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Three for Love
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| Three for Love | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | December 15, 1980 | |||
| Recorded | 1978–1980 | |||
| Studio | Studio Masters; Larrabee Sound (Los Angeles); Aura Sound (Orlando, Florida) | |||
| Genre | R&B, post-disco | |||
| Length | 40:41 | |||
| Label | SOLAR | |||
| Producer | Leon Sylvers III | |||
| Shalamar chronology | ||||
| ||||
Three for Love is the fourth album by American R&B group Shalamar, released in 1980 on the SOLAR label. It was produced by Leon Sylvers III and features the 'classic' Shalamar line-up (Jeffrey Daniel, Howard Hewett and Jody Watley).
Three for Love has been certified Gold in the United States for sales of over 500,000. The album eventually went Platinum. It peaked at #8 on the R&B chart and #40 on the Billboard chart.
In 2002, Three for Love was re-released by Sanctuary Records in the United Kingdom in a two-for-one CD format with Shalamar's previous album Big Fun.
Reception
[edit]AllMusic rated the album four and a half out of five stars.[1] Music critic Robert Christgau graded it "A−".[2] Writer Colin Larkin rated it three out of five.[3]
The album had sold over 875,000 copies by July 1982. The single "Make That Move" sold more than 535,000 units.[4]
The album was ranked 43 on "The 80 Greatest Albums of 1980" by Rolling Stone.[5]
Track listing
[edit]| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Full of Fire" | Jody Watley, Joey Gallo, Richard Randolph | 6:20 |
| 2. | "Attention to My Baby" | William Shelby, Kevin Spencer, Wardell Potts | 4:32 |
| 3. | "Somewhere There's a Love" | Otis Stokes, William Shelby, Ernest "Pepper" Reed | 4:23 |
| 4. | "Some Things Never Change" | William Shelby, Dana Meyers | 4:55 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 5. | "Make That Move" | Kevin Spencer, William Shelby, Ricky Smith | 6:15 |
| 6. | "This Is for the Lover in You" | Howard Hewett, Dana Meyers | 5:04 |
| 7. | "Work It Out" | Jody Watley, Nidra Beard | 4:24 |
| 8. | "Pop Along Kid" | Jeffrey Daniel, Howard Hewett, Nidra Beard | 4:48 |
Personnel
[edit]Shalamar
[edit]- Jeffrey Daniel - baritone lead & backing vocals
- Howard Hewett - tenor lead & backing vocals
- Jody Watley - alto lead & backing vocals
Musical personnel
[edit]- Leon Sylvers III - bass, percussion
- Foster Sylvers - bass
- Wardell Potts, Jr. - drums
- Stephen Shockley - guitar
- Richard Randolph - guitar
- Ernest "Pepper" Reed - guitar
- Ricky Sylvers - guitar
- Fred Alexander, Jr. - percussion
- Kevin Spencer - keyboards
- Joey Gallo - keyboards
- James Sylvers - keyboards
- Michael Nash - keyboards
- Ricky Smith - keyboards
Charts
[edit]
Weekly charts[edit]
|
Year-end charts[edit]
|
Single
[edit]| Year | Single | Chart | Position |
|---|---|---|---|
| 1981 | "Full of Fire" | Billboard Hot 100 | 55 |
| 1981 | "Full of Fire" | Hot Soul Singles | 24 |
| 1981 | "Make That Move" | Billboard Hot 100 | 60 |
| 1981 | "Make That Move" | Hot Soul Singles | 6 |
| 1981 | "This Is for the Lover in You" | Hot Soul Singles | 17 |
References
[edit]- ^ Henderson, Alex. "Shalamar – Three for Love". AllMusic. Retrieved December 25, 2014.
- ^ Christgau, Robert. "Shalamar - Three for Love". Robert Christgau. Retrieved December 25, 2014.
- ^ Larkin, Colin (2002). "Shalamar". The Virgin Encyclopedia of 70s Music. p. 395. ISBN 9781852279479. Retrieved December 14, 2017.
- ^ Gayle, Stephen (July 1982). "Solar Empire Strikes Gold". Black Enterprise. p. 40. Retrieved December 14, 2017 – via Google Books.
- ^ "The 80 Greatest Albums of 1980". Rolling Stone. November 11, 2020.
- ^ "Shalamar, TLP". Billboard. Retrieved June 27, 2021.
- ^ "Shalamar, BLP". Billboard. Retrieved June 27, 2021.
- ^ "Top Billboard 200 Albums – Year-End 1981". Billboard. Retrieved June 27, 2021.
- ^ "Top R&B/Hip-Hop Albums – Year-End 1981". Billboard. Retrieved June 27, 2021.
External links
[edit]Three for Love
View on GrokipediaBackground and recording
Group context
Shalamar was formed in 1977 by Dick Griffey, the booking agent for the television program Soul Train, and Don Cornelius, the show's creator and producer, initially as a disco-oriented backup group for performers on the series.[3] The group quickly transitioned into a recording act under Soul Train Records, releasing their debut album Uptown Festival later that year, which featured a medley of popular disco hits, followed by the sophomore effort Disco Gardens in 1978.[4] These early releases established Shalamar's roots in the disco scene but also hinted at their potential for broader appeal amid the genre's evolving landscape. By 1979, Shalamar had solidified its classic lineup with Howard Hewett handling lead vocals, Jody Watley providing supporting vocals, and Jeffrey Daniel contributing vocals alongside his expertise in choreography.[5] This trio debuted on the album Big Fun, which marked a shift toward a more defined R&B/disco fusion and achieved moderate commercial success, including gold certification in the United States for sales exceeding 500,000 copies.[6] The success of Big Fun positioned the group to build on their momentum entering the post-disco era of 1979–1980, where they sought to incorporate elements of R&B, funk, and pop to adapt to changing musical tastes.[7] Jeffrey Daniel's background as a pioneering street dancer, particularly his mastery of locking—a high-energy style characterized by sharp poses and rhythmic "locks"—infused Shalamar's performances with innovative choreography that distinguished them from contemporaries.[8] Originating from his time as a dancer on Soul Train, Daniel's contributions helped elevate the group's stage presence and visual appeal. The ensemble's frequent appearances on the show also fostered growing international exposure, as Soul Train's syndication and cultural influence extended their reach beyond American audiences during this transitional period.[8]Recording process
The recording sessions for Three for Love spanned from late 1979 to mid-1980, primarily at Studio Masters and Larrabee Sound in Los Angeles, California, with supplementary work conducted at Aura Sound in Orlando, Florida.[9] These locations facilitated a focused production environment, allowing the classic lineup—Howard Hewett, Jody Watley, and Jeffrey Daniel—to build on their established chemistry from prior sessions.[1] Leon Sylvers III served as the lead producer, managing arrangements, bass lines, and percussion throughout the album, while steering Shalamar toward smoother R&B grooves that tempered their earlier disco influences with more nuanced, soul-inflected rhythms.[10] Songwriting emerged from collaborative efforts involving group members and external contributors, including Jody Watley (who co-wrote tracks like "Take Me to Your Heaven"), William Shelby, and Dana Meyers, whose input shaped the album's lyrical and melodic foundation during intensive writing sessions.[1] Technical production emphasized live instrumentation to enhance the organic feel, featuring horn arrangements by Ben Wright and Fred Jackson (who contracted the horns), alongside string sections also orchestrated by Wright.[9] The trio actively contributed to vocal harmonies, arranging their layered delivery to capture their dynamic interplay, while considering elements of their performance style for integration into later promotional visuals. Engineers such as Barry Rudolph and Steve Hodge handled recording and mixing duties, ensuring a polished sound that balanced the members' distinct contributions—Hewett's soulful leads, Watley's pop-leaning sensibilities, and Daniel's rhythmic drive.[9]Musical content
Style and composition
Three for Love marked Shalamar's evolution from their earlier dance-heavy disco roots toward a more emotive, relationship-focused soul sound, blending post-disco R&B, funk, and emerging quiet storm ballads to navigate the post-disco era.[7] This shift positioned the group in deeper, funkier territory amid the disco backlash, incorporating electronic elements and synth-pop intros while retaining uplifting brass accents for a polished, versatile appeal.[7] The classic trio's vocal interplay between Howard Hewett, Jody Watley, and Jeffrey Daniel remained a hallmark, with layered arrangements emphasizing emotional depth and harmonic richness.[11] Thematically, the album centers on love, romance, and emotional vulnerability, delving into commitment as in "Make That Move," nostalgia in "Some Things Never Change," and passion in "Full of Fire," reflecting a maturation in lyricism suited to both intimate listening and broader audiences.[7] Compositional techniques include syncopated bass lines crafted by producer Leon Sylvers III, who wrote songs with bass as a harmonic counterpoint to melodies, providing a rhythmic backbone that fused danceable grooves with mid-tempo introspection.[12] These elements integrate lively, propulsion-driven rhythms with downtempo quiet storm influences, balancing club energy and radio-friendly sophistication.[7] Spanning 40:41 across eight tracks, the album is structured to open with energetic post-disco funk before progressing to more introspective closers, mirroring the era's transition in Black music toward layered emotional expression.[11] This polished production drew from Los Angeles' West Coast funk scene, where Solar Records fostered a sleek, innovative sound that elevated Shalamar's accessibility.[13]Track listing
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Full of Fire" | Jody Watley, Joey Gallo, Richard Randolph | 6:20 |
| 2. | "Attention to My Baby" | William Shelby, Kevin Spencer, Wardell Potts | 4:32 |
| 3. | "Somewhere There's a Love" | Ernest "Pepper" Reed, Otis Stokes, William Shelby | 4:23 |
| 4. | "Some Things Never Change" | Dana Meyers, William Shelby | 4:55 |
| 5. | "Make That Move" | Ricky Smith, William Shelby, Kevin Spencer | 6:15 |
| 6. | "This Is for the Lover in You" | Dana Meyers, Howard Hewett | 5:04 |
| 7. | "Work It Out" | Jody Watley, Nidra Beard | 4:25 |
| 8. | "Pop Along Kid" | Jeffrey Daniel, Howard Hewett, Nidra Beard | 4:48 |

