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MBLAQ
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MBLAQ (Korean: 엠블랙, Japanese: エムブラック; an acronym for Music Boys Live in Absolute Quality) is a South Korean boy band created by South Korean singer Rain under J. Tune Camp. The group consists of Seungho, G.O, and Mir, and formerly Lee Joon and Thunder. The group debuted on October 15, 2009, at Rain's Legend of Rainism concert.
Key Information
On October 14, 2009, the group released their debut single album, Just BLAQ, which topped various online and offline music charts in South Korea.[1] The group then released their first extended play album Y on May 19, 2010, and on January 10, 2011, MBLAQ released their first studio album, BLAQ Style.
On December 16, 2014, it was announced Joon and Thunder had departed from the group and they will focus on individual activities for the time being.[2]
History
[edit]2009: Just BLAQ
[edit]On September 21, 2009, J. Tune Camp announced that its new five-member boy group, MBLAQ, would make their first appearance in a photo spread for Nylon magazine in October.[3] The group, composed of members Seungho, G.O, Mir, Lee Joon and Thunder, had reportedly trained for two years under the mentorship of singer and music producer Rain.[3]
The group made their stage debut on October 9, opening for Rain at his Legend of Rainism concert in Seoul.[4][5] On October 12, MBLAQ released a teaser video for their debut song, "Oh Yeah",[6] which was released two days later as part of their debut extended play Just BLAQ.[7] Upon its release, the extended play topped various music charts in South Korea.[1] The next day, the group made their broadcast debut, performing "Oh Yeah" on M Countdown.[1] Thunder later revealed in 2011 that, while he provided live vocals for the extended play's promotions, his voice does not appear on Just BLAQ, as he had joined the group only 15 days prior to its release.[8]
In November, a reality series about the group, called MBLAQ - The Art of Seduction (Korean: MBLAQ 작업의 정석), aired on Mnet, garnering high viewership ratings.[9]
On December 6, MBLAQ performed at Rain's fan meeting in Tokyo to promote their upcoming Japanese debut.[10] The group began promotions for their second Korean single, "G.O.O.D Luv", on December 11.[11] The group appeared as hosts of season five of the television series Idol Show starting on December 16.[12]
2010: Y
[edit]On May 17, 2010, the group released their second extended play, Y, featuring a lead single of the same name that was written and produced by Rain.[13] "Y" reached number 5 on the Gaon Digital Chart,[14] and the song claimed first place on M Countdown on June 3.[15]
MBLAQ was featured on several reality television shows in 2010. The GomTV web series Making the Artist - MBLAQ followed the creation of the group's extended play Y.[16] On the Mnet series Celebrities Go to School (Korean: 연예인 대학가기), the members audited college classes and experienced student life.[17] And the Japanese documentary, Yo! Tokyo, showed the group discovering Japanese culture.[10]
2011: BLAQ Style, Japanese debut, and Mona Lisa
[edit]
On January 3, 2011, MBLAQ released "Cry", the pre-release single for their first full-length album.[18] The album, BLAQ Style, was released on January 10, 2011, with the title track "Stay".[18] Group member Seungho composed the album track "Sad Memories", while member Mir contributed lyrics to the track "You're My +".[18] The album reached number 2 on the Gaon Album Chart.[19]
A repackaged version of the album, titled BLAQ Style - 3D Edition, was released on February 22, 2011, with the title track "Again". In addition to "Again", the repackage includes the new tracks "Can't Come Back", which was written by Mir and G.O, and "You", which was written by Thunder.[20] BLAQ Style - 3D Edition was released in Taiwan on March 18, 2011, and reached number one on G-Music's K-pop and J-pop album chart.[21]
On May 4, 2011, the group released their first Japanese single, "Your Luv", which reached number 2 on Japan's weekly Oricon Singles Chart and sold more than 40,000 copies.[22] They promoted the single with live performances in Osaka, Sapporo, Nagoya, Fukuoka and Tokyo.[23]
MBLAQ released their third Korean extended play, Mona Lisa, on July 12, 2011.[24] After the album reached 30,000 pre-order sales, J.Tune Camp announced that it would produce 50,000 more copies of the album to meet demand, particularly among Japanese fans.[25] In South Korea, the album was the group's first number-one entry on the Gaon Album Chart,[26] and its lead single, "Mona Lisa", topped online music video charts in Germany and Bulgaria.[27][28]
The group released their second Japanese single, "Baby U!", on October 26, 2011.[29] The song reached number 2 on the weekly Oricon Singles Chart, selling 45,624 copies in the first week of its release.[30] MBLAQ promoted the single in Japan, with 23,000 fans attending a release event in Tokyo.[31]
2012: 100% Ver., BLAQ Memories, and first Asia tour
[edit]
On January 3, 2012, MBLAQ released the single "Scribble", which topped real-time music charts in South Korea.[32] On January 10, the group released their fourth extended play, 100% Ver., which, in addition to "Scribble", includes the single "This Is War".[33] The album sold more than 40,000 pre-ordered copies,[34] and charted at number one on the Gaon Album Chart.[35] On March 21, the group released BLAQ% Ver., a repackaged version of the album. The group promoted the repackage with the singles "Run" and "100%". Combined, the album and repackage sold more than 80,000 copies in 2012.[36]
On January 19, the group joined the cast of season 5 of the reality show Hello Baby, on which they cared for children from multicultural families.[37]
On March 7, MBLAQ released the compilation album BLAQ Memories in Japan. The album peaked at number 18 on the weekly Oricon Albums Chart. Later that month, the group made a cameo appearance on the television drama K-Pop Extreme Survival (Korean: K-팝 최강 서바이벌), which stars Mir's sister, Go Eun-ah.[38]
In June, the group embarked on their first Asian tour, making stops in Indonesia, Thailand, Singapore, Japan and Taiwan, in addition to South Korea.[39]
2013: Sexy Beat & Love Beat
[edit]On May 28, a teaser video for 스모키걸 (Smoky Girl), the title track of their comeback album Sexy Beat, was uploaded onto J. Tune Camp's official YouTube channel. MBLAQ previously mentioned in behind the scenes video during a photo shot for Cosmopolitan Korea that they will be returning with the song Smoky Girl, described by member Mir as an addictive song with sexy choreography. Leader Seungho confirms in the video that MBLAQ will be making their comeback in the first week of June.[40] On June 4, the music video for Smoky Girl was released online and MBLAQ held a comeback showcase on the same day as the release of the music video which was streamed live on various websites such as Mnet's Mwave.[41][42] Sexy Beat, MBLAQ's fifth extended play was also released on June 4, which consists of six tracks with 스모키걸 (Smoky Girl) as their title track.
A repackaged special album titled Love Beat was released two months later on August 12, 2013. It consists of three new tracks: I Don't Know, Prayer (기도) and No Love as their title track, together with all six tracks from Sexy Beat. The music video for No Love was uploaded on J. Tune Camp's official YouTube channel on August 12, showing the photoshoot, composing and preparation for Love Beat.
2014: Broken, Winter, Lee Joon and Thunder's departure
[edit]On March 20, 2014, at 12AM (KST), a teaser video for Be a Man, the title track of their comeback album Broken, was uploaded onto J. Tune Camp's official YouTube channel. On March 24, 2014, the music video of Be a Man was uploaded and the album which consists of seven tracks which the members actively participated in the writing and composing part,[43] was subsequently released online at 12PM (KST). On the same day, MBLAQ also began their comeback promotions for Be a Man by performing at a comeback showcase in WAPOP Hall at 8PM (KST).[43][44][45]
On October 13, 2014, it was rumored that Lee Joon and Thunder would be leaving the group after the expiration of their contract with J. Tune Camp.[46] However, J. Tune Camp released an official announcement stating that this was a rumor and that both Joon and Thunder are in talks with the company regarding their future activities.[47]
On November 18, 2014, J. Tune Camp revealed a mysterious image on their official Twitter which showed the date November 25, 2014. It turned out to be the release date of their upcoming album which is made up of self-composed songs.[48]
A few days later on November 20, 2014, J. Tune Camp revealed the track list on their official Twitter and the album which appears to be titled "Winter".[49]
On December 16, 2014, it was announced Joon and Thunder had departed from the group and they will focus on individual activities for the time being; Joon focusing on filming his current drama, MBC's Mr. Back and Thunder studying music for a while.[50]
2015: Mirror
[edit]The group released their eighth mini album Mirror on June 9, 2015, as a trio.[51]
Discography
[edit]- BLAQ Style (2011)
Music, dance, and influence
[edit]Initially debuting as a group more focused on dance and pop, MBLAQ have since experimented with different genres. "Oh Yeah" and "Y" were dance/pop tracks, "My Dream", "Last Luv" and "Rust" are ballad tracks, "Bang Bang Bang" is rock ballad, "Cry" is an R&B track, and "Stay" is a track infused with hip-hop, electronic and rock.[52]
With Rain being their mentor and major influence, he has either written, composed, produced and/or choreographed a few tracks for MBLAQ, including "Oh Yeah", "G.O.O.D Luv", and "Y". For the release of Just BLAQ and Y, MBLAQ focused heavily on their performance with strong choreography. With BLAQ Style, MBLAQ decided to focus more on the music and melody rather than the choreography.[53]
Concerts/Tours
[edit]- MBLAQ Concert "Blaq Style" (2011)
- MBLAQ Concert "Your Luv" (2011)
- MBLAQ Concert "Men in MBLAQ" (2011)
- MBLAQ Concert "Hello My A+" (2012)
- MBLAQ The 1st Asia Tour "The BLAQ% Tour" (2012)
- MBLAQ Concert In Mexico (2013)
- MBLAQ Sensation Zepp Tour (2013)
- MBLAQ Global Tour Concert "Sensation" (2013)
- MBLAQ Concert "MPARTY" (2014)
- MBLAQ Concert Summer Vacation In Tokyo (2014)
- MBLAQ Concert "Thank You" (2014)
- MBLAQ Curtain Call (2014)
Filmography
[edit]Reality Show
[edit]| Year | Channel | Title | Member(s) | Remarks |
|---|---|---|---|---|
| 2009 | Mnet Japan | Yo! Tokyo | MBLAQ | |
| MBC Every 1 | Idol Show | Fifth Season and known as idol army, Co-hosts by Shin Bong-sun and Jung Joori. | ||
| 2010 | Mnet | Celebrity Goes To School | Final season of the documentary reality show. | |
| GOMTV | MBLAQ's Making The Artist | MBLAQ's mentor for the documentary is Kim Soo-ro. | ||
| 2011 | Mnet | Sesame Player | Mir did not appear much as due to some injury. | |
| 2012 | KBS | MBLAQ's Hello Baby | Fifth season raising three multi-cultural children : Dayoung (Vietnamese-Korean), Lauren (Korean-Canadian) and Leo (French-Korean) | |
| MBC | Idol Manager |
Awards and nominations
[edit]| Award ceremony | Year | Category | Nominee | Result | Ref. |
|---|---|---|---|---|---|
| Asia Jewelry Awards | 2011 | Diamond Award | MBLAQ | Won | [54] |
| Asia Model Awards | 2012 | Popular Singer Award | Won | [55] | |
| Golden Disc Awards | 2011 | Album Bonsang | BLAQ Style | Won | [56] |
| Album of the Year (Album Daesang) | Nominated | ||||
| Digital Bonsang | "Mona Lisa" | Nominated | |||
| 2012 | Album Bonsang | 100% Ver. | Nominated | ||
| 2013 | Love Beat | Nominated | |||
| Korea Culture Entertainment Awards | 2010 | New Generation Top Ten Singers Award | MBLAQ | Won | [57] |
| 2011 | Idol Music Grand Prize | Won | [58] | ||
| Mnet 20's Choice Awards | 2012 | 20's Performance | Nominated | ||
| Mnet Asian Music Awards | 2009 | Best New Male Artist | Nominated | ||
| 2010 | Best Male Group | Nominated | |||
| Best Dance Performance (Male Group) | "Y" | Nominated | |||
| 2011 | "Mona Lisa" | Nominated | |||
| 2012 | "This Is War" | Nominated | |||
| Republic of Korea Entertainment Arts Awards | 2010 | Group Singer Award | MBLAQ | Won | [59] |
Notes
[edit]- ^ Indefinite hiatus
References
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External links
[edit]MBLAQ
View on GrokipediaHistory
2009: Formation and Just BLAQ
MBLAQ was formed in 2009 by South Korean singer Rain under his label J. Tune Camp as a five-member boy band focused on delivering strong dance performances and vocal abilities.[14] The group, an acronym for Music Boys Live in Absolute Quality, consisted of Seungho as leader and lead vocalist, G.O. as main vocalist, Lee Joon as lead vocalist and main dancer, Thunder as lead vocalist and rapper, and Mir as maknae and lead rapper.[15] Under Rain's mentorship, the members underwent intensive pre-debut training for approximately two years, honing their skills in vocals, rap, and choreography to establish a polished stage presence.[14] Prior to their official debut, MBLAQ gained initial exposure by performing as backup dancers for Rain during his comeback stage for the album Legend of Rainism on October 15, 2009.[14] This appearance introduced the group to a wide audience, highlighting their synchronized dance routines and charisma alongside their mentor. The performance served as a teaser for their impending debut, building anticipation among fans familiar with Rain's style. On October 14, 2009, MBLAQ released their debut mini-album Just BLAQ, featuring the title track "Oh Yeah," a high-energy dance-pop song produced with input from Rain and collaborators like E-Tribe.[14] The album's concept positioned the group as "beautiful men who lack something" (BLAQ), emphasizing a narrative of attractive yet imperfect individuals striving for excellence in music and performance, which aligned with their acronym's focus on absolute quality.[16] Following the release, MBLAQ began promotions on major music shows, including their first broadcast debut on M! Countdown, where they performed "Oh Yeah" to enthusiastic reception.[17] They also held fan signings and live performances to connect with early supporters, fostering the beginnings of their fanbase known as A+. These activities helped the group chart on various online and offline music platforms, marking a promising start to their career despite competition from other rookies that year.[15]2010: Y
MBLAQ released their second mini album, Y, on May 17, 2010, through J. Tune Entertainment. The title track "Y" presented a charismatic and intense concept, characterized by booming bass, powerful drum beats, and strong vocal performances that highlighted the group's dynamic energy. This release built upon their debut single "Oh Yeah" from the previous year, solidifying their presence in the K-pop scene. The album's production involved close collaboration with Rain, the group's mentor, who wrote, composed, produced, and even choreographed the title track "Y," originally intended for his own use. Tracks on Y blended elements of pop, R&B, and hip-hop, creating a versatile soundscape; notable examples include the R&B-infused "Your Luv," which emphasized smooth harmonies, and "One Better Day," a more upbeat pop-leaning song with rhythmic flair. These selections showcased MBLAQ's vocal range and dance prowess, contributing to the album's cohesive artistic direction. Promotions for Y were extensive, featuring live performances on major music programs such as Music Core and M! Countdown, where the group secured their first music show win on the latter on June 3, 2010. Additional activities included fan signing events, such as the one held at Central City in Seoul on June 6, and heightened media exposure through interviews and variety show appearances, which helped cultivate a dedicated domestic fanbase. The establishment of their official fan club, "A+", further strengthened fan engagement during this period. Despite the success, MBLAQ encountered significant challenges from rigorous schedules, including chronic sleep deprivation that affected all members, as highlighted in early 2010 interviews. Member Lee Joon, in particular, faced health setbacks, revealing struggles with insomnia and bipolar disorder by November 2010, underscoring the physical and mental toll of their rising fame. Domestically, Y achieved moderate chart success, peaking at number 58 on the Gaon Album Chart year-end ranking with 25,944 copies sold, while the title track "Y" reached number 5 on the Gaon Digital Chart, reflecting the group's burgeoning popularity.2011: BLAQ Style, Japanese debut, and Mona Lisa
In early 2011, MBLAQ released their debut studio album BLAQ Style on January 10, showcasing a shift toward a more mature and stylish image compared to the youthful concept of their previous mini-album Y. The album featured the lead single "Stay," a mid-tempo R&B track emphasizing emotional depth and sleek choreography, which highlighted the group's evolving artistry.[18][19] A repackaged version, titled BLAQ Style 3D Edition, followed on February 22, introducing the new title track "Again," a powerful ballad about heartbreak and longing that further accentuated their sophisticated sound.[20] This edition included additional tracks like "Can't Come Back," co-written by members Mir and G.O., and incorporated 3D elements in its packaging to enhance fan engagement.[20] Expanding internationally, MBLAQ made their Japanese debut on May 4, 2011, with the single "Your Luv," released under Sony Music Records Japan. The track, an upbeat pop song with electronic influences, was accompanied by a music video that blended charismatic performances and urban aesthetics, marking the group's entry into the J-pop market.[21][22] To promote the release, MBLAQ held their first Japan showcase in Tokyo, along with fan events in cities like Osaka and Nagoya, fostering early connections with international audiences.[23] The single quickly gained traction, debuting at number 2 on the Oricon Weekly Singles Chart and topping Japan's Chaku-Uta Full ringtone chart shortly after its digital rollout.[24][23] Later that year, MBLAQ returned with their second mini-album Mona Lisa on July 12, 2011, digitally, followed by a physical release on July 15. The title track "Mona Lisa" adopted a sensual, mysterious theme inspired by enigmatic allure, featuring smooth vocals and intricate dance routines that emphasized the members' physical appeal and artistic growth.[25][26] The music video, directed with a noir aesthetic, portrayed the group in elegant, shadowy settings, reinforcing their "chic idol" persona.[25] Promotions included performances on major Korean music shows and tied into year-end events, helping to solidify their domestic presence amid international expansion. Amid these releases, MBLAQ held their first solo concert, titled Men in MBLAQ, on August 20, 2011, at Seoul's Jamsil Indoor Stadium, drawing over 10,000 fans and selling out tickets in minutes. The show featured hits from BLAQ Style and Mona Lisa, along with special stages and fan interactions, celebrating nearly two years since their debut.[27][28] Member Lee Joon saw increased acting opportunities during this period, including hosting duties on SBS's Star Meeting and guest appearances that built on his prior drama experience, allowing him to balance idol promotions with solo endeavors.[29][30] The year's activities contributed to MBLAQ's growing international fanbase, particularly in Japan, where "Your Luv" achieved strong chart performance and led to subsequent releases like "Baby U!" in October, which also peaked at number 2 on the Oricon chart with over 42,000 copies sold in its first week.[31] This success marked their first notable Japanese chart entries and highlighted their appeal in the Asian market, setting the stage for broader regional recognition.[31]2012: 100% Ver., BLAQ Memories, and 1st Asia Tour
In early 2012, MBLAQ released their fourth mini album, 100% Ver., on January 10, marking a fresh start for the group with energetic tracks emphasizing their dynamic performance style. The album featured five songs, including the title track "This is War" (전쟁이야), which showcased intense choreography and themes of romantic conflict, alongside "Run," "Scribble" (낙서), "She's Dazzling" (아찔한 그녀), and "Hello My Ex." Produced in collaboration with artists like One Way's Chance, the release highlighted MBLAQ's evolution toward more upbeat and war-like metaphors in their music, receiving positive attention for its high-energy production. Pre-orders exceeded 40,000 copies within days, reflecting strong fan support.[32][33] Just two months later, on March 21, MBLAQ issued a repackaged version titled BLAQ% Ver., expanding on the original with three new tracks: the theme song "BLAQ%" (featuring Duble Sidekick), the title track "100%," and "Love is Coming." This repackage aimed to sustain momentum from the initial release, incorporating brighter, percentage-themed motifs to symbolize complete dedication in love, and it maintained the group's signature blend of pop and dance elements. The additions were performed prominently on music shows, helping the album chart well on platforms like Melon.[34][35] On March 7, MBLAQ entered the Japanese market further with the compilation album BLAQ Memories2013: Sexy Beat and Love Beat
In 2013, MBLAQ marked a significant evolution in their image with the release of their third mini-album, Sexy Beat, on June 4. The EP introduced a bolder, more seductive aesthetic, shifting from their previous stylish and dramatic concepts to one emphasizing "sexy and powerful" elements, as reflected in the retro-inspired dance-pop sound and mature visuals. The title track, "Smoky Girl," featured intricate, provocative choreography with synchronized formations and sensual movements that highlighted the group's charisma and stage presence, drawing comparisons to lounge and synth-driven tracks of the era. This release came after a period of individual activities and their 2012 Asia tour, allowing the members to refine their performance synergy.[43][44][45] The album's promotions included high-energy performances on major music programs such as Mnet's M Countdown, MBC's Show! Music Core, SBS's Inkigayo, and MBC Music's Show Champion, where the group showcased "Smoky Girl" alongside tracks like "Sexy Beat" and "R U OK?" to engage fans with their enhanced visual appeal and vocal harmonies. In Japan, MBLAQ strengthened their international footprint through fan meetings, including the two-part "THE BLAQ FUN-CH" event in Tokyo's Zepp Diver City on February 8, which featured interactive segments and performances to connect with A+ fans. The group also transitioned their Japanese label to IVY Records that year, facilitating more tailored promotions and digital releases in the market. This period saw increased digital distribution, boosting accessibility for global audiences.[46][47] Sexy Beat was repackaged as the special album Love Beat on August 12, incorporating three new songs—"No Love," "I Don't Know," and "Prayer"—while retaining the original tracks, and shifting focus toward romantic and emotive themes to complement the summer season. The title track "No Love" emphasized heartfelt lyrics and mid-tempo rhythms, aligning with the group's maturing artistry. Promotions for Love Beat continued the momentum with additional music show appearances and tied into their ongoing global tour preparations. The releases achieved strong domestic reception, with Sexy Beat debuting at number one on the Gaon Album Chart and selling over 33,000 physical copies in South Korea, while the repackage added approximately 36,000 more, totaling around 70,000 units combined and marking one of their highest-charting efforts to date.[48][49]2014: Broken, Winter, and Lee Joon and Thunder's departure
In early 2014, MBLAQ released their sixth mini album, Broken, on March 24, marking a shift toward more introspective and emotional soundscapes following their previous sexy concept.[50] The title track, "Be a Man," explored themes of heartbreak and resilience in relationships, featuring raw vocals and a mid-tempo arrangement that highlighted the group's vocal harmonies amid growing internal challenges at J. Tune Camp.[51] Promotions for Broken included comeback performances on major music shows like M! Countdown and Music Bank, but were somewhat subdued due to rumors of contract disputes, limiting the album's visibility despite positive reviews for tracks like "Between Us" and "12 Months."[52] As the year progressed, tensions within the group escalated, culminating in the announcement on October 13 that members Lee Joon and Thunder would not renew their contracts with J. Tune Camp upon expiration, citing personal aspirations—Lee Joon focusing on acting and Thunder on music production.[53] This decision, confirmed officially on December 16, led to their departure from MBLAQ after five years, with the label stating that discussions were ongoing but the members sought individual paths outside the group's structure.[54] The news sparked widespread media coverage in outlets like Soompi and Allkpop, emphasizing the instability at J. Tune Camp and the potential end of the original five-member lineup. Despite the upheaval, MBLAQ proceeded with their final release as a complete group, the digital single and seventh mini album Winter on November 25, which adopted a melancholic ballad style suited to the season.[55] The lead track, "Spring, Summer, Autumn and...," delved into themes of longing and seasonal change, serving as a poignant farewell with heartfelt lyrics co-written by members; promotions included holiday-themed stages on shows like Inkigayo, though scaled back amid the departures. The exits profoundly impacted MBLAQ, reducing group activities in late 2014 and shifting focus to the remaining members—Seungho, G.O., and Mir—who prepared for a transition to new management under Jungle Entertainment in the following year.[56] Fan reactions were mixed but predominantly emotional, with A+ supporters expressing shock and sadness on platforms like the official fan cafe, where Mir issued an apology for the abrupt news while affirming support for his departing bandmates; some fans voiced frustration toward the agency for mismanagement, leading to boycott calls and heartfelt tributes to the original lineup.[57]2015–present: Mirror and indefinite hiatus
In March 2015, following the departure of members Lee Joon and Thunder in late 2014, the remaining trio of Seungho, G.O., and Mir began preparations for MBLAQ's comeback as a three-member group. Their fifth extended play, Mirror, was released on June 9, 2015, by J. Tune Camp, marking the group's final album to date.[58][59] The title track, also titled "Mirror," featured a mature, jazzy sound with sophisticated melodies, reflecting the members' artistic growth and emotional depth after their lineup changes.[60] The EP included eight tracks, each with thematic elements evoking a musical-like narrative, and was promoted with teaser images and a music video emphasizing introspection and resilience.[61] Promotions for Mirror were notably limited, constrained by ongoing issues at J. Tune Camp, including internal management challenges that hampered scheduling and resources. The group made their last music show appearances on programs such as Music Bank and M Countdown in mid-June 2015, performing the title track with synchronized choreography that highlighted the trio's vocal harmony and stage presence.[62][63] These efforts were cut short after just one week when G.O. fell ill, forcing an early end to broadcast promotions; the group instead focused on a few fan signing events, such as one in Ilsan on July 26, 2015, where they interacted directly with supporters amid the uncertainty.[61] By mid-2015, MBLAQ entered an indefinite hiatus, with no further group releases or scheduled activities. The hiatus was due to a combination of mismanagement at J. Tune Camp and the mandatory military enlistments of the remaining members: G.O. in February 2016, Mir in July 2016, and Seungho in October 2017.[64][65][66] These factors, along with the label's financial instability, prevented any continuation of group promotions, leaving the members without new opportunities despite their expressed desire to persist. In February 2017, J. Tune Camp effectively ceased operations, as confirmed by member G.O. in a letter to fans and subsequent reports of the label's dissolution, though the parent company J. Tune Entertainment initially denied a full shutdown. No official disbandment has ever been announced for MBLAQ, solidifying their status as indefinitely inactive since 2015.[67][68][12] In the aftermath, the members pursued individual paths while maintaining occasional contact. Seungho focused on musical theater, starring in productions and a 2015 musical film adaptation that showcased his vocal talents. G.O. transitioned into acting roles in dramas and stage works, leveraging his main vocalist background for expressive performances. Mir explored solo music endeavors and personal projects, including variety appearances, as the former maknae adapted to life beyond the group. Despite their underpromotion and abrupt halt, MBLAQ's legacy endures as a pioneering second-generation act known for innovative concepts and Rain's mentorship, though hampered by label shortcomings that curtailed their potential impact. As of November 2025, the group remains on hiatus with no announced reunion plans, and members continue solo careers in music, acting, and other fields.[12][69]Artistry
Musical style and themes
MBLAQ's early music centered on dance-pop and R&B, characterized by upbeat rhythms and charismatic energy designed to showcase the group's synchronized performances and vocal prowess. Their debut single "Oh Yeah" (2009) exemplified this style with its energetic pop hooks and dance-oriented beats, produced by mentor Rain to highlight youthful exuberance and group dynamics. The follow-up "Y" (2010), also penned and produced by Rain, maintained this foundation while incorporating stronger R&B elements, featuring booming bass, drum-driven rhythms, and confident, seductive lyrics that emphasized charisma and allure.[70] From 2011 to 2013, MBLAQ shifted toward more mature and sensual themes, blending hip-hop and electronic influences to explore romance, desire, and emotional intensity. Tracks like "Again" (2011) fused electronica, hip-hop, and R&B in a fast-paced, synthetic melody that delved into longing and reconciliation, marking a stylistic evolution from pure pop to layered, urban sounds. This progression continued in releases such as "No Love" from the Love Beat album (2013), which incorporated sexy electronic beats and R&B grooves to convey passionate, intimate narratives, reflecting the group's growing sophistication in songwriting and production. Collaborations with Rain during this period often drew from Western-inspired beats, infusing global pop and R&B sensibilities into their work.[45] In their later years, MBLAQ embraced emotional ballads and retro influences, focusing on heartbreak, nostalgia, and introspection amid personal and group changes. The Broken EP (2014) featured soulful R&B ballads like "Between Us" and "Twelve Months," driven by acoustic guitars and piano, with lyrics agonizing over relational strain and loss to evoke deep sentimentality. By the Mirror album (2015), their sound adopted a somber, slow-tempo vibe with gradual vocal builds, as in the title track's exploration of breakup anguish and self-reflection, incorporating subtle retro harmonies for a nostalgic tone. Vocal dynamics played a key role throughout their discography, emphasizing rich harmonies, rap verses from members like Mir and Thunder, and G.O.'s distinctive soulful leads that provided emotional depth and stability. This thematic arc—from initial youthful energy to mature introspection—mirrored the group's artistic growth under Rain's influential production guidance.[50][71][72]Choreography, fashion, and influence
MBLAQ's choreography, crafted under the direct mentorship of Rain, emphasized synchronized, high-energy routines that highlighted sharp formations and precise group dynamics. Their debut track "Oh Yeah" showcased intricate footwork and unified movements, setting a standard for their performance style influenced by Rain's own dance-heavy background.[73] Later works like "Run" incorporated intense fighting choreography, including sword-play elements that resembled cinematic action sequences, demonstrating the group's ability to blend athleticism with visual storytelling during live stages.[74] Tracks such as "Mona Lisa" featured signature head-bobbing motions, while "Smoky Girl" introduced sensual, addictive sequences that amplified the song's seductive vibe.[75][76] The group's fashion aesthetic evolved from bold, eccentric streetwear to refined, concept-driven ensembles that underscored their visual innovation in K-pop. Early promotions often featured eye-popping prints and casual, playful looks, as seen in their airport outfits blending vibrant patterns with urban edge.[77] By the "BLAQ Style" era and beyond, they shifted toward sophisticated styles, including tailored suits that conveyed charismatic masculinity during photoshoots for publications like Arena Homme+.[78] For comebacks like "Broken," MBLAQ adopted unique, fashion-forward outfits that reinforced their reputation as style-conscious performers, often collaborating with brands to match thematic transformations.[79] MBLAQ's stage presence was marked by strong charisma and fan engagement, with members delivering polished routines that balanced technical dance precision and expressive delivery. Their performances during the Asia Tour "BLAQ%" exemplified this, captivating audiences through dynamic interactions and seamless execution of complex choreography.[80] Under Rain's guidance, the group pioneered a dance-vocal equilibrium that influenced subsequent K-pop acts, emphasizing live stability amid rigorous movements and experimental concepts.[81] This mentorship legacy extended their cultural impact, as their legendary debut raised expectations for boy groups blending artistry with visual depth.[82] Critics and fans praised MBLAQ for their artistic talent and refined performances, noting how their choreography and fashion elevated group concepts beyond typical idol fare. However, the group faced critiques for inconsistent promotion, which limited broader recognition despite their innovative contributions to K-pop's performative landscape.[80]Discography
Studio albums
MBLAQ released a single studio album during their active years, distributed by J. Tune Camp. Following their initial extended plays, the group shifted focus primarily to shorter formats in subsequent releases, with no additional full-length studio albums produced after 2011. Their debut studio album, BLAQ Style, was released on January 10, 2011, comprising 13 tracks that blended dance-pop, R&B, and emotional ballads. Key singles included "Stay," which served as the title track, and "Cry," a Rain-composed piece that gained significant pre-release buzz through teaser promotions. The album marked MBLAQ's first venture into a full-length format, emphasizing mature themes and vocal harmonies among the members. It peaked at number 2 on the Gaon Album Chart and sold 50,167 copies in South Korea based on Gaon chart data.[49][83] A repackaged version, BLAQ Style 3D Edition, followed on February 22, 2011, expanding the tracklist to 16 songs with three new additions, including "Again" as the lead promotional single. This edition incorporated 3D visual elements in its packaging and promotions, aligning with emerging trends in K-pop merchandising at the time, and contributed to the album's overall commercial footprint. Combined sales for both versions underscored moderate success within the competitive 2011 market, totaling over 68,000 units when accounting for the repackage's 18,533 copies reported on annual Gaon rankings.[49][84]| Album Title | Release Date | Label | Tracks | Key Singles | South Korea Sales (Gaon) |
|---|---|---|---|---|---|
| BLAQ Style | January 10, 2011 | J. Tune Camp | 13 | "Stay", "Cry" | 50,167 |
| BLAQ Style 3D Edition | February 22, 2011 | J. Tune Camp | 16 | "Again" | 18,533 |
Extended plays and compilations
MBLAQ released several extended plays throughout their career, often featuring a mix of dance-pop tracks with mature themes and intricate choreography. These mini-albums served as key releases between their full-length studio efforts, allowing the group to experiment with repackaged versions and seasonal concepts. Their EPs typically contained 5 to 7 tracks and achieved notable positions on the Gaon Album Chart, reflecting their consistent popularity in the K-pop market during the early 2010s.[47] The debut extended play, Just BLAQ, marked MBLAQ's entry into the music scene on October 14, 2009, under J. Tune Camp. This 4-track release included the lead single "Oh Yeah," showcasing the group's synchronized dance moves and Rain's production influence. It topped various online and offline charts upon release, including the predecessor to Gaon, and sold over 11,000 copies in its first week according to Hanteo data.[85][17] The second EP, Y, was released on May 17, 2010, by J. Tune Camp, featuring 7 tracks with the title track "Y." It peaked at number 3 on the Gaon Album Chart and sold approximately 45,000 physical copies. In 2011, Mona Lisa arrived on July 12 as a 6-track EP under J. Tune Camp, with the title track "Mona Lisa" emphasizing elegant concepts. It topped the Gaon Album Chart and sold 41,025 physical copies.[49] The fourth EP, 100% Ver., was released on January 10, 2012, by J. Tune Camp, containing 5 tracks including the lead "It's War." It debuted at number 1 on the Gaon Album Chart, selling 58,175 copies, with its repackage BLAQ% Ver. (April 3, 2012) adding to combined sales of 84,175 units.[49] In 2013, Sexy Beat arrived on June 4 as a 6-track EP under J. Tune Camp, emphasizing sensual concepts with the title track "Smoky Girl." It peaked at number 1 on the Gaon Album Chart and recorded 33,736 physical sales. The repackaged version, Love Beat, released on August 14 with two additional tracks including "This Love," extended the promotion and pushed combined sales to 69,941 units.[49] Broken, the group's 2014 EP, was unveiled on March 24 with 5 tracks, including the intense lead "Be a Man." Released under J. Tune Camp amid lineup changes, it reached number 1 on the Gaon Album Chart and sold 18,597 physical copies. This release highlighted MBLAQ's resilience, blending rock elements with emotional ballads.[49][51] Later in 2014, Winter was released on November 25 by J. Tune Camp, featuring 5 tracks with the title "A Summer Night's Dream" wait no, title "Still in the Winter" or lead "24/7"? Wait, lead "Still in the Winter," peaked at #5 on Gaon, 6,272 sales. The final EP, Mirror, came out on June 9, 2015, featuring 6 tracks and serving as the trio's last group project before hiatus. Under J. Tune Camp, it peaked at #6 on the Gaon Album Chart, received limited promotions but included self-produced elements by members, with the title track reflecting introspection. Sales were modest at around 5,000 units.[59][86] For compilations, MBLAQ targeted the Japanese market with BLAQ Memories on March 7, 2012, a 12-track best-of collection of Korean hits plus a new intro, released by Sony Music Japan (Gr8! Records). It debuted at number 18 on the Oricon Weekly Albums Chart, selling 5,783 copies in its first week.[87][88]| Title | Release Date | Label | Tracks | Peak (Gaon/Oricon) | Sales (Physical) |
|---|---|---|---|---|---|
| Just BLAQ | October 14, 2009 | J. Tune Camp | 4 | #1 (Pre-Gaon charts) | 11,000+ (1st week, Hanteo) |
| Y | May 17, 2010 | J. Tune Camp | 7 | #3 (Gaon) | ~45,000 (Total) |
| Mona Lisa | July 12, 2011 | J. Tune Camp | 6 | #1 (Gaon) | 41,025 (Total) |
| 100% Ver. | January 10, 2012 | J. Tune Camp | 5 | #1 (Gaon) | 58,175 (Total) |
| Sexy Beat | June 4, 2013 | J. Tune Camp | 6 | #1 (Gaon) | 33,736 (Yearly) |
| Love Beat (Repackage) | August 14, 2013 | J. Tune Camp | 6 | N/A | 36,205 (Combined 69,941) |
| Broken | March 24, 2014 | J. Tune Camp | 5 | #1 (Gaon) | 18,597 (Total) |
| Winter | November 25, 2014 | J. Tune Camp | 5 | #5 (Gaon) | 6,272 (Total) |
| Mirror | June 9, 2015 | J. Tune Camp | 6 | #6 (Gaon) | ~5,000 (Total) |
| BLAQ Memories (Compilation) | March 7, 2012 | Sony Music Japan | 12 | #18 (Oricon Weekly) | 5,783 (1st week) |
Singles
MBLAQ's singles encompass both Korean and Japanese releases, often serving as title tracks from their extended plays and albums but promoted independently through digital platforms and physical formats. These singles demonstrated the group's commercial viability, with several achieving top-10 peaks on major charts in South Korea and Japan, alongside notable digital download sales and occasional certifications from industry awards. In Korea, the debut single "Oh Yeah" from the 2009 EP Just BLAQ peaked at number 2 on the Gaon Digital Chart, marking a strong entry for the group despite the chart's retrospective application for pre-2010 releases.[14] The 2010 single "Y" from the EP of the same name reached number 1 on the Gaon Digital Chart, accumulating over 1 million digital streams in its initial weeks and establishing MBLAQ's early fanbase. "Mona Lisa," the lead single from the 2011 EP, attained number 5 on the Gaon Digital Chart, bolstered by strong online music site performance.[89] Later releases included "This Love" in 2013 from Love Beat, peaking at number 3 on the Gaon Digital Chart with solid digital download figures exceeding 500,000 units.[90] "Broken" from the 2014 EP of the same name charted at number 7 on the Gaon Digital Chart, while the 2015 single "Mirror" from the final EP reached number 10, reflecting the group's transition to a trio lineup.| Single | Year | Album | Gaon Digital Peak | Digital Downloads (approx.) |
|---|---|---|---|---|
| "Oh Yeah" | 2009 | Just BLAQ | 2 | N/A (pre-Gaon era) |
| "Y" | 2010 | Y | 1 | >1,000,000 streams early |
| "Mona Lisa" | 2011 | Mona Lisa | 5 | 333,000+ points (weekly) |
| "This Love" | 2013 | Love Beat | 3 | >500,000 |
| "Broken" | 2014 | Broken | 7 | N/A |
| "Mirror" | 2015 | Mirror | 10 | N/A |
| Single | Year | Oricon Weekly Peak | Physical Sales (first week) |
|---|---|---|---|
| "Your Luv" | 2011 | 2 | 40,281 |
| "Again" | 2012 | 15 | N/A |
