between minimalist and explosive sections.[43][62][10] Production techniques highlight the use of analog synths, such as the Voyetra-8 for bass tones, alongside echo effects and custom distortion to craft immersive, feedback-laden environments.[20][62] These elements facilitate fluid song transitions and layered soundscapes, blending organic instrumentation with processed effects for a sense of vast, otherworldly depth.[48][10] In live settings, the band prioritizes improvisation and high volume, transforming studio polish into visceral, explosive performances that amplify their rhythmic intensity and atmospheric immersion.[10][43]Influences
Secret Machines' sound is deeply rooted in 1970s progressive rock and space rock traditions, with vocalist Brandon Curtis citing Pink Floyd for their expansive atmospheric builds, Can for hypnotic repetition and groove, and Neu! for the propulsive motorik rhythms that underpin the band's driving percussion.[65][66] These elements form the core of their psychedelic aesthetic, blending epic scale with rhythmic minimalism. Curtis has also highlighted related Krautrock influences like Kraftwerk and Gong/Steve Hillage, emphasizing their role in shaping the group's experimental edge.[65] The band's textural layers draw from shoegaze pioneers My Bloody Valentine, incorporating swirling, distorted guitars that add depth to their psych-rock foundations.[66] Emerging in the early 2000s New York City indie scene, Secret Machines shared cultural and performative spaces with peers like Interpol and The Strokes, contributing to a revival of guitar-driven post-punk and garage rock amid the city's burgeoning alternative circuit.[20][10] Beyond music, the group has been inspired by sci-fi and UFO lore, particularly the enigmatic Marfa Lights of West Texas—unexplained glowing orbs long associated with extraterrestrial sightings—which informed their 2006 performance piece Marfa Mystery Lights: A Concert for the UFO's, filmed in the town's minimalist art enclave and blending live music with cosmic mysticism.[67] The Curtis brothers have frequently referenced electronic music pioneers in interviews, including Brian Eno for ambient experimentation and Talk Talk for introspective, synth-infused evolution.[43] Post-reformation in the late 2010s, following the death of guitarist Benjamin Curtis, the band's 2020s output—such as Awake in the Brain Chamber (2020) and The Moth, the Lizard and the Secret Machines (2023)—incorporates modern synth-pop nods through these influences, evident in layered electronic textures and atmospheric production.[43]Band members
Current members
As of 2025, the active lineup of Secret Machines features founding members Brandon Curtis and Josh Garza, alongside guitarist Phil Karnats, who rejoined for recent recordings and performances.[68] Brandon Curtis handles vocals, guitars, keyboards, and bass, having co-founded the band in 2000.[16] Since the band's reformation in 2020, he has served as the primary songwriter, overseeing multi-instrumental production on releases such as the 2022 self-titled album and 2023's The Moth, The Lizard, and the Secret Machines, where he co-wrote and performed all tracks.[64][68] Josh Garza (born May 13, 1976) provides drums and percussion, a role he has held since the band's inception in 2000.[16] Renowned for his driving, propulsive rhythms that underpin the group's space rock sound, Garza co-produced recent albums and maintained creative partnerships with Curtis through side projects like the garage rock outfit Dodo Lightning during the hiatus.[69][43] Phil Karnats contributes guitar, having first joined in 2007 and returning in 2022 to complete the trio for studio and live work. His playing features prominently on post-reformation material, including co-performance credits on the 2022 self-titled album and the ambient, synth-heavy arrangements of The Moth, The Lizard, and the Secret Machines, enhancing the band's layered psychedelic textures.[68][64] For select live performances since 2022, the band has occasionally incorporated additional touring musicians on guitar or keys to support the core trio's arrangements.[70]Former members
Benjamin Curtis served as a co-founding member of Secret Machines, contributing guitars, keyboards, and backing vocals from the band's formation in 2000 until his departure in March 2007.[1] As the younger brother of vocalist and bassist Brandon Curtis, he played a pivotal role in shaping the band's early sound through his songwriting contributions, intricate guitar work, and vocal harmonies that defined their psychedelic rock style on debut releases like the 2002 EP September 000 and the 2004 album Now Here Is Nowhere.[16][43] Curtis left the band to focus on his new project, School of Seven Bells, which he co-founded with Alejandra and Claudia Deheza. The remaining members recruited guitarist Phil Karnats as his replacement, allowing the band to continue with their 2008 self-titled album.[43] Tragically, Curtis died on December 29, 2013, at the age of 35, after battling T-cell lymphoblastic lymphoma, a rare form of non-Hodgkin lymphoma, which he had been diagnosed with earlier that year.[5] Prior to signing with a major label, Secret Machines occasionally incorporated session musicians for live performances and early recordings, though no fixed additional roles were established during this formative period.[1]Discography
Studio albums
The Secret Machines have released five studio albums to date. Their debut album, Now Here Is Nowhere, was issued on May 18, 2004, by Reprise Records. Recorded at Stratosphere Sound in New York City, it features expansive, psychedelic rock tracks influenced by krautrock and shoegaze, peaking at No. 33 on the Billboard Heatseekers Albums chart.[71][72] The follow-up, Ten Silver Drops, arrived on April 25, 2006, also via Reprise Records. More concise than its predecessor at eight tracks spanning 45 minutes, the album shifts toward tighter song structures while retaining the band's atmospheric sound, reaching No. 159 on the Billboard 200.[73] In 2008, the band released their self-titled third album on October 14 through their own TSM Recordings label. Self-produced and featuring a more experimental edge amid lineup changes.[49] After a long hiatus, Awake in the Brain Chamber emerged as an independent release on August 21, 2020, via TSM Recordings in digital and limited vinyl editions. Clocking in at around 31 minutes across seven songs, it marks the band's return with raw, introspective indie rock.[53][74] The most recent effort, The Moth, The Lizard, and the Secret Machines, consists of "lost" recordings from 2010 sessions and was released on March 24, 2023, by TSM Recordings. Spanning nine tracks and nearly 50 minutes, it revives unfinished material with a brooding, immersive quality.[75][56]EPs
Secret Machines released their debut extended play, September 000, in 2002 through Ace Fu Records on CD format.[23] The EP consists of six tracks, including the sprawling opener "Marconi's Radio" and the atmospheric "What Used to Be French," recorded at Clava Studios in Chicago with producer Brian Deck.[22] This release played a key role in attracting industry attention, contributing to the band's subsequent major-label deal. Following the band's reformation, Secret Machines issued Day 21 on July 15, 2022, via their own TSM Recordings imprint, available in digital and limited-edition cassette formats.[76] The EP features three original tracks—"Day 21," "Matrons," and "New Ordinance"—marking the duo's return with propulsive, synth-driven rock elements reflective of their post-hiatus sound.[77] As a companion to Day 21, the band simultaneously reissued their 2008 EP Dreaming of Dreaming on the same date and label, also in digital and cassette editions as part of a double-EP cassette package.[78] This version includes three tracks, highlighted by a newly remixed title track featuring contributions from Jim Sclavunos (drummer for Nick Cave and the Bad Seeds) and George Mavrogeorgis, alongside reworks of "Daylight (Won't Be Long)" and "The Walls Are Starting to Sweat."[54] The collaborative remix adds a darker, more experimental edge to the original material.[79]Singles
Secret Machines have released a select number of singles, primarily as lead or promotional tracks from their albums, available in formats such as vinyl, CD, and digital downloads. These releases highlight the band's evolving sound, from psychedelic rock to more experimental elements.| Title | Release Date | Album | Format | Label |
|---|---|---|---|---|
| "Sad and Lonely" / "Nowhere Again" | July 26, 2004 ("Nowhere Again"); December 27, 2004 ("Sad and Lonely") | Now Here Is Nowhere (2004) | 7" vinyl, CD | Reprise Records |
| "Hide from the Sun" | 2006 | Ten Silver Drops (2006) | Digital/Promotional | Reprise Records |
| "Alone, Jealous and Stoned" | January 16, 2006 | Ten Silver Drops (2006) | CD, 12" vinyl, Digital | Reprise Records |
| "Talos' Corpse" | June 25, 2020 | Awake in the Brain Chamber (2020) | Digital (FLAC, 24-Bit 96.0 kHz) | Self-released |
| "There's No Starting Over" | October 25, 2022 | The Moth, The Lizard, and the Secret Machines (2023) | Digital | Self-released |
