Suretone Records
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Suretone Records[1] is an American record label established in 2006 as a joint venture by Jordan Schur, former CEO of Geffen Records,[2] and Interscope Records,[3] to release alternative rock music.[4][5] Several high-profile bands such as Weezer, The Cure, Rooney, New Found Glory and Angels and Airwaves remained on Geffen and carried the Suretone imprint.[4][6]
Key Information
The label shut down in 2010 after the failures of albums by Chris Cornell and Shwayze. In 2016, the Suretone label returned with distribution through the Alternative Distribution Alliance.
Artists
[edit]References
[edit]- ^ "Jordan schur in partnership with interscope records launches suretone records - umg". UMG. Retrieved 2016-01-23.
- ^ Leeds, Jeff (2006-03-14). "President of Geffen Records Is Leaving to Start New Label". The New York Times. ISSN 0362-4331. Retrieved 2023-10-07.
- ^ Newman, Melinda (25 Mar 2006). "Geffen Shuffle: Fair In, Shur Gets New Label Shot". Billboard. Vol. 118, no. 12. Nielsen Business Media. pp. 5–6.
- ^ a b Gallo, Phil (2006-03-14). "Schur rolls with rock label". Variety. Retrieved 2023-10-07.
- ^ Duhigg, Charles (2006-03-15). "Universal Music Forms Suretone Records". Los Angeles Times. Retrieved 2023-10-07.
- ^ Billboard Staff (2007-02-20). "Suretone Taps P2Ps". Billboard. Retrieved 2023-10-07.
Suretone Records
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History
Founding
Suretone Records was established in March 2006 by Jordan Schur, a veteran music executive with a proven track record in the industry. Schur co-founded Flip Records in 1994, where he spearheaded the breakthrough of rock acts such as Limp Bizkit, Staind, and Cold, ultimately driving over 70 million album sales worldwide.[2] In 1999, he became president of Geffen Records, relaunching the label and overseeing its merger with MCA Records in 2003; under his leadership, Geffen generated over $1 billion in revenue and was home to prominent artists including Guns N' Roses, Nirvana, Snoop Dogg, Beck, Mary J. Blige, and The Roots.[2] Following his departure from Geffen after more than six years as president, Schur announced the formation of Suretone Records as a joint venture with Interscope Records, a division of Universal Music Group.[5][1] This partnership provided Suretone with operational support and access to Universal's global infrastructure, allowing Schur to focus on artist development while leveraging established distribution networks.[5] Headquartered in Los Angeles, California, Suretone Records initially concentrated on rock-oriented genres, including alternative rock, emo, rap rock, and metal.[6] The label's releases in the United States were distributed through Interscope-Geffen-A&M, with international support in the United Kingdom handled by Polydor Records.[6] To mark its launch, Suretone introduced its official website at suretone.com, serving as a hub for promotions and artist information.[2]Early Operations and Challenges
Following its launch in 2006, Suretone Records quickly established its roster by carrying the imprint for several high-profile acts transitioning from Geffen Records, including Weezer, The Cure, Rooney, New Found Glory, and Angels & Airwaves, whose releases were handled jointly through Geffen distribution.[7] The label also signed exclusive new acts such as The Pink Spiders, Headway, and Eastern Conference Champions, focusing on rock and alternative genres to build a diverse pipeline of emerging talent.[7] These initial signings positioned Suretone as a boutique operation under the Interscope umbrella, emphasizing artist development with plans to add up to four acts annually.[5] Notable early releases highlighted Suretone's push into varied styles, including the 2008 self-titled debut album by rapper Shwayze, which debuted at No. 10 on the Billboard 200 with 47,000 copies sold in its first week, driven by the MTV reality series Buzzin' and singles like "Corona and Lime."[8] In 2009, the label issued Chris Cornell's Scream, produced by Timbaland in collaboration with Mosley Music Group, which debuted at No. 10 on the Billboard 200 with 26,000 first-week sales despite high expectations for the former Soundgarden frontman's solo project.[9] Other outputs included Eastern Conference Champions' Ameritown (2007), blending indie rock elements under producer Owen Morris.[10] Suretone expanded operationally by venturing into rap, rock, and metal-adjacent acts, such as post-hardcore band From First to Last's self-titled 2008 album, while maintaining joint Geffen releases for established artists to leverage broader marketing resources.[5] This growth reflected founder Jordan Schur's strategy to diversify beyond traditional rock, incorporating hip-hop influences with Shwayze and heavier sounds through signings like Drop Dead, Gorgeous.[11] However, these efforts faced significant challenges, as key releases underperformed commercially relative to investments and expectations; Shwayze's album saw diminishing returns after its initial buzz, and Scream—criticized for its electronic shift—failed to sustain momentum despite co-writes from artists like Justin Timberlake and Ryan Tedder, resulting in modest overall sales.[9][8] These financial losses, amid a broader industry downturn, contributed to Suretone ceasing operations in 2010 under Universal Music Group.[12]Hiatus and Relaunch
Following the conclusion of its joint venture partnership with Interscope Records, a division of Universal Music Group, Suretone Records ceased operations in 2010 and entered a six-year hiatus.[1] During this period, founder Jordan Schur shifted his focus to expanding other facets of Suretone Entertainment, particularly in film production.[2] Suretone Records relaunched in 2016 as an independent label under the Suretone Entertainment umbrella, with distribution handled by Alternative Distribution Alliance (ADA), a Warner Music Group company.[2] This revival marked a return to music operations after the dormancy, allowing the label to resume signing and releasing projects without major label oversight. Suretone Entertainment, originally founded in 2006, had already begun diversifying beyond music prior to the hiatus; post-relaunch, it further expanded to include Suretone Pictures, established in 2011, and Mimran Schur Pictures, co-founded by Schur and David Mimran in 2009, along with Suretone Management.[2] Mimran Schur Pictures produced notable films such as Warrior (2011), which received an Academy Award nomination for Best Achievement in Sound Editing, and Holmes & Watson (2018) starring Will Ferrell and John C. Reilly.[13] These ventures solidified the company's presence in film and artist management alongside its music endeavors. In recent years, Suretone Records has issued key releases including ZZ Top's Live – Greatest Hits From Around the World in 2016 and Santana's Africa Speaks (2019), which debuted at #3 on The New York Times' Best Albums of 2019 list.[2][3] Schur joined SRM Entertainment as an advisor in September 2024, facilitating a media agreement with plans to merge Suretone Pictures' assets into SRM by mid-2025 (as of September 2024); as of November 2025, SRM has acquired select assets, including the film The Kid, and launched a new media division in partnership with Suretone Pictures.[14] The company continues operations across music, film, and real estate, with Schur managing Jordan Realty.[2]Artists
Current Roster
As of 2025, Suretone Records' current roster features a mix of established acts and emerging talent, reflecting the label's focus on rock, nu-metal, and indie-pop under the broader Suretone Entertainment umbrella.[4] Limp Bizkit, the nu-metal band originally signed to Jordan Schur's earlier Flip Records imprint in the 1990s, rejoined the Suretone family in the early 2020s following a reunion and lineup stabilization. Their 2021 album Still Sucks, released via Suretone, marked their first full-length in over a decade and debuted at No. 155 on the Billboard 200 while reaching No. 7 on the Top Hard Rock Albums chart.[15][16] The band has remained active, with their 2025 single "Making Love to Morgan Wallen" topping multiple Billboard charts including Hot Hard Rock Songs, despite the recent passing of co-founding bassist Sam Rivers in October 2025.[15][17] The Cure maintains an ongoing partnership with Suretone Entertainment stemming from the label's 2008 imprint era, during which their album 4:13 Dream was released through Suretone/Geffen. Recent activities under this arrangement include management of tours and live projects, such as the band's 2023 North American shows promoted via Suretone channels, alongside the 2024 release of Songs of a Lost World and the recording of 13 new tracks at Rockfield Studios in March 2025 for an upcoming follow-up album.[2][18][19] Emerging indie-pop artist Kiki Kramer joined Suretone Records and management in early 2024, bringing a pop/rock edge to the roster with her debut singles. Her initial release, the moody track "Relevant," arrived in October 2024, followed by a haunting cover of "White Christmas" in December 2024 and the single "Shot in the Dark" in November 2025, all highlighting her sultry, introspective style. Kramer is slated to drop her debut EP and full album in 2025, positioning her as a key new signing amid promotional pushes.[20][21][22][23]Former Roster
Suretone Records signed a diverse array of artists during its initial run from 2006 to 2010, many of whom contributed to the label's focus on alternative rock, pop-punk, and emerging rap-rock hybrids. These acts released albums and singles that showcased the imprint's ambition to blend established rock talents with new voices, often under a joint venture with Geffen Records. While some achieved moderate chart success, others highlighted the label's experimental edge in genre fusion.[7]- Angels & Airwaves: Formed by former Blink-182 member Tom DeLonge, the band re-released their debut album We Don't Need to Whisper through Suretone/Geffen in 2006, which had originally appeared earlier that year on the band's own label. Their follow-up, I-Empire (2007), peaked at No. 9 on the Billboard 200 and featured singles like "Everything's Magic," emphasizing anthemic alternative rock with spacey production. These releases marked Suretone's early push into post-punk revival sounds.[6][5]