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Aivi & Surasshu
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Key Information
Aivi & Surasshu (stylized as aivi & surasshu) are an electronic composer duo, composed of pianist Aivi Tran and electronic artist Steven "Surasshu" Velema. They are known for composing soundtracks, including that of Cartoon Network's animated series Steven Universe.[1] The two married in 2015.[2]
Career
[edit]The Black Box (2012–2013)
[edit]Aivi Tran and Steven Velema first met in person at GDC in 2012 (before GDC, they had interacted only on Twitter), and discussed the idea of a piano/chiptune hybrid project.[3]
Communicating after the convention, the two collaborated on an independent album project entitled The Black Box, and released on Ubiktune in 2013. The project was a combination of original piano and chiptune music, with several video game covers including "Lonely Rolling Star" from Katamari Damacy.[4] The album was positively received, with Kotaku describing it as "lush, melodic, and well put-together".[5]
Steven Universe (2013–2020)
[edit]The duo were suggested to creator Rebecca Sugar of the animated television series Steven Universe by storyboard artist Jeff Liu, shortly after the release of The Black Box, and were subsequently brought onto the project.[1] The duo made use of leitmotifs expressing each character's personality, which changes slightly depending on the situation.[6] The character Pearl was often accompanied by a piano, Garnet by a synth bass, Amethyst by drums, and Steven with chiptune tones. They worked with guitarist Stemage on some parts of the soundtrack, including the opening for the second season.[1] They also worked on the sequel series, Steven Universe Future.[7]
The first volume of the Steven Universe soundtrack reached #22 on the Billboard 200.[8] A second volume followed in 2019, peaking at #28 on the Billboard 200, and #12 on the US iTunes chart.[9][10]
Infloresce & Meanwhile (2022-Present)
[edit]In 2022, in an attempt to help support other composers and artists and create a community for personalized music, aivi founded Infloresce Records.[11] The label released their first album Infloresce Vol.1 - Floral Folklore featuring songs from artists signed to the label such as Lena Raine, telebasher, and miles morkri. Aivi & Surasshu composed, and performed the song "Mai and the Snake" for the album. In addition to their track on the album, surasshu mastered the album with aivi serving as album director.[12]
On July 28, 2023, for the 10-year anniversary of their first album, the duo released the 10th Anniversary Edition of The Black Box. It includes 7 new tracks and had a limited run of vinyl, with a comic book to go alongside it.
In 2023 Aivi & Surasshu released their second full album, Meanwhile. Originally intended to be a sequel to The Black Box the album shifted to a reflection on the time spent in between the many events in their life since their last album.[13] The album was met with generally positive reviews, but received noticeably less attention than their previous work.
Other projects
[edit]The duo worked on numerous video game soundtracks including Soul Saga, Ikenfell,[14] Cryamore[15] and Way to the Woods,[16] as well as several interactive Google Doodles.[17]
References
[edit]- ^ a b c Thurm, Eric (January 15, 2016). "Dropping Gems: An Interview with the Composers of the Score for 'Steven Universe'". Noisey. Archived from the original on May 1, 2019. Retrieved January 2, 2018.
- ^ "About". Surasshu. Archived from the original on July 11, 2019. Retrieved July 10, 2019.
- ^ surasshu (October 2, 2016). "r/stevenuniverse - We're aivi & surasshu, the music composers of Steven Universe. Ask us anything ♫". reddit. Archived from the original on September 29, 2020. Retrieved September 29, 2020.
- ^ "aivi & surasshu - The Black Box". ubiktune.com. Archived from the original on September 29, 2020. Retrieved September 29, 2020.
- ^ Hamilton, Kirk (November 3, 2013). "Acoustic Piano Meets Chiptunes, And It's Freakin' Lovely". Kotaku. Archived from the original on July 10, 2019. Retrieved July 10, 2019.
- ^ McDonnell, Chris (July 11, 2017). Steven Universe: Art & Origins. ABRAMS. pp. 161–162. ISBN 978-1-68335-083-5. OCLC 1096293421.
- ^ "Steven Universe Future (Original Soundtrack) by Steven Universe & Aivi & Surasshu on Apple Music". October 23, 2020.
- ^ "Top 200 Albums: Week of June 24, 2017". Billboard. Archived from the original on April 26, 2019. Retrieved January 2, 2018.
- ^ "'Steven Universe, Vol. 2 (Original Soundtrack)' by Steven Universe (American Albums iTunes Chart)". iTunesCharts.net. Archived from the original on July 6, 2019. Retrieved July 10, 2019.
- ^ "Soundtrack Steven Universe, Volume 2 Chart History". Billboard. Retrieved July 11, 2019.
- ^ "About – Infloresce Records". infloresce.com. Retrieved May 24, 2024.
- ^ "Infloresce Vol. 1 - Floral Folklore, by Infloresce Records". Infloresce Records. Archived from the original on October 9, 2024. Retrieved May 24, 2024.
- ^ "Meanwhile, by aivi & surasshu". aivi & surasshu. Archived from the original on December 28, 2024. Retrieved May 24, 2024.
- ^ tran, aivi (November 16, 2018). "Music by me & @surasshu/ Guitars performed by @Stemage/ Follow @ChevyRay for updates on Ikenfell".
- ^ Wejebe, Alyssa (August 29, 2019). "Steven Universe Composer Aivi Tran Talks About Creating Music for Games". Cliqist. Archived from the original on September 29, 2020. Retrieved September 29, 2020.
- ^ Rizzo-Smith, Julian (June 24, 2019). "Meet The Young Aussie Behind The Most Beautiful Game Of E3". Junkee. Archived from the original on July 10, 2019. Retrieved July 10, 2019.
- ^ tran, aivi (June 13, 2018). "I'm working on @Cryamore, Ikenfell, and contributing to some other game soundtracks I also composed music for two Google Doodles games (Halloween 2015 and Olympics 2016) with my boy @surasshu".
Aivi & Surasshu
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Background and members
Aivi Tran
Aivi Tran is a Vietnamese-American composer, producer, and piano teacher known for blending classical piano with electronic elements. Born to Vietnamese refugee parents, Tran spent part of their childhood in Thailand before moving to the United States, where they were immersed in music through family cassette tapes and vinyl records featuring Vietnamese songs. This early exposure fostered a deep appreciation for melody and rhythm, shaping their artistic identity as a bridge between cultural heritages.[10] Tran's musical training began with classical piano lessons at a young age, prior to learning to read, and by age 10, they were playing video game soundtracks like those from Super Mario 64 by ear. They further developed skills in music technology during high school, self-teaching MIDI sequencing in a dedicated class, which introduced them to electronic composition alongside their acoustic roots. Tran earned a Bachelor of Arts in Music with honors from the University of California, Davis, studying composition under Professor Kurt Rhode. In their early career, Tran worked as a piano teacher and shared performances on YouTube, including original pieces like the 2009 "Motivic Transformation," a theory exercise transforming a simple motif into a full piano work.[10][1][11] As a solo artist using they/them pronouns, Tran focused on emotional expression through piano, often emphasizing vulnerability and narrative depth in their work to evoke personal and cultural resonance. Their independent contributions included compositions for indie games, such as the full soundtrack for Cryamore in 2013, and experiments with sine waves to create minimalist electronic textures integrated with piano. Tran also released individual tracks on platforms like Bandcamp, exploring themes of love and introspection.[1][9][10][12]Surasshu
Steven "Surasshu" Velema (he/him) is a Dutch-born composer, electronic music producer, and sound designer, born in 1983 in Utrecht, Netherlands.[13] From a young age, he developed a fascination with video game music, which led him to begin composing using trackers stored on floppy disks, fostering an early interest in electronic music and chiptune aesthetics.[3] Velema's solo career emphasizes kinetic, synth-driven production, often blending chiptune elements with sci-fi and horror influences. He has released works under his own name on labels like Ubiktune, including the 2022 album 5, a concept piece exploring the stages of grief through IT-tracked chiptune compositions.[14] His technical skills include pioneering chiptune fusion via Impulse Tracker software for intricate, modular sound design, complemented by mixing in Reaper.[15] Additionally, Velema has contributed to game audio design, creating soundtracks for indie titles and Nintendo handheld adaptations, with clients such as Capcom and Electronic Arts.[3] Before forming collaborations, Velema was active in chiptune communities, co-founding the project yogurtbox with Ken "coda" Snyder and releasing the 2011 FM chiptune album Tree of Knowledge, inspired by 1990s Japanese PC-98 adventure and eroge soundtracks.[16] He participated in digital fusion scenes, including one-hour composing battles that honed his rapid, innovative style.[3] In recent years, Velema continues solo pursuits, such as previewing emerging chiptune tracks on his blog, including "wanted you…" by telebasher and azurglade in early 2025.[17]Formation and early career
Meeting and collaboration origins
Aivi Tran and Steven "Surasshu" Velema, both active in the game music and chiptune scenes, first connected online through shared interests in video game soundtracks and electronic composition prior to 2012.[18] They had been aware of each other's work in online communities, with Tran admiring Velema's chiptune productions. Their initial in-person meeting occurred at the Game Developers Conference (GDC) in San Francisco in March 2012, where, as internet acquaintances, they bonded over their mutual passion for game music and explored ideas for collaborative projects.[18] Following the GDC encounter, Tran and Velema began experimenting with joint compositions remotely, sharing demos and building on their complementary styles—Tran's piano and orchestral elements paired with Velema's chiptune and electronic sounds. This early phase marked the start of their creative partnership, including a remix of "Mabe Village" from The Legend of Zelda: Link's Awakening in April 2012, which highlighted their hybrid approach and was shared publicly as one of their first joint efforts.[18] Through these music-making sessions, they developed a deep personal connection, eventually falling in love.[8] By late 2012, their collaboration evolved from informal demos into a formal duo, Aivi & Surasshu, as they shifted from individual solo releases to joint endeavors. They signed with Ubiktune, a label specializing in chiptune music, to develop and release material that captured their blended aesthetic. Their initial creative process emphasized iterative remote exchanges, where Tran would record piano parts to layer over Velema's synthesized chiptune tracks, fostering a seamless fusion of acoustic warmth and digital nostalgia.[4][19] The duo gained formal recognition in early 2013, coinciding with media coverage of their emerging sound and the anticipation around their debut project, solidifying Aivi & Surasshu as a notable act in the chiptune and game music communities.[19]The Black Box (2013)
The Black Box is the debut album by Aivi & Surasshu, released on March 8, 2013, through the netlabel Ubiktune.[19] The 10-track collection, running approximately 38 minutes, features original compositions blending acoustic piano with chiptune elements, alongside arrangements of tracks by composers Yoshihito Yano, Yoh Ohyama, and Kozue Ishikawa. Standout pieces include "Shapeshifter," a dynamic fusion-driven track, and "Pocket Universe," which evokes expansive, ethereal soundscapes.[20] The album was accompanied by a downloadable comic book illustrated by Diana Jakobsson, providing a visual narrative to complement the music.[19] The production process involved remote collaboration between Aivi Tran, handling piano and production, and Surasshu (Steven Velema), focusing on chiptune and production, from their respective studios in California.[19] This setup allowed the duo to experiment with layering organic piano melodies over synthesized 8-bit sounds, creating a cohesive sound that merged classical influences with video game aesthetics. All tracks were composed, arranged, mixed, and mastered by the pair, emphasizing their shared passion for innovative genre blending.[20] Thematically, the album explores introspection through the story of an archaeologist named Aivi who unearths a mysterious black box in the fictional land of Ekstria, leading to encounters with digital entities and themes of discovery and human-machine harmony.[19] This narrative underscores a fusion of the introspective, emotive quality of piano with the mechanical, nostalgic vibe of chiptune, symbolizing a bridge between analog and digital worlds. Critics praised the innovative sound; for instance, Kotaku highlighted the album's successful integration of pianist Aivi Tran's keyboard work with Surasshu's chiptune style, calling it an enjoyable and fresh listen.[21] Commercially, The Black Box was initially distributed as a name-your-price digital download on Bandcamp, fostering early accessibility and fan engagement within the chiptune community.[20] As their breakthrough release, the album established Aivi & Surasshu's signature style, attracting attention from music labels and opening doors to broader compositional opportunities in video games and media.[22]Major compositions
Steven Universe soundtrack (2013–2020)
Following the release of their debut album The Black Box in 2013, Aivi & Surasshu were invited to compose the score and produce vocal songs for the Cartoon Network series Steven Universe.[4] Their collaboration began that year with series creator Rebecca Sugar and composer Stemage (also known as Grant Henry), focusing on enhancing the show's themes of identity, relationships, and emotional growth through instrumental music.[4] The duo's compositional approach centered on leitmotifs to musically characterize the main Gems and other elements, creating a cohesive auditory narrative across the series' five seasons. For instance, Pearl's theme prominently features piano with minor blocked chords and jazz influences, often accompanied by harp; Garnet's motif uses synth bass, bells, and pads to evoke her stoic strength; and Amethyst's employs an eclectic drum kit, electric bass, and synths for her chaotic energy. Fusion scenes blend these motifs, such as in Sardonyx's theme, which combines Garnet's bass with Pearl's piano to represent their merged personalities.[23] Several soundtrack albums compiling their work were released between 2017 and 2020, including Steven Universe, Vol. 1 (Original Soundtrack) on June 2, 2017, and Steven Universe, Vol. 2 (Original Soundtrack) on April 12, 2019, both featuring remastered songs from the series integrated with their score.[24][25] Additional releases encompassed the score albums for Seasons 1–4 (May–August 2020), Steven Universe: Season 5 (Score from the Original Soundtrack) on September 25, 2020, and Steven Universe Future (Original Soundtrack) on October 23, 2020, the latter accompanying the epilogue series.[26][27] Vol. 1 debuted at No. 22 on the Billboard 200 chart, reflecting strong fan reception and commercial success.[28] Their contributions helped elevate Steven Universe to Emmy-nominated status, with the series earning recognition for its innovative storytelling and music that resonated deeply with audiences, fostering a dedicated fanbase through emotional depth and representation.[6] Live performances, such as the 2016 San Diego Comic-Con rendition of "It's Over, Isn't It?" featuring cast members, violinist Jeff Ball, and the duo themselves, highlighted the score's live adaptability and fan engagement.[29] Production challenges included synchronizing cues with final animation and dialogue, as well as integrating their instrumental work alongside vocal songs composed by Sugar and performed by the cast, often requiring revisions to fit evolving narrative tones—like softening restaurant music in "Fusion Cuisine" for intimacy.[23]Video game soundtracks
Aivi & Surasshu's contributions to video game soundtracks began in the early 2010s with early involvement in indie RPG projects, where they provided chiptune-infused tracks to establish musical directions for gameplay. For the indie RPG Soul Saga, developed by Disaster Cake, the duo contributed several initial compositions, including piano-driven pieces like "Home Above the Clouds," blending nostalgic 8-bit elements with emotional melodies to evoke the game's exploratory world.[10][30] Their first full original game soundtrack came with Ikenfell, a turn-based RPG released in 2020 by Happy Ray Games, for which they composed the majority of the 75-track score in collaboration with Sabrielle Augustin. The soundtrack, released digitally on Bandcamp and through Materia Collective, employs a "digital fusion" style that integrates chiptune synthesizers with orchestral arrangements and piano, creating adaptive loops tailored to the game's magical academy setting and rhythm-based combat mechanics.[31][32][5] This approach allows seamless transitions between exploration, battles, and narrative moments, enhancing player immersion through dynamic layering of electronic and acoustic elements.[33] The Ikenfell OST received critical acclaim, nominated for Newcomer of the Year at the 2020 Video Game Music Online Awards and named Favorite Game Soundtrack of 2020 by GameGrooves, praised for its catchy melodies and emotional depth.[34][35] Beyond traditional games, Aivi & Surasshu have composed interactive music for Google Doodles, short browser-based experiences that function like mini-games. Notable examples include the upbeat chiptune themes for the 2015 Halloween Global Candy Cup, a competitive multiplayer doodle involving trick-or-treating, and contributions to later iterations in 2018 and 2022, where they layered synths and piano to sync with real-time player actions.[36][37] These pieces demonstrate their skill in crafting responsive audio for casual, web-based gameplay, often incorporating whimsical electronic sounds to match the doodles' playful themes.[38] Looking ahead, the duo is scoring the upcoming third-person adventure Way to the Woods, a solo-developed indie title by Anthony Tan planned for release in 2025 on PC and Xbox, featuring a melancholic journey through an abandoned world. Their contributions include trailer music that mixes ambient piano with subtle electronic textures, aligning with the game's themes of environmental mystery and emotional storytelling.[39][40] Aivi & Surasshu's work has influenced the indie game audio scene, particularly through their emphasis on hybrid chiptune-orchestral scoring that bridges retro aesthetics with modern production techniques. Their early collaboration at the 2012 Game Developers Conference (GDC), where they remixed tracks like "Mabe Village" from The Legend of Zelda: Link's Awakening, highlighted their innovative fusion style and helped foster connections within the chiptune community.[18] Performances at GDC-related events, such as the 2015 8 Bit SF showcase, further amplified their presence, inspiring developers to integrate adaptive, narrative-driven music in indie titles.[41]Independent and recent projects
Infloresce Records and Meanwhile (2022–present)
In 2022, Aivi Tran founded Infloresce Records as a digital fusion label dedicated to indie electronic music releases, blending piano-driven compositions with chiptune elements to support innovative artists in the genre.[1][42][9] The label, initially spearheaded by Tran, expanded to encompass the full creative output of the duo Aivi & Surasshu, who began releasing material under its banner to foster a community-focused platform for emerging talent.[9] Infloresce Records emphasizes close collaboration with artists, nurturing their visions while promoting diverse voices in electronic music production.[9] The duo's sophomore album, Meanwhile, was released on September 28, 2023, through Infloresce Records, featuring 9 tracks that explore themes of life's passage, personal reflection, and events such as parenthood over the preceding decade.[43][44][7] Representative songs include "Wind Rider," an upbeat chiptune-piano duet evoking journey and growth, and "Slice of Love," which captures intimate emotional milestones. The album's production highlights the duo's self-directed approach, with Aivi handling piano and composition alongside Surasshu's chiptune contributions, all mixed and mastered in-house for a cohesive sound.[45] Meanwhile was self-released digitally via Bandcamp, allowing direct fan access and supporting the label's indie ethos. Promotion included virtual release events and live performances, culminating in the launch of Infloresce Records' Patreon in March 2025 to fund ongoing artist development and community initiatives.[46] This independent era has enabled Aivi & Surasshu greater creative freedom following their extensive soundtrack work, allowing focus on original material.[4] Ongoing activities under Infloresce Records in 2025 feature live performances, such as their set at MAGWest in July, where they showcased Meanwhile tracks alongside chiptune collaborations.[8] Through these efforts and releases by affiliated artists like Maddie Lim and Hunter Van Brocklin, the label continues to champion emerging creators in the digital fusion scene.[47]The Black Box 10th Anniversary Edition (2023)
The 10th Anniversary Deluxe Edition of The Black Box was released on July 28, 2023, expanding the original 2013 album from 10 tracks to 17 total by adding seven new bonus tracks in a section called "The Black B-Sides." These additions featured chiptune arrangements of select video game and anime compositions, including "20,november" (from Danganronpa, composed by Reo Nagumo), "Yuri On Ice" (from the anime, composed by Taro Umebayashi), "Nebulosa II" (from Hyper Light Drifter, composed by Calum Bowen), "Come Back" (composed by Disasterpeace), and "Mabe Village" (from The Legend of Zelda: Breath of the Wild, composed by Kozue Ishikawa), alongside two interludes and an additional track that were later removed for legal reasons on April 25, 2025. Following the removal of three tracks, the edition now contains 15 tracks (10 original + 5 bonus).[48][49][50] The edition included remastered versions of the original tracks, refined with modern production techniques to enhance the duo's signature blend of chiptune elements and piano while maintaining its raw, exploratory essence. Motivated by the 10-year milestone of their debut, the re-release aimed to commemorate the album's role as a pivotal fusion of Aivi Tran's piano work and Surasshu's electronic styles, reflecting on their personal and musical evolution from the Ubiktune era.[48][51] Distributed via their label Infloresce Records and platforms like Bandcamp for digital downloads and streaming, the edition also offered a limited run of 250 12-inch black vinyl copies bundled with the original 2013 comic book artwork, which sold out shortly after release.[48][52][51] The re-release was met with enthusiastic fan celebrations on Bandcamp, where listeners praised its nostalgic appeal, inspirational depth, and the seamless integration of bonus material like the "Interlude" series. Reflections from Ubiktune founder C-Jeff highlighted the edition's enduring significance, noting its representation of the duo's early career growth and innovative chiptune-piano experimentation.[48]Musical style and influences
Core style and techniques
Aivi & Surasshu's core musical style centers on a distinctive blend of Aivi Tran's acoustic piano performances and Surasshu Velema's electronic chiptune and synthesizer contributions, creating what they term "digital fusion" music that merges organic warmth with kinetic digital textures. This approach often evokes a cinematic classical aesthetic, balancing intimate, heartfelt melodies with expansive, video game-inspired electronic layers to span a wide emotional spectrum.[4][23] Key techniques in their compositions include the use of leitmotifs to drive emotional storytelling, where recurring motifs are developed to represent evolving themes and characters. They frequently layer simple sine waves—fundamental to chiptune aesthetics—with orchestral swells and piano harmonies, producing dense, immersive soundscapes that enhance narrative progression without overwhelming the core melody. These methods prioritize emotional resonance over complexity, allowing motifs to transform subtly across tracks.[23] Over time, their style has evolved from the raw, unpolished chiptune-piano integrations of their early work to more refined hybrid forms in recent albums, incorporating smoother transitions and broader sonic palettes while retaining the foundational duet dynamic. This progression reflects a decade of iterative refinement, moving toward greater accessibility and emotional depth in their digital fusions.[23][20][7] Their production workflow relies on remote collaboration via file-sharing, with each member handling specialized sections—Aivi focusing on piano and melodic structures, Surasshu on chiptune emulation—using tools like Ableton Live to simulate retro electronic sounds and facilitate seamless integration. For live adaptations, they expand their studio-based electronic style by incorporating live instrumentation from supporting musicians, as seen in their 2025 performances with video game music collaborators.[8]Influences and evolution
Aivi & Surasshu's music draws from a blend of classical piano traditions and chiptune aesthetics, reflecting the duo's individual backgrounds. Aivi Tran, with a foundation in acoustic piano, incorporates elements inspired by classical and pop genres, often blending them with electronic sounds to create heartfelt, melodic lines that evoke introspection and emotional depth. Surasshu Velema, specializing in chiptune, pulls from pioneering video game composers such as Shoji Meguro of the Persona series, Nobuo Uematsu of Final Fantasy, Koji Kondo of The Legend of Zelda, Yoko Shimomura of Kingdom Hearts, and Hip Tanaka of EarthBound, infusing their work with kinetic, retro-electronic textures reminiscent of 8-bit soundtracks.[23][53] This fusion of influences also extends to indie electronic artists and broader synth-acoustic experimentation, shaped by Tran's hybrid cultural identity that bridges acoustic and digital realms.[10] Central to their oeuvre are emotional themes of love and introspection, often drawn from personal experiences as a married couple—Aivi identifying as non-binary (they/them) and Surasshu as male (he/him). Their compositions span a wide emotional range, capturing moments of tenderness and complexity that mirror life transitions, as seen in the reflective passages of time explored in their 2023 album Meanwhile.[4][45] These themes are not merely stylistic but narrative-driven, emphasizing vulnerability and connection without overt exposition. The duo's style evolved from experimental origins in 2013 with The Black Box, an initial piano-chiptune fusion that experimented with merging disparate sounds into cohesive tracks.[19] Their work on Steven Universe (2013–2020) marked a pivotal refinement, broadening their audience through Emmy-nominated scoring and honing skills in narrative integration, such as character-specific leitmotifs that advanced emotional storytelling in media composition.[23] By 2023's Meanwhile, their sound had matured into a more life-reflective palette, with tracks blooming from a decade of personal and collaborative growth, incorporating subtler electronic layers alongside piano for deeper introspection. Looking ahead, previews from 2025 suggest expanded live performances, as evidenced by their scheduled appearance at MAGWest, hinting at a shift toward dynamic, audience-engaged presentations of their digital fusion style.[8]Discography
Studio albums
Aivi & Surasshu's studio discography consists of original albums independent of media soundtracks, emphasizing their signature blend of piano and chiptune elements. Their debut album, The Black Box, released on March 8, 2013, via Ubiktune, features 10 tracks that explore introspective themes through chiptune melodies layered with piano, marking their entry into the electronic fusion genre.[19][54] Following a decade of soundtrack work, which elevated their profile, the duo returned to original material with Meanwhile, self-released on September 28, 2023, through their label Infloresce Records. This 9-track album reflects on the passage of time, parenthood, and personal growth, with piano-chiptune duets composed gradually over 10 years.[45][44][55] To commemorate the original release, The Black Box (10th Anniversary Deluxe Edition) was issued digitally on July 28, 2023, via Bandcamp, expanding the album to 15 tracks with additional remixes and new compositions. A limited vinyl edition of 250 copies followed on July 28, 2023.[48][51][56] Under Infloresce Records, established in 2022, the duo has focused on these core releases without additional EPs or singles as of November 2025. Albums are primarily distributed via Bandcamp for digital downloads and streaming, with select vinyl pressings available through specialty labels like Black Screen Records.[47][52]Soundtrack albums
Aivi & Surasshu's soundtrack work primarily encompasses original scores and song compilations for the animated series Steven Universe and select video games, released through labels like WaterTower Music and Materia Collective. Their contributions to Steven Universe include multiple volumes of vocal tracks and instrumental scores, blending chiptune elements with orchestral and piano-driven arrangements to underscore the show's emotional narratives. These releases, available on digital platforms such as Spotify and Apple Music, have achieved notable commercial success, with tracks accumulating tens of millions of streams collectively.[57] The duo's first major soundtrack album, Steven Universe, Vol. 1 (Original Soundtrack), was released on June 2, 2017, featuring 37 remastered songs from the series' first four seasons, performed by the voice cast and composed by Aivi & Surasshu alongside Rebecca Sugar. It debuted at No. 22 on the Billboard 200 chart, selling 22,000 equivalent units in its first week, including 18,000 in pure album sales, and topped the Independent Albums chart while reaching No. 2 on the Soundtracks chart.[57] Steven Universe, Vol. 2 (Original Soundtrack) followed on April 12, 2019, compiling 12 tracks from season five, including a reprise of "Love Like You," emphasizing themes of growth and resolution. Subsequent releases focused on instrumental scores, with Steven Universe: Season 1 (Score from the Original Soundtrack) issued digitally on May 29, 2020, containing 28 cues from the first season.[58] Steven Universe: Season 2 (Score from the Original Soundtrack) followed on June 26, 2020, with 31 cues.[59] Steven Universe: Season 3 (Score from the Original Soundtrack) was released on July 31, 2020, featuring 35 cues,[60] and Steven Universe: Season 4 (Score from the Original Soundtrack) on August 28, 2020, with 40 cues.[61] The Steven Universe: Season 5 (Score from the Original Soundtrack) was issued digitally on September 25, 2020, containing 62 cues that highlight the season's climactic arcs, such as fusion battles and character reconciliations.[62] The Steven Universe Future (Original Soundtrack), released on October 23, 2020, comprises 60 tracks scoring the limited sequel series, incorporating ambient electronics and piano motifs to evoke themes of maturity and closure; standout cues like "Being Human" have amassed over 20 million streams on Spotify as of 2025.[63] In video games, Aivi & Surasshu composed the full original score for Ikenfell, a turn-based RPG released in 2020, resulting in the Ikenfell (Original Game Soundtrack) album with 75 tracks blending magical chiptune battles and exploratory piano themes, distributed via Bandcamp and streaming services on October 8, 2020.[31] They also contributed select tracks to the Soul Saga soundtrack, released August 12, 2018, including atmospheric pieces like "Home Above the Clouds" that integrate with the game's narrative-driven exploration.[64] No formal compilation album has been released for their Google Doodle compositions, such as the 2018 Halloween interactive, though tracks remain accessible via the platform.[65]| Album Title | Release Date | Format/Label | Key Details |
|---|---|---|---|
| Steven Universe, Vol. 1 (Original Soundtrack) | June 2, 2017 | Digital/CD/WaterTower Music | 37 tracks; #22 Billboard 200 |
| Steven Universe, Vol. 2 (Original Soundtrack) | April 12, 2019 | Digital/Vinyl/WaterTower Music | 12 tracks from season 5 |
| Steven Universe: Season 1 (Score from the Original Soundtrack) | May 29, 2020 | Digital/WaterTower Music | 28 instrumental cues |
| Steven Universe: Season 2 (Score from the Original Soundtrack) | June 26, 2020 | Digital/WaterTower Music | 31 instrumental cues |
| Steven Universe: Season 3 (Score from the Original Soundtrack) | July 31, 2020 | Digital/WaterTower Music | 35 instrumental cues |
| Steven Universe: Season 4 (Score from the Original Soundtrack) | August 28, 2020 | Digital/WaterTower Music | 40 instrumental cues |
| Steven Universe: Season 5 (Score from the Original Soundtrack) | September 25, 2020 | Digital/WaterTower Music | 62 instrumental cues |
| Steven Universe Future (Original Soundtrack) | October 23, 2020 | Digital/WaterTower Music | 60 tracks; high streaming volume |
| Ikenfell (Original Game Soundtrack) | October 8, 2020 | Digital/Bandcamp, Materia Collective | 75 tracks for RPG |
| Soul Saga (Soundtrack selections) | August 12, 2018 | Digital/VGMdb contributors | Select atmospheric tracks |