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Seven Deadly
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| Seven Deadly | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 27 February 2012 | |||
| Recorded | Area 51 Studio, Celle, Germany | |||
| Genre | Hard rock, heavy metal | |||
| Length | 48:04 | |||
| Label | SPV/Steamhammer | |||
| Producer | Tommy Newton | |||
| UFO chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| Classic Rock |   [1] |
Seven Deadly is the twentieth studio album by British hard rock band UFO, released on 27 February 2012.
Reception
[edit]Since its release, this album has been met with mostly positive reviews. Geoff Barton of Classic Rock found the album "bursting with creativity and athleticism" and praised Phil Mogg for the "vim and vigour" of his singing and for his "evocative and erudite" lyrics. He adds that the album has a "darker edge this time around" and may be the best possible swansong for UFO.[1] Rebecca Miller of Metal Temple wrote, "Not contented to sit back on their laurels, the band continues to produce high quality rock albums and Seven Deadly is certainly no exception".[2]
Track listing
[edit]All tracks are written by Vinnie Moore and Phil Mogg except where noted.
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Fight Night" | Paul Raymond, Mogg | 4:43 |
| 2. | "Wonderland" | 5:17 | |
| 3. | "Mojo Town" | 4:03 | |
| 4. | "Angel Station" | 6:35 | |
| 5. | "Year of the Gun" | Raymond, Mogg | 4:15 |
| 6. | "The Last Stone Rider" | 4:15 | |
| 7. | "Steal Yourself" | 4:55 | |
| 8. | "Burn Your House Down" | 5:07 | |
| 9. | "The Fear" | Raymond, Mogg | 3:50 |
| 10. | "Waving Good Bye" | 5:20 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 11. | "Other Men's Wives" | 3:53 | |
| 12. | "Bag o' Blues" | Raymond, Mogg | 3:03 |
Personnel
[edit]- Band members
- Phil Mogg – vocals
- Vinnie Moore – lead guitar
- Paul Raymond – keyboards, rhythm guitar
- Andy Parker – drums
- Additional musicians
- Lars Lehmann – bass
- Alexa Wild, Marino Carlini – backing vocals
- Marc Hothan – harp on "The Fear"
Charts
[edit]| Chart (2012) | Peak position |
|---|---|
| German Albums (Offizielle Top 100)[3] | 55 |
| Scottish Albums (OCC)[4] | 50 |
| Swedish Albums (Sverigetopplistan)[5] | 59 |
| UK Albums (OCC)[6] | 63 |
| UK Independent Albums (OCC)[7] | 9 |
| UK Rock & Metal Albums (OCC)[8] | 1 |
Credits
[edit]- Tommy Newton – recorded and mixed
- Andy Le Vien – additional recordings at RMS Studio
- Steve Ward – additional recordings at SW Sounds
- Tristan Greatrex – album artwork
- Pat Johnson – band photo
- Peter Knorn – management
References
[edit]- ^ a b Barton, Geoff (March 2012). "UFO – Seven Deadly". Classic Rock (168): 98.
- ^ "UFO – Seven Deadly". Retrieved 26 October 2012.
- ^ "Offiziellecharts.de – UFO – Seven Deadly" (in German). GfK Entertainment Charts. Retrieved 18 June 2023.
- ^ "Official Scottish Albums Chart Top 100". Official Charts Company. Retrieved 18 June 2023.
- ^ "Swedishcharts.com – UFO – Seven Deadly". Hung Medien. Retrieved 18 June 2023.
- ^ "Official Albums Chart Top 100". Official Charts Company. Retrieved 18 June 2023.
- ^ "Official Independent Albums Chart Top 50". Official Charts Company. Retrieved 18 June 2023.
- ^ "Official Rock & Metal Albums Chart Top 40". Official Charts Company. Retrieved 18 June 2023.
Seven Deadly
View on Grokipediafrom Grokipedia
Background and development
UFO's career context
UFO was formed in London in 1969 by vocalist Phil Mogg, guitarist Mick Bolton, bassist Pete Way, and drummer Andy Parker, initially emerging as a hard rock band with psychedelic influences before evolving into a cornerstone of the genre.[1] The band's early success came with their 1974 album Phenomenon, which introduced German guitarist Michael Schenker and marked a pivotal shift toward heavier, riff-driven hard rock, featuring the enduring hit "Doctor Doctor."[1] This era peaked with Lights Out in 1977, an album widely regarded for its polished production and Schenker's soaring leads, solidifying UFO's reputation alongside contemporaries like Judas Priest and Deep Purple.[1] Throughout the 1980s and 1990s, UFO endured frequent lineup shifts, but the post-2000 period saw particularly turbulent changes centered on Schenker, who rejoined the band in 2000 for the albums Covenant and Sharks (2002) after previous stints from 1973–1978 and 1993–1995.[2] Schenker's recurring departures—stemming from personal and professional conflicts—culminated in his exit following the 2002 release, prompting a search for a permanent replacement.[2] In July 2003, virtuoso guitarist Vinnie Moore, known for his neoclassical shredding style from solo albums like Mind's Eye (1986), joined as lead guitarist, bringing fresh energy while honoring the band's classic sound. Phil Mogg, the band's founder and sole constant as lead vocalist across five decades, played a key role in these transitions, steering UFO toward greater lineup consistency.[1] By 2011, UFO had achieved relative stability with a core lineup including Mogg, Moore, drummer Andy Parker, keyboardist/rhythm guitarist Paul Raymond, and bassist Rob De Luca (replacing the departed Pete Way).[1] This followed the release of their previous studio album, The Visitor, in June 2009, which featured Moore's contributions and received praise for recapturing the band's raw edge.[3] During the intervening years, UFO maintained momentum through extensive touring, including a rigorous European schedule in 2010 and a North American headlining run in 2011 that hit major cities like New York, Chicago, and Baltimore, drawing dedicated fans to sets blending classics with newer material.[4]Album conception and songwriting
Following feedback from diehard fans who felt that UFO's recent albums had veered too soft or overly bluesy, frontman Phil Mogg envisioned Seven Deadly as a return to the band's classic hard rock sound, aiming for a heavier and edgier collection that reflected the group's current heart while recapturing its foundational energy. This shift was intended to address criticisms of prior releases and re-engage listeners seeking the riff-heavy intensity of UFO's earlier era.[5] Songwriting for the album was a collaborative process led primarily by Mogg, guitarist Vinnie Moore, and keyboardist/rhythm guitarist Paul Raymond, with the trio focusing on guitar-driven structures built around strong riffs infused with a bluesy edge. Moore and Raymond handled much of the musical composition, creating foundational tracks that emphasized instrumental drive, while Mogg provided lyrics and vocal melodies to shape the songs' emotional core. This method allowed for tight, riff-centric arrangements that prioritized the band's hard rock identity over expansive keyboard elements.[5] The album's development timeline saw initial ideas emerging from the band's ongoing tours, with full arrangements hashed out collectively in rehearsal rooms before full band involvement. Demos and basic tracking progressed through 2011, including drum sessions recorded in the south side of Hanover, Germany, during the summer, followed by Mogg's vocal contributions just before Christmas that year. The band targeted ten core tracks for the release, supplemented by bonus material in select editions, to deliver a streamlined set of high-energy rock songs that avoided diluting the album's intensity.[5]Recording and production
Studio sessions
The recording sessions for UFO's Seven Deadly took place at Area 51 Studio in Celle, Germany, a facility chosen for its rock-oriented production environment and convenient location near the band's planned European tour schedule in late 2011 and early 2012.[6][7][8] Sessions commenced in late 2011 and extended for approximately two months, during which the band emphasized live tracking—particularly simultaneous drum and bass recording—to preserve their raw performance energy.[9][7] Key challenges included integrating session bassist Lars Lehmann, a local German musician and acquaintance of guitarist Vinnie Moore, into the lineup, as longtime bassist Pete Way was on hiatus for personal reasons, as well as refining Moore's guitar recordings—tracked separately at The Core studio in the United States—to align with UFO's established hard rock sound.[7][6] Post-production mixing, handled at Area 51, was expedited to adhere to the album's February 2012 release timeline.[9][6]Production team and techniques
The production of UFO's Seven Deadly was overseen by Tommy Newton, a seasoned producer renowned for his collaborations with the band on prior releases such as You Are Here (2004) and The Visitor (2009), as well as other prominent rock acts including Helloween on Keeper of the Seven Keys Part I (1987) and Victory on Hungry Hearts (1987). Newton managed the overall sound balance, aiming to balance the band's classic hard rock sound with modern production.[10][11][12] Engineering duties were shared by Newton and the Area 51 Recording Studio staff in Celle, Germany, where the bulk of the tracking and mixing occurred. This approach allowed for a dynamic range that echoed UFO's classic sound without sacrificing modern production values. Additional engineering support came from Andy Le Vien at RMS Studio in Selhurst, England, and Steve Ward at SW Sounds for supplementary recordings.[13][14] Key techniques included layered guitar harmonies crafted by lead guitarist Vinnie Moore and keyboardist/rhythm guitarist Paul Raymond, adding depth and texture to tracks like "The Killer of Prague" and "Wings," which were recorded separately—Moore's parts at The Core studio in the USA—to ensure tight synchronization and tonal consistency. Phil Mogg's vocals were recorded at his home studio in Delaware, allowing for isolation to prioritize clarity and emotional delivery with focused reverb and compression adjustments that highlighted his distinctive timbre. These methods contributed to the album's cohesive, live-wire feel.[13][15][7] Mastering was handled by Steamhammer/SPV in Germany, which optimized playback across digital platforms and vinyl without excessive compression, maintaining the album's punchy dynamics for both streaming and physical formats.[16]Composition
Musical style
"Seven Deadly" exemplifies classic hard rock rooted in the New Wave of British Heavy Metal (NWOBHM) tradition, characterized by driving rhythms, soaring guitar solos, and anthemic choruses that evoke UFO's 1970s output. The album blends straightforward rock 'n' roll songwriting with bluesy melodies and moderately paced grooves, maintaining a cohesive energy across its ten tracks. This style positions the record as a return to the band's foundational sound while incorporating subtle modern refinements.[17][18] Central to the album's sonic identity are the contributions of key instrumentalists. Guitarist Vinnie Moore delivers virtuoso leads that mix technical precision with blues-infused phrasing, often building to extended solos that highlight his neoclassical influences. Drummer Andy Parker anchors the tracks with punchy, athletic rhythms that provide both propulsion and nuance, ensuring the songs retain a tight, dynamic feel. Keyboardist Paul Raymond adds atmospheric accents, including organ-like textures that introduce progressive flourishes and enhance the hard rock framework without overpowering the guitar-driven core.[19][17][18] The album draws clear influences from hard rock pioneers, with riffing that echoes Led Zeppelin's bluesy swagger and keyboard elements reminiscent of Deep Purple's organ-driven intensity. These nods are updated through clearer, more defined arrangements that emphasize hook-oriented structures over raw aggression. Structurally, "Seven Deadly" opens with fast-paced, energetic tracks like "Fight Night" and "Wonderland" before transitioning to mid-tempo blues explorations and a reflective closer in "Waving Goodbye," with most songs clocking in at 4-5 minutes for a balanced listening experience.[19][18][17]Lyrical themes
The lyrics of Seven Deadly predominantly delve into the struggles of the rock 'n' roll lifestyle, portraying themes of fighting inner demons, seeking escapism, and demonstrating resilience amid personal and professional challenges. Phil Mogg, the band's longtime frontman and primary lyricist, employs vivid storytelling that often nods to autobiographical experiences drawn from decades of touring, strained relationships, and the toll of aging in the music industry. For instance, in "Fight Night," Mogg evokes inner turmoil through lines like "Oh, sweet Mary, I’m soaked in sin," capturing a sense of moral conflict and vice that aligns with the album's titular reference to the seven deadly sins.[19] Mogg's approach to songwriting emphasizes evocative, erudite narratives with colorful metaphors, avoiding overt preachiness in favor of a defiant, energetic tone that reflects the grit of urban life and subtle supernatural undertones in some imagery. Tracks like "Wonderland" explore escapism, with lyrics inviting a journey to an idealized realm—"I am going to the moon, I am going to a wonderland you can come too"—as a counterpoint to real-world pressures, enhanced by UFO's hard rock style that amplifies the sense of urgent delivery. Similarly, "Mojo Town" conveys resilience, depicting a quest for renewed vigor and survival in a blues-infused tale of perseverance, underscoring Mogg's underrated prowess as a storyteller who turns personal anecdotes into relatable rock anthems.[20][21][22] While many songs maintain an upbeat, vice-laden narrative implying pride and wrath through implied conflicts—such as the violent jealousy in "Other Men’s Wives" ("Caught my baby with another man / I’m gonna kill ’em both… because I can")—variations provide emotional depth. "Angel Station," a reflective ballad, shifts to themes of loss and quiet acceptance, with Mogg's world-weary delivery conveying regret over time lost in relationships: "I spend twenty walking / eighty years of talking / one year to lose you / and five of regret." This track, accompanied by sparse piano, offers a poignant contrast to the album's otherwise robust energy, highlighting Mogg's ability to infuse personal reflection without sentimentality. Overall, the lyrics subtly weave the "seven deadly" concept through narratives of human frailty, prioritizing conceptual insight into rock's enduring temptations over explicit moralizing.[19][23][15][24]Release and promotion
Release details
Seven Deadly was released on 27 February 2012 in Europe and 28 February 2012 in North America by SPV/Steamhammer.[12] The album was made available in multiple formats, including a standard jewel case CD, a limited-edition digipak CD featuring two bonus tracks ("Other Men's Wives" and "Bag O' Blues"), a limited-edition double gatefold orange vinyl LP, and digital download options.[12] In the United States, distribution was handled through Steamhammer, with the catalog number SPV 309250.[14] The cover art depicts a stylized skull incorporated with seven symbolic elements representing the deadly sins, crafted to echo the classic UFO visual style from their earlier works.[12] In September 2024, Cleopatra Records reissued the album on CD, followed by a colored double vinyl edition in November 2024.[25][26]Marketing and singles
To promote Seven Deadly, UFO launched a comprehensive marketing campaign centered on live performances, media outreach, and digital releases, aiming to reintroduce the band to fans following their 2009 album The Visitor. The strategy highlighted the album's hard rock energy and the current lineup's chemistry, positioning it as a strong continuation of the band's legacy.[9] A key element was the band's extensive touring schedule, which served as the primary vehicle for album exposure. In March 2012, UFO kicked off a headline tour across Europe and the UK, featuring 16 dates in the latter region alone; performances included live debuts of tracks like "Wonderland" and "The Last Stone Rider" to build excitement. The tour aligned closely with the album's February release, allowing fans to experience the new material in a high-energy setting. This was followed by a North American tour in fall 2012, including Midwest and West Coast shows starting November 15 in Chicago, extending the promotional reach to key markets.[27][28][29][30] In terms of singles, "Wonderland" was issued as the album's lead digital single on February 22, 2013, via SPV/Steamhammer, nearly a year after the full release to sustain interest and tie into ongoing tours. An accompanying video incorporated live performance footage from recent shows alongside band interviews, offering fans behind-the-scenes insights into the recording process and lineup dynamics.[31][32][33] No prior promotional singles were released ahead of the album launch, with marketing instead relying on full-track previews shared online. Media efforts included targeted press kits distributed by label Steamhammer/SPV, which framed Seven Deadly as a "return to form" for UFO, emphasizing Vinnie Moore's guitar work and Phil Mogg's enduring vocals. Interviews appeared in outlets like Classic Rock magazine, where the band discussed the album's songwriting and production, and The Guardian, featuring Mogg reflecting on the band's resilience and tour preparations. Additional promotion involved online previews of select tracks on UFO's official website, encouraging pre-orders and fan engagement ahead of the UK tour.[34][35] Merchandise tie-ins supported live sales during the tour, with limited-edition bundles available at shows; these included signed posters, branded guitar picks, and exclusive digipak versions of the album, enhancing collector appeal and direct fan interaction.[14]Reception
Critical reviews
Upon its release, Seven Deadly received generally positive reviews from critics, who praised its return to UFO's hard rock roots while highlighting the band's enduring energy and craftsmanship. In Classic Rock, Geoff Barton described the album as "bursting with creativity and athleticism," noting its "positively febrile" intensity and strong hooks that made it a compelling listen, ultimately rating it 8/10.[19] Critics frequently lauded guitarist Vinnie Moore's contributions, with Metal Assault emphasizing his "class" and multi-dimensional solos across tracks like "Wonderland" and "Waving Good Bye," which elevated the album's blues-infused hard rock sound and earned it a 9.5/10 score. Similarly, Phil Mogg's vocals were celebrated for their timeless grit and range; Blabbermouth.net called them "exceptional" and unique, contributing to the album's honest, riff-driven appeal, and awarded it 8/10. Metal Temple echoed this, with reviewer Tommy-Foxx praising Mogg's "outstanding" voice after over four decades in the band, while Rebecca Miller highlighted Moore's "brilliant" bluesy solos, giving an overall 8/10.[36][37][18] Some reviewers pointed to a lack of innovation as a minor drawback, with Metal Temple's Tommy-Foxx noting the songs felt "very simple" and repetitive at times, lacking the drive expected from a legendary act featuring Moore, though still deeming it a solid effort. Sputnikmusic critiqued it as straightforward "meat and potatoes riffing" reminiscent of mid-period UFO, rating it 3.5/5 without major breakthroughs.[18][17] Aggregating scores from prominent rock and metal outlets, Seven Deadly averaged 75-80%, positioning it as a revitalizing latter-day release that reaffirmed UFO's relevance without reinventing their formula.Commercial performance
Seven Deadly achieved moderate commercial success, particularly within niche rock markets. The album peaked at number 55 on the German Albums Chart upon its release in March 2012.[38] In the United Kingdom, it reached number 63 on the main Albums Chart but performed stronger in specialized charts, topping the Rock & Metal Albums Chart at number 1 and entering the Independent Albums Chart at number 9.[39][40] The album's performance was bolstered by UFO's enduring loyal fanbase, which drove its strong showing in rock and independent categories despite limited mainstream exposure due to the hard rock genre's niche appeal. It received no major certifications worldwide, reflecting its targeted rather than broad market penetration. The vinyl edition, released as a limited pressing, quickly sold out among collectors and fans, underscoring demand in specialty formats. Subsequent touring helped sustain visibility and sales momentum into late 2012.Track listing and personnel
Track listing
All tracks are written by Phil Mogg with either Vinnie Moore or Paul Raymond, except where noted.Standard edition
| No. | Title | Length |
|---|---|---|
| 1. | "Fight Night" | 4:43 |
| 2. | "Wonderland" | 5:17 |
| 3. | "Mojo Town" | 4:03 |
| 4. | "Angel Station" | 6:35 |
| 5. | "Year of the Gun" | 4:15 |
| 6. | "The Last Stone Rider" | 4:15 |
| 7. | "Steal Yourself" | 4:55 |
| 8. | "Burn Your House Down" | 5:07 |
| 9. | "The Fear" | 3:50 |
| 10. | "Waving Good Bye" | 5:20 |
Digipak and vinyl editions (bonus tracks)
| No. | Title | Length |
|---|---|---|
| 11. | "Other Men's Wives" | 3:53 |
| 12. | "Bag o' Blues" | 3:03 |