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Ted Baxter
Ted Baxter
Ted Baxter
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Ted Baxter
First appearance"Love Is All Around"
September 19, 1970
Last appearance"The Last Show"
March 19, 1977
Created byJames L. Brooks and Allan Burns
Portrayed byTed Knight
In-universe information
GenderMale
OccupationAnchorman at WJM-TV Station
FamilyRobert Baxter (father)
Hal Baxter (brother)
SpouseGeorgette Franklin Baxter
ChildrenDavid (son)
Mary Lou (daughter)

Ted Baxter is a fictional character on the sitcom The Mary Tyler Moore Show (1970–1977). Portrayed by Ted Knight, the Baxter character is a broad parody of a vain, shallow, buffoonish, vacuous TV personality. Knight's comedic model was actor William Powell, and he also drew on Los Angeles newscasters, including George Putnam, to shape the character.[1] The role was originally conceived for Jack Cassidy, but Cassidy turned it down; he later appears in the season two episode "Cover Boy" as Ted's equally egocentric brother Hal.[2] Ted Baxter has become a symbolic figure often referenced when criticizing media figures, particularly news anchors hired for style and appearance rather than journalistic ability.[3]

Character

[edit]
Ted and friends prepare for his wedding in Mary's kitchen, 1975.

Ted Baxter is the pompous and narcissistic nitwit anchorman at fictitious station WJM-TV in Minneapolis, Minnesota. Satirizing the affectations of news anchormen, the character speaks in a vocal fry register parody of the narrator of the Movietone News film reels shown in movie houses before the television era. While his narcissism fuels his delusions of grandeur, Baxter's onscreen performance is buffoonish. The character's incompetence is a running joke on Mary Tyler Moore, characterized by a steady stream of mispronunciations, malapropisms, and miscues. In constant fear of being fired, Baxter is, ironically, the only survivor of massive station layoffs in the series' final episode.[4]

In the show's early seasons, Knight plays the character broadly for comic effect; he's a simpleton who mispronounces even the easiest words on camera. Knight gradually grew concerned that the show's writers were abusing the character and considered leaving the MTM cast. In response, the writers rounded out Knight's character, pairing him with love interest and eventual wife Georgette, played by Georgia Engel, who brings out some of Baxter's more lovable characteristics. [5]

Reception

[edit]
The wedding of Ted and Georgette, 1975.

Knight earned two Primetime Emmy Awards for his portrayal of Ted Baxter. Time magazine wrote that "Knight embodied a wonderful comic oaf: vain, inept and hilarious."[6] Bravo ranked Ted Baxter 48th on their list of the 100 greatest TV characters.[7]

Allusions

[edit]
[edit]

Recurring anchorman character Kent Brockman on animated TV series The Simpsons is an homage to Ted Baxter.[8] In Anchorman: The Legend of Ron Burgundy, Will Ferrell's newsman character has a dog named Baxter, one of the movie's many explicit and implicit references to the character.[9] Popular Superman supporting character Steve Lombard is inspired by Ted Baxter.[10] In the West Wing episode "18th and Potomac", C. J. Cregg evokes Ted Baxter to represent the epitome of a bad reporter. A character in the comedy-horror film Return of the Killer Tomatoes has a diploma from "The Ted Baxter School of Journalism". Steve Carell portrays smarmy, self-impressed anchorman Evan Baxter in Bruce Almighty. PBS children's program The Electric Company spoofs Ted Baxter with "Fred Baxter", a dimwitted news anchorman portrayed by Jim Boyd.[citation needed] A character in the "5/1" episode of The Newsroom is asked, "When did you turn into Ted Baxter?" in response to the character being high, missing an email from Vice President Joe Biden, and remaining nonchalant about it.[11]

See also

[edit]

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Ted Baxter

View on Grokipedia
from Grokipedia
Ted Baxter is a fictional character and the pompous, egotistical anchorman for the fictional WJM-TV news station in , portrayed by actor on the sitcom , which aired from 1970 to 1977. As the self-absorbed face of the low-rated "Six O'Clock News," Baxter is depicted as vain, narcissistic, and frequently incompetent, often prioritizing personal fame and on-air blunders over journalistic integrity, such as mispronouncing words or ad-libbing inappropriately during broadcasts. Knight's Emmy-winning performance brought depth to the role, evolving Baxter from a one-dimensional buffoon in early seasons to a more layered figure whose hidden insecurities and loyalty to colleagues provided comedic and heartfelt moments amid the newsroom chaos. Baxter's character serves as a satirical foil to the more professional news staff, including producer and associate producer , highlighting themes of workplace dynamics and media absurdity in 1970s television. His , including his to the bubbly Georgette Franklin and their family, added recurring subplots that humanized his otherwise arrogant persona, such as episodes exploring his fear of replacement or attempts at self-improvement. The role propelled to stardom, earning him two for Outstanding Supporting Actor in a Comedy Series in 1973 and 1976, and cemented Baxter as an iconic archetype of the vain broadcaster in American pop culture.

Creation and development

Conception

The character of Ted Baxter was conceived by creators and as a satirical take on the vain and incompetent news anchormen who dominated local television broadcasts in the late 1960s and early 1970s. Drawing from real-life examples of charismatic but unqualified on-air personalities, Brooks and Burns envisioned Baxter as an egotistical figure whose primary appeal lay in his polished appearance and booming delivery rather than journalistic skill, poking fun at the industry's tendency to prioritize showmanship over substance. Baxter's role was specifically designed to provide within the WJM-TV newsroom ensemble, serving as a foil to the more capable and grounded characters like news writer Murray Slaughter and producer . This contrast underscored the show's themes of workplace dynamics in media, where Baxter's incompetence and self-absorption generated humor while highlighting the absurdities of television news production. By making him the despite his glaring shortcomings, the creators critiqued how networks often hired based on "style over substance," a nod to the evolving landscape of at the time. Baxter made his debut in the series pilot episode, "Love Is All Around," with early script notes dating to a June 24, 1970, draft, revised on July 1 and filmed on July 3 of that year, before airing on September 19, 1970. In the episode, he is introduced as the station's star , immediately establishing his pompous demeanor through interactions that reveal his inflated ego and lack of depth.

Casting

The role of Ted Baxter on was initially offered to actor in 1970, but he declined, believing it too closely resembled the buffoonish character he had portrayed in the short-lived sitcom (1967–1968). Cassidy later guest-starred in the show's second season episode "Cover Boy" (1971) as Ted Baxter's equally vain brother Hal, providing a glimpse of how he might have interpreted the part. Following Cassidy's refusal, Ted Knight was selected for the role after auditioning with an exaggerated, pompous anchorman delivery that highlighted the character's bluster and lack of depth, immediately winning over producers Mary Tyler Moore, James L. Brooks, and Allan Burns. Knight, a veteran character actor previously known for voice work and uncredited film roles, signed on for the series in the summer of 1970, just ahead of the show's September premiere on CBS. His casting shifted the character's direction away from the original conception of a tall, dark, handsome figure who might serve as a romantic interest for Mary Richards—envisioned somewhat like Walter Cronkite—and toward a parody of self-important local news anchors. In , the role was refined to capitalize on Knight's natural comedic timing, emphasizing traits like egotism and incompetence inspired by real-life news personalities such as and George Putnam. This included scripting and rehearsing signature elements such as malapropisms and deliberate mispronunciations to enhance the character's humorous ineptitude during news broadcasts. These adjustments solidified as a comedic foil in the WJM ensemble, distinct from the more grounded portrayals initially considered.

Character profile

Personality and traits

Ted Baxter is depicted as a vain and narcissistic figure, harboring delusions of grandeur that starkly contrast with his professional incompetence as the anchorman for WJM-TV's news program. His self-absorption manifests in an unwavering focus on personal fame and adulation, such as collecting every one of his broadcast tapes because "I only keep the ones I like best. So far, I have all of them," while treating even trivial stories with exaggerated importance as if they were global events. This buffoonish demeanor underscores his role as a parody of egocentric broadcasters, where his ego, described as "the size of Jupiter," drives him to pursue stardom over substantive reporting, including temptations to abandon journalism for game show hosting. Baxter's shallow intellect is highlighted through frequent malapropisms and verbal blunders, which amplify his comedic incompetence; for instance, during a live report on a fishing boat, he improvised a joke about a wife declining her husband's advances by saying, "not tonight, I have a ," mangling the common phrase "I have a ." He often mispronounces words and flubs cue cards on air, such as reading stage directions aloud like "Take off glasses, look concerned," revealing his empty-headed nature and lack of preparation. This self-centered obliviousness extends to his prioritization of appearance, obsessively maintaining his snow-white mane and tanned good looks, even choosing blazer colors based on rather than newsroom practicality. His bombastic delivery, delivered in a fine with a distinctive lowered for sign-offs like "This is Ted Baxter saying good night, and ," parodies the authoritative tones of traditional voices, often accompanied by a trembling vocal fry when seeking sympathy. This vocal style, combined with his inflated ego and verbal miscues, cements Baxter as an insufferable yet endearing of media vanity.

Family and relationships

Ted Baxter's primary familial relationship in the series is his marriage to Georgette Franklin, whom he began dating in the third season and eventually wed in a spontaneous ceremony at Mary Richards' apartment during the sixth season episode "Ted's Wedding," which aired on November 8, 1975. Georgette, portrayed by , is depicted as a kind-hearted, somewhat naive window dresser whose bubbly demeanor and unwavering support provide a counterbalance to Baxter's bombastic personality, often softening his more abrasive tendencies through her gentle assertiveness and low-key expectations. Their union is portrayed as enduring, with Georgette frequently offering emotional stability amid Baxter's professional insecurities and ego-driven antics. The Baxters' family expanded with the of their son in the sixth "Ted and the Kid," aired March 6, 1976, after the couple faced challenges, followed shortly by the birth of their daughter Mary Lou in Mary's apartment during the seventh season episode "Mary Midwife," which aired , 1976. Baxter's role as a is shown as comically inept and awkward, as seen in episodes where he struggles to , such as in "My Son, the Genius" from the seventh season, where the boy's perceived high intelligence leads to Baxter's frustrated attempts at parenting. These storylines highlight Baxter's well-meaning but often misguided efforts to connect with his children, relying heavily on Georgette's more nurturing approach. Baxter's only other depicted family member is his younger brother Hal, a successful male model and actor who visits in the second season episode "Cover Boy," aired October 23, 1971, sparking intense over perceived successes and talents. Portrayed by , Hal's suave, competitive nature contrasts sharply with Ted's insecure bluster, underscoring themes of familial and the brothers' shared penchant for during a double date setup at Mary's apartment. This episode provides rare insight into Baxter's background, emphasizing contrasts in their professional paths and personal vanities.

Role in The Mary Tyler Moore Show

Professional responsibilities

Ted Baxter serves as the lead anchorman for the fictional WJM-TV news station in , where he is responsible for delivering on-air broadcasts of the evening news, primarily reading scripted segments prepared by the news writers. His role involves presenting stories with a dramatic, authoritative delivery, often emphasizing his on-camera presence over journalistic depth, which contributes to the station's consistently low ratings. Baxter heavily relies on a to read his lines, as he struggles with ad-libbing and improvisation, frequently resulting in comedic errors such as mispronunciations, malapropisms, and unintended on-air gaffes during live reports. These mishaps, including reading cue cards verbatim or mangling simple phrases, underscore his incompetence behind the polished facade, providing much of the humor in the dynamics. In the series finale, "The Last Show," aired on March 19, 1977, WJM-TV undergoes major layoffs under new management, with the entire news staff—including producer , writer Murray Slaughter, associate producer , and Happy Homemaker host Sue Ann Nivens—being fired due to poor performance. Baxter, however, survives the cuts because of his recognizable on-camera appeal and marketability, despite the program's dismal ratings, allowing him to remain as the station's sole anchor.

Key storylines and episodes

In the first season of The Mary Tyler Moore Show (1970–1971), Ted Baxter's character is established as an incompetent yet vain news anchor through recurring on-air gaffes and his inflated , highlighting his reliance on the newsroom staff to cover for his shortcomings. For instance, in the series pilot "" (aired September 19, 1970), Ted is introduced delivering the news with pompous flair but frequent mispronunciations and factual errors, setting the tone for his role as the comic foil in WJM-TV's struggling news department. This arc culminates in episodes like "The Twenty-Fifth Anniversary" (aired March 6, 1971), where Ted emcees the station's milestone celebration but nearly derails the event with his unprepared, self-aggrandizing speech, forcing Mary and to intervene. Ted's personal life gains depth in season 3 with the introduction of Georgette Franklin, a sweet but naive model who becomes his girlfriend. Georgette debuts in "Rhoda Morgenstern: Minneapolis to New York" (aired December 16, 1972), as Ted's date at Rhoda's going-away party, revealing Ted's casual attitude toward relationships while showcasing Georgette's endearing ditziness that complements his ego. Their romance evolves over subsequent seasons, leading to multiple proposals, but it is in season 6's "Ted's Wedding" (aired November 8, 1975) that Georgette finally holds Ted to his words during brunch at Mary's apartment, resulting in an impromptu ceremony attended by the newsroom crew, marking a turning point in Ted's character toward reluctant maturity. Later seasons explore Ted's challenges as a father after he and Georgette adopt a son, , in the season 6 finale "Ted and the Kid" (aired March 6, 1976), where the boy arrives as a street-smart 12-year-old, immediately clashing with Ted's style and prompting humorous adjustments. Fatherhood tests intensify in season 7's "My Son, the Genius" (aired November 6, 1976), when struggles academically, only for testing to reveal his exceptional IQ, leaving Ted grappling with envy and inadequacy as he resists sending the boy to a special school, underscoring Ted's insecurities beneath his bluster. The series concludes with Ted's professional survival amid upheaval in the season 7 finale "The Last Show" (aired March 19, 1977), where corporate cutbacks force the closure of WJM's news operation and the firing of the entire staff—except Ted, whose local celebrity status secures him a continued anchoring role at the station, providing ironic closure to his arc as the indomitable, if inept, newsman.

Portrayal by

Acting technique

's initial portrayal of Ted Baxter during the first season of (1970–1971) emphasized broad, exaggerated comedy, presenting the character as a dimwitted butt of jokes through over-the-top physical mannerisms and bombastic delivery. Knight incorporated strutting entrances into the newsroom, often bellowing greetings like "Hi, guys!" with puffed-out confidence and dramatic gestures that underscored Baxter's vain self-importance. Drawing from his early career as a disc jockey, announcer, and voice-over artist in radio and television during the 1950s, employed distinctive vocal inflections—a fulsome, booming —to heighten the humor in Baxter's frequent malapropisms and mispronunciations, relying on precise to land the character's incompetence. This approach, modeled partly on Knight encountered at radio and TV stations (including aspects of his own ), created a of shallow broadcast personalities. Over subsequent seasons, Knight's technique evolved to infuse Baxter with greater depth, particularly after the character's marriage to Georgette Franklin in , blending the established bluster with moments of that revealed underlying vulnerability and sensitivity. This shift transformed the one-note buffoon into a more sympathetic figure, allowing Knight to layer emotional nuance onto the comedic foundation without losing the role's core exaggeration.

Awards and recognition

Ted Knight's portrayal of the pompous news anchor Ted Baxter on garnered widespread acclaim from the television industry, most notably through multiple Primetime Emmy Award nominations and wins. He won the Primetime Emmy Award for Outstanding in a Comedy Series in 1973 for the 1972–1973 season and again in 1976 for the 1975–1976 season, recognizing his comedic timing and exaggerated delivery that defined the character. In addition to these victories, Knight was nominated for the same Emmy category four more times: in 1972, 1974, 1975, and 1977, bringing his total to six nominations over the show's run, which underscored the consistent critical appreciation for his work. These honors reflected the character's central role in the series' success and Knight's ability to blend vanity with vulnerability. Following Knight's death in , his performance continued to receive posthumous recognition, including a 2008 for Broadcaster of the Year awarded to cast, honoring the enduring legacy of Ted Baxter as an iconic figure.

Reception and legacy

Critical reception

Upon its debut in the early 1970s, Ted Baxter received acclaim from critics for his portrayal as a bumbling yet self-aggrandizing news anchor, effectively satirizing the vanity inherent in broadcast media. In a 1980 retrospective, Time magazine described the character, as embodied by Ted Knight, as a "wonderful comic oaf: vain, inept and hilarious," highlighting how Baxter's exaggerated ego and incompetence lampooned the performative aspects of on-air personalities. This depiction resonated during an era when television news was gaining prominence, positioning Baxter as a humorous counterpoint to real-life anchors who prioritized image over substance. Critics also praised Baxter's integration into the WJM-TV newsroom ensemble, noting how his antics illuminated the interpersonal tensions and professional absurdities within broadcast journalism environments. Publications like Variety have retrospectively commended the show's depiction of newsroom dynamics, ranking it among television's most memorable workplace portrayals for their sharp observation of media hierarchies and daily frustrations. In modern retrospectives from the 2000s and beyond, Baxter has been viewed as a timeless parody of performative journalism, where fame eclipses factual reporting. A 2023 analysis in The Conversation argued that, unlike contemporary pundits who blend opinion with news to corrupt the medium, Baxter remained a harmless caricature focused solely on personal glory, underscoring the enduring relevance of his satire in critiquing style-over-substance broadcasting. Similarly, a 2004 Los Angeles Times piece reflected on Baxter's role as a "pompous blowhard" who mangled language while idolizing himself, cementing his status as an archetypal figure in media critique.

Cultural impact

Ted Baxter's portrayal as the egotistical and inept anchorman on The Mary Tyler Moore Show has cemented his status as a in American television history. In , Bravo ranked him 48th on its list of the 100 Greatest TV Characters, recognizing his enduring appeal as a satirical figure of media vanity and incompetence. This ranking underscores Baxter's influence beyond the series, positioning him as a benchmark for comedic archetypes in . Baxter emerged as a symbol of the incompetent media figure amid the evolution of television news during the , embodying the shift toward personality-driven local anchoring over substantive reporting. Drawing inspiration from real-life anchors like George Putnam and , the character highlighted the growing emphasis on charisma, appearance, and entertainment value in news delivery, contrasting sharply with the perceived integrity of network journalists such as . This reflected broader industry changes, where increasingly prioritized status, influencing public perceptions of anchormen as performers rather than authoritative sources. In the post-show era, Baxter's legacy has persisted in shaping discussions on the role of anchormen and the ethics of journalism, with references appearing in analyses of news commercialization and objectivity well into the 2020s. For instance, his character has been invoked as a cautionary tale against prioritizing style over substance in an era of blurred lines between news and entertainment. Scholars and critics have cited Baxter in explorations of workplace ethics in media, including debates on sexism, infidelity, and the integrity of reporting, highlighting the show's prescient commentary on industry standards. Even in recent podcasts on media evolution, Baxter is recalled as the archetypal "buffoon" anchorman, illustrating ongoing tensions between authenticity and spectacle in broadcast news. In 2025, marking the show's 55th anniversary, critics continued to celebrate Baxter's role in pioneering satirical portrayals of media personalities, as noted in retrospectives emphasizing the series' lasting influence on television comedy.

Allusions and parodies

In television

Ted Baxter, the pompous and often inept news anchor from The Mary Tyler Moore Show, has been referenced and homaged in several subsequent television series, particularly those satirizing broadcast journalism. In the animated series The Simpsons, which debuted in 1989, the recurring character Kent Brockman serves as a direct homage to Baxter, embodying similar traits of vanity, frequent on-air gaffes, and an inflated sense of self-importance as the anchor of Springfield's Channel 6 news. Brockman's character draws from the same real-life inspirations as Baxter, notably Los Angeles news anchor Jerry Dunphy, whose baritone delivery and authoritative yet comically exaggerated persona influenced both portrayals. The West Wing included a notable reference to Baxter in its season 2 episode "18th and Potomac," aired in 2001, where C.J. Cregg () compares a predictable reporter question to one that the fictional might ask. Other television nods to Baxter appear in sitcoms like (1995–1999), where the arrogant radio news Bill McNeal () echoes Baxter's brash incompetence and self-absorbed demeanor, though with a sharper, more manipulative edge that distinguishes the character while paying tribute to the archetype.

In film and other media

In the 2004 comedy film Anchorman: The Legend of Ron Burgundy, directed by Adam McKay, the titular character Ron Burgundy—portrayed by Will Ferrell—serves as a satirical take on self-important local news anchors of the 1970s, modeled after the archetype exemplified by Ted Baxter's vain and incompetent persona. The film's exaggerated depiction of newsroom rivalries and on-air blunders echoes Baxter's bumbling delivery and inflated ego, positioning Ron as a more flamboyant evolution of the archetype. A specific homage appears in Ron's loyal pet dog, also named Baxter, which McKay included as a deliberate reference to Knight's character from The Mary Tyler Moore Show. Baxter's influence extends to literary works critiquing media incompetence, where he is frequently cited as the prototypical dimwitted in satirical discussions of . Beyond film and print, Ted Baxter's bombastic delivery has inspired parodies in and online content. Comedians in the and beyond have mimicked his over-the-top news readings in routines targeting TV personalities, while modern often recreate his signature sign-off—"This is Ted Baxter saying good night, and good news!"—to satirize outdated broadcast styles.

References

  1. https://www.imdb.com/title/tt0065314/
  2. https://theconversation.com/fictional-newsman-ted-baxter-was-more-invested-in-fame-than-in-good-journalism-but-unlike-todays-pundits-he-didnt-corrupt-the-news-195634
  3. https://www.imdb.com/name/nm0461095/
  4. https://books.google.com/books?id=kdKbAQAAQBAJ
  5. https://www.scribd.com/document/800155154/Mary-Tyler-Moore-Show-1x01-Pilot
  6. https://www.imdb.com/title/tt0642847/
  7. https://www.imdb.com/name/nm0144197/trivia/
  8. http://kenlevine.blogspot.com/2016/09/who-was-ted-baxter-really-modeled-after.html
  9. https://www.youtube.com/watch?v=CquMatOU3vI
  10. https://www.britannica.com/biography/Ted-Knight
  11. https://www.latimes.com/archives/la-xpm-2004-jul-16-et-kaltenbach16-story.html
  12. https://www.tvguide.com/news/features/the-mary-tyler-moore-show-hard-work-of-being-alone/
  13. https://www.ebsco.com/research-starters/arts-and-entertainment/mary-tyler-moore-show-examines-womens-roles
  14. https://www.imdb.com/title/tt0642900/
  15. https://www.pastemagazine.com/tv/georgette-franklin-georgia-engel-mary-tyler-moore-show-legacy
  16. https://www.imdb.com/title/tt0642895/
  17. https://www.imdb.com/title/tt0642850/
  18. https://www.youtube.com/watch?v=jGN-1-UElgU
  19. https://www.imdb.com/title/tt0642809/
  20. https://www.imdb.com/title/tt0642809/plotsummary/
  21. https://archive.seattletimes.com/archive/20040709/anchorman09/anchorman-plays-like-a-small-screen-rerun
  22. https://www.imdb.com/title/tt0642909/
  23. https://www.imdb.com/title/tt0642881/
  24. https://www.imdb.com/title/tt0642870/
  25. https://www.washingtonpost.com/archive/local/1986/08/27/obituaries/d89c22dc-c39c-4ded-ac14-198bee701d6d/
  26. https://ampoleagle.com/ted-knight-was-the-original-anchorman-p10595-226.htm
  27. https://www.nytimes.com/1986/08/27/obituaries/ted-knight-winner-of-2-emmy-awards-for-television-series.html
  28. https://www.imdb.com/name/nm0461095/awards/
  29. https://time.com/archive/6858399/television-the-bodies-in-question/
  30. https://variety.com/gallery/best-workplace-tv-comedies/
  31. http://www.thefutoncritic.com/news/2004/11/05/bravo-welcomes-old-friends-and-new-icons-onto-its-screen-with-the-100-greatest-tv-characters-17203/20041105bravo02/
  32. https://files.eric.ed.gov/fulltext/ED473792.pdf
  33. https://brewminate.com/ted-baxter-a-1970s-fictional-tv-newsman-who-wouldnt-corrupt-journalism-for-desired-fame/
  34. https://www.usatoday.com/story/entertainment/tv/2020/09/17/mary-tyler-moore-show-turns-50-why-sitcom-remains-classic/5808995002/
  35. https://www.axiapr.com/blog/legendary-journalist-mort-crim-on-media-evolution-authenticity-and-truth
  36. https://www.forbes.com/sites/marcberman1/2025/09/19/celebrating-a-groundbreaking-comedy-the-mary-tyler-moore-show-turns-55/
  37. https://www.latimes.com/archives/la-xpm-2002-may-25-et-braxton25-story.html
  38. http://www.westwingtranscripts.com/wwscripts/2-21.php
  39. https://slate.com/culture/2008/12/the-awkward-charm-of-nbc-s-newsradio.html
  40. https://decider.com/2014/07/09/anchorman-trivia/
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