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The Sequence
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The Sequence was an American hip hop group formed in Columbia, South Carolina in 1979, that comprised Angie B., Blondy, and Cheryl the Pearl. The group rose to fame with the single, "Funk You Up" (1979), which was the first rap hit performed by women and one of the first commercially successful hip hop singles.[1] Their debut album, Sugar Hill Presents The Sequence (1980), was released on Sugar Hill Records and was the first hip hop record on vinyl released by an all-female act.[1]
Key Information
In the period between the release of their first two albums, the group co-wrote and performed on songs performed by their labelmates, including "Let's Dance (Make Your Body Move)" by West Street Mob. Their follow-up self-titled album was released in 1982 to limited commercial success. The group's final album The Sequence Party was released in 1983.
The Sequence have reportedly sold a million records worldwide, making them the first female hip hop act to sell over a million records.
History
[edit]Formation and early years
[edit]As childhood friends, Angela Brown, Gwendolyn Chisolm, and Cheryl Cook grew up in the Saxon Homes Projects in Columbia, South Carolina.[1] Brown and Chisolm sang in their church choir and also participated in local dance competitions.[1] They attended and graduated from C.A. Johnson High School.[2] By the age of nineteen, Chisolm was working as an employee at a local Super Saver Foods.[1] Her manager promised her tickets and backstage passes to a concert by The Sugarhill Gang for her twentieth birthday.[1] Chisolm arrived at the concert and found out that there were no tickets set aside for her or her group mates. However, the group were invited backstage by The Sugarhill Gang’s manager as he began flirting with Brown.[1] While backstage, the group met Sylvia Robinson who was the CEO of hip hop label Sugar Hill Records.[1] They auditioned for Robinson who signed them to the label as their first female act.[1][3]
1979–1981: Sugarhill presents The Sequence
[edit]In 1979, the group adopted stage names: Angie B. (Angela Brown), Blondy (Gwendolyn Chisolm), and Cheryl the Pearl (Cheryl Cook); and began recording their debut album. They released their debut single "Funk You Up" in December 1979. The song became one of the first original hip hop songs to be released without sampling.[4] "Funk You Up" peaked at number fifteen on the Hot Soul Singles.[1] Shortly after the release of the song, The Sequence went on tour with The Sugarhill Gang. In 1980, The Sequence released their debut album Sugarhill presents The Sequence, which received positive reviews from music critics.[5] Later that year, they released two more singles: "Monster Jam" and "And You Know That". The album's third single "Funky Sound (Tear the Roof Off)", a remake of the single "Give Up the Funk (Tear the Roof off the Sucker)" (1976) by Parliament, peaked at number forty-three on the Hot Soul Singles chart.
In 1981, the group began writing and recording background vocals for other music acts on Sugar Hill Records. They wrote and provided background vocals for "Sing a Simple Song" and "Let's Dance (Make Your Body Move)" by West Street Mob, the latter of which peaked at number eighty-eight on Billboard's Hot 100 chart and number eighteen on the Hot Soul Singles. Cheryl the Pearl co-wrote "8th Wonder" (performed by The Sugarhill Gang) and "Let Your Mind Be Free" (performed by Ferrari).
1982–1985: The Sequence and The Sequence Party
[edit]In 1982, The Sequence released their self-titled second album, which peaked at number fifty-one on the Black LPs chart. The album featured a mixture of hip hop songs and ballads. The album's first single "I Don't Need Your Love (Part One)" peaked at number forty on Billboard's Hot Soul Singles chart. Following the release of the single, the group toured once again with The Sugarhill Gang. Following the conclusion of the tour, they began recording their third album. In late 1982, they released a single titled "Here Comes the Bride". In 1983, they released their third album The Sequence Party. The Sequence followed up with the release of their single "I Just Want to Know". In 1985, they released their final singles: "Funk You Up '85" and "Control".
Disbandment and aftermath
[edit]In 1985, the group refused to renew their recording contract after a dispute with Sugar Hill Records CEO Sylvia Robinson.[1] The group's dispute with the label stemmed from not being paid their royalties from the songs they wrote and recorded. The group also felt like the money from their royalties were being used to support other musical acts on Sugar Hill Records.[1] In addition to the royalty dispute, Angie B. refused to renew her contract without a ten-thousand dollar advance, which lead to an internal dispute amongst the group members.[1] The group ultimately disbanded and went their separate career paths. Blondy worked at a telemarketing firm in Hackensack and also continue to work with Sugar Hill Records co-founder Joe Robinson.[1] She left Sugar Hill Records after witnessing Robinson being pistol-whipped during a closed-door meeting.[1] Cheryl the Pearl left the music industry to pursue a career in home health care.[1] Angie B. pursued a solo music career and also began working at Kiss-FM radio station in New York.[6] In 1985, Angie B. began performing as Angie B. Stone and later simply Angie Stone, carrying the last name of her first husband Rodney "Lil' Rodney C" Stone. In 1988, she formed a music group called Vertical Hold. The group released two albums A Matter of Time (1993) and Head First (1995) before disbanding in 1996.[7]
In July 2008, Angie Stone and Cheryl the Pearl reunited and performed "Funk You Up" at the annual Essence Festival. Stone and Cheryl the Pearl also performed "Rapper's Delight" alongside The Sugarhill Gang. In September 2011, Blondy and Cheryl the Pearl reunited and release a single entitled "On Our Way to the Movies"; credited as "The Sequence featuring Blondy and Cheryl the Pearl". In October 2016, Angie and Blondy performed "Funk You Up" at the Capital Jazz Cruise. In August 2018, the group were interviewed by WLTX on the current state of hip hop music.[8] In August 2019, The Sequence reunited and performed "Funk You Up" at the Neighborhood-to-Neighborhood (N2N) Festival. In 2020, Cheryl the Pearl released a single "Your Way My Way" on her own record label Black Bottom Entertainment.[9] On March 1, 2025, Stone was killed in a car accident near Montgomery, Alabama, at the age of 63.[10]
Legacy
[edit]The Sequence have been recognized as the first female hip hop act in music history. Their debut single "Funk You Up" has become the source of heavy music sampling. Elements of "Funk You Up" have been used by Dr. Dre for his 1995 single "Keep Their Heads Ringin'",[11] 1997 "Whatever" remix by En Vogue, 2003 "Love of My Life Worldwide" by Erykah Badu, 2014 "Uptown Funk" by Mark Ronson and Bruno Mars. In December 2017, the group filed a Federal Copyright Infringement claim against Bruno Mars, claiming that "Uptown Funk" makes use of their 1970s hit "Funk You Up".
In 2016, The Sequence voiced their frustration after feeling snubbed by the VH1 Hip Hop Honors: All Hail the Queens.[12] VH1 came under fire as they credited Salt-N-Pepa as "the first true female hip-hop group", despite The Sequence debuting in 1979.[12]
Discography
[edit]Albums
[edit]| Title | Album details | Peak chart positions | |
|---|---|---|---|
| US R&B/ Hip Hop | |||
| Sugarhill presents The Sequence |
|
— | |
| The Sequence |
|
51 | |
| The Sequence Party |
|
— | |
Compilations
[edit]- Funky Sound (1995), P-Vine
- The Best of the Sequence (1996), Deep Beats
- Monster Jam: Back to Old School, Vol. 2 (2000), Sequel
Singles
[edit]| Title | Year | Peak chart positions | Album |
|---|---|---|---|
| US R&B /Hip Hop | |||
| "Funk You Up" | 1979 | 15 | Non-album single |
| "And You Know That" | 1980 | — | Sugarhill presents The Sequence |
| "Funky Sound (Tear the Roof Off)" | 1981 | 39 | |
| "Simon Says" | 1982 | — | |
| "I Don't Need Your Love (Part One)" | 40 | The Sequence | |
| "Here Comes the Bride" | — | The Sequence Party | |
| "I Just Want to Know" | 1983 | — | |
| "Funk You Up '85" | 1985 | — | Non-album single |
| "Control" | — | ||
| "On Our Way to the Movies" | 2011 | — |
References
[edit]- ^ a b c d e f g h i j k l m n o p Weingarten, Christopher R. (2017). The Sequence: The Funked-Up Legacy of Hip-Hop's First Ladies. Rolling Stone, May 24. Retrieved on March 27, 2025
- ^ Hogan, Ed. "The Sequence". AllMusic.
- ^ Piskor, Ed (2013). Hip Hop Family Tree. Fantagraphics. ISBN 978-1606996904.
- ^ Greenberg, Steve; Light, Alan [ed.] (1999). The VIBE History of Hip Hop. Three Rivers Press. p. 28. ISBN 0-609-80503-7
- ^ The Sequence - Sugarhill Presents the Sequence. AllMusic. Retrieved on March 27, 2025
- ^ Angie Stone Music Review. New York Times. Retrieved on March 27, 2025
- ^ Vertical Hold discography. AllMusic. Retrieved on April 29, 2025
- ^ All Hail the Queens: The Sequence. WLTX 19+. Retrieved on June 12, 2025
- ^ Cheryl the Pearl - Your Way My Way. Apple Music. Retrieved on April 29, 2025
- ^ "Grammy-nominated R&B singer Angie Stone dies in car crash". AP News. The Associated Press. March 2, 2025. Retrieved March 3, 2025.
- ^ Ego Trip's Book of Rap Lists: Book of Rap Lists. 1999. Macmillan. p. 30. ISBN 0-312-24298-0
- ^ a b Angie Stone Has an Issue With the 2016 Hip-Hop Honors. BET. Retrieved on March 27, 2025
External links
[edit]The Sequence
View on GrokipediaBackground
Formation
The Sequence formed in 1979 in Columbia, South Carolina, when childhood friends Cheryl "The Pearl" Cook, Gwendolyn "Blondy" Chisolm, and Angela "Angie B." Brown—later known as Angie Stone—decided to create an all-female hip-hop group.[6][3] The trio, who had known each other since elementary school and shared interests in music and cheerleading at C.A. Johnson High School, were inspired by the emerging hip-hop scene in the Bronx, which they discovered through radio broadcasts reaching their Southern hometown.[7][6] Motivated to counter the male-dominated genre and represent women, they began writing rhymes infused with funk and playful energy, drawing from their cheerleading routines to craft energetic, female-perspective narratives.[3][6] The group honed their skills through early performances at local venues and high school talent shows in Columbia, where they performed original material to build confidence and audience rapport.[7][3] Their breakthrough came on October 20, 1979, at the Township Auditorium during a Sugarhill Gang concert, when the trio, acting as cheerleaders for the event, boldly approached the backstage area and auditioned for Sugar Hill Records founder Sylvia Robinson.[7][6] Impressed by their impromptu performance—where they rapped an original song claiming they could "out-sing and out-rap" the male acts—Robinson signed them on the spot, delaying the concert by over an hour to accommodate the session with musicians like bassist Doug Wimbish and guitarist Skip McDonald.[7] This discovery led directly to the recording of their debut single, "Funk You Up," in late 1979 at Sugar Hill's studios in Englewood, New Jersey, as a deliberate response to the prevailing male-centric rap narratives of the era.[3][6] The track featured the group's fun, funk-infused rhymes over a bass-heavy groove, marking them as hip-hop's first all-female trio to release a commercial single and emphasizing themes of female empowerment and lighthearted rebellion.[7][3]Members
The Sequence consisted of three core members who formed the group's foundation as pioneering female rappers: Cheryl "The Pearl" Cook (born November 19, 1960), Gwendolyn "Blondy" Chisolm (born October 20, 1959), and Angela "Angie B." Brown (later known professionally as Angie Stone). All three hailed from Columbia, South Carolina, where they grew up together in the Saxon Homes housing projects, sharing a deep-rooted friendship that originated during their high school years at C.A. Johnson High School.[3][8] This longstanding bond influenced their collaborative approach, enabling seamless songwriting sessions and a distinctive harmonious rap style that blended synchronized flows with playful, unified energy during performances.[3] Cheryl "The Pearl" Cook served as a primary rapper and songwriter, bringing a dynamic and spirited delivery to the trio's tracks and live shows. Born in Columbia, South Carolina, Cook's contributions helped define the group's upbeat, funk-infused sound, drawing from their shared Southern roots. After the group's active period, she focused on personal development, while making occasional performance appearances to celebrate their legacy.[3][9] Gwendolyn "Blondy" Chisolm, born October 20, 1959, in Columbia, South Carolina, functioned as a rapper and dancer, enhancing the group's stage presence with her movement and visual flair. Standing at 5'2", Chisholm's role emphasized the trio's energetic choreography, complementing their lyrical interplay. Post-group, she maintained a more private life centered on family and community, though she participated in reunions and events honoring their history, such as a 2015 performance in Columbia.[8][3] Angela "Angie B." Brown, born December 18, 1961, in Columbia, South Carolina, emerged as the lead rapper and vocalist, while also serving as a central songwriter whose verses often anchored the group's narratives. Her commanding yet melodic style set the tone for their recordings and helped propel their breakthrough as one of hip-hop's earliest all-female acts signed to Sugar Hill Records. Following the Sequence's run, Brown rebranded as Angie Stone and pivoted to R&B, achieving solo success with her 1999 debut album Black Diamond, which went gold, and subsequent Grammy nominations for tracks like "Wish I Didn't Miss You." Stone passed away on March 1, 2025, at age 63, following a car crash in Montgomery, Alabama.[5][10][4]Recording Career
Early Releases (1979–1981)
The Sequence's debut single, "Funk You Up," released in December 1979 by Sugar Hill Records, marked the group's entry into the burgeoning hip-hop scene as the first commercially released rap recording by an all-female ensemble.[11] Produced by Sylvia Robinson, the track served as a playful, female-led counterpart to the label's breakthrough hit "Rapper's Delight" by the Sugarhill Gang, incorporating samples from that song while delivering energetic, call-and-response rhymes over a funk-infused beat.[3] It peaked at number 15 on Billboard's Hot Soul Singles chart, achieving significant airplay and becoming one of the earliest rap singles to gain mainstream traction.[7] Following the single's momentum, the group released their debut album, Sugar Hill Presents The Sequence, in 1980, also under Sugar Hill Records and produced by Sylvia Robinson in collaboration with Jigsaw Productions.[12] The LP featured tracks like the title inclusion "Funk You Up," "And You Know That," "Simon Says," and "Funky Sound," blending live instrumentation with party-oriented rap lyrics that emphasized fun, empowerment, and rhythmic interplay to broaden appeal in a male-dominated genre.[13] This approach highlighted innovative elements such as layered vocal harmonies and upbeat funk grooves, setting the album apart as a pioneering effort in female-led hip-hop production.[3] Commercially, the single "Funk You Up" sold over 500,000 copies worldwide, propelling the group onto Sugar Hill's package tours alongside acts like the Sugarhill Gang and the Treacherous Three.[2] The album received media attention for shattering gender barriers, with outlets recognizing The Sequence as trailblazers who brought a fresh, inclusive energy to hip-hop's early commercialization.[3] Despite this breakthrough, the group encountered challenges, including limited radio support amid pervasive sexism in the industry, which restricted broader exposure for female rappers.[3] Their focus on lighthearted, celebratory content helped navigate these obstacles, fostering a wide audience while underscoring their role in diversifying the genre's voices.[14]Later Albums (1982–1983)
Following the success of their debut, The Sequence released their self-titled sophomore album in 1982 on Sugar Hill Records, marking a shift toward more introspective themes centered on relationships and personal empowerment.[15] The lead single, "I Don't Need Your Love (Part 1 & 2)," a double A-side, peaked at number 40 on Billboard's Hot Soul Singles chart, highlighting the group's tight vocal harmonies and messages of romantic independence.[16] Tracks like "Love Changes" and the extended cover of James Brown's "Cold Sweat" incorporated funk grooves with emerging electro influences, blending rap verses over R&B ballads for a maturing sound that emphasized emotional depth over party-oriented energy.[17] The album reached number 51 on the Billboard Black LPs chart, reflecting moderated commercial interest compared to their earlier breakthrough. In 1983, the group issued their final studio album, The Sequence Party, which leaned into upbeat, celebratory tracks while retaining funk and R&B foundations.[18] Produced by Sylvia Robinson, the record featured party anthems such as the title track "Sequence Party" and "Here Comes the Bride," backed by live instrumentation to create a lively, danceable atmosphere with disco-rap elements.[19] Unlike the more ballad-heavy previous release, this album aimed to recapture the fun vibe of their origins but achieved lower sales, failing to chart amid the evolving hip-hop landscape.[15] During this period, internal dynamics were strained as member Angie Stone (Angie B.) pursued solo opportunities amid feelings of exploitation by the label's practices.[20] These tensions contributed to creative challenges over the group's direction. No further albums were released after 1983, and the group disbanded in the mid-1980s.[3]Disbandment and Aftermath
Breakup in 1985
The Sequence announced their disbandment in 1985, marking the end of their run as a trio after the release of their final album, The Sequence Party, in 1983.[3] This third LP failed to replicate the commercial success of their earlier work, contributing to the group's dissolution amid shifting dynamics in the hip-hop landscape.[6] Several factors precipitated the breakup, including mounting pressures from Sugar Hill Records' deteriorating financial position. By late 1985, the label faced severe cash flow problems, leading to an IRS seizure of its assets on November 21 for over $200,000 in unpaid taxes, which exacerbated tensions with artists like The Sequence.[21] Additionally, member Angie Stone (then Angie B.) sought to transition toward a solo career in R&B, influenced by her pregnancy with her first child and a desire to explore broader musical avenues beyond group rap.[3] Exhaustion from extensive touring—having shared stages globally with acts like the Sugarhill Gang and Grandmaster Flash—further strained the members, as the relentless schedule took a toll on their personal lives.[6] The group ceased active performances around this time, with no formal farewell tour organized due to emerging internal conflicts over creative direction and individual aspirations.[6] The emotional fallout was immediate and challenging; longstanding friendships among Cheryl Cook, Gwendolyn Chisholm, and Stone became temporarily strained, as Cook and Chisholm later expressed feelings of being overshadowed by Stone's accelerating solo trajectory in the years following.[3]Post-Group Activities
Following the disbandment of The Sequence in 1985, lead member Angie Stone, formerly known as Angie B., pursued a successful solo career in R&B and neo-soul. She signed with Arista Records and released her debut album, Black Reign, in 1999, which achieved commercial success and featured the single "No More Rain (In This Cloud)."[22] Stone's follow-up album Mahogany Soul (2001) produced the hit "Wish I Didn't Miss You," which peaked at number 19 on the Billboard Hot R&B/Hip-Hop Songs chart and became one of her signature tracks.[23] Over her career, Stone earned three Grammy Award nominations, including for Best R&B Album for Mahogany Soul in 2002.[24] Tragically, Stone died in a car accident on March 1, 2025, in Montgomery, Alabama, at the age of 63, while traveling from a performance; she was a passenger in a van that overturned on Interstate 65.[25] The other members, Cheryl "The Pearl" Cook and Gwendolyn "Blondy" Chisholm, maintained low-profile lives after the group's dissolution, focusing on personal endeavors and family rather than public music careers. Chisholm founded the nonprofit Education Through Talent to support youth development.[26] They made occasional guest appearances, such as at local events in their hometown of Columbia, South Carolina, including a 2015 reunion performance at the Green Carpet Affair benefiting C.A. Johnson High School.[8] In 2017, a Rolling Stone feature highlighted their pioneering role in hip-hop while addressing ongoing struggles for broader recognition as the first all-female rap group signed to a major label.[3] The following year, they received a local tribute in Columbia through the Love, Peace & Hip-Hop Honors event, which celebrated their contributions to early hip-hop.[27] The Sequence members participated in informal reunions and performances sporadically in the 2000s and 2010s, often at hip-hop anniversary events or hometown gatherings, but the group never released a full album after 1985. In 2022, Cook and Chisholm were part of a settlement with Sugar Hill Records over unpaid royalties after decades of litigation.[28] Following Angie Stone's death, tributes surged in 2025, including a soulful performance of her hit "No More Rain (In This Cloud)" by Brittany Spencer at the BET Awards in June, honoring her legacy as a trailblazer.[29] A hometown memorial concert took place in June 2025 in Columbia, South Carolina, featuring performances and reflections from Cook and Chisholm, drawing fans to commemorate the group's impact. In the broader aftermath, The Sequence has been the subject of induction discussions and honors in hip-hop institutions; the group was inducted into the Hip Hop Hall of Fame in 2014 alongside acts like the Sugarhill Gang.[30] Media revivals have included documentaries and features, such as the 2025 episode of Hip-Hop Chronicles titled "The Untold Truth of The Sequence," which explored their foundational role in female-led rap.[31]Musical Style and Legacy
Style and Innovations
The Sequence's musical style was characterized by a seamless fusion of funk, disco, and rap, drawing heavily from the groovy basslines and live horn sections that defined early hip-hop production. Their debut single "Funk You Up" exemplified this approach, blending the rhythmic rap flows of contemporaries like the Sugarhill Gang with the disco grooves of Chic's "Good Times," creating an infectious, dance-oriented sound that prioritized upbeat energy over aggression.[3][32] This integration was further influenced by Parliament-Funkadelic's psychedelic funk aesthetics, evident in the layered, sample-heavy arrangements that infused their tracks with a vibrant, communal party vibe.[3] As the first all-female rap group signed to a major label, The Sequence introduced key innovations in group dynamics and performance, including synchronized rhymes and ad-libs that created a harmonious, call-and-response interplay among the members. Their lyrics eschewed the emerging hardcore gangsta themes in favor of empowering and playful narratives, often celebrating female strength and joy in everyday experiences, which set a precedent for positive representation in hip-hop.[33][3] On stage, they enhanced their presence through coordinated outfits and props, transforming performances into visually engaging spectacles that amplified their message of unity and fun.[3] Production techniques played a crucial role in their sound, with collaborations involving Joe Robinson, co-founder of Sugar Hill Records, who helped craft extended mixes on 12-inch singles to allow for fuller exploration of their funky rhythms and vocal layers. These methods, overseen at Sugar Hill Studios, emphasized live instrumentation and sampling to maintain a raw, celebratory edge.[3][32] Over their career, The Sequence's music evolved from the lighthearted party rap of their early releases to more introspective themes in later works, reflecting deeper personal and communal reflections while retaining their core emphasis on empowerment.[3]Cultural Impact
The Sequence holds a pioneering role in hip-hop as the first all-female rap group to sign with a major label, Sugar Hill Records, and release an original track, "Funk You Up," in 1979, which sold over 500,000 copies and demonstrated the commercial potential of women in the genre.[3][6] Their success predated and influenced subsequent female artists, including Salt-N-Pepa and Roxanne Shanté, by establishing a template for group dynamics and lyrical delivery in female-led rap.[3][6] In terms of gender legacy, The Sequence challenged the male-dominated landscape of 1980s hip-hop, where women faced systemic barriers and sexism, as noted in reflections on their under-recognition despite opening doors for future generations.[3] A 2019 Rolling Stone feature highlighted this oversight, quoting member Angie Stone: "Women in hip-hop have to fight harder. We have to work twice as hard to get half the recognition," underscoring how their bold, unapologetic style sparked ongoing discussions about gender inequities in the industry.[3] Their broader influence extends to sampling and media representation, with "Funk You Up" interpolated in 1990s tracks such as Dr. Dre's "Keep Their Heads Ringin'" (1995), the remix of C.P.O.'s "This Beat Is Funky" (1990), and even led to a 2017 copyright infringement lawsuit against Mark Ronson and Bruno Mars for interpolating elements in their hit "Uptown Funk" (the suit was dropped in 2023), preserving their funk-infused sound in later hip-hop production.[34][35] The group has appeared in hip-hop documentaries like the BBC's First Ladies of Hip-Hop (2023) and TV One's Unsung profile on Angie Stone (2015), which revisited their foundational contributions.[36][37] Following Angie Stone's death in a car crash on March 1, 2025, post-2025 tributes, including a New York Times obituary and the 2025 documentary From Sequence to Soul Star: The Angie Stone Story, amplified The Sequence's legacy, emphasizing their role as hip-hop trailblazers and prompting renewed acclaim for their impact on female representation.[5][38] While they received no Grammy Awards during their active years, retrospective honors include features in hip-hop histories and discussions of their limited recognition at events like the 2016 VH1 Hip Hop Honors, where they expressed frustration over being overlooked despite their pioneering status.[39][3]Discography
Studio Albums
The Sequence released three studio albums during their tenure with Sugar Hill Records, marking their contributions to early hip-hop with a blend of rapping, funk, and R&B elements.[40] These albums showcased the group's evolving sound, from raw party anthems to more structured productions incorporating live instrumentation.[41] Their debut album, Sugar Hill Presents The Sequence, was released in 1980 and served as the first full-length hip-hop record by an all-female group on vinyl. Produced by Sylvia Robinson and Jigsaw Productions, it featured a straightforward, energetic style rooted in the Sugar Hill sound, with beats emphasizing bass and percussion. The album includes seven tracks, highlighting the group's playful rhymes and call-and-response delivery. Key tracks include "And You Know That," which exemplifies their funky, upbeat flow.[12][13]| Track | Title | Duration |
|---|---|---|
| 1 | Simon Says | 7:36 |
| 2 | The Times We're Alone | 4:45 |
| 3 | We Don't Rap The Rap | 6:50 |
| 4 | Funk A Doodle Rock Jam | 5:26 |
| 5 | And You Know That | 6:06 |
| 6 | Funky Sound | 4:50 |
| 7 | Come On Let's Boogie | 5:37 |
| Track | Title | Duration |
|---|---|---|
| 1 | I Don't Need Your Love (Part 1 & 2) | 6:13 |
| 2 | Can You Feel It | 4:40 |
| 3 | Funk That You Mothers | 7:44 |
| 4 | Cold Sweat | 4:32 |
| 5 | Love Changes | 7:42 |
| 6 | Unaddressed Letter | 4:35 |
| 7 | Get It Together | 3:30 |
| Track | Title | Duration |
|---|---|---|
| 1 | Angels Playing Hooky | 3:47 |
| 2 | Love Sensation | 3:38 |
| 3 | Where Are You Tonight | 3:51 |
| 4 | Sequence Party | 6:08 |
| 5 | Here Comes The Bride | 6:05 |
| 6 | I Just Want To Know | 4:55 |
| 7 | I Just Want To Love You Baby | 4:05 |
| 8 | Fi-Ya Up That Funk | 3:31 |
Singles
The Sequence, an pioneering all-female hip-hop trio from Columbia, South Carolina, released a series of singles between 1979 and 1983, primarily in 12-inch vinyl formats via Sugar Hill Records. These tracks blended rap with funk and R&B elements, helping to establish female voices in the emerging genre. Over the course of their career, the group issued approximately five notable singles, several of which achieved modest success on the Billboard Hot R&B/Hip-Hop Songs chart and contributed to the commercial viability of hip-hop during its formative years.[2][3] Their debut single, "Funk You Up" (1979), served as a breakthrough hit, becoming one of the earliest commercially successful rap records by women and peaking at No. 15 on the Billboard Hot R&B/Hip-Hop Songs chart after 11 weeks. The track's B-side was "Sugar Hill Groove," an instrumental that complemented its upbeat, party-oriented rap style. As the second single from Sugar Hill Records following the Sugarhill Gang's "Rapper's Delight," it sold over 500,000 copies and helped solidify the label's role in hip-hop's mainstream breakthrough.[46][3] "Simon Says" (1980) was an early follow-up single featuring playful rhymes and a funky groove, though it did not chart significantly.[47] "Funky Sound (Tear the Roof Off)" (1980) built on their party-rap style, peaking at No. 45 on the Billboard Hot R&B/Hip-Hop Songs chart.[48] In 1982, "I Don't Need Your Love (Part 1)" marked the group's highest-charting single, reaching No. 40 on the Billboard Hot R&B/Hip-Hop Songs chart over eight weeks. Released with "Part 2" as the B-side, it shifted toward a smoother, ballad-like R&B delivery with rap verses, showcasing the trio's versatility and Angie Stone's lead vocals. This release, from their self-titled album, highlighted their evolution amid changing tastes in Black music charts.[49] "And You Know That" (1980), a funky rap track, built on their early momentum without major chart placement.[2] These releases, like much of their output, were geared toward club play and radio airplay in R&B markets, reinforcing The Sequence's influence on female-led hip-hop despite limited crossover success.[2][3]| Single Title | Year | B-Side | Peak Chart Position (Billboard Hot R&B/Hip-Hop Songs) | Label |
|---|---|---|---|---|
| Funk You Up | 1979 | Sugar Hill Groove | 15 | Sugar Hill |
| Simon Says | 1980 | (Instrumental) | - | Sugar Hill |
| Funky Sound (Tear the Roof Off) | 1980 | - | 45 | Sugar Hill |
| And You Know That | 1980 | (Instrumental) | - | Sugar Hill |
| I Don't Need Your Love (Part 1) | 1982 | Part 2 | 40 | Sugar Hill |
