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The Glass Hotel
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The Glass Hotel
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The Glass Hotel is a 2020 novel by Canadian writer Emily St. John Mandel. It is Mandel's fifth novel, and the first since winning the Arthur C. Clarke Award with her novel Station Eleven in 2015.[2] It follows the aftermath of a disturbing graffiti incident at a hotel on Vancouver Island and the collapse of an international Ponzi scheme.

Key Information

Plot summary

[edit]

Paul is a lonely student at the University of Toronto. At a nightclub, he gives some tablets to band members he was hoping to befriend and one of them dies shortly after. Paul flees to the apartment of his half-sister Vincent.

Five years later, Paul and Vincent work at a hotel on the northernmost tip of Vancouver Island in the fictional Caiette, which is based on the real hamlet Quatsino.[3] Graffiti is discovered written on a window in the lobby with an acid marker, saying, "Why don't you swallow broken glass." Paul is immediately suspected and leaves before being fired. The graffiti would appear to be intended for Jonathan Alkaitis, a wealthy investor who owns the hotel. Vincent, who is working the bar, soon enters a relationship with Alkaitis (pretending to be his wife) and moves into his house in Connecticut. Her life becomes one of extreme wealth and accommodating her partner.

Alkaitis is arrested and it is revealed that his investment success is a Ponzi scheme. His complicit staff reacts in different ways to their impending demise. One flees the country, another writes an elaborate confession. Alkaitis is sentenced to 170 years in prison, where he dreams of a "counter-life" in which he escaped to a hotel in Dubai. He is often haunted by the people he defrauded.

After the collapse of the scheme, Vincent discovers that Paul has taken old videotapes of hers as the basis for musical compositions. Refusing to confront him, she takes a job as a cook on a shipping freighter. She disappears from the ship in the midst of a storm. Her onboard boyfriend is suspected of killing her. Leon Prevant, who lost his life savings investing with Alkaitis, is sent to help investigate. His co-investigator instructs him to cover up possibly incriminating evidence from an interview.

Paul finds some success as a composer. He has a long-term heroin addiction.

In an epilogue, it is revealed Vincent fell from the ship after becoming distracted by a vision of one of Alkaitis' investors. As she drowns, she experiences a series of apparent hallucinations (some of which have been referenced by other characters earlier in the book) of Alkaitis, Paul, and finally her mother, who disappeared herself when Vincent was a small child.

Inspiration

[edit]

Jonathan Alkaitis's Ponzi scheme is based on the crimes of Bernie Madoff. Mandel said, "I do want to be clear about this book: it's not about any real people. It's not about Madoff — or Madoff's family or Madoff's actual staff — but the crime is the same. That was my starting point. The thing that fascinated me the most was the staff involved. I found myself thinking, 'Who are these people who show up at work every morning to perpetuate a massive crime?'"[4]

As with Station Eleven (2014), Mandel is inspired by the "invisible world" of shipping and the "ghost fleet" of freighters off the shore of Malaysia after the 2008 financial crisis.[5] The Glass Hotel includes a reference to the "Georgia flu," the illness which drove the plot of Station Eleven. However, in this novel, the illness never became a pandemic. Two characters from Station Eleven (shipping consultants Miranda and Leon) also appear in The Glass Hotel.

Television series

[edit]

In April 2022, it was announced that HBO Max will be adapting the novel into a television series, produced by Paramount Television Studios with Mandel and Patrick Somerville co-writing.[6]

Reception

[edit]

The Atlantic said, "The Glass Hotel is a jigsaw puzzle missing its box. At the book's start, what exactly it is about or even who the major figures are is unclear. The structure is virtuosic, as the fragments of the story coalesce by the end of the narrative into a richly satisfying shape. There are wonderful moments of lyricism."[7] The New Yorker said, "Mandel's gift is to weave realism out of extremity. She plants her flag where the ordinary and the astonishing meet, where everyday people pause to wonder how, exactly, it came to this. She is our bard of waking up in the wrong timeline."[8]

NPR claimed, "In Vincent and Paul, Mandel has created two of the most memorable characters in recent American [sic] fiction. The two are both haunted by longing and self-doubt, trying in vain to run away from their respective demons."[9] Seth Mandel at The Washington Examiner agreed, "Mandel's characters are crisply drawn, all sharp lines and living color. Everyone in the book is witty; no one is particularly likable. But taken together, their overlapping stories are gripping."[5]

Former USA President Barack Obama included the book on his list of favorite books of 2020.[10]

Awards and nominations

[edit]

References

[edit]
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The Glass Hotel

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The Glass Hotel is a 2020 novel by Canadian author , her fifth book and the first since her 2014 work . The story centers on the collapse of a vast run by financier Jonathan Alkaitis and its ripple effects across a web of characters, including Vincent Smith, who becomes entangled in his world; it interweaves these events with the enigmatic vanishing of a woman from a at sea. Inspired in part by the scandal, the narrative spans settings from a remote luxury hotel on to high-stakes finance in New York and life aboard a supertanker, blending elements of , crime, and subtle speculative threads. Published on March 24, 2020, by Knopf in the United States and in , the novel comprises 320 pages and was released amid the early months of the , which amplified its themes of fragility and illusion. Key motifs include the blurred lines between reality and fantasy, the haunting presence of counterfactual lives, and the moral ambiguities of greed and complicity, portrayed through non-linear vignettes that shift perspectives among victims, perpetrators, and bystanders. The book received widespread critical acclaim for its elegant prose and intricate structure, with reviewers praising Mandel's ability to evoke the seductive allure of wealth and the quiet devastation of its loss. It was shortlisted for the 2020 Scotiabank Giller Prize and longlisted for the International Dublin Literary Award, cementing Mandel's reputation as a versatile storyteller following her win for . A , The Glass Hotel has been lauded for its timely examination of economic deception and human resilience in an unstable world.

Background and development

Author background

was born in the spring of 1979 in Merville, a rural community on in , . The daughter of a Canadian social worker mother and an American plumber father, she spent her early years in a modest, off-grid household, including a period living in a tent while her family built their home. Homeschooled until age 15, Mandel developed a private interest in writing stories and playing piano, though her initial ambition was to pursue a career in . She trained at the School of Toronto Dance Theatre, graduating at 18, but soon transitioned away from performance due to financial strain and burnout, taking various jobs in —such as at a cybercafé, an architecture firm, and a cancer research lab at —while beginning to write fiction. Mandel's early career included roles as a for The Millions, an online literary magazine, where she contributed book reviews, essays, and analyses, including a 2011 piece on the sting of negative reviews. Her debut novel, Last Night in Montreal (2009), explored themes of disappearance and pursuit in a noir style, followed by The Singer's Gun (2010) and The Lola Quartet (2012), both published by Unbridled Books and blending with literary introspection. These works established her as a adept at taut, character-driven narratives, though they garnered modest attention initially. In 2002, Mandel relocated from to , where she settled permanently after brief stints in and , immersing herself in the city's vibrant literary scene and online writing communities like . Mandel's breakthrough came with her fourth novel, (2014), a speculative tale of a pandemic's aftermath that intertwined art, survival, and human connection, earning widespread acclaim including the 2015 for . The book's success, which also saw it as a finalist and translated into over 30 languages, allowed Mandel to leave day jobs and focus full-time on writing. Her style, influenced by the precision of and the fragmented introspection of authors like and , fuses speculative elements with , emphasizing interconnected lives amid crisis—a foundation that propelled her toward exploring even broader existential themes in subsequent works. Following The Glass Hotel, Mandel published Sea of Tranquility in 2022, which was shortlisted for the , and has announced her seventh , Exit Party, for fall 2026.

Inspiration and writing process

The primary inspiration for The Glass Hotel stemmed from the 2008 collapse of Bernie Madoff's , which Mandel encountered while working as an and found compelling in its exploration of complicity among ordinary office workers who rationalized their involvement. She was particularly drawn to the "mass " aspect, researching the scheme through books, articles, and transcripts to capture its victim impacts and legal repercussions without directly replicating real individuals. This financial fraud element forms the novel's core, paralleling the real-world aftermath of shattered lives and investigations. Secondary influences included the shipping industry, which Mandel described as a "vast part of our economy" yet "strangely invisible," and the phenomenon of "ghost ships"—abandoned container vessels left to rust in ports worldwide following the , symbolizing economic fallout and unlived lives. Personal observations of luxury hotels and economic disparity also shaped the narrative; the fictional Hotel Caiette drew from Mandel's teenage visit to a remote, surreal five-star resort concept in Quatsino on northern , a location she reached by driving to and taking a , evoking the tension between wilderness isolation and opulent escape. These elements highlighted contrasts in wealth, with money portrayed as "its own country" enabling seamless mobility for the rich across cities like New York and . Mandel began drafting the novel in the years following the 2014 publication of , incorporating subtle ties to that universe through shared characters like Miranda, an artist from the shipping company, and Leon Prevant, reimagined in an alternate timeline without the Georgian flu pandemic. Her writing process eschewed outlines, resulting in messy first drafts that she revised extensively over two years, including three intense rounds of restructuring to interweave non-linear timelines—initially structured like but adjusted for tension using titled sections and indented paragraphs to separate past and future threads. Research relied on her familiarity with (from childhood ferries and visits) and New York (her home for over 17 years), supplemented by documentary sources for unfamiliar settings like . Challenges included balancing multiple perspectives to maintain thematic unity around haunting and counterlives, culminating in a final of approximately 320 pages.

Publication

Editions and formats

The Glass Hotel was first published in hardcover on March 24, 2020, by in the United States, with ISBN 978-0525521143 and 320 pages. In , released the first Canadian edition on the same date, comprising 320 pages. The edition appeared in March 2020 from , an imprint of Pan Macmillan, featuring 320 pages and ISBN 9781509882816. The novel has been issued in multiple formats beyond the initial . A edition followed on February 16, 2021, from , an imprint of Knopf, with ISBN 9780525562948 and 320 pages. An e-book version is available through major digital retailers. The , produced by Random House Audio and narrated by , runs for 10 hours and 28 minutes. International editions include translations into 25 languages. Notable examples are the French translation, titled L'Hôtel de verre, published in 2020, and the Spanish edition, El hotel de cristal, released by in 2021. Special editions consist primarily of signed copies distributed through independent bookstores, such as limited signed hardcovers from sellers limited to 1,500 copies; no illustrated or annotated versions have been produced.

Marketing and release

The Glass Hotel was first announced in 2019, generating pre-release buzz through advance reader copies distributed to reviewers and booksellers to build anticipation and secure early endorsements. The , revealed in July 2019, depicted a reflective facade evoking themes of illusion and transience central to the . The book was released on March 24, 2020, by Knopf in the United States and in , coinciding with the onset of that heightened demand for amid global uncertainty. Knopf announced an initial U.S. print run of 200,000 copies, reflecting high expectations following Mandel's prior success with . Promotional efforts adapted to the pandemic, with Mandel conducting a virtual book tour featuring online conversations and readings hosted by independent bookstores and libraries across . She participated in key interviews, including a "By the Book" feature in and a profile in exploring the novel's themes of financial collapse. The title was highlighted in 's most anticipated books of spring 2020, positioning it as a major literary event. Commercially, The Glass Hotel debuted at number 5 on The New York Times bestseller list for hardcover fiction in April 2020 and achieved strong global sales.

Synopsis and analysis

Plot summary

The Glass Hotel unfolds through a non-linear narrative that spans from the 1990s to the 2020s, primarily centered on the remote, luxurious Caiette Hotel on Vancouver Island, Canada. The story begins with a mysterious incident at the hotel, where the phrase "Why don't you swallow broken glass" appears graffitied on a window, setting an enigmatic tone for the ensuing events. This backdrop introduces key figures, including young bartender Vincent Smith, who navigates transient relationships and opportunities amid the hotel's isolated elegance. The plot weaves multiple threads around financier Jonathan Alkaitis, whose expansive draws in Vincent as a companion, propelling her from the hotel's service staff into a world of opulent deception in and beyond. Parallel to this, Vincent's half-brother Paul grapples with personal demons, evolving from a troubled in his youth to a composer confronting the lingering shadows of and loss. The narrative shifts across timelines, exploring the scheme's intricate web of investors and accomplices, including figures like shipping executive Leon Prevant and artist , whose lives intersect through the fraud's far-reaching consequences. As the scheme collapses in the wake of the , the story delves into the aftermath, tracing the characters' fragmented paths, including Vincent's eventual role aboard the Neptune-Avramidis. The resolution eschews a conventional climax, instead emphasizing interconnected fates through vignettes of "counterlives"—alternate realities and what-if scenarios that reflect on choices and regrets—while highlighting the enduring ripples of economic ruin on ordinary lives.

Characters

Vincent Smith serves as the novel's central protagonist, a young woman in her twenties from a remote community, orphaned after her mother's by . She begins as a at the remote luxury hotel in Caiette, , where she mixes cocktails for wealthy guests and navigates a transient lifestyle marked by adaptability and reinvention. Her arc involves forming a romantic and financial partnership with Jonathan Alkaitis, drawing her into his world of opulence and eventual downfall, before she vanishes at sea aboard a . Paul, Vincent's half-brother, is an aspiring and who grapples with during his early adulthood. He briefly works menial jobs at the Caiette hotel, including sweeping floors, while living in close proximity to Vincent and sharing a familial bond strained by their shared traumatic background. Over time, Paul achieves professional success as a video artist and , though his work indirectly ties back to the ripple effects of the events surrounding his sister. Jonathan Alkaitis functions as the novel's primary antagonist, a charismatic New York financier who orchestrates a vast reminiscent of Bernie Madoff's fraud. He owns the Caiette hotel and employs a small inner circle, including five key associates, to sustain his illusion of wealth, exuding the "tedious confidence" typical of the affluent. Alkaitis's arc culminates in imprisonment, where he confronts visions of his victims, and he maintains a personal relationship with as his companion. Among the supporting characters, Miranda appears as an artist whose path intersects with the scheme's fallout, having previously featured in Mandel's Station Eleven. Leon Prevant, a shipping executive and another carryover from Station Eleven, becomes a victim of Alkaitis's fraud, leading him to a nomadic post-scheme life traveling in a rundown RV with his wife and taking temporary jobs. Olivia Collins, an accountant employed by Alkaitis, grapples with the moral compromises of her role in the operation before its collapse. Sylvie, Alkaitis's loyal assistant, remains deeply involved in the daily mechanics of the Ponzi scheme, embodying quiet complicity within his organization. The characters' lives form an ensemble of interconnected trajectories spanning multiple timelines, with Vincent's relationships linking the personal spheres of Paul and Alkaitis, while supporting figures like Leon, Olivia, and Sylvie illustrate the broader web of victims and enablers affected by the central fraud. No single figure dominates as a traditional , as their arcs reveal mutual influences and shared vulnerabilities across social strata.

Themes and style

Central themes

The Glass Hotel explores the fragility of financial systems through its depiction of a orchestrated by financier Jonathan Alkaitis, which mirrors real-world scandals like that of and critiques the illusory nature of unchecked . The novel illustrates how greed sustains fabricated prosperity, eroding distinctions between reality and deception until the scheme's collapse exposes the human cost, including ruined lives and lost fortunes, paralleling the . This theme underscores a broader commentary on , where participants knowingly or unknowingly perpetuate the , highlighting the delusion of self-interest in economic structures. Central to the narrative is the concept of transience and counterlives, portraying human existence as impermanent and shaped by "what if" possibilities that haunt characters like unlived paths or lost opportunities. Motifs of liminal spaces, such as hotels and ships, symbolize this , representing transitions between identities and the grief of irreversible choices. The novel delves into how individuals construct alternate realities to cope with loss, emphasizing the precariousness of circumstance where "we move through this world so lightly." Interconnectivity emerges as a key idea, revealing how personal actions create rippling effects across disparate lives, with subtle ties to Mandel's earlier work , including shared characters like Miranda and faint allusions to the Georgia flu in an alternate timeline. This web of relationships spans global scales, from investors to peripheral figures, illustrating collective vulnerability to individual deceptions and the illusion of isolation in a linked . The theme posits that unseen consequences bind people, much like ghosts manifesting hidden interdependencies. The tension between art and reality permeates the novel, positioning creative pursuits like painting and music as mechanisms for confronting trauma and the antagonist forces of fate or systemic failure. Characters use artistic expression to process grief and delusion, transforming painful memories into something enduring, as in the idea that memory evolves "into a palace of art and light." Here, the "antagonist" serves as a metaphor for intangible threats—economic collapse or personal loss—that art renders visible, blurring boundaries between lived experience and imaginative reconstruction.

Literary style and structure

The Glass Hotel employs a non-linear timeline that fragments the narrative across decades, from the late to the , creating a mosaic effect through chapters that jump between eras and use epigraphs and interstitials to connect disparate moments. This temporal , described as a "hash" of interwoven timelines, allows the to explore the lingering consequences of financial collapse by interrupting the present with restless echoes from the future, enhancing the sense of inevitability and interconnection in the characters' lives. The narrative unfolds in third-person limited perspective, shifting between multiple viewpoints to reveal intimate, subjective experiences while maintaining an overall minimalist prose style characterized by vivid yet economical descriptions, such as the glassy, reflective walls of the titular that evoke isolation and . This approach, combined with occasional collective voices—like a "we" representing a chorus of complicit workers—blurs individual accountability and underscores moral ambiguity, drawing readers into the participatory act of piecing together the shattered structure, akin to reconstructing a ripped . Recurring motifs of reflections, , and permeate the text, symbolizing the illusory nature of and the spectral aftermath of , with images like abandoned "ghost fleets" of ships reinforcing themes of transience and loss. The incorporates "counterlife" sections as hypothetical vignettes, presenting alternate realities that characters imagine to escape their regrets, which deepen the mosaic structure by contrasting lived consequences with unrealized possibilities. At 320 pages, this tight pacing supports the intricate layering without overwhelming the reader. Mandel blends with speculative elements, incorporating futuristic glimpses and ghostly hauntings without committing to full , resulting in a genre hybrid that uses subtle unreality—such as blurred certainties and malleable truths—to amplify the disorientation of economic . This fusion, often termed intertwined with financial intrigue, leverages the form's refracting quality to mirror the novel's exploration of illusion and consequence.

Adaptations

Television series

In April 2022, Max (now Max) ordered a television series of The Glass Hotel, to be produced by . The series is co-written and executive produced by author and , who served as for the Max of Mandel's . It features subtle connections to the Station Eleven universe, positioning it as an extension of that shared fictional world. As of November 2025, following the announcement, the project remains in early development, with no casting announcements, production start date, or release schedule confirmed. It will highlight an and the novel's non-linear narrative structure, though details on episode count and budget have not been disclosed.

Reception and recognition

Critical reception

The Glass Hotel received widespread critical acclaim upon its publication in 2020, praised for its intricate plotting and emotional depth. highlighted the novel's eventful temporal crosscutting as formally daring, while The Atlantic commended its richly developed characters and immersive reading experience. described it as a "" with haunting elements, noting the memorable portrayals of characters haunted by longing and self-doubt. On , the book holds an average rating of 3.70 out of 5 from over 194,000 reviews (as of November 2025). Critics particularly lauded the effectiveness of the non-linear structure, which unfolds like a and invites readers to piece together connections across timelines and perspectives. The novel's exploration of timely economic themes, centered on a and the , was seen as a compelling commentary on greed, guilt, and complacency. Reviewers also appreciated the subtle world-building that links to Emily St. John Mandel's previous works, such as , through shared motifs of catastrophe and human resilience. Some critiques pointed to occasional emotional distance, with The Guardian observing a "hallucinatory, fairy-dust sheen" that rendered real-world cruelties somewhat remote. Minor complaints included unresolved narrative threads, such as ambiguous future echoes presented as hauntings rather than clear resolutions. The novel earned notable mentions, including inclusion in Barack Obama's list of favorite books of 2020. It was also featured in best-of-2020 lists by Time magazine and The Washington Post.

Awards and nominations

The Glass Hotel was shortlisted for the 2020 Scotiabank Giller Prize, one of Canada's most prestigious literary awards, but the prize was awarded to How to Pronounce Knife by Souvankham Thammavongsa. The novel was also longlisted for the 2021 , recognizing outstanding works in American fiction and nonfiction, and for the 2021 International Dublin Literary Award. In addition to these nominations, The Glass Hotel received notable recognition when former U.S. President included it among his favorite books of 2020. This honor, along with critical acclaim, contributed to the novel's international success, leading to translations in 25 languages. No major awards followed after 2021.

References

  1. https://www.emilymandel.com/the-glass-hotel
  2. https://www.penguinrandomhouse.com/books/567284/the-glass-hotel-by-emily-st-john-mandel/
  3. https://www.nytimes.com/2020/03/22/books/review/the-glass-hotel-emily-st-john-mandel.html
  4. https://www.cbc.ca/radio/thenextchapter/full-episode-aug-24-2020-1.5502361/emily-st-john-mandel-s-latest-novel-the-glass-hotel-is-a-timely-look-at-a-world-derailed-by-financial-fraud-1.5502363
  5. https://www.emilymandel.com/resources
  6. https://www.harpercollins.ca/press-releases/emily-st-john-mandels-the-glass-hotel-shortlisted-for-the-scotiabank-giller-prize/
  7. https://www.newyorker.com/culture/persons-of-interest/the-rewriting-of-emily-st-john-mandel
  8. https://www.theguardian.com/books/2015/may/06/arthur-c-clarke-award-station-eleven-emily-st-john-mandel
  9. https://www.penguinrandomhouse.com/books/717592/sea-of-tranquility-by-emily-st-john-mandel/
  10. https://www.penguinrandomhouse.com/books/803140/exit-party-by-emily-st-john-mandel/
  11. https://www.publishersweekly.com/pw/by-topic/authors/interviews/article/81697-a-ghost-story-pw-talks-with-emily-st-john-mandel.html
  12. https://quillandquire.com/authors/emily-st-john-mandel-on-her-much-anticipated-new-novel-the-glass-hotel/
  13. https://lareviewofbooks.org/article/knowing-not-knowing-interview-emily-st-john-mandel
  14. https://bookish.netgalley.com/exclusive-interviews/03/2020/emily-st-john-mandel-glass-hotel-interview/
  15. https://www.booktopia.com.au/blog/2020/03/10/review-the-glass-hotel/
  16. https://the-bibliofile.com/cover-reveal-the-glass-hotel-by-emily-st-john-mandel/
  17. https://www.newyorker.com/books/page-turner/the-glass-hotel-is-a-profound-study-of-responsibility-in-times-of-crisis
  18. https://www.publishersweekly.com/pw/by-topic/new-titles/adult-announcements/article/81919-spring-2020-announcements-literary-fiction.html
  19. https://thebookstall.com/event/2020-06-15/emily-st-john-mandel-glass-hotel
  20. https://www.nytimes.com/2020/03/19/books/review/emily-st-john-mandel-by-the-book-interview.html
  21. https://www.theguardian.com/books/2020/apr/04/emily-st-john-mandel-i-admire-novelists-who-are-pushing-the-form-forward-in-some-some
  22. https://www.publishersweekly.com/pw/by-topic/industry-news/tip-sheet/article/82200-the-most-anticipated-books-of-spring-2020.html
  23. https://www.nytimes.com/books/best-sellers/2020/04/19/hardcover-fiction/
  24. https://lithub.com/the-glass-hotel/
  25. https://www.penguinrandomhouse.com/books/576515/the-glass-hotel-by-emily-st-john-mandel/
  26. https://www.theguardian.com/books/2020/may/02/the-glass-hotel-by-emily-st-john-mandel-review-haunted-visions-of-a-global-crisis
  27. https://www.litcharts.com/lit/the-glass-hotel/characters
  28. https://www.cbc.ca/books/barack-obama-names-canadian-novel-the-glass-hotel-by-emily-st-john-mandel-one-of-his-favourite-books-of-2020-1.5845643
  29. https://www.npr.org/2020/03/30/818866108/staying-at-home-check-into-emily-st-john-mandels-haunting-glass-hotel
  30. https://lareviewofbooks.org/article/knowing-not-knowing-interview-emily-st-john-mandel/
  31. https://pshares.org/blog/the-glass-hotel-by-emily-st-john-mandel/
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  34. https://brooklynrail.org/2020/04/books/The-Glass-Hotel/
  35. https://deadline.com/2022/04/emily-st-john-mandel-patrick-somerville-the-glass-hotel-sea-of-tranquility-series-hbo-max-station-eleven-1234992609/
  36. https://www.shelf-awareness.com/theshelf/2022-04-04/tv:_the_glass_hotel_sea_of_tranquility.html
  37. https://variety.com/2022/tv/awards/station-eleven-mackenzie-davis-himesh-patel-patrick-somerville-1235267040/
  38. https://www.npr.org/2020/03/24/820146139/in-the-glass-hotel-the-disasters-are-smaller-but-still-disruptive
  39. https://www.goodreads.com/book/show/45754981-the-glass-hotel
  40. https://barackobama.medium.com/my-2020-end-of-year-lists-bf91252a5efc
  41. https://time.com/collection/must-read-books-2020/
  42. https://www.washingtonpost.com/entertainment/books/the-2020-books-worth-reading-now/2020/03/27/ecdd5bf2-6e05-11ea-aa80-c2470c6b2034_story.html
  43. https://gillerprize.ca/2020-finalists/
  44. https://www.cbc.ca/books/the-glass-hotel-by-emily-st-john-mandel-longlisted-for-2021-andrew-carnegie-medal-1.5778633
  45. https://www.ala.org/carnegie-medals/2021-winners
  46. https://dublinliteraryaward.ie/the-library/books/the-glass-hotel/
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