Recent from talks
Nothing was collected or created yet.
Suzy Klein
View on Wikipedia
Suzanne Rebecca Klein (born 1 April 1975) is a British writer and radio and television presenter, specialising in music and arts programmes. Since October 2021, she has held the post of Head of Arts and Classical Music TV for the BBC.
Key Information
Early years and education
[edit]Klein was born in Marylebone, London, the eldest of four siblings, and grew up in Maida Vale, London. She attended South Hampstead High School before graduating with first-class honours in Music in 1996 from the University of Oxford. While there, she directed and produced short films and presented a weekly live arts show on the student radio station Oxygen FM. She gained a postgraduate diploma in broadcast journalism from City University London.[1]
Broadcasting
[edit]After winning the William Hardcastle Award for Journalism, Klein began her professional broadcasting career as a presenter on the Canadian Broadcasting Corporation's radio and TV services.[1] She returned to the UK to work for the BBC as an assistant producer at BBC Radio 4 on programmes including Start the Week and Loose Ends. She then moved to BBC Television, working as a director and producer on a range of arts and music films.
Klein became a presenter in 2005, when she was listed in The Guardian's "25 up-and-coming cultural figures".[1] In 2008, she presented the Proms season on BBC Two. She has also presented the BBC Two programmes The Culture Show, BBC Young Musician of the Year and The Review Show.[2]
Until September 2021, Klein co-hosted BBC Radio 3's weekday morning show Essential Classics, alongside concerts and events. She was one of the lead voices on the station's major campaigns of recent years, including its celebrations of the complete works of Mozart and Schubert.
In 2011, Klein presented the first ever live opera in 3D, hosting the Director's Cut with Mike Figgis – a live, three-hour discussion with the director about his new production of Lucrezia Borgia.
For Sky Arts, Klein hosted the flagship performance programme Greats at Eight on weekday evenings on Sky Arts 2. She also presented Aida from the Royal Albert Hall (March 2012) for the broadcaster and The Rosenblatt Recitals in summer 2013.
In 2013, she was named Music Broadcaster of the Year, winning the Silver Prize at the Sony Awards. She has co-presented Saturday Live on BBC Radio 4, and has made a documentary for the station about fear and phobias.[citation needed]
She has presented global opera broadcasts for the Royal Opera, London, and hosted global cinema broadcasts of the Royal Shakespeare Company, including three live shows in 2014.
In April 2014, she presented the BBC Four television documentary series Rule Britannia! Music, Mischief and Morals in the 18th Century[3] and in 2016 Revolution and Romance: Musical Masters of the Nineteenth Century,[4] a three-part BBC Four series.
She has since made a series for the BBC on music and politics in the 19th century, and a three-part series on the history of popular entertainment (with Frank Skinner). In December 2016, she co-presented a film on the musical theatre classic West Side Story, with Bruno Tonioli for BBC Two.
In 2017, Klein presented the BBC Four documentary series Tunes for Tyrants: Music and Power with Suzy Klein, in which she explored music's crucial role "in the most turbulent years of the 20th century".[5]
In August 2021, she was appointed to the newly created position of Head of Arts and Classical Music TV starting from 4 October 2021.[6]
Voiceover
[edit]Klein has done a broad range of voiceover work, from BBC One primetime documentaries on Pink Floyd and The Carpenters to a three-part series on Brazil, and an arts TV series for BBC Four.[citation needed]
Writing
[edit]Klein is a contributor to the features and review pages of the New Statesman, the BBC Music Magazine and The Guardian.[1]
She co-authored a book with her sister Jacky Klein, entitled What is Contemporary Art? A Children's Guide, commissioned by the Museum of Modern Art, New York, and published in September 2012 by Thames & Hudson.[7][8] It has been translated into seven languages.[citation needed]
Personal life
[edit]Klein is married with two children and lives in Shepherd's Bush, west London.[9]
References
[edit]- ^ a b c d "Presenter: Suzy Klein". BBC. 2011. Archived from the original on 14 November 2011. Retrieved 26 December 2011.
- ^ "The Review Show, 15/04/2011". BBC. 2011. Retrieved 26 December 2011.
- ^ "BBC Four – Rule Britannia! Music, Mischief and Morals in the 18th Century, Episode 1". BBC.
- ^ "BBC Four – Revolution and Romance: Musical Masters of the 19th Century". BBC.[dead link]
- ^ "BBC Four – Tunes for Tyrants: Music and Power with Suzy Klein". BBC.
- ^ "BBC announces Suzy Klein as new Head of Arts and Classical Music TV from October 2021". BBC Media Centre. 10 August 2021. Retrieved 17 September 2021.
- ^ "What is Contemporary Art?". thamesandhudson.com.
- ^ "What Is Contemporary Art? A Guide for Kids ARTBOOK | D.A.P. 2012 Catalog MoMA Books Exhibition Catalogues 9780870708091" – via www.artbook.com.
- ^ ""At Home with ... Suzy Klein, writer and broadcaster" Interview in westlondonmum, 21/01/2013". 2013. Retrieved 22 April 2014.
External links
[edit]Suzy Klein
View on GrokipediaEarly Life and Education
Academic Background and Early Influences
Suzy Klein attended South Hampstead High School in London before pursuing higher education in music.[5] She enrolled at the University of Oxford in 1993, graduating in 1996 with first-class honours in a Bachelor of Arts degree in Music.[6] During her time at Oxford, Klein gained initial exposure to broadcasting by presenting a weekly live arts show on the student radio station Oxygen FM and by writing and directing short films, experiences that foreshadowed her later career in media.[5] [7] Following her undergraduate studies, Klein completed a postgraduate diploma in Broadcast Journalism at City, University of London, from 1996 to 1997.[6] This program culminated in her winning the William Hardcastle Award for Journalism, which provided a foundation for entry-level opportunities in professional media.[5] Klein's academic focus on music reflected her classical training as a musician, which emphasized repertoire from that tradition and shaped her subsequent specialization in arts programming over more contemporary genres.[8] This early grounding in classical music, combined with her journalism training, established a dual expertise that informed her approach to cultural content creation.[7]Broadcasting Career
Initial Roles and Voice Work
Klein commenced her professional broadcasting career following her graduation from Oxford University in 1996, initially working as a presenter for both radio and television at the Canadian Broadcasting Corporation (CBC), where she honed her skills in arts and music coverage.[9] Upon returning to the United Kingdom, she pursued freelance opportunities at the BBC, overcoming 53 rejection letters by offering unpaid work to producers, which led to entry-level production roles demonstrating her competence in traditional music and arts formats.[10] These early freelance efforts, including assistant producer positions on BBC Radio 4 programs such as Start the Week and Loose Ends, underscored her self-reliant approach to building a career without relying on institutional networks.[9] Parallel to her production work, Klein developed expertise in voiceover narration, providing versatile commentary for documentaries and arts programs focused on classical and popular music contexts.[2] Notable early contributions included voice work for BBC One primetime documentaries on subjects like Pink Floyd and The Carpenters, as well as series exploring Brazilian culture and broader arts topics, which established her as a reliable narrator capable of bridging factual depth with engaging delivery.[2] This foundational voice work, conducted amid freelance production gigs in the late 1990s and early 2000s, facilitated her progression to more stable BBC contracts by showcasing proficiency in music-related storytelling without prior high-profile affiliations.[10]Radio Presenting on BBC Radio 3
Suzy Klein presented several classical music programs on BBC Radio 3, including In Tune, which featured live performances, interviews, and curated musical selections, and Essential Classics, a weekday morning show she co-hosted fortnightly alongside Georgia Mann from the 2010s until September 2021.[2][11] In Essential Classics, Klein introduced familiar repertoire alongside discoveries, often highlighting canonical works such as Beethoven's cello sonatas and symphonies conducted by Leonard Bernstein.[12][13] Her selections emphasized empirical analysis of musical structure and historical significance, providing listeners with contextual insights into composers' innovations.[14] Klein's on-air approach prioritized the timeless qualities of classical masterpieces over contemporary social or demographic agendas, focusing instead on their profound emotional and intellectual impact.[15] In June 2019, she curated a personal playlist of 50 pieces for The Mail on Sunday, featuring Beethoven's Symphony No. 5 and Bach's Brandenburg Concerto No. 3 among others, describing it as "50 pieces to represent the greatest music written in the history of mankind" and underscoring classical music's inherent life-enhancing power without need for dilution.[16] She critiqued the classical sector's overemphasis on attracting young listeners, expressing vague annoyance at such obsessions and asserting that audiences would engage with the genre in their own time through its eternal appeal.[17] Klein's tenure on Radio 3 concluded in 2021 as she transitioned to a BBC television executive position, leaving behind a reputation as an agreeable presenter skilled in radio technique and advocacy for substantive musical content.[18][4] Her programs contributed to Radio 3's schedule by maintaining a focus on core repertoire amid evolving broadcasting trends.
Transition to Television and Executive Leadership
In October 2021, Suzy Klein was appointed to the newly created role of Head of Arts and Classical Music TV at the BBC, effective from 4 October, where she oversees commissioning for television channels, iPlayer, and digital arts content, with an emphasis on promoting UK-based creativity in classical music, opera, and related genres.[3][19] This position marked her shift from primarily radio presenting to executive oversight of visual arts programming, building on her prior experience in music documentaries while expanding influence across broadcast platforms.[4] Klein's leadership has involved directing commissions that prioritize high-caliber arts output, including docu-dramas and series exploring historical and cultural themes in music and visual arts, amid ongoing debates about the BBC's balance between specialist content and broader appeal.[10] In this capacity, she has collaborated across BBC divisions to integrate television with radio and online efforts, aiming to sustain visibility for classical and niche cultural programming against perceptions of institutional prioritization of populist formats.[3] In September 2024, Klein publicly defended the BBC's dedication to arts broadcasting in response to criticisms from figures such as David Dimbleby and Melvyn Bragg, who had questioned the corporation's support for cultural content amid budget constraints and programming shifts.[20] She emphasized an "incredibly strong and passionate" internal commitment to the field, highlighting recent commissions as evidence of sustained investment despite fiscal pressures.[21] This stance underscored her role in advocating for arts output as integral to the BBC's public service remit, countering claims of diminished focus on elite cultural forms.[20]Writing and Publications
Books on Music History
Suzy Klein has not authored any books dedicated to music history. Searches of publishing records and her professional bibliography reveal no such titles, with her written output instead comprising articles for periodicals like the New Statesman, BBC Music Magazine, and The Guardian, where she reviews and analyzes classical repertoire and performances.[2] Her one credited book, What Is Contemporary Art? A Guide for Kids (co-authored with Jacky Klein, 2012), addresses visual arts for young readers and does not engage with musical topics.[22] This absence of book-length works on music history underscores Klein's primary role as a broadcaster rather than a monograph author in the field, with historical explorations confined to shorter-form journalism and documentary scripts.Contributions to Broadcasting and Journalism
Suzy Klein has contributed journalistic pieces to outlets including the New Statesman since 2006, addressing topics such as the societal influence of mobile phone ringtones and the reinvention of musical genres by groups like the Pogues.[5] Her reviews in the publication have examined works on prominent composers, including a critique of Jonathan Cott's Dinner with Lenny, which compiles interviews with Leonard Bernstein, underscoring Bernstein's enduring relevance in American musical theater.[23] In BBC broadcasting, Klein has authored scripts for documentary specials that integrate rigorous historical research with narrative analysis. For the 2016 series Revolution and Romance: Musical Masters of the 19th Century, her script for the episode "Talkin' 'Bout a Revolution" detailed how symphonic innovations by composers like Beethoven and Berlioz intersected with revolutionary politics, using primary sources to trace music's emergence as a mass cultural force amid events like the French Revolution and 1848 uprisings.[24] Similarly, the 2017 three-part Tunes for Tyrants: Music and Power with Suzy Klein featured her scripting of segments on wartime compositions, such as Shostakovich's Fifth Symphony under Stalinist pressure and Allied jazz propaganda efforts, emphasizing empirical evidence of music's instrumental role in ideological control.[25] Klein's journalism often critiques superficial modernizations in classical programming, prioritizing verifiable historical context over contemporary reinterpretations. In 2015, responding to claims of "dumbing down" at the BBC Proms, she defended the festival's adherence to founder Henry Wood's 1895 vision of accessible yet substantive programming, rejecting fads that dilute core repertory in favor of trendy staging.[26] Following her 2021 appointment as BBC Head of Arts and Classical Music TV, her external freelance output has diminished, with efforts redirected toward commissioning content that deepens public engagement with classical music's factual lineage rather than ephemeral branding trends.[27]
.jpg)