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Silent Trigger
Silent Trigger
Silent Trigger
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Silent Trigger
Promotional release poster
Directed byRussell Mulcahy
Written bySergio Altieri
Produced byNicolas Clermont
Silvio Muraglia
StarringDolph Lundgren
Gina Bellman
Conrad Dunn
Christopher Heyerdahl
CinematographyDavid Franco
Edited byYves Langlois
Music byStefano Mainetti
Distributed byBuena Vista
Release date
  • 1996 (1996)
Running time
93 min.
LanguageEnglish
Budget$9 million

Silent Trigger is a 1996 American action thriller film directed by Russell Mulcahy starring Dolph Lundgren and Gina Bellman about a sniper and his female spotter. Lundgren plays Waxman, a former Special Forces soldier who is now working as a heavily armed assassin sent on a mission by a secretive "Agency", to assassinate a target from an abandoned skyscraper in construction. Memories and moral dilemmas resurface when a former spotter from a failed assignment shows up.

Plot

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The movie takes place in and around an unfinished city skyscraper, the "Algonquin", where a sniper/spotter team set up a firing platform on a top floor. The two arrive independently of each other, two of the Agency's assassins. As they meet, they recognize each other, as they have been on a mission together before.

This mission is portrayed in a series of flashbacks. In the first flashback, sniper and spotter were supposed to assassinate a female politician. Sniper hesitates when the politician lifts a child and, while hesitating, a helicopter appears, air assaulting soldiers in the courtyard behind the team's firing position. The two defeat the attacking force, including the machine gun-equipped helicopter, whose pilot and copilot are shot through the canopy.

Returning to the primary scene, one of the construction site security personnel is new on the job. The drug-addicted regular, O'Hara (Christopher Heyerdahl) attempts to win a statutory position over him by scaring him. As Sniper opens a roof door, a light by the security personnel turns on, and the newcomer, Klein (Conrad Dunn) leaves in search of it.

The internal lift of the building is clearly audible, and Spotter surveys Klein's movements, when he arrives. She interrupts his inspections when he is about to open the roof door. She takes him to the lift, sending him downwards. However, just as she is talking him off, she sees Sniper sitting on top of the lift car. He mounts a bomb on the lift car and, when the car begins moving, nearly falls down the shaft. He is saved by Spotter, and they both attempt keeping up the "just business"-facade, although some romantic appreciation is apparent.

While the two on the rooftop readjust their gear, O'Hara, presumably, decides to rape Spotter. However, Spotter pulls her small-caliber sidearm, and threatens O'Hara into the lift. When O'Hara returns downstairs, he picks up his gun and puts on body armor. He then surprises Spotter, while she is standing over the sink of the top-floor bathrooms. Spotter points her gun at him, and shoots a well-aimed bullet into his chest. Unsurprised by this, O'Hara attacks Spotter, but is encountered by Sniper, and a violent fight takes place in an unfinished hall between various building materials. The fight is won by Sniper, and he ties the now bloody O'Hara to a toilet.

Spotter and Sniper consummate their feelings for each other. Afterwards, as duty continues, Sniper heads for the bathrooms, but sees water running out under the door to the bathroom. He pulls his gun, and discovers that O'Hara has disappeared.

O'Hara bears the toilet with him down the stairs. A vengeful O'Hara grabs his shotgun and is about to go upstairs to finish off Sniper. Klein, the new security guard, shoots O'Hara with his shotgun, walks to the spot where the dying O'Hara lies and, in cold blood, puts a final shot into him.

Upstairs, the two are engaging the target. As before, Sniper hesitates and does not take the shot. As history repeats itself for the two, Spotter pulls her sidearm and implores Sniper to do his duty. Before the situation escalates, another shooter shoots the target four times and, when finished, takes aim for Spotter and Sniper. Sniper quickly throws himself and Spotter away from the shot, grabs his rifle and shoots the adversary. Sniper and Spotter defend themselves from Special Forces personnel raiding the skyscraper. Sniper and Spotter are surprised by Klein, who has stealthily entered the room. He shoots Sniper in the chest with his shotgun, but is threatened by Spotter who has picked up an MP5 submachine gun. He takes the lift car and leaves when the planted bomb explodes.

Believing Sniper to be dead, Spotter flees the skyscraper. As she walks away from the building, the top of a nearby fire hydrant is shot off. She looks up and sees Sniper, removing/revealing the body armor that he was wearing, then throwing his sniper rifle from the building. He then quietly mouths "Goodbye" to her. Spotter mouths "Bye", then walks away, smiling, as the skyscraper continues to burn.

Cast

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Production

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Filming

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The film was shot in an unfinished city skyscraper in Montreal.[1]

See also

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References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia

Silent Trigger

View on Grokipedia
from Grokipedia
Silent Trigger is a 1996 American action thriller film directed by , starring as a assassin and as his spotter partner. The story centers on Waxman, a former soldier employed by a covert , who confronts resurfacing memories and threats after reuniting with his colleague from a prior failed assignment. Produced as a low-budget project, it features intense shootouts, psychological tension from post-traumatic stress, and themes of betrayal within operations. Despite mixed for its pacing and script, the film showcases Lundgren's action-hero persona amid atmospheric cinematography and practical effects in sniper sequences. No major awards or box-office success marked its release, positioning it as a entry in 1990s action cinema rather than a mainstream hit.

Synopsis

Plot Summary

Silent Trigger centers on Waxman, a former operative turned elite assassin for a clandestine , who specializes in long-range operations. Teamed with his spotter and partner , the duo is deployed to the upper floors of the unfinished Algonquin in a bustling urban center to execute the of a high-profile political target. The mission, intended as a precise elimination from an elevated vantage point, catastrophically fails when the target detects their position and retaliates, severely wounding Alisha and compelling Waxman to improvise an escape amid the skeletal construction framework. Haunted by the botched operation and convinced of internal betrayal within the agency—potentially orchestrated to retire him and as liabilities—Waxman withdraws into isolation, battling post-traumatic stress and . Agency handlers, including the enigmatic , summon him for a subsequent assignment in a comparable derelict high-rise, where escalating confrontations reveal layers of deception, shifting alliances, and a web of motives involving personal vendettas and institutional cover-ups. The narrative unfolds in a confined, atmospheric setting of exposed beams and echoing voids, emphasizing psychological tension alongside bursts of tactical as Waxman navigates threats from both external pursuers and his own fractured trust in Alisha's survival and intentions.

Production

Development and Pre-Production

The screenplay for Silent Trigger originated as a written by Italian Sergio Altieri in the , initially circulating under the The Algonquin Goodbye. The project faced multiple development hurdles, passing through various studios and producers without advancing to production; by 1991, actor was briefly attached to the lead role, though this attachment did not materialize. gained traction in the mid-1990s as a multinational co-production involving Algonquin Productions Limited, Cine Grande Corporation, and Conquistador Entertainment, with principal financing and oversight from producers Nicolas Clermont and Silvio Muraglia. Casting emphasized action-oriented leads suited to the film's sniper thriller premise, culminating in Dolph Lundgren being selected for the role of the protagonist assassin Waxman, leveraging his established persona from prior military-themed action films. Director , known for visually stylized works like Highlander (1986), was brought on to helm the project, aligning with its emphasis on tense, contained action sequences within an unfinished skyscraper setting. Pre-production focused on logistical preparations for principal photography in , , including securing the Algonquin building as a primary location to evoke isolation and psychological strain central to Altieri's script. The film's modest budget and orientation prioritized efficient scripting revisions and practical effects planning over extensive rewrites.

Filming and Locations

for Silent Trigger occurred primarily in , , , during the summer of 1995. The film's core setting, the unfinished known in the story as the Algonquin, was filmed on location at an actual abandoned high-rise on Jean d'Estrees Street in Montreal's industrial sector. This structure, characterized by its T-shaped footprint, oval windows, and exposed concrete framework, provided authentic practical locations for interior and exterior sequences depicting operations and confrontations within the building. The site, left incomplete due to financial issues in the , allowed for extensive use of raw, cavernous spaces that aligned with the thriller's isolated, high-stakes atmosphere, though it has since been demolished. To enhance visual scope, production combined on-site filming with constructed sets, miniature models for wide shots of the tower, and matte paintings for cityscape integrations and impossible angles. David Franco captured these elements using 35mm film, emphasizing the building's stark, unfinished aesthetic to underscore themes of entrapment and precision marksmanship. No additional major exterior locations beyond were reported, as the narrative confines most action to the Algonquin and its immediate vicinity.

Post-Production and Technical Details

The phase of Silent Trigger encompassed , sound mixing, and final assembly into a 93-minute runtime feature filmed in color. was handled by Yves Langlois, who assembled the narrative from footage captured by cinematographer David Franco, focusing on the film's tense sequences and psychological elements within a contained high-rise setting. Sound involved a team led by supervising sound editor Michel B. Bordeleau, with foley assistance from Mark Battenberg to enhance the auditory realism of gunfire, ambient tower environments, and character-driven tension. The production's technical specifications included a 2.35:1 , optimized for presentation to emphasize long-range perspectives and claustrophobic interiors. Visual effects were minimal, relying primarily on practical stunts and matte elements for exterior shots rather than extensive digital compositing, consistent with mid-1990s action filmmaking constraints. No significant or advanced innovations were documented, aligning with the film's reported budget under $10 million and its focus on performance-driven thriller dynamics over spectacle.

Cast and Crew

Principal Actors and Roles

Dolph Lundgren portrays Waxman, a former operative codenamed "Shooter," who serves as a professional assassin dispatched by a covert agency to eliminate high-value targets from a remote vantage point. His character embodies tactical precision and isolation, engaging in a tense cat-and-mouse dynamic during the mission. Gina Bellman plays Clegg, codenamed "Spotter," the sniper's operational partner responsible for reconnaissance, communication, and target verification while stationed alongside Shooter in an abandoned facility. Her role involves coordinating the hit and navigating interpersonal tensions with her counterpart. (credited as Charles Powell in some contexts) depicts Klein, codenamed "Supervisor," the bureaucratic overseer from the agency who monitors the mission remotely and enforces protocol. His character represents institutional control, issuing directives that heighten the operation's stakes. Christopher Heyerdahl assumes the role of O'Hara, a shadowy enforcer and primary who infiltrates the snipers' position, escalating the conflict into close-quarters confrontation. O'Hara's actions introduce betrayal and survival elements central to the film's climax. Emma Stevens appears as the "Target Woman," the civilian objective of the assignment, whose presence adds moral ambiguity to the proceedings. Supporting performers include Haber as a and Tim Post in a minor agency capacity, contributing to the ensemble of handlers.

Director and Key Production Personnel

Russell Mulcahy directed Silent Trigger, a 1996 action thriller filmed primarily in , . An Australian filmmaker, Mulcahy had previously gained prominence for directing the 1986 fantasy film Highlander starring , as well as music videos for artists including . His direction emphasized visual elements such as atmospheric lighting and dynamic action sequences, drawing on his experience in stylized projects. Key production personnel included producers Nicolas Clermont and Silvio Muraglia, who managed financing and oversight for the independent project. Clermont, a Canadian involved in genre films, collaborated with Muraglia to secure resources amid the film's trajectory. Additional support came from co-executive producer Pascal Borno and line producer Irene Litinsky, handling logistical aspects during the shoot. The was written by Sergio Altieri, providing the core narrative of a duo's tense partnership. was led by David Franco, capturing the film's urban and isolated settings, while editor Yves Langlois assembled the footage into its 95-minute runtime. Stefano Mainetti scored the thriller, incorporating tense, minimalist cues to underscore psychological tension.

Release and Distribution

Initial Release

Silent Trigger premiered on in on July 4, 1996. This marked the film's initial public availability, as it was produced for distribution in most international markets rather than wide theatrical runs. Video releases followed shortly thereafter, including in on August 13, 1996. In the United States, the film first aired on television on September 27, 1996, before its subsequent release in 1997 under Home Video. A limited wide theatrical release occurred in on October 12, 1996, representing one of the few instances of cinema distribution for the production. These staggered and broadcast debuts aligned with the film's mid-1990s action thriller positioning, targeting ancillary markets amid a saturated landscape for similar genre fare.

Home Media and Modern Availability

Silent Trigger was initially released on VHS in 1997 by distributors including Video in regions such as the and . The DVD edition followed on December 18, 2001, offering the film in its standard 93-minute runtime with English audio. Blu-ray versions have been limited primarily to import markets, including a German uncut edition from Subkultur Entertainment in 2014 and a limited Hartbox edition in 2017. No widespread Region A Blu-ray release for has occurred, though imports are available via retailers like Amazon. As of October 2025, the film is accessible for free ad-supported streaming on platforms including , , Plex, and . It can also be rented or purchased digitally on services such as , Apple TV, , and .

Reception

Critical Reviews

Critics generally panned Silent Trigger upon its 1996 release, with an aggregated score of 20% on based on five reviews, reflecting its status as a low-budget, action thriller. One representative described it as "a bland bit of cheapo bullroar that seeks to capitalize on the six people in the world with some excitement left for the next Lundgren miscue," highlighting perceived formulaic shortcomings and lack of originality despite Dolph Lundgren's involvement. The film's limited theatrical footprint and straight-to-video distribution contributed to sparse mainstream coverage, with professional reviewers often dismissing it as derivative B-movie fare amid Lundgren's post- career slump. A minority of genre-focused commentators offered qualified praise for director Russell Mulcahy's stylistic flourishes, including atmospheric and a surreal, post-apocalyptic vibe achieved on a modest budget estimated under $10 million. For instance, action film blogger Vern labeled it "among Dolph's best" for its dreamlike tension and visual poetry, though conceding narrative weaknesses like underdeveloped character motivations. Similarly, The Action Elite noted its "sense of style, awesome locations, and solid action scenes," positioning it as a curiosity in Lundgren's oeuvre rather than a standout. These positive takes, however, emanate from enthusiast outlets rather than broad critical consensus, underscoring the film's niche appeal over widespread acclaim. Lundgren's portrayal of the haunted sniper "Waxman" drew divided responses, with some appreciating his brooding intensity and physicality in sparse dialogue scenes, while others critiqued the film's failure to elevate him beyond rote assassin tropes. Mulcahy's direction, fresh off higher-profile works like Highlander, was faulted for uneven pacing and reliance on dated effects, though its moody, confined setting—a derelict high-rise—earned nods for evoking elements akin to Phone Booth. Overall, Silent Trigger exemplifies mid-1990s direct-to-video action cinema, where visual ambition occasionally compensates for scripting deficits but rarely sways detractors.

Audience and Commercial Response

Silent Trigger achieved limited commercial success, primarily through distribution rather than theatrical release, failing to recoup its reported $15 million production budget as worldwide earnings were negligible. The film, released on June 26, 1996, did not register significant domestic or international theatrical performance, aligning with the era's trend for mid-budget action thrillers starring to pivot to markets for revenue. Audience reception has been mixed, with cult appeal among fans of low-budget action cinema and Lundgren's oeuvre, though broader metrics reflect middling to negative sentiment. On , it holds a 5.4 out of 10 rating based on 4,735 user votes as of recent data, with reviewers often praising its duel set pieces and tense cat-and-mouse dynamics while critiquing plot inconsistencies and dialogue. users rate it 2.9 out of 5 from 2,624 ratings, highlighting Lundgren's authoritative presence with firearms but noting stylistic excesses from director . On , the film scores 20% from 5 critic reviews, indicative of poor professional consensus, while audience approval stands at 47% from 93 ratings, suggesting a niche appreciation for its B-movie thrills over narrative depth.

Retrospective Analysis and Legacy

In the years following its 1996 direct-to-video release, Silent Trigger has been reevaluated by action cinema enthusiasts as an atypical entry in Dolph Lundgren's filmography, blending high-tension sniper procedural elements with psychological introspection and stylistic flourishes atypical of mid-1990s straight-to-video action fare. Directed by Russell Mulcahy, whose earlier music video and feature work (Highlander, 1986) demonstrated visual flair, the film eschews explosive set pieces for much of its runtime in favor of confined-space tension and character rumination, earning retrospective praise for its atmospheric restraint and existential undertones amid a genre often dominated by formulaic violence. Critics and fans have noted its departure from Lundgren's typical heroic roles, positioning Waxman as a haunted operative grappling with moral ambiguity and operational fatigue, which prefigures later introspective assassin narratives in films like The Bourne Identity (2002), though without achieving comparable cultural penetration. The film's legacy remains niche, confined largely to cult appreciation within direct-to-video action communities rather than broader cinematic discourse, with no significant awards, remakes, or mainstream revivals. Its production, shot in under a modest budget reflective of the era's declining market for mid-tier action stars, highlighted Mulcahy's post-studio experimentation after career setbacks, including the troubled (1994), yet failed to restore his A-list trajectory. Lundgren's performance, marked by minimal dialogue and physical intensity, has been cited as a standout in his 1990s output, amid a period of prolific but uneven roles following (1985), underscoring the film's role in sustaining his career through genre experimentation. A 2024 behind-the-scenes book, Silent Trigger: Shooting the Film by producer Danny Stewart, documents the challenging shoot and original screenplay origins from Sergio Altieri's 1980s draft, renewing minor interest among archivists but not elevating its status beyond obscurity. Ultimately, Silent Trigger exemplifies the transitional 1990s action landscape, where releases allowed stylistic risks but rarely yielded lasting impact, grossing negligible returns and fading from theaters or premium cable without home video sales data indicating breakout success. Its enduring draw lies in thematic explorations of isolation and precision killing—Waxman's high-rise vigil evoking Phone Booth (2002) isolation—appreciated retrospectively for subverting expectations of Lundgren's muscular persona, though mainstream oversight persists due to the era's glut of similar low-budget thrillers.

References

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  39. https://movieweb.com/1990s-direct-to-video-movies-worth-watching/
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