Community hub
0 subscribers7 pages, 0 posts
Recent from talks
All channels
Be the first to start a discussion here.
Be the first to start a discussion here.
Be the first to start a discussion here.
Be the first to start a discussion here.
Contribute something
Welcome to the community hub built to collect knowledge and have discussions related to That Splendid November.
Nothing was collected or created yet.
That Splendid November
View on Wikipediafrom Wikipedia
| That Splendid November | |
|---|---|
 Turkish film poster | |
| Directed by | Mauro Bolognini |
| Screenplay by | Lucia Drudi Demby Antonio Altoviti Attilio Riccio (as Henry Vaughn) |
| Based on | That Splendid November by Ercole Patti |
| Produced by | Attilio Ricco |
| Starring | Gina Lollobrigida Gabriele Ferzetti André Laurence Paolo Turco |
| Cinematography | Armando Nannuzzi |
| Edited by | Roberto Perpignani |
| Music by | Ennio Morricone |
Production companies | Adelphia Compagnia Cinematografica Les Productions Artistes Associés |
| Distributed by | Dear Film (Italy) United Artists (International) |
Release date |
|
Running time | 92 minutes |
| Countries | Italy France |
| Language | Italian |
That Splendid November (Italian: Un bellissimo novembre) is a 1969 Italian film directed by Mauro Bolognini. It stars actors Gabriele Ferzetti[1] and Gina Lollobrigida. It is based on a novel with the same name written by Ercole Patti.[2]
Plot
[edit]A few days after All Saints' Day a widespread Sicilian clan meets in their country castle near Catania. The younger generation has long recognized that there is a lot of hypocrisy hidden behind the elegant setting and the strict morals. That is why the seventeen-year-old Nino feels particularly drawn to his beautiful aunt Cettina, who is considered the black sheep of the family because she ran off into a marriage that was not entirely approved. The experienced woman, however, smugly kindles the fire of a glowing passion in the awakened young man, seduces him according to all the rules of the art - and then appears very astonished when Nino, full of mad jealousy, does not want to share his place with older lover Sasà. The hope that he had fleetingly hoped that Cettina would be completely committed to himself, contrary to all conventions, vanished. Nino, resigned, throws himself into a marriage with a young cousin - and will play the usual game without open rebellion. At the church door he exchanges a soft "See you soon!" with his attractive aunt.
Cast
[edit]- Gina Lollobrigida: Cettina
- André Laurence: Sasà
- Gabriele Ferzetti: Biagio
- Paolo Turco: Nino
- Danielle Godet: Elisa
- Margarita Lozano: Amalia
- Isabella Savona: Giulietta
- Jean Maucorps: Mimì
- Corrado Gaipa: Alfio
References
[edit]- ^ "Gabriele Ferzetti". Mymovies.it. Retrieved November 30, 2010.
- ^ Roberto Poppi, Mario Pecorari. Dizionario del cinema italiano. I film. Gremese Editore, 2007.
External links
[edit] | This 1960s Italian drama film–related article is a stub. You can help Wikipedia by adding missing information. |
That Splendid November
View on Grokipediafrom Grokipedia
Background and development
Source material
Un bellissimo novembre, the source novel for the film That Splendid November, was written by Sicilian author Ercole Patti and first published in 1967 by Bompiani in Milan, Italy. In the year of its publication, the novel was a finalist for the Premio Strega literary prize. Patti, born in Catania in 1903 and who died in Rome in 1976, was a multifaceted writer known for his work as a novelist, journalist, dramatist, and screenwriter, often drawing from his deep familiarity with Sicilian society to critique its social structures and hypocrisies. His screenwriting credits included collaborations on films by directors like Mario Camerini, blending literary insight with cinematic storytelling.[4] The core narrative centers on 16-year-old Nino, who experiences sexual awakening and emotional turmoil during a family gathering at a villa near Catania in November 1925.[4] Through his intimate relationship with his 27-year-old aunt Cettina, the story explores forbidden desires, jealousy, and the clash between youthful innocence and adult complexities within an aristocratic Sicilian family.[5] Patti's depiction highlights the hypocrisy of family and societal norms, where outward respectability masks infidelity, class tensions, and repressed passions characteristic of early 20th-century Sicilian life.[6] Employing a third-person perspective closely aligned with Nino's viewpoint, the novel delivers an introspective examination of adolescence, with Patti's clear, paratactic style and vivid sensory descriptions immersing readers in the protagonist's psychological and physical discoveries.[5][4] This literary approach emphasizes internal conflict and emotional depth, contrasting with the film's greater reliance on visual and dramatic elements to convey the same themes of desire and familial discord.[7] Director Mauro Bolognini selected the novel for adaptation due to its evocative portrayal of Sicilian traditions and human vulnerabilities.[2]Pre-production
The screenplay for That Splendid November was penned by Lucia Drudi Demby, Antonio Altoviti, and Attilio Riccio (credited under the pseudonym Henry Vaughn), adapting Ercole Patti's 1967 novel into a script that amplified the story's themes of familial hypocrisy and sensual awakening for a broader cinematic audience. This collaborative effort focused on translating the novel's introspective narrative into visually driven sequences, heightening the erotic undertones inherent in the protagonist's forbidden desires while preserving the Sicilian setting's atmospheric tension.[8][9] Mauro Bolognini was brought on as director for his proven track record in literary adaptations that merged opulent period aesthetics with psychological and erotic drama, exemplified by his earlier film Il bell'Antonio (1960), which similarly explored sexual repression in an Italian context. Bolognini sought to infuse the project with a Viscontian sense of grandeur—evoking lavish estates and emotional intensity—while intensifying the narrative's undercurrents of taboo passion to distinguish it within the era's Italian cinema landscape.[10][2] The production was handled as a Franco-Italian co-production by Adelphia Compagnia Cinematografica in Italy and Les Productions Artistes Associés in France, a partnership designed to pool resources and enhance international market potential for what was positioned as an art-house drama with erotic appeal. Attilio Riccio, who also contributed to the screenplay, served as the lead producer, overseeing the logistical setup prior to principal photography.[11] Casting emphasized established stars capable of conveying complex sensuality, with Gina Lollobrigida selected for the pivotal role of the aunt due to her commanding presence and history of portraying multifaceted, alluring women in mature dramatic roles, thereby anchoring the film's exploration of desire and family dynamics.[10][9]Cast and characters
Main cast
Gina Lollobrigida portrays Cettina, the childless aunt who becomes the object of her nephew's intense desire during a family gathering on Mount Etna, blending maternal warmth with a seductive allure that drives the film's central taboo relationship.[7] Her performance, marked by ravishing presence and erotic intensity—particularly in scenes emphasizing her physical vulnerability—highlights Cettina's capricious nature as she navigates affection from Nino while pursuing her own affair.[12] This role underscores Lollobrigida's transition in the 1960s toward more dramatic and sensual characters, building on her international breakthrough in the comic swashbuckler Fanfan la Tulipe (1952), which propelled her to global stardom as an Italian cinema icon.[13] Gabriele Ferzetti plays Biagio, Cettina's husband and the family patriarch, whose resigned yet supportive demeanor amid her infidelity adds layers to the household's hypocritical dynamics and the emotional tensions surrounding the protagonists.[12] Ferzetti's portrayal draws on his established gravitas as a versatile Italian actor, evident in contemporaneous roles like the ruthless railroad tycoon Morton in Sergio Leone's Once Upon a Time in the West (1968).[14] Paolo Turco makes an early screen appearance as Nino, the 17-year-old protagonist grappling with adolescent turmoil, paternal loss, and jealous obsession over his aunt, capturing the character's brooding torment and psychological inscrutability in a pivotal debut-level performance that anchors the film's exploration of sexual awakening.[7][15] André Lawrence embodies Sasà, Cettina's worldly lover and Biagio's business associate, whose arrival in a red sports car ignites Nino's jealousy and heightens the relational conflicts at the story's core.[12]Supporting cast
The supporting cast of That Splendid November features an ensemble of Italian performers who portray the extended Sicilian family and associates, collectively evoking the clan's atmosphere of aristocratic decadence and internal dysfunction through group scenes that underscore familial tensions without dominating the central narrative.[8][16] Key supporting roles include Corrado Gaipa as Uncle Alfio, the authoritative family elder whose stern presence amplifies themes of patriarchal control; Gaipa, a veteran of Italian cinema with credits in dramatic works like The Godfather (1972), brings gravitas to highlight the hypocrisy within the household.[8] Margarita Lozano portrays Amalia, a matriarchal figure contributing to the portrayal of generational conflicts, while Danielle Godet plays Elisa, a relative involved in the family's interpersonal dynamics.[16] Isabella Savona appears as Giulietta, further fleshing out the clan's web of relationships.[17] Additional relatives, such as uncles and cousins, are depicted by lesser-known Italian actors including Turi Pandolfini, whose regional roots as a Sicilian performer lend authenticity to the dialect and physicality of the decaying aristocracy.[18] Other ensemble members like Grazia Di Marzà as Assunta and Ettore Ribotta as Concetto populate the family gatherings, emphasizing collective dysfunction through subtle interactions.[16] The film's around 14 cast members reflect the novel's depiction of a sprawling clan, with casting prioritizing performers capable of conveying Sicilian cultural nuances to enhance atmospheric realism.[8]Production
Filming
Principal photography for That Splendid November took place in 1968, primarily during the spring and summer months, lasting approximately eight weeks.[19][10] The production was filmed mainly on location in Sicily, near Catania, to evoke the authentic rural aristocracy of the story, including exteriors at a villa in the area and the slopes of Mount Etna for lush, atmospheric landscapes.[20][7] Cinematographer Armando Nannuzzi employed wide-angle lenses to capture the expansive, verdant Sicilian countryside and intimate close-ups for the film's sensual moments, all processed in Eastmancolor to enhance the vivid, autumnal hues.[7][21] Mauro Bolognini's directorial style featured operatic framing and compositions influenced by Luchino Visconti, emphasizing emotional intensity and baroque opulence amid the family's decaying villa setting.[10] The production faced challenges in navigating 1960s Italian censorship, particularly with scenes of nudity and sensuality, including a controversy over Gina Lollobrigida's revealing costumes.[10] Editing by Roberto Perpignani resulted in a 92-minute runtime, with rhythmic pacing that alternated between tense family gatherings and private, erotic encounters to heighten the narrative's psychological tension.[9][22]Music and soundtrack
The score for That Splendid November (original title: Un bellissimo novembre) was composed by Ennio Morricone, marking one of his early contributions to romantic dramas in the late 1960s, prior to his widespread recognition for spaghetti western soundtracks.[23][24] Morricone's work here features lush orchestral arrangements with romantic motifs, including delicate string and harp passages that evoke bittersweet emotion, as heard in the main theme "Un Bellissimo Novembre."[23][25] Key tracks highlight Morricone's blend of intimate instrumentation and subtle sensuality, such as "Nuddu," a gentle piece for guitars, classical strings, and whistled melody performed by Alessandro Alessandrini, incorporating Sicilian folk influences through its dialect title meaning "nobody."[23] "Sensi" employs accordion and wordless female vocalise to convey passion discreetly, while "Ancora Più Dolcemente" closes with tender woodwinds and strings.[23] The full score consists of a limited number of cues, with only five—including these tracks—ever commercially released, though the film reportedly features additional unreleased material.[23] No official soundtrack album was issued in 1969, but selections appeared in later compilations, notably a 1995 Beat Records release pairing it with Morricone's score for Il grande silenzio, and a 2020 expanded edition on Digitmovies.[23][26] These tracks, including a song version of the main theme performed by Fausto Cigliano with lyrics by Franco Pisano, were originally published by Neapolis and recorded on Parade Records.[27][26] Morricone's music enhances the film's emotional depth by underscoring erotic tension through understated motifs that complement rather than dominate the dialogue, as in the sensual yet restrained "Sensi."[23] This approach reflects his collaboration with director Mauro Bolognini, building on prior joint projects to integrate leitmotifs that subtly trace character arcs.[23]Release
Premiere and distribution
The film premiered in Italy on April 5, 1969, under its original title Un bellissimo novembre, with initial screenings in major cities including Rome and Milan.[9] Following its completion in late 1968, the international rollout began in 1969, with releases in Germany on October 3 and Poland in July 1970.[9][28] The film reached English-speaking markets in 1971, distributed by United Artists, which retitled it That Splendid November to appeal to art-house audiences; its U.S. premiere occurred on June 18 in New York City.[29] In France, it was released on March 17, 1972, as Ce merveilleux automne.[9] In Italy, Dear Film handled distribution, focusing on theatrical release to capitalize on the film's dramatic exploration of family dynamics and sensuality. United Artists managed international distribution, targeting audiences interested in European arthouse cinema featuring Gina Lollobrigida's performance as the alluring aunt Cettina.[29] The film was marketed as an erotic family drama, emphasizing themes of forbidden desire within a Sicilian aristocratic setting and leveraging Lollobrigida's star power from her earlier international successes.[9][30] The standard running time is 92 minutes, though some international exports were edited to approximately 85 minutes to comply with local standards.[1][9]Home media and availability
The film saw limited early home video distribution, with VHS releases appearing in Italy during the 1990s through labels associated with state entities like Ferrovie dello Stato.[31] These tapes were typically in Italian without subtitles, targeting domestic audiences. DVD editions followed in the mid-2000s, including an Italian release in 2005 featuring the original audio and basic packaging.[32] International versions, such as all-region DVDs with English subtitles, became available around 2010-2014 via import distributors, often sourced from Italian masters.[33][34] In the 2010s, HD remasters emerged, with full versions in high definition circulating online and screened at retrospectives honoring director Mauro Bolognini, such as a 2023 MoMA presentation.[35] While no official restoration by the Bolognini estate has been documented, festival circuits like Il Cinema Ritrovato highlighted Bolognini's works in 2022.[36] These efforts improved visual quality from the original 35mm print, though physical remastered editions remain scarce. As of November 2025, the film is not available on major free streaming platforms but can be rented or purchased digitally on services like Google Play and Amazon Prime Video.[37][38] It was previously available on Netflix until around 2023 but has since rotated off.[39] Unauthorized or public domain uploads appear on YouTube, often with English subtitles, particularly in regions where copyright lapsed.[40] Physical media options are predominantly DVDs, with no confirmed Blu-ray releases in Italy or elsewhere as of November 2025; limited U.S. imports via niche labels offer subtitled versions, sometimes bundled with Ennio Morricone soundtrack CDs.[41] Accessibility outside Italy is hampered by inconsistent subtitling, as many editions lack English or other language tracks, leading to reliance on fan-subbed digital copies.[42]Reception and legacy
Critical reception
Upon its release in Italy in 1969, That Splendid November received mixed reviews from critics, who praised director Mauro Bolognini's visual style and Ennio Morricone's evocative score while critiquing the film's melodramatic treatment of erotic themes. Italian outlets noted the film's stylish cinematography by Armando Nannuzzi, which captured the stifling Sicilian bourgeoisie with a sense of claustrophobic elegance, but faulted its superficial exploration of family tensions and sensuality. For instance, aggregated critic scores on MYmovies averaged 2.78 out of 5, reflecting a divide between appreciation for its aesthetic ambitions and disappointment in its narrative depth.[43][10][23] Retrospective and modern assessments have been somewhat more favorable, focusing on the film's exploration of adolescent obsession within repressive family dynamics, though many note its dated sensuality and eroticism as products of its era. On IMDb, it holds a 6.1/10 rating based on 472 user votes, with viewers commending Morricone's subtle, haunting score and Bolognini's direction for evoking psychological unease.[1] The film garnered no major awards. Controversies centered on its incestuous undertones and portrayal of female sexuality, sparking feminist critiques that viewed the depiction of Lollobrigida's character as reinforcing objectification and patriarchal norms in Italian cinema of the late 1960s.[44][9]Cultural impact
Un bellissimo novembre achieved modest commercial success in Italy upon its release, though its explicit themes limited international earnings and broader distribution.[45] The film contributed significantly to director Mauro Bolognini's reputation for crafting erotic dramas that delved into taboo subjects, particularly within the confines of traditional Sicilian family life.[10] It reflects the societal shifts in post-war Italy, capturing the push toward sexual liberation against the backdrop of entrenched Catholic conservatism and familial repression in the South.[10] The film's portrayal of fluid and forbidden desires has received minor attention in queer cinema studies, highlighting Bolognini's perspective on gender and sexuality.[10] Ennio Morricone's score has been highlighted in composer retrospectives, including the Museum of Modern Art's 2023 series on his work.[35] The movie has experienced occasional festival revivals, such as at the 2022 Caltagirone Film Festival, which honored Bolognini.[46]References
- https://www.wikidata.org/wiki/Q2943588