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Simply K-Pop
Simply K-Pop
Simply K-Pop
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Simply K-Pop
GenreMusic, Entertainment
Presented byLee Dae-hwi (AB6IX)
Country of originSouth Korea
Original languagesEnglish and Korean
No. of episodes619
Production
Running time52 minutes (regular)
85 minutes (livestream)
Production companyArirang TV
Original release
NetworkArirang TV
Release2011 (2011) –
present

Simply K-Pop (Korean: 심플리 케이팝; also known as Simply K-pop Con-Tour or Simply Con-tour) is a South Korean music television program broadcast by Arirang TV. Originally called The M-Wave, the show's title was changed to Wave K in 2011, and renamed again in 2012 to Simply K-Pop. It airs live worldwide every Friday at 1:00PM KST,[1] and is broadcast from Arirang Tower in Seocho-dong, Seoul.[2]

Currently hosted by Lee Dae-hwi of AB6IX,[3] the show features K-pop stars who perform on stage and interact with the audience throughout each episode.[4] It was previously available for online streaming via Viki with multilingual subtitles until May 2024—it was also previously available on DramaFever until the site shut down in 2018.[5][6] Reruns of the show air on the free Philippine digital TV channel Hallypop every Sunday at 6:30 PM.[4]

Since April 19, 2021, on the Mondays of each two weeks, Simply K-pop is airing Simply K-pop Con-Tour to "travel" to each country. This is livestreamed in Youtube. Simply K-pop is now also known as Simply K-pop Con-Tour.[citation needed]

Simply K-Pop Awards

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Best of Simply K-Pop awardees 2015–2016
Best Rising Star Best Performance
2015
2016

Awards and nominations

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Name of the award ceremony, year presented, category, nominee of the award, and the result of the nomination
Award ceremony Year Category Nominee / Work Result Ref.
Korea Cable TV Awards 2023 Global Award Simply K-Pop Con-Tour Won [7]

Similar programs

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See also

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Simply K-Pop

View on Grokipedia
from Grokipedia
Simply K-Pop is a South Korean music television program broadcast by Arirang TV, featuring live on-stage performances by K-pop artists and direct interactions with fans. The show premiered on March 13, 2012, and after 13 years, it went on hiatus following its August 1, 2025 episode, before relaunching in November 2025 as Simply K-Pop S.N.S with a new format and hosts Chanel Moon and Athena from FIFTY FIFTY. It has provided a vital platform for rookie and mid-tier idols from smaller agencies to showcase their talents through high-quality fancams and global streaming. Aimed at an international audience, Simply K-Pop airs live every Friday, offering English-subtitled content that allows enthusiasts worldwide to engage with emerging groups in real-time. Over its run, the program has been praised for its focus on "essential" elements—performances without excessive production—helping lesser-known acts gain visibility and fan support in an industry dominated by major labels. It evolved from earlier formats on , emphasizing accessibility and community for global viewers. The show's legacy includes hosting a diverse array of artists, from established acts to newcomers, and fostering international fandom through online streams and VOD availability. of served as MC from March 2022 until the 2025 hiatus, bringing energy to episodes that highlighted both music and artist-fan connections. The hiatus and relaunch marked a new chapter for TV's contributions to promotion amid challenges like declining viewership in a saturated market.

Overview

Format and Content

Simply K-Pop episodes typically run for 52 minutes in their standard pre-recorded format, while livestream versions extend to 85 minutes to accommodate extended interactions. The core structure revolves around a sequence of high-energy performances by multiple artists, interspersed with segments designed to foster direct engagement between performers and global audiences. This format emphasizes live-feeling presentations in an intimate studio setting, where groups deliver full-stage renditions without the competitive pressure of ranking announcements common in domestic Korean music programs. Key segments include artist interviews conducted during MC-led portions, where performers discuss their music and creative process in a casual, bilingual Korean-English style to appeal to international viewers. Behind-the-scenes clips provide glimpses into preparation and rehearsals, highlighting the effort behind polished performances. Audience Q&A sessions allow fans—either in-studio or virtually—to pose questions, often leading to lighthearted exchanges like distributing treats or sharing personal anecdotes. Special themed episodes, such as showcases featuring debut or lesser-known acts from smaller agencies, and comeback specials spotlighting new releases, add variety and prioritize emerging talent over established stars. Unique elements distinguish the show from typical K-pop broadcasts, including its complete absence of a chart or voting system, allowing focus purely on artistic delivery and fan connection. The bilingual presentation, with English and occasional direct English dialogue from artists, enhances for non-Korean speakers. High-quality fancam segments, often captured from multiple angles to highlight and individual member expressions, underscore the program's commitment to visual immersion. Starting in 2021 with the introduction of the Con-Tour format, content evolved from primarily performance-centric pre-recordings to more interactive livestreams, enabling real-time global participation and "virtual tours" to international fanbases.

Hosts and Presenters

Simply K-Pop premiered in 2012 with of serving as its inaugural host from launch through 2014, where he brought an energetic presence to introductions and fostered direct fan engagement through interactive segments. His role helped establish the program's international appeal by bridging performances with audience participation in a live format. In May 2018, the hosting transitioned to a duo format with Kevin Moon and Jacob Bae of The Boyz taking over as co-hosts, a change that introduced bilingual elements and variety to the show until early 2022. Their tenure emphasized celebrity interviews and collaborative dynamics, enhancing the program's focus on rookie promotions and global viewer accessibility during livestreams. This period marked a shift toward group hosting, which added diverse personalities to facilitate more dynamic interactions with performers and fans. From March 2022 onward, of hosted solo, earning praise for his steady professionalism in overseeing livestreams, Q&A sessions, and spotlighting emerging artists. His approach streamlined the format for more intimate artist-audience connections, contributing to the show's reputation as a platform for rookies. The solo hosting style under Dae-hwi allowed for focused management of special episodes, contrasting earlier ensemble setups. Throughout its run, Simply K-Pop occasionally featured guest presenters and co-hosts, including idols from groups like A.C.E. and international fans for themed episodes, adding fresh perspectives and cultural diversity to the broadcasts. These appearances complemented the main hosts by highlighting global fan involvement and special promotions without altering the core format.

History

Launch and Early Years

Simply K-Pop originated as the music program "The M-Wave" on Arirang TV, debuting in 2011, with the goal of introducing K-pop to global audiences through English-language broadcasts. The show was rebranded to "Wave K" in 2011 and then to "Simply K-Pop" on March 12, 2012, to streamline its title and enhance appeal to international viewers seeking accessible K-pop content. From its inception under Eli Kim as the initial host, the program emphasized live studio performances broadcast from Arirang Tower in Seoul's Seocho-dong district, targeting English-speaking fans worldwide. It focused on showcasing rookie and mid-tier acts often overlooked by domestic major networks, providing them a platform for exposure rather than competitive rankings, as the format avoided viewer voting in favor of curated performances. Early episodes highlighted emerging groups such as , helping to build the show's reputation as a gateway for new talent. By 2014, Simply K-Pop had grown significantly, marking its 100th episode and solidifying its role in promoting underrepresented artists through consistent weekly airings. Despite a limited production budget that necessitated some pre-recorded segments, the program gained traction among overseas audiences primarily via clips, which extended its reach beyond traditional TV broadcasts.

Format Evolutions and Title Changes

This period also saw the introduction of themed special episodes, such as holiday specials featuring Christmas greetings and performances from artists like and Red Velvet, enhancing viewer engagement during seasonal events. From 2018 to 2020, the program shifted toward greater international collaborations, partnering with global artists and fans to showcase diverse acts, while adapting to the by incorporating virtual fan meets and online interactions in 2020–2021 to ensure continued accessibility amid restrictions. In April 2021, Simply K-Pop launched "Simply K-Pop Con-Tour," a bi-weekly livestream format airing every other Monday, which expanded episodes to 85 minutes and emphasized global audience participation through virtual "tours" to different countries, allowing fans worldwide to join live chats and Q&A sessions. Between 2022 and 2024, these evolutions were driven by the need to respond to rising streaming demands on platforms like and competition from digital content creators, while preserving the show's distinctive no-chart format that prioritizes pure performances over rankings.

2025 Hiatus and Relaunch

In July 2025, announced that Simply K-Pop would air its final broadcast after 13 years on air, attributing the decision to budget cuts and the need to consolidate programming amid the recent cancellation of similar shows like . In March 2025, prior to this announcement, the program was rebranded as Simply K-Pop: Gateway to Korea, continuing broadcasts as of November 2025. These changes were part of 's broader 2025 restructuring efforts, driven by declining public funding and government-mandated expenditure reductions targeting inefficient operations.

Awards and Recognitions

Simply K-Pop Awards

The Simply K-Pop Awards were an annual ceremony introduced in 2015 by to recognize outstanding performances and emerging artists featured on the program throughout the year, with winners determined largely through fan voting to highlight guest contributions and viewer favorites. The awards featured categories such as Best Rising Star and Best Performance, celebrating rookie groups and standout stages. Documentation of specific winners is limited, but examples include TWICE winning Best Rising Star (female) in 2015 and Best Performance for "Cheer Up" in 2016. These events were formatted as special live episodes of Simply K-Pop, incorporating award presentations alongside performances by nominees and winners to create an interactive celebration for international audiences. Fan voting encouraged global participation and aligned with the program's mission to bridge K-pop with overseas fans. The awards concluded after the 2016 edition, as the program shifted focus back to its standard weekly format amid evolving production priorities, with no revivals announced. By providing an early platform for rookie acts, the Simply K-Pop Awards played a key role in spotlighting emerging talent, contributing to their initial visibility and subsequent breakthroughs in the domestic scene.

Program-Level Awards

Simply K-Pop has received recognition for its innovative format and international promotion of , particularly through external awards honoring the program's production and outreach efforts. In 2023, the show's iteration "Simply K-Pop Con-Tour" won the Global Award at the Korea Cable TV Awards, praised for its pioneering livestream format that connected global fans with live performances and enhanced accessibility for international audiences. These awards typically evaluate programs based on key criteria such as viewership metrics, levels of global fan engagement, and the extent of support provided to independent and rookie acts, areas where Simply K-Pop has excelled by featuring emerging artists on an international platform. No major program-level wins have been documented following the 2023 award through the show's conclusion in August 2025. Documentation of additional honors, such as fan-voted polls or minor internal recognitions, remains limited in public records.

Broadcast and Distribution

Production and Schedule

Simply K-Pop is produced by Arirang TV's dedicated K-Pop team, responsible for coordinating artist lineups, stage setups, and live broadcasts from the network's facilities. The program is filmed at the Arirang Tower studio in Seocho-dong, , which features a multi-camera configuration designed to capture detailed fancams of performers for enhanced viewer engagement. The show's standard schedule involves pre-recordings held every other week, typically on Mondays, to prepare content for weekly airings. It broadcasts live every Friday from 1:00 PM to 2:00 PM KST, emphasizing real-time performances and audience interactions in a one-hour format. Technical production incorporates bilingual English and Korean subtitles to support international viewers, with high-resolution 4K streaming available for Con-Tour performance segments on Arirang's official YouTube channel. Reruns of episodes are distributed internationally, including on the Philippine channel Hallypop.

International Reach and Streaming

Simply K-Pop's international expansion began in 2012 with the upload of full episodes to the official Arirang TV YouTube channel, enabling global viewers to access performances and interviews shortly after live broadcasts. This move catered to K-pop fans outside South Korea by providing free, on-demand content in English-subtitled format. The program further broadened its reach through partnerships with streaming platforms, including DramaFever, which hosted episodes until the service's shutdown in 2018. Availability on Rakuten Viki continued with multilingual subtitles until May 2024, marking a peak period for accessible online viewing. During this time, the Con-Tour segment, introduced in 2021, was streamed live on YouTube from 2021 to 2025, attracting global fan participation. Reruns of Simply K-Pop have aired internationally, notably on the Philippine channel Hallypop from January 2021 to 2023, where it aired Sundays at 6:30 PM to serve local K-pop enthusiasts. Spin-off formats such as Simply K-Pop Con-Tour and S.N.S continued to provide live streams and VOD on YouTube and Arirang channels as of November 2025. Fan communities have supplemented official releases with subtitled versions on platforms like Weverse, though these remain unofficial. Prior to 2021, geo-restrictions limited access to certain regions, requiring VPNs for YouTube and other streams, which posed challenges for fans in restricted areas. In 2024, gaps in third-party streaming availability were addressed by official video-on-demand (VOD) services on the Arirang website, ensuring continued access without interruptions.

Reception and Legacy

Viewership and Popularity

Simply K-Pop maintained a niche appeal within South Korea's international broadcasting landscape, with its content primarily reaching global audiences via online platforms. On its official YouTube channel, the program achieved notable episode views for high-profile appearances, such as EXO's performance of "Growl" in 2013, which garnered over 644,000 views, and TWICE's "CHEER UP" in 2016, exceeding 116,000 views. The show's popularity surged during the 2015–2017 K-pop rookie boom, driven by debut episodes featuring groups like Seventeen and , which capitalized on the growing global interest in emerging acts. The introduction of the Con-Tour format in 2021 enhanced interactive fan engagement through live-streamed performances. By 2025, declining viewership contributed to the program's cancellation, as noted by Korean netizens and reports on 's challenges. Key factors bolstering the show's appeal included its high-quality fancams, which provided close-up artist footage valued by fans, and its emphasis on rookie promotions that offered early exposure to lesser-known groups. Social media amplification via and clips further extended its reach, generating buzz similar to other programs like . An survey indicated a predominantly international audience, with significant viewership from , , and , and a core demographic in the 18–29 age group.

Cultural Impact and Influence

Simply K-Pop served as a vital platform for emerging K-pop artists, particularly rookies from smaller agencies, by offering them early international exposure through live performances and high-quality fancams that enhanced their promotional efforts. Launched in 2012 on , the program provided stage opportunities to numerous debut groups, helping them gain visibility when access to major music shows was limited. This support extended to over a decade of featuring lesser-known acts, with examples including early appearances by groups like ASTRO and , where the show's global broadcast and fancam footage became key assets in their initial promotions and fan engagement. By prioritizing rookie and mid-tier idols, Simply K-Pop filled a gap in the industry, allowing artists from independent labels to connect with international audiences and build momentum toward mainstream recognition. As part of 's mission to promote Korean culture worldwide, the program boosted K-culture exports by delivering English-subtitled content and interactive segments tailored for global viewers, fostering cross-cultural appreciation of . It contributed to vibrant online fan communities, where enthusiasts shared clips and guides to introduce newcomers to the genre. The program's conclusion in August 2025 underscored its unique niche in the K-pop landscape, distinguishing it from chart-dominated mainstream broadcasts and highlighting the importance of dedicated spaces for emerging talent amid shifting media priorities at , including budget constraints and a saturated market. This legacy emphasized the need for sustainable platforms that nurture artist development and cultural exchange in the evolving ecosystem, following the earlier end of similar shows like . While praised for amplifying rookie voices, Simply K-Pop faced critiques for its primary emphasis on pop-oriented acts, which sometimes overlooked broader diversity within Korean music, such as indie or experimental styles. Nonetheless, by bridging lesser-known and indie-leaning groups to wider audiences, it played a role in enriching the 2020s wave, supporting the 's global expansion through inclusive exposure.

References

  1. https://www.arirang.com/tv/9
  2. https://thetvdb.com/series/simply-k-pop/allseasons/official
  3. https://en.namu.wiki/w/Simply%20K-Pop%20S.N.S
  4. https://www.imdb.com/title/tt6289522/
  5. https://www.allkpop.com/article/2025/07/simply-k-pop-announces-final-broadcast-after-13-years
  6. https://mydramalist.com/50321-simply-k-pop
  7. https://www.youtube.com/playlist?list=PLWdVPk7xgPCC-dpprJgwlEeK0C63hLr4R
  8. https://dbpedia.org/page/Simply_K-Pop
  9. https://www.soompi.com/article/933569wpp/behind-scenes-arirangs-simply-k-pop
  10. https://www.youtube.com/watch?v=02sfxyLaLcE
  11. https://www.youtube.com/watch?v=Y8K1JbiyN7U
  12. https://m.arirang.com/tv/9
  13. https://www.allkpop.com/article/2018/05/the-boyzs-kevin-jacob-named-new-mcs-for-simply-k-pop
  14. https://www.youtube.com/watch?v=cmmNUOtGGc8
  15. https://www.reddit.com/r/kpop/comments/t4up6j/ab6ixs_daehwi_selected_to_take_over_as_mc_host_of/
  16. https://www.trazy.com/spot/2892/arirang-tower-%25EC%2595%2584%25EB%25A6%25AC%25EB%259E%2591%25EA%25B5%25AD%25EC%25A0%259C%25EB%25B0%25A9%25EC%2586%25A1
  17. https://m.arirang.com/tv/205
  18. https://www.youtube.com/watch?v=OaJFZiP4NYU
  19. https://www.youtube.com/watch?v=2Mp8L_hYBV4
  20. https://www.youtube.com/watch?v=wz7afvX5BcU
  21. https://www.forbes.com/sites/tamarherman/2020/09/02/digital-corona-concerts-ushers-in-new-era-for-k-pop-fan-experiences/
  22. https://kpopsource.com/threads/unis-elisia-will-be-the-special-mc-for-simply-k-pops-gateway-to-korea.225672/
  23. https://www.arirang.com/news/view?id=289009
  24. https://en.everybodywiki.com/Simply_K-Pop
  25. https://kprofiles.com/twice-awards-history/
  26. https://twicesales.weebly.com/awards.html
  27. https://www.arirang.com/news/view?id=258729
  28. https://www.youtube.com/channel/UC_6zPf4uuteHFFctnQtEaXQ
  29. https://m.arirang.com/tv/225
  30. https://www.soompi.com/article/796495wpp/k-pop-101-how-to-attend-weekly-music-shows
  31. https://www.gmanetwork.com/news/showbiz/chikaminute/770338/hallypop-kicks-off-2021-with-two-new-exciting-shows-for-k-pop-stans/story/
  32. https://www.youtube.com/playlist?list=PL9yYI1vDKIPRN4I8aPUmCQUdsMKAt1B3B
  33. https://www.youtube.com/watch?v=j5cDS7BfUkM
  34. https://www.youtube.com/watch?v=tyRCDXU99j8
  35. https://x.com/_Simplykpop
  36. https://www.kedglobal.com/k-pop/newsView/ked202507090001
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