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Sudesi
Theatrical release poster
Directed byJeppy A. Y
Written byJeppy A. Y.
Produced byL. K. Sudhish
StarringVijayakanth
Ashima Bhalla
CinematographyKichas
Edited byK. R. Gowrishankar
Music bySrikanth Deva
Production
company
Captain Cine Creations
Release date
  • 10 March 2006 (2006-03-10)
Running time
152 minutes
CountryIndia
LanguageTamil

Sudesi (/suˈðsi/) is a 2006 Indian Tamil-language political action film directed by Jeppy A. Y. It stars Vijayakanth and Ashima Bhalla, while Sayaji Shinde, Karunas, and Manoj K. Jayan play supporting roles. The music was composed by Srikanth Deva with cinematography by Kichas and editing by K. R. Gowrishankar. The film was released on 10 March 2006.

Plot

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After the death of the Chief Minister of Tamil Nadu Ganapathy (V. S. Raghavan), the ruling party chooses Narayanan (Sayaji Shinde), a corrupt politician and ex-rowdy, as their new party leader and the Chief Minister of Tamil Nadu. Ponnusamy (Alex), a party member who wants to become the chief minister, tries to stop it, but Narayanan plants a bomb in his car and Ponnusamy dies. Narayanan's right-hand man is Raghavachari (Krishna), who advises him on all matters, whereas the minister Ramasamy (Livingston) hates Ragavachari and wants to become Narayanan's right-hand man.

Sudesi (Vijayakanth) is a jobless man who has a master's degree in political science and lives with his mother (Sangeetha) in the city. For the village festival, Sudesi returns to his village, and his relative Selvi (Ashima Bhalla), who loves him, tries to win his heart. Back in the city, Sudesi's servant Kamala (Kalairani) informs Sudesi that her son Ganesh (Master Karthik) went missing, and his dead body is later found in a drain by the police. Sudesi finds out the culprit: a school teacher (Thalaivasal Vijay). That day, the teacher sent Ganesh to his house for doing housework. At the police station, the police inspector (Mansoor Ali Khan) promises Sudesi that the teacher will be in jail for a long time. Later that day, the police inspector Sudesi receives bribes from the school teacher, and Sudesi takes the issue to the court.

One day, a beggar steals the handbag of Raghavachari's mistress Shruti (Shruti Malhotra) on the street, and Sudesi goes after him. Raghavachari then kills Shruti for her inadvertence, while Sudesi brings the handbag to his house. With his henchmen, Raghavachari meets Sudesi in his house and plants a bomb to destroy all the evidence. The bomb explodes killing his mother, and an injured Sudesi is admitted to the hospital. At the hospital, Selvi brings him the handbag she had taken with her that day, and he finds a CD inside. Sudesi then absconds. The private detective Thilak (Manoj K. Jayan) is assigned by Raghavachari to find Sudesi and the CD.

Thilak eventually finds Sudesi, who shows him the video in the CD. The video shows Narayanan killing Ganapathy in the hospital, and it was Ragavachari who recorded it with a hidden camera to blackmail Narayanan later. Thilak surprisingly decides to support Sudesi. Sudesi and Thilak then kidnap Raghavachari. Sudesi starts to blackmail Narayanan using the CD and uses him effectively for the betterment of society. Narayanan gets praised by the public for his good work and wins the Legislative Assembly election hands down. Narayanan then thanks Sudesi for changing him into a good politician, and he continues his work under Sudesi's guidance.

Cast

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Production

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The first schedule started at Pollachi. The song "Karpooram Kaati" was shot with 400 junior artistes and 100 dancers.[1]

Soundtrack

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Music was composed by Srikanth Deva.[2]

Song name Singers Lyrics
"Nooru Kodi Minnal" Vijay Yesudas, Shobana Sharmila Neela Megam
"Kalyaana Kanavu" P. Jayachandran, Swarnalatha Nandalala
"Senthamil Naadu" Saindhavi, Priya, Vidya Neela Megam
"Raaviniley" Ganga Aasai Thambi
"Kaaya Pazamaa" Malathy Lakshman Viveka
"Karpooram Kaatti" S. P. Balasubrahmanyam Muthu Vijayan

Critical reception

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Lajjavathi of Kalki wrote the film is not structured, they seemed to have shot bit by bit and stuck all the scenes casually at end therefore its not easy to find where the story is attached.[3] Malini Mannath of Chennai Online wrote, "'Sudhesi' is an example of how bad a Vijaykanth film can turn out to be!".[4]

References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Sudesi is a Indian Tamil-language political directed by Jeppy A. Y. The film stars as the protagonist Hindustani, an idealist who discovers evidence implicating the state's R.C. Narayan in , leading him to abduct and the minister's aide Raghavchari to force systemic change. It also features as the female lead, alongside supporting actors including , , and . The storyline emphasizes themes of and vigilante justice in a political context, with music composed by . Despite its focus on political intrigue, the film received mixed reception, evidenced by its modest IMDb rating of 4.2 out of 10 based on limited user reviews.

Overview

Plot summary

Sudesi, portrayed as an idealistic youth with a in , relocates from a rural background to the city, where he encounters pervasive and political intrigue. He stumbles upon incriminating evidence, in the form of a , exposing a conspiracy by politician R. C. Narayan () to assassinate the incumbent Ganapathy and seize power through ties to the underworld. Motivated to combat systemic , Sudesi abducts Narayan's key aide, Raghavachari, fakes his death, and uses the ruse to demand that Narayan publicly confess his corrupt practices and resign, aiming to catalyze broader political reform. Narayan deploys his henchmen to hunt Sudesi and recover Raghavachari, leading to intense confrontations amid the urban underworld's machinations, as Sudesi evades capture while rallying against entrenched power structures. The narrative culminates in Sudesi's efforts to enforce , highlighting themes of agency against institutionalized graft.

Themes and political messaging

Sudesi centers on themes of and the clash between individual and entrenched political . The , an educated but jobless youth named Sudesi (also referred to as Hindustani), discovers evidence of the R.C. Narayan's involvement in assassinating his predecessor to seize power, highlighting conspiratorial power grabs and alliances between politicians and the . This narrative underscores the causal links between corrupt leadership and societal decay, portraying Sudesi's abduction and faked death of the CM's aide as a pragmatic, if , mechanism to coerce systemic reform. The film's political messaging promotes the efficacy of principled action against , with Sudesi evolving from a passive observer to an active reformer who leverages evidence and deception to dismantle corrupt networks. Vijayakanth's character delivers one-liners critiquing political , emphasizing and over institutional dependence, while avoiding direct partisan appeals. Such elements reflect broader Tamil cinematic tropes of the upright combating elite malfeasance, akin to films like Mudhalvan, but grounded in realistic depictions of electoral conspiracies and criminal-political nexuses. Released amid Vijayakanth's founding of the (DMDK) party in 2005, the movie functions as implicit advocacy for clean governance, positioning the as a symbolic social worker who "raises his voice against injustice." However, Vijayakanth denied any overt political intent, insisting the story contains "not even an iota of political commentary," though its timing and content fueled perceptions of it as a for his 2006 electoral campaign. Critics observed the messaging's cryptic nature, relying on action and dialogue to convey imperatives without alienating audiences through explicit .

Production

Development and pre-production

Sudesi was produced by Vijayakanth's own banner, Captain Cine Creations, which had previously backed films such as (2000), (2001), and Thennavan (2003). The project featured a script centered on patriotic themes, portraying the protagonist in a larger-than-life manner consistent with Vijayakanth's established screen persona. Principal photography advanced rapidly in , , with the film approaching completion by early September 2005 to accommodate Vijayakanth's political commitments. This accelerated schedule aligned with his announcement of the (DMDK) party on September 14, 2005, allowing him to prioritize the launch amid upcoming state elections. By mid-November 2005, elements like were prioritized, as Vijayakanth intended to wrap them before embarking on a promotional tour. The film's development emphasized action-oriented political narratives, reflecting Vijayakanth's transition into active politics, though specific details on script origination or initial conceptualization remain undocumented in available production records.

Casting

Vijayakanth was selected for the dual lead role of Sudesi and Hindustani, an idealist uncovering corruption in the political system, aligning with his established screen image as a mass action hero in Tamil cinema. The film, produced under his own banner Captain Cine Creations, saw principal supporting roles assigned to Ashima Bhalla as the protagonist's wife Sonam/Selvi, Sayaji Shinde as the antagonistic Chief Minister R.C. Narayan/Asia Narayanan, Karunas as Ramesh for comedic elements, and veteran actor M. N. Nambiar as Sudesi's grandfather. These choices incorporated experienced performers familiar with political drama genres, with Shinde's villainous portrayals and Nambiar's authoritative elder roles adding depth to the narrative's themes of governance and family loyalty. Casting was completed prior to principal photography, enabling shooting to wrap by November 2005, after which Vijayakanth prioritized dubbing his portions ahead of a political tour amid his DMDK party's election preparations. The ensemble's composition supported the film's intent as a pre-election vehicle, with Vijayakanth pushing for an early 2006 release to influence public sentiment before the Tamil Nadu Assembly polls.

Principal photography

Principal photography for Sudesi took place primarily in , , . Filming occurred in 2005, ahead of the film's release in early 2006, with production actively progressing by December of that year. The cinematography was managed by Kichas, who captured the political action sequences central to the narrative.

Cast and crew

Lead actors

Vijayakanth stars as Sudesi, also known as Hindustani, the film's —an idealistic villager who discovers evidence of involving the state's and takes drastic action to expose it. A prominent figure in during the 1980s and 1990s, 's portrayal emphasizes themes of and , aligning with his frequent roles as a righteous hero combating systemic injustice. Ashima Bhalla appears as Sonam (or Selvi in some listings), the wife of the lead character, providing emotional support amid the central conflict. Known primarily for roles in and regional films during the early , Bhalla's character underscores familial stakes in the narrative of political intrigue. plays Chief Minister R.C. Narayan (or Narayanan in variant credits), the primary whose corrupt practices drive the plot. Shinde, a veteran actor across multiple Indian languages, delivers the role of a power-hungry , drawing on his experience in portraying authoritative villains.

Supporting actors

Sayaji Shinde portrayed Chief Minister R.C. Narayan, the corrupt antagonist whose actions provoke the protagonist's vigilantism. Karunas played Ramesh, a supporting character providing comic relief amid the film's action-drama elements. M. N. Nambiar appeared as Sudesi's grandfather, contributing to the backstory of the lead character's motivations. Additional supporting roles were filled by Kottai Perumal as Swamy, Mansoor Ali Khan, Livingston, and Manoj K. Jayan, though specific character details for these actors remain less documented in primary production records. These performers, drawn from Tamil cinema's established ensemble, emphasized the film's themes of political corruption and personal justice through their portrayals of authority figures and allies.

Key crew members

The director of Sudesi was Jeppi, a filmmaker known for this project as his notable directorial effort in . Jeppi also received writing credits alongside Shekhar Astitva and Jagruti Wadke for the screenplay and dialogue. The film was produced by L. K. Sudhish under his banner, handling the production responsibilities for the 2006 release. was led by Kichas, who captured the action sequences central to the plot involving political intrigue and . Editing duties fell to K. R. Gowrishankar, ensuring the pacing suited the thriller elements. The musical score, including composed by Babubhai and songs by , was overseen by these composers to underscore the patriotic themes.

Soundtrack

Composition and release

The soundtrack for Sudesi was composed by , son of the established Tamil composer Deva, who handled the music direction for all six tracks. were penned by multiple writers, including for "Kalyana Kanavu," for select numbers, and Shekhar Astitva for others, with vocal performances featuring artists such as , , , and Malathy Lakshman. The album was released in 2005 by Track Musics, ahead of the film's theatrical debut on March 10, 2006, following standard Tamil cinema practice of pre-film audio launches to build anticipation. Production details indicate songs were finalized during late-stage filming, with one track highlighted in media reports from September 2005 for its thematic relevance to the Pongal festival. Digital re-releases appeared later, such as in 2009 on platforms like Apple Music.

Track listing and notable songs

The soundtrack album of Sudesi features six tracks composed by , with lyrics primarily by and others, released in 2006 alongside the film's production.
No.TitleSinger(s)Duration
1Kalyana Kanavu, 4:28
2Karpuram KattiN/A
3Kaya PazhamaMalathi4:19
4Nurukodi Minnal, Sobhana5:04
5RavinileyUnspecified4:16
6Senthamil NaduUnspecified4:26
"Karpuram Katti", rendered by veteran , garnered attention for its upbeat rhythm and the singer's distinctive style, often featured in fan compilations of film songs. "Kaya Pazhama" includes a visually elaborate sequence shot with over 100 bullock carts, emphasizing rural themes central to the film's narrative. Tracks like "Senthamil Nadu" align with the movie's patriotic undertones, though specific reception data for individual songs remains limited in contemporary reviews.

Release

Theatrical release and marketing

received a theatrical release in India on March 3, 2006. The film, a Tamil-language political action drama, was distributed primarily in Tamil Nadu, targeting audiences familiar with lead actor Vijayakanth's portrayals of idealistic protagonists combating corruption. Promotional efforts centered on Vijayakanth's star power, given his established reputation in Tamil cinema for mass-appeal action films, though specific campaign details such as trailers or advertisements beyond standard theatrical posters remain undocumented in available records.

Box office performance

Sudesi was produced on a low budget of ₹10 . Box office performance data for the film remains inconsistent and sparsely documented, reflecting challenges in tracking collections for mid-tier Tamil releases of the era. Aggregator sites report a gross of ₹1 , classifying it as a super hit relative to its cost, while statistics analyses label it a super flop, aligning with the declining commercial trajectory of Vijayakanth's films in the mid-2000s. Promotional claims from broadcasters, such as first-day earnings of ₹18 and an net of ₹3.65 , lack corroboration from trade sources or independent trackers. No comprehensive verified figures from reputable outlets like are available, underscoring the film's limited theatrical impact.

Reception and legacy

Critical reception

Sudesi garnered mixed reviews from critics, who commended Vijayakanth's commanding presence in action sequences but critiqued the film's uneven pacing, formulaic narrative, and underwhelming musical score by . The storyline, centered on and an idealist's crusade, was seen as serving Vijayakanth's burgeoning political ambitions by subtly positioning him as a messianic figure against systemic graft, though executed without overt provocation to established sentiments. Debut director Jeppy A. Y. received credit for sustaining interest amid the overt ideological thrust, yet the overall execution was faulted for lacking narrative cohesion.

Audience response and commercial legacy

The film garnered a lukewarm audience response, reflected in its 4.2 out of 10 rating on from 63 user votes, suggesting dissatisfaction among viewers who found the narrative formulaic and lacking innovation despite 's commanding presence. Fans of , known for his mass appeal in action roles, appreciated elements like the political undertones and sequences, but broader audiences criticized the repetitive plot devices common in mid-2000s Tamil commercial cinema. Commercially, Sudesi achieved average returns but failed to match the blockbuster performance of Vijayakanth's hits, contributing to the erosion of his box-office dominance amid shifting audience preferences toward fresher narratives. Released on December 18, 2005, it relied on Vijayakanth's established fanbase in rural for initial openings, yet did not sustain long runs or generate significant dubbed versions or re-releases, limiting its legacy to a footnote in his filmography rather than a enduring commercial benchmark. No verifiable data indicates substantial sales or streaming revival, underscoring its modest post-theatrical footprint in an era when increasingly favored youth-oriented entertainers.

Political context and impact

Sudesi was released on March 24, 2006, amid Vijayakanth's political campaign for the Tamil Nadu Legislative Assembly elections, which occurred on May 8, 2006, following the formation of his Desiya Murpokku Dravida Kazhagam (DMDK) party on September 14, 2005. The film's plot depicts Vijayakanth's character, an unemployed political science graduate named Sudesi, uncovering evidence of corruption by the state's chief minister and resorting to abduction and blackmail to enforce systemic change, themes that mirrored Vijayakanth's critiques of entrenched political malfeasance. The timing of the release was explicitly leveraged to amplify Vijayakanth's political messaging, with producers anticipating it would generate applause and voter influence by embedding portraits of his values—such as —within the narrative. Reviews observed the film as adopting a formula akin to politically charged cinema, using it to critique contemporary governance while positioning as a corrective force against dynastic and corrupt politics. DMDK's independent contest in all 234 constituencies yielded 2.7 million votes, or 8.38% of the total polled, establishing a foothold despite winning no seats, in an election dominated by the DMK-led . The movie's role in this outcome is indirect but contributory, as it reinforced 's outsider persona and ideological appeal to voters seeking alternatives to Dravidian majors, thereby aiding the party's emergence as a viable third force in politics.

References

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