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Show-Ya (Japanese: ショーヤ, Hepburn: Shōya) are a Japanese all-female heavy metal band formed in 1981. The group disbanded in 1998 but reformed with the original line-up in 2005 for the 20th anniversary of their first release. Their music is deeply rooted in classic rock and they have covered songs by bands and artists such as The Beatles, The Doors, the Yardbirds, Led Zeppelin, Deep Purple, and AC/DC in their albums and live shows. Their music evolved from the pop rock genre of their first offerings to the heavy metal genre of their most successful albums, Outerlimits (1989) and Hard Way (1990). Show-Ya annually organizes and produces the all-female rock festival Naon no Yaon, which they founded in 1987.

Key Information

History

[edit]

1981–1998: Formation, success, and disbandment

[edit]
A Shōya izakaya, like the one the band derived their name from

Show-Ya was formed in 1981 by Keiko Terada and Miki Nakamura, who had been playing together for a year[1] in order to enter the East West Grand Prix musical contest organized and sponsored by Yamaha. Because they were unable to win previous contests they had entered, they decided to change their name from Medusa (メデューサ).[2][3] The members chose Shōya (庄や) after the izakaya chain they held the meeting at in Chiba Prefecture, but decided to write the name in English.[2][4] Wanting to captivate the audience as they believed their strength was in their live performances, "we decided to create a live show for you! So we named it SHOW YOU=SHOW YA!"[3] The new band won the contest for best female group, which resulted in a record contract with Toshiba EMI. In 1983, Miki Igarashi replaced the original guitarist Mitsuko Numata and the line-up was completed by drummer Miki Tsunoda and bassist Satomi Senba.[5] Nakamura, Igarashi and Tsunoda adopted the stage names of “Captain”, “Sun-Go” and “Mittan” to avoid confusion with the first name Miki, which they have in common.[6] During this period, they wrote material for their debut studio album Masquerade Show, which was recorded in Japan and mixed at Abbey Road Studios in London. The album was promoted by The Coca-Cola Company, which used their debut single "Suteki Ni Dancing (Coke Is It)" for a TV and radio commercial campaign. While in London, the band had the opportunity to play in front of a audience at Dingwalls[5] and at the legendary rock club The Marquee.[7] After the successful release of their debut studio album, the band returned to Abbey Road Studios to mix their second album Queendom the following year.

The interest of the Japanese press and the ever-increasing presence of the band on TV shows led soon to a more professional and organized approach to the music business.[5] With their fourth studio album Trade Last, they ceded musical direction to expert Yasushi Akimoto, famous for being the man behind the success of the Japanese idol all-female band Onyanko Club. The Japanese idol phenomenon affected the band only marginally, but Akimoto's management gave them the chance to play in front of larger audiences in their “Date Line” national tour. Their performance at Nakano Sun Plaza in Tokyo was recorded for their first VHS.[8]

In 1987, the band was approached by producer Andy Johns, who had worked with artists such as Led Zeppelin, Rolling Stones and Van Halen. He was responsible for the mixing of the albums Immigration and Glamour in Los Angeles, California. The explosion of the glam metal phenomenon in California influenced both the style and the sound of the band's following albums. Songs taken from the “Immigration Tour” and the “Tour of the Immigrant” were recorded for the band's first live album, Turn Over.

Show-Ya annually organize the Naon no Yaon music festival at Hibiya Open-Air Concert Hall (pictured).

In September 1987, Show-Ya organized, produced and presented the first Naon no Yaon music festival, featuring strictly female musicians and all-female bands.[9] The festival was then held annually at the same venue, until 1991.[10]

On 27 April 1988, Show-Ya performed their first live show on American soil, at the Roxy Theatre in West Hollywood. The name of Show-Ya was soon associated by the specialized press with other great female acts of the time, such as Vixen and Lita Ford.[11]

In 1989 they recorded Outerlimits, which reached position No.3 in the Japanese chart becoming the band's best selling album, selling over 200,000 copies in the first two months and eventually going double Platinum with sales exceeding 600,000 copies today.[12][13] The hit single "Genkai Lovers" was used for a Shell campaign and became their best known song. Their live shows went sold out in large theatres all over Japan, filling up even the prestigious Budokan in Tokyo. An international tour touched cities like London, Moscow, Los Angeles and Mexico City.[14]

At the beginning of 1990, the band's eighth studio album Hard Way was produced and recorded in Los Angeles by Beau Hill (Alice Cooper, Winger, Europe, Ratt). The band was featured on the cover of the Los Angeles Times in 1990, where they were considered the female version of popular Japanese metal bands Vow Wow and Loudness.[7] They had reached the peak of their popularity in their home country but, despite many promotional attempts by their label and management, the band failed to achieve a significant commercial success in the USA.[11]

In February 1991, lead singer Keiko Terada left the group, considering the musical direction the band was taking too mainstream orientated. Wishing to explore new and more varied musical influences, she started a solo career. After many auditions, the band recruited Japanese-American singer Steffanie Borges. She sings and speaks in fluent English and the band hoped that this could help their attempt to break in the US market.[15] In June of the same year, the North Korean government invited the band to perform at the Mansudae Art Theatre in Pyongyang and the historic two-day concerts were heavily covered by the Japanese media.[7][14] On 4 January 1992, the band performed theme music at the wrestling event Super Warriors in Tokyo Dome, for a match between Sting and The Great Muta and The Steiner Brothers.[16]

After years of hard work and financial support, at the end of 1992, Master Works Co. solved its management contract with Show-Ya, preferring to continue managing only Keiko Terada. At the same time, the band lost their long engagement with EMI Japan, just after the release of their first single with Steffanie Borges, "Flame of the Angels".[5] The band spent some time in Los Angeles, recording and playing shows constantly, and in 1995 they released their only album with Borges, Touch the Sun on the Creedence label. At the end of the tour in 1996, Borges left and was replaced by singer Yoshino. Show-Ya released the EP This My Way in 1998 and, by the end of the year, the band officially disbanded. Each member parted and went their separated ways, pursuing individual careers and playing with various artists. Igarashi was reunited briefly with Terada in the All Japan's Women Pro Band, which also included members of Princess Princess.[17]

2005–present: Reunion

[edit]

Seven years after disbanding, Show-Ya officially reunited with Keiko Terada in 2005. The singer said she had previously reached out to her former bandmates about reuniting following the Great Hanshin earthquake in 1995. Although they turned her down, the musicians all stayed in touch.[18] Show-Ya held a concert celebrating the 20th anniversary of their debut at NHK Hall in Tokyo on October 23.[19] The concerts were recorded and released on DVD. For the occasion, EMI Japan reprinted all the band's back catalogue in remastered CD editions and released an extensive compilation with a few remixed tracks.[5] The Show-Ya Live 2006 DVD was released in 2007. In 2008, they held the first Naon no Yaon festival in 17 years. It lasted 5 hours, featured 61 people in total, and was attended by an audience of 3,000.[10]

Show-Ya released Genuine Diamond, their tenth studio album and first in 17 years, in March 2012.[20] Naon no Yaon was fully revived in 2013 in conjunction with the 90th anniversary of Hibiya Open-Air Concert Hall,[21] and has been held annually since. As part of the band's 30th anniversary celebrations in 2015, the album Progress was released in September and a club tour was held in October.[22] Their 11th studio album, Aurora, followed two years later in 2017.

In 2021, the album Showdown was released as Show-Ya's first worldwide release. It was written entirely in English and features German singer Dorothee Pesch.[23] The band also held a concert at Line Cube Shibuya on August 29 to celebrate the 35th anniversary of their debut.[23]

Members

[edit]
  • Keiko Terada – lead vocals, tambourine (1981–1991, 2005–present)
  • Miki "Sun-go" Igarashi – guitar, backing vocals (1984–1998, 2005–present)
  • Miki "Captain" Nakamura – keyboards, backing vocals (1981–1998, 2005–present)
  • Satomi Senba – bass, backing vocals (1982–1998, 2005–present)
  • Miki "Mittan" Tsunoda – drums, backing vocals (1982–1998, 2005–present)

Former members

[edit]
  • Mitsuko Numata – guitar (1981–1984)
  • Steffanie Borges – vocals (1991–1996)
  • Yoshino – vocals (1996–1998)

Discography

[edit]

Studio albums

[edit]

EPs

[edit]

Cover albums

[edit]
  • Glamorous Show (2014)
  • Glamorous Show II (2015)

Live albums

[edit]

Soundtracks

[edit]
  • Burai Prototype (1989)

Compilation albums

[edit]

Singles

[edit]
  • "Suteki ni Dancing (Coke Is It)" / "Au Revoir (Last Scene)" (1985/08/31)[24]
  • "Shidokenaku Emotion" / "You Can Dance" (1986/02/01)
  • "One Way Heart" / "Love Sick" (1986/08/22)
  • "Sono Ato de Koroshitai" / "Yoru ga Kuru Made Nemuretai" (1987/01/22)
  • "Mizu no Naka no Toubousha" / "Fermata" (1987/05/25)
    Theme for the TV Asahi series Metropolis 25
  • "Kodoku no Meiro (Labyrinth)" / "Uso da to Itte yo, Moon Light" (1987/10/26)
  • "Aisazu ni Irarenai - Still Be Hangin' On" / "Get Down" (1988/06/25)
    Also available with the English version of "Still Be Hangin' On" as B-side
  • "3 Dome no Christmas" / "Go" (1988)
  • "Genkai Lovers" / "What Do You Say?" (1989/02/01)
    Used for a Shell commercial
  • "Watashi wa Arashi" / "Ai no Frustration" (1989/06/07)
  • "Sakebi" / "Ubaitore" (1990/03/07)
  • "Gambling" / "Naze" (1990/09/05)
  • "Flame of the Angels" / "Don't Say Goodbye" (1992/01/29)
  • "V.S. Myself" (2013/07/24)

Others

[edit]
  • " Tribute to Seikima-II -Akuma to no Keiyakusho-" covering the song "Rouningyou no Yakata"(2010/09/15)

Videography

[edit]
  • Date Line (1987)
  • Rollin World (1989)
  • 1990 Budokan - Reach for the World (1990)
  • Distance on Their Way (1991)
  • Hard Way Tour 1991 (1991)
  • 20th Anniversary Live (2005)
  • Show-Ya Live 2006 (2007)
  • Hardest Rock (2013)

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Show-Ya

View on Grokipedia
from Grokipedia
Show-Ya (Japanese: ショーヤ, Hepburn: Shōya) is a pioneering Japanese all-female heavy metal and hard rock band formed in Tokyo in 1981. The group, known for its high-energy performances and blend of heavy metal riffs with pop-rock influences, debuted in 1985 and achieved significant commercial success in Japan during the 1980s, contributing to the "ladies' metal" boom. After disbanding in 1998 following lineup changes, the original members reunited in 2005 for their 20th anniversary and have remained active, releasing new music as recently as 2025, including the cover album Mugen for their 40th anniversary. The band's core lineup during its classic era and reunion consists of vocalist Keiko Terada, guitarist Miki "Sun-Go" Igarashi, keyboardist Miki Nakamura, bassist Satomi Senba, and drummer Miki Tsunoda, all of whom have been involved since the early . After Terada's departure in 1991, the band continued with American vocalist Steffanie Borges until 1997 and then Yoshino until the 1998 disbandment, but the reunion restored the original quintet. Show-Ya's music often explores themes of , , and fantasy, with in both Japanese and English, and they gained early recognition by winning a secondary prize at Yamaha's EastWest '81 band contest, which led to their record deal. Among their notable achievements, Show-Ya released over a dozen studio albums, with early works like Masquerade Show (1985), Queendom (1986), (1987), and Outerlimits (1989) achieving strong chart performance in and selling hundreds of thousands of copies collectively. Their debut single "Suteki na Dancing" (1985) was featured in a advertising campaign, boosting their visibility, while later efforts like Showdown () featured collaborations with international metal artists such as Doro Pesch. As one of 's best-selling metal acts, Show-Ya has influenced generations of female rock musicians and organizes the annual "Naon no Yaon" dedicated to all-women bands.

History

Formation and early career (1981–1985)

Show-Ya was formed in in 1981 by vocalist Keiko Terada and keyboardist Miki Nakamura, who had been performing together for approximately a year with the explicit goal of entering Yamaha's Grand Prix musical contest. Initially operating under the name , the band rebranded to Show-Ya—derived from "show you"—to underscore their commitment to captivating live performances that would engage audiences directly. Just four months after formation, Show-Ya competed in the 1981 '81 band battle, securing a secondary prize and an invitation for additional performances, which provided early validation and exposure in Japan's competitive rock scene. The core lineup took shape with the addition of drummer Miki "Mittan" Tsunoda and bassist Satomi Senba, establishing a solid that complemented Terada's powerful vocals and Nakamura's keyboard arrangements. Guitarist Miki "Sun-go" Igarashi joined in 1984, bringing a harder edge to their sound as the band shifted toward heavy metal influences drawn from Western acts like Led Zeppelin and . In their nascent years, Show-Ya honed their craft through gigs in Tokyo's underground clubs, gradually cultivating a local following amid Japan's emerging heavy metal underground, where their high-energy sets stood out for technical proficiency and stage presence. As pioneers in an all-female configuration during the early —a period when Japan's industry remained overwhelmingly male-dominated—Show-Ya encountered and structural barriers, yet their win at the Yamaha contest earned them a with , propelling them beyond amateur status. Preceding their major-label debut, the band contributed the single "Suteki na Dancing" to a 1985 commercial, an opportunity that bridged their independent roots to professional visibility while highlighting their pop-infused style. These early independent efforts, including late-night recording sessions at Studios in , culminated in the release of their debut album Masquerade Show under the Eastworld imprint in September 1985, marking a pivotal step in establishing their presence.

Breakthrough and commercial success (1985–1990)

In 1985, Show-Ya signed with the major label Eastworld and released their debut full-length album Masquerade Show on September 6, marking a pivotal shift from independent releases to national visibility in Japan's heavy metal scene. The album, recorded at Toshiba-EMI Studios and mixed at in , showcased the band's aggressive riffs and powerful vocals led by Keiko Terada, establishing their core heavy metal style with keyboard accents. This release propelled them into major tours across , where they began filling mid-sized venues and gaining media attention as pioneers among all-female acts. The band's momentum continued with a prolific output of albums, including Queendom and Ways in 1986, Trade Last and Immigration in 1987, Glamour in 1988, and Outerlimits in 1989, each building on their evolving sound while achieving commercial traction. Outerlimits, in particular, peaked at No. 3 on the Japanese charts and sold over 200,000 copies, representing their commercial high point amid the late 1980s boom in Japanese heavy metal. Overall, Show-Ya sold millions of albums during this era, solidifying their status as one of Japan's best-selling metal acts and leading all-female bands. Extensive touring reinforced their prominence, with regular performances in drawing crowds to arenas exceeding 15,000 capacity and extending to international shows in for broader regional exposure. In a bid for global reach, they opened select dates for contemporaries and ventured to the U.S. in 1989–1990, playing clubs like the Roxy and Gazzarri's before a high-profile Hollywood Palace concert that highlighted their professional staging and melodic hooks to Western audiences. That same year, their domestic influence peaked with media recognition, including nominations for Japan Gold Disc Awards, affirming their role in elevating women's presence in heavy metal. A key cultural milestone came in 1987 when Show-Ya founded the annual all-female Naon no Yaon at Tokyo's Hibiya Open-Air Hall, an event they produced to champion female artists and which ran consistently through the decade, fostering collaborations and underscoring their leadership in Japan's ladies' metal movement.

Lineup changes and disbandment (1990–1998)

In 1990, Show-Ya released their eighth studio album, Hard Way, recorded in and produced by , which marked an attempt to appeal to international audiences with a polished sound but failed to achieve significant commercial success outside . The following year, lead vocalist Keiko Terada departed the band in February 1991 to pursue a solo career, a move prompted by frustrations with the group's limited global breakthrough despite extensive touring in the and . Terada's exit was followed by a live album, Hard Way Tour 1991, capturing her final performances with the group and highlighting the transitional period. Steffanie Borges joined as the new in 1991, bringing an English-language focus to the band's material and contributing to a stylistic shift toward more accessible pop-metal elements in subsequent releases. Under Borges, Show-Ya issued their ninth studio album, Touch the Sun, in 1995, featuring all-English lyrics and production by Michael Scott, though it received limited promotion and charted modestly in amid the rising dominance of and genres that overshadowed traditional heavy metal acts. Borges served with the band from 1991 to 1996, after which Yoshino assumed vocal duties from 1996 to the 1998 disbandment. During this era, the group experienced reduced touring activity and label transitions, including shifts away from major distributors like Eastworld, exacerbating financial pressures as hard rock's market share declined in the mid-1990s. The band's final release, the EP This My Way in 1998, reflected ongoing creative experimentation but underscored their waning momentum after 17 years together. Show-Ya officially disbanded later that year, citing creative differences among members and broader industry shifts toward J-pop and visual kei styles that diminished opportunities for female-led heavy metal ensembles. In the interim, former vocalist Terada launched a solo music career with her debut album Body & Soul in 1992 and ventured into acting, appearing in Japanese TV dramas and films such as Soon Spring (1986, with later roles) to diversify her professional pursuits.

Reunion and recent developments (2005–present)

After a seven-year hiatus following their 1998 disbandment, Show-Ya reunited in 2005 with original vocalist Keiko Terada to celebrate the 20th anniversary of their debut release, marking a return to their classic heavy metal sound. The reunion culminated in the live album 20th Anniversary Live, capturing performances from their anniversary shows and reaffirming the band's enduring appeal among fans. The band sustained momentum through consistent touring in , including festival appearances that highlighted their technical prowess and stage energy. By 2011, the full original lineup had reconvened for a 30th anniversary tour, leading to the release of their first studio in over a decade, Genuine Diamond, in 2012, which blended their signature riffs with renewed vigor. Subsequent studio efforts included in 2015, featuring reimagined versions of past hits like "Genkai Lovers"; Aurora in 2017, exploring thematic depth in tracks such as "Portrait of a Soldier"; and Showdown in 2021, a collaboration-heavy record with guest appearances that underscored their international metal connections. In 2025, Show-Ya marked their 40th anniversary with the cover album Mugen, released on October 8 and produced by guitarist Koichi Korenaga, reinterpreting Showa- and Heisei-era classics in their hard rock style to honor their longevity. This milestone included anniversary events and tours across Japan, extending to Asian festivals, where the band incorporated subtle modern production elements while preserving their metal foundations. As of November 2025, Show-Ya remains active with no disbandment plans, focusing on future releases and performances that build on their pioneering legacy in Japanese heavy metal.

Musical style and influences

Core musical elements

Show-Ya's music is rooted in heavy metal and , characterized by powerful guitar riffs that drive the band's energetic sound, complemented by keyboard synthesizers providing melodic layers and atmospheric depth. features high-energy drumming and a solid bass foundation, creating a tight, dynamic propulsion typical of their live performances, where keyboard-guitar interplay often highlights instrumental battles. Lead vocalist Keiko Terada delivers a versatile style blending operatic highs with husky, rock-infused growls, enabling her to navigate fast-paced tracks and slower, bluesy heavy numbers effectively. Her performances are predominantly in Japanese, interspersed with English phrases for emphasis, contributing to the band's accessible yet intense vocal presence. The band's song structures incorporate anthems with soaring choruses, introspective ballads, and hooks designed for crowd engagement, often emphasizing group harmonies in refrains to amplify emotional impact. Themes revolve around through personal , passionate love, and elements of fantasy and , reflecting the all-female lineup's identity in the male-dominated rock scene. Select tracks feature live orchestration for added dramatic flair, particularly in reunion-era performances, enhancing the symphonic quality of their heavy metal foundation. Their 1980s production employs abundant reverb and a polished, arena-ready mix to evoke stadium-scale energy, evolving in later reunions toward cleaner, more modern sonic clarity while retaining core intensity.

Influences and evolution

Show-Ya's musical style draws heavily from classic British and American and heavy metal traditions. The band has cited admiration for acts like Led Zeppelin, with guitarist Miki "Sun-go" Igarashi expressing honor at collaborating with producer —who had worked with Led Zeppelin—on their 1987 Immigration. This influence is evident in covers of staples, reflecting a raw, guitar-driven sound inspired by the era's heavy pioneers. Within the Japanese rock scene, Show-Ya blended these Western roots with local heavy metal elements from bands like , contributing to a distinctive "J-metal" identity characterized by high-energy riffs and melodic hooks tailored to Japanese audiences. Often dubbed the "female " for their parallel formation in and shared aggressive style, they helped pioneer all-female representation in the genre alongside contemporaries like , fusing global metal tropes with domestic rock sensibilities. The band's sound evolved significantly across decades, starting with raw heavy metal in the early before incorporating and AOR infusions in the late and , as seen in albums like Outerlimits (1989), which emphasized catchy, commercial melodies. Following their 2005 reunion, Show-Ya returned to a harder-edged style, exemplified by the 2015 self-cover album , where re-recorded tracks from their catalog demonstrated matured arrangements and renewed vigor in foundations. This progression highlights their adaptability while maintaining core metal intensity. Anniversary releases further illustrate broadening influences, with the 2025 40th anniversary album Mugen = 無限 featuring covers of classic Japanese songs from the Showa and Heisei eras, such as Akina Nakamori's "Shojo A," showcasing a nod to domestic pop-rock heritage. Show-Ya's legacy extends to inspiring subsequent all-female J-rock and metal acts, including , by breaking barriers in a male-dominated scene and demonstrating longevity through ongoing collaborations with younger bands. As pioneers since , they paved the way for groups like to achieve international recognition while upholding female-led heavy music in .

Band members

Current members

Keiko Terada serves as the of Show-Ya, having performed from 1981 to 1991 and rejoining in 2005 to the present. Born on July 27, 1963, in , Chiba, she is renowned for her powerful vocal range that spans and heavy metal styles, contributing significantly to the band's energetic live shows and studio recordings since the reunion. During the band's hiatus, Terada pursued a solo career, releasing albums that explored , pop, and , and ventured into , including appearances in the Classic Rock Jam show starting in 1994. In 2025, she continues to front the band during promotions for their 40th anniversary cover album Mugen, released on October 8, showcasing her enduring stage presence. Miki "Sun-go" Igarashi is the lead guitarist, active with the band from 1984 to 1998 and since 2005. Born on November 21, 1962, in , , she is celebrated for her riff composition and neoclassical solos, often incorporating bluesy elements that define Show-Ya's heavy metal sound, particularly in tracks like "Watashi Wa Arashi." Since the reunion, Igarashi has been instrumental in shaping the band's modern arrangements, drawing from her influences such as Led Zeppelin. Beyond performing, she has engaged in production side projects, including co-producing annual events for female artists in , such as variations of "YAON no NAON." Her contributions in 2025 include guitar work on Mugen, highlighting her role in the band's anniversary celebrations. Satomi Senba has been the bassist since 1982 and remains a core member through 2025. Born on August 28, 1963, in , she co-founded Show-Ya alongside Miki Nakamura and provides a consistent anchor for the rhythm section, her steady bass lines supporting the band's transition from to heavy metal. Senba's tenure spans the entire active history, including the hiatus period where she maintained involvement in related musical projects, ensuring stability upon reunion. Notable for her use of Fender Precision and Jazz basses in live settings, she contributes to the foundational groove in recent works, including the 2025 album Mugen. Miki Nakamura, known as "Captain.M," is the and band leader, performing continuously since 1981. Born on September 27, 1961, she co-founded the group and has been pivotal in its direction, serving as the arranger for recent albums and orchestrating keyboard battles with the guitar during live performances. Her and work adds symphonic layers to Show-Ya's sound, evolving from early pop influences to heavier arrangements post-reunion. As the enduring leader, Nakamura has guided the band's creative process, including the production of Mugen in 2025, where her arrangements blend classic covers with the group's signature style. Miki Tsunoda, nicknamed "Mittan," is the , having played from 1982 to 1998 and rejoining in 2005 to the present. Born on December 7, 1963, in , she co-founded the band and is recognized for her dynamic live performances, delivering powerful beats on kits like that drive the band's high-energy sets. Tsunoda's rhythmic precision has been crucial since the reunion, supporting complex arrangements in albums and tours. In 2025, her contributions extend to the promotion of Mugen, where her drumming enhances the album's covers.

Former members

Show-Ya experienced key lineup changes during its early years and the lead-up to its 1998 disbandment, with former members playing pivotal roles in the band's development and transitional phases. Mitsuko Numata was the original guitarist, joining at the band's formation in 1981 and remaining until 1984. As part of the initial lineup alongside vocalist Keiko Terada and other founders, Numata contributed to the group's pre-debut performances and early songwriting efforts in Tokyo's rock scene. She departed in 1984, paving the way for Miki "Sun-go" Igarashi to join and solidify the classic heavy metal sound. After leaving Show-Ya, Numata maintained ties to the music industry through composition, notably writing "A View After Dark" for the band's 2015 reunion album Progress. Steffanie Borges served as lead vocalist from 1991 to 1997, replacing Keiko Terada during a period of lineup shifts aimed at refreshing the band's image. An established rock artist with prior solo releases like Hideaway (1985) and Rock the Planet (1986), Borges brought an international flair to Show-Ya, performing on releases including the single "Flame of the Angels" (1992) and Touch the Sun (1995). Her exit in 1997 aligned with broader challenges in the Japanese market, though specific personal reasons are not detailed in available records. Post-Show-Ya, Borges continued her solo career, releasing material such as the 2019 album under her name and engaging in retrospective performances of her catalog. Yoshino was the final lead vocalist, active from 1997 to 1998 until the band's disbandment. She fronted the group for its swan-song This My Way (1998), marking a brief but conclusive chapter amid declining sales and shifting music trends. Details on her departure reasons are limited, as it coincided directly with the group's dissolution. Information on Yoshino's post-Show-Ya activities remains sparse, with no major documented releases or band affiliations in subsequent years. In addition to these core former members, Show-Ya occasionally incorporated short-term collaborators during the , such as live Yasumitsu Shimizu (1991–1995), to support touring amid internal changes. These adjustments reflected the band's efforts to adapt to commercial pressures before its hiatus.

Discography

Studio albums

Show-Ya has released eleven original full-length studio albums since their formation in 1981, with the majority issued during their initial active period from 1985 to 1990 and a resurgence following their 2005 reunion. Two mini-albums were also released in the . Their early works, produced under the Eastworld label (a of Victor Entertainment), captured the band's signature blend of heavy metal and , often achieving commercial success in . Notable examples include the single "Genkai Lovers" (Limit Lovers) from Outerlimits, which sold over 300,000 copies. Post-reunion albums reflect a matured sound, incorporating English-language tracks and collaborations, distributed by labels such as Universal and Balancing Rock. The band's discography demonstrates consistent output, though detailed sales certifications are limited for most releases.
AlbumRelease DateLabelNotes
Masquerade ShowSeptember 6, 1985EastworldDebut album; recorded in Japan and mixed at .
Queendom1986Eastworld (TOCT-8402)
Ways1986Eastworld (TOCT-8403)Follow-up emphasizing melodic elements.
Trade Last1987Eastworld (TOCT-8404)Marked increased international production influences.
1987Eastworld (TOCT-8405)Explored themes of freedom and journey.
Glamour1988Eastworld (TOCT-8407)Highlighted the band's phase.
OuterlimitsSeptember 6, 1989Eastworld (TOCT-8409)Sold over 600,000 copies in ; featured hit single "Genkai Lovers".
Hard WayOctober 24, 1990Eastworld (TOCT-5855)Peaked at No. 4 on the .
ProgressSeptember 30, 2015Universal Music (UICZ-4334)30th anniversary album with self-covers and new tracks.
AuroraSeptember 27, 2017Balancing Rock (MWBR-0018)Emphasized progressive heavy metal elements.
ShowdownAugust 30, 2021Ward RecordsFirst all-English album; featured guest vocalist Doro Pesch; international release via Metalville.

Cover and live albums

Show-Ya's cover albums represent a series of interpretive projects where the band reimagined classic tracks, showcasing their heavy metal style applied to influential songs from earlier eras. The first in this line, Glamorous Show ~Japanese Legendary Rock Covers, was released on October 22, 2014, by Victor Entertainment in CD format. This album features 11 tracks covering artists such as , , and , with highlights including their rendition of 's "Kurenai," which emphasized the band's vocal power and guitar riffs. The sequel, Glamorous Show II, followed on May 27, 2015, issued by USM as a CD album containing 10 tracks focused on male rock solo artists from the 1970s and 1980s, including covers of songs by and . Arranged with contributions from , the album amplified the elements, particularly in tracks like "Katteni Shiyagare" by , blending Show-Ya's signature energy with the originals' melodies. Reception noted its role in the band's 30th anniversary celebrations, though specific sales figures remain limited in public records. Marking their 40th anniversary, Mugen (無限), the third cover album, was released on October 8, 2025, by Dreamusic in CD format with 9 tracks reinterpreting Showa-era and pop songs from the and 1980s, such as "Ii Hito" by and songs by Pink Lady. The album peaked at number 30 on the weekly album chart, reflecting sustained fan interest in the band's nostalgic yet revitalized approach. No guest appearances were prominently featured in initial releases. In addition to covers, Show-Ya has released several live albums capturing their energetic performances during key tours. Their debut live recording, Turn Over, was issued on May 25, 1988, by / in CD and vinyl formats, compiling tracks from the Date Line, , and Tour of concerts between 1987 and 1988. It includes staples like "Metallic Woman" and "Life Is a Masquerade," highlighting the band's stage dynamics and crowd interaction during their formative years. Hard Way Tour 1991, released on April 21, 1991, by /Sony as both a live album and video, documents performances from their supporting tour for the Hard Way studio release, featuring extended versions of tracks such as "Galactic Thunderbolt" and "Red Revolution." The album underscored Show-Ya's technical prowess on guitar and , with reception praising its raw energy amid the band's rising popularity in the early scene. Post-reunion, Show-Ya 25th Anniversary Live in emerged on December 16, 2009, by in a 2-DVD set (with audio elements), recording a commemorative that revisited from their original run alongside newer material. The release emphasized the band's enduring lineup stability and vocal intensity, serving as a in their comeback trajectory. Various other recordings from tours, such as live singles from the 2016 events including "Out of Limits (Live )," have been issued digitally, capturing snippets of their Progress tour performances but not as full albums. Among non-studio releases, the mini-album Touch the Sun stands out as an EP from May 15, 1995, by Creedence Records in CD format, containing four tracks that bridged their output with melodic elements. This My Way (February 21, 1998, Creedence Records) is another mini-album. While Show-Ya contributed to media themes, such as rock-infused tracks for television and events, no dedicated or game soundtracks were released under their name during that decade. Sales data for these live and cover releases generally align with niche heavy metal markets in , with charting for anniversary projects indicating modest but dedicated commercial performance.
ReleaseTypeDateLabelFormatKey Highlights
Turn OverLive albumMay 25, 1988CBS/, VinylTour compilations from 1987–1988; tracks like "Metallic Woman"
Hard Way Tour 1991Live album/VideoApril 21, 1991CBS/, VHS/DVDExtended tour renditions; "Red Revolution"
Show-Ya 25th Anniversary Live in JapanLive video (with audio)December 16, 20092-DVDReunion-era hits; anniversary setlist
Glamorous Show ~Japanese Legendary Rock CoversCover albumOctober 22, 2014Victor Entertainment11 tracks; X Japan "" cover
Glamorous Show IICover albumMay 27, 2015USM Japan10 tracks; arrangements
Touch the SunMini-album/EPMay 15, 1995Creedence Records4 tracks; melodic hard rock
MugenCover albumOctober 8, 2025Dreamusic9 Showa-era covers; #30 peak

Compilations and singles

Show-Ya has released several compilation albums throughout their career, primarily drawing from their peak and post-reunion material, often featuring remastered tracks and selected hits. These compilations serve as collections, highlighting the band's evolution from to more mature heavy metal sounds. Notable releases include early best-of sets from their era and anniversary editions celebrating their longevity.
TitleRelease DateLabelFormatKey Details
New Best NowJune 5, 1987Eastworld, LPCompilation of early singles and album tracks like "One Way Heart" and "Shidokenaku Emotion"; 8 tracks total.
December 10, 1988Eastworld, LP11-track best-of including "Kodoku no Meiro ()" and "Mizu no Naka no Toubousha"; peaked at No. 43 on the chart.
SHOW-YA Greatest (1985-1990)June 21, 1991 12-track with remixes, featuring hits like "Genkai Lovers" and "One Way Heart"; 55 minutes duration.
Complete Best ""August 12, 1992EastworldComprehensive collection spanning debut to early , emphasizing B-sides and rarities; 15 tracks.
Twin BestNovember 27, 1996EastworldDouble-disc set with 20 tracks from the first five s, including "Shidokenaku Emotion" and "Sono Ato de Koroshitai"; focuses on material.
Golden BestJune 19, 2002 18-track compilation covering career highlights up to 2000, such as "Watashi wa " and "Sakebi"; 77 minutes.
Show-Ya 20th Anniversary The BestOctober 5, 2005Universal MusicPost-reunion collection with updated mixes of classics like "Genkai Lovers" and new tracks; includes 15 selections from 1985–2005.
The band has issued over 15 singles since their debut, many achieving moderate success on the Oricon charts during the , with B-sides often serving as album deep cuts or exclusive material. Early singles were released in 7-inch vinyl and mini- formats by Eastworld, transitioning to digital in later years. Post-reunion singles from the onward include promotional tracks tied to s like , emphasizing the band's enduring appeal.
Title (A-Side / B-Side)Release DateLabelFormatKey Details
Suteki ni Dancing (Coke Is It) / Au Revoir (Last Scene)August 31, 1985Eastworld7" vinyl, CassettePromotional tie-in with campaign; debut single marking band's major label entry.
Shidokenaku Emotion / You Can DanceFebruary 1, 1986Eastworld7" vinyl, Lead single from Queendom; A-side peaked in top 50, showcasing Keiko Terada's vocals.
One Way Heart / Love ActionAugust 22, 1986Eastworld7" vinyl, From Ways ; hard rock track with English influences, B-side exclusive to single.
Sono Ato de Koroshitai / Koi no YokushiryokuJanuary 22, 1987Eastworld7" vinyl, Dramatic single; A-side featured in media promotions.
Mizu no Naka no Toubousha / Night of TragedyMay 25, 1987Eastworld7" vinyl, Upbeat release; B-side later reissued on compilations.
Kodoku no Meiro () / BurningOctober 26, 1987Eastworld7" vinyl, From Trade Last; A-side with orchestral elements, charted moderately on .
Aisazu ni Irarenai -Still be hangin' on- / Still be hangin' onJune 25, 1988Eastworld7" vinyl, Cover-influenced power ; bilingual elements in B-side.
Genkai Lovers (Limit Lovers) / What Do You Say?February 1, 1989EastworldMini-, 7" vinylMajor hit from Outerlimits; A-side reached top 20, B-side remix version.
Watashi wa / Doko ni mo Nai BashoJune 7, 1989Eastworld, 7" vinylEnergetic track; B-side non- exclusive.
Sakebi / Kaze no Naka deMarch 7, 1990EastworldEmotional single; peaked on during band's mature phase.
/ Ashita no HikariSeptember 5, 1990EastworldThematic single with ; B-side acoustic variant.
Tenshi no Hono -Flame Of The Angels- / Ashita e no TsubasaJanuary 29, 1992EastworldPost-disbandment era release; focuses on fantasy themes.
V.S. MYSELF / -July 24, 2013Universal MusicDigital, Reunion single; self-empowerment anthem.
No Regrets / Ai wo Torimodose!!April 26, 2017Universal MusicDigital singleTied to (2015); promotional video collaboration with ; A-side as new original track.
Additional promotional and digital singles from the 2020s include non-charting releases like tie-ins for events, often available via streaming platforms without physical formats. Reissues of hits, such as remastered "Genkai Lovers" in editions, have kept the band's early work accessible to new audiences.

Videography

Concert videos

Show-Ya has released several videos documenting their live performances across different eras of their career, capturing the band's high-energy heavy metal shows from the late peak to later reunion tours. These releases include full concerts on , DVD, and Blu-ray formats, often featuring complete setlists from key venues in . Early videos highlight their touring intensity, while later ones commemorate anniversaries and tour milestones, with bonus content like promotional videos or interviews in some cases. One of the band's earliest official concert videos is Rollin' World Live in Tokyo, recorded on April 16, 1989, at Shiodome PIT2 in during their 1989 promotional tour. Originally released on in 1989, it was reissued on DVD in 2005 by , running approximately 60 minutes and including a bonus for the single "Watashi wa ." The performance features a setlist blending anthems like "Genkai Lovers" and "Rock Train" with the band's signature powerful vocals and instrumentation. In 1990, Show-Ya issued 1990 Budokan - Reach for the World on , capturing a landmark show at the famed in as part of their Exotic Lovers tour. This 90-minute release showcases the band's arena-level production during their commercial height, with tracks such as "Queen Bee" and "Fire," emphasizing their heavy metal flair and crowd interaction. A DVD reissue followed in 2005, preserving the original footage without additional bonuses. This video stands as a key document of their 1980s success, performed at one of Japan's premier venues. The Hard Way Tour 1991 video, released on DVD in 2005 by Victor Entertainment, documents a live performance from the band's tour supporting their album Hard Way. Clocking in at about 70 minutes, it includes energetic renditions of "Metallic Woman," "Life Is Dancing," and "Watashi wa Arashi," filmed at a venue during their final pre-hiatus phase. No bonus features are noted, but the release highlights the technical prowess of Miki Igarashi and Satomi Senba. Following their 2005 reunion, Show-Ya celebrated with Daifukkatsusai: 20th Anniversary Live, a DVD released on December 21, 2005, by Cutting Edge, featuring a full concert from their anniversary show at a Tokyo venue. The 100-minute video covers a setlist spanning their career, including "Watashi wa Arashi," "Look at Me!," and "Metallic Woman," with drum and guitar solos as highlights. Bonus content includes behind-the-scenes interviews with the band members reflecting on two decades. This release marked their return to performing after a seven-year break. In 2007, followed up with Live 2006 Bekkaku, a DVD issued on January 24, 2007, by Balancing Rock, capturing a post-reunion tour performance from 2006 at a Japanese venue. Running around 80 minutes, it features tracks like "Out of Limits," "Switch Blade St.," and a single medley, showcasing their evolved sound with original lineup intact. The video includes footage of "Document 1" as a bonus, providing insight into their preparation process. More recently, the 39th Thank You! Tour 2024 Blu-ray, released on May 8, 2024, by Space Shower Music, captures a reunion performance from , 2023, at EX Theater in , marking their first major tour in four years. The approximately 120-minute video includes a comprehensive setlist with "Out of Limits," "Outsider," "," and covers, highlighting vocalist Keiko Terada’s commanding presence. It features multi-angle viewing options and bonus behind-the-scenes footage from the tour preparations. As of November 2025, no video has been announced for a 40th .

Music videos and other releases

Show-Ya has produced a number of music videos to promote their singles and albums, particularly during their active periods in the 1980s and 1990s, with renewed output following their 2005 reunion. These videos often feature the band's high-energy performances and thematic visuals aligned with their heavy metal style. Early promotional efforts included standalone releases, while later compilations gathered select clips for fans. One prominent example is the 1987 music video for "Date Line," released as a dedicated VHS and laserdisc production by TOEMI Video, showcasing the band's dynamic stage presence. In 1990, the video for "Gambling," from their album Hard Way, highlighted their evolving sound with footage of live elements and studio shots. Following their reunion, the 2005 compilation The Best Sound & Vision ~20th Anniversary included a bonus DVD with 10 music videos spanning their career, serving as a visual retrospective of hits like "Shidokenaku Emotion" and "One Way Heart." In more recent years, Show-Ya has embraced digital platforms for video distribution. Official music videos for "Tokyo I Scream" and "Eye To Eye," both from their 2021 album Showdown, were uploaded to their YouTube channel, featuring contemporary production with the classic lineup performing in stylized settings. Beyond individual music videos, Show-Ya has released several concert films and tour documentaries, capturing their live prowess at key moments in their history. These "other releases" primarily consist of VHS tapes from the late 1980s and early 1990s, many of which were remastered and reissued on DVD in 2005 to coincide with the band's anniversary celebrations.
TitleFormat and Release YearDescription
Rollin' World Live In VHS (1989); DVD (2005)Full concert recording from a 1989 performance. Features high-production live footage with pyrotechnics and crowd interaction.
Distance On Their Way - 1990 In VHS (1990); DVD (2005)Documentary-style video of the band's U.S. trip, including rehearsals, interviews, and performances in . Includes the track "Rock Train."
Hard Way Tour 1991VHS (1991); DVD (2005)Tour documentary and live clips from the Hard Way album promotion, blending behind-the-scenes content with stage performances. Produced by .
1990 Budokan - Reach For The WorldVHS (1990); DVD (2005)Professionally filmed concert at 's Budokan arena, highlighting international ambitions with a setlist of popular tracks. Reissued for anniversary.

References

  1. https://www.metal-archives.com/bands/Show-Ya/129264
  2. https://www.discogs.com/artist/2465603-Show-Ya
  3. https://www.metalexpressradio.com/2021/11/01/show-ya-when-we-decided-to-reunite-after-14-years-we-went-into-a-studio-it-was-as-natural-and-comfortable-as-if-we-had-been-together-the-previous-day/
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