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Try!
Live album by
ReleasedNovember 22, 2005
RecordedSeptember 21–22, 2005
VenueHouse of Blues (Chicago, Illinois)
GenreBlues rock
Length63:23
LabelColumbia
ProducerSteve Jordan
John Mayer
John Mayer Trio chronology
As/Is
(2004)
Try!
(2005)
Continuum
(2006)
Singles from Try!
  1. "Who Did You Think I Was"
    Released: September 13, 2005

Try! is the first live album by the John Mayer Trio. It was recorded at the House of Blues, Chicago, Illinois and released by Columbia Records on November 22, 2005. The album was nominated for Best Rock Album at the 49th Annual Grammy Awards. The artwork for the album was done by Seattle graphic design firm, Ames Bros.

Production

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The trio features John Mayer (guitar/lead vocals), Pino Palladino (bass), and Steve Jordan (drums/backup vocals). Unlike previous efforts by John Mayer, Try! focuses on popular blues renditions rather than adult-contemporary pop songs. The CD includes two cover songs, "Wait Until Tomorrow" by Jimi Hendrix, and "I Got a Woman" by Ray Charles; two songs from Mayer's previous album, Heavier Things, "Daughters" and "Something's Missing"; and also showcased two songs from Mayer's then forthcoming album, Continuum, "Vultures" and "Gravity".

Reception

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Professional ratings
Review scores
SourceRating
AllmusicStarStarStarStarHalf star [1]
BlenderStarStarStar [2]
The Daily VaultA [3]
Entertainment WeeklyB− [4]
The Rolling Stone Album GuideStarStarStar [5]
The Village Voice(favorable) [6]

Critical response to the album was mixed, with most critics being impressed with Mayer's progression and Palladino and Jordan's musicianship, while still being underwhelmed. Christian Hoard of Rolling Stone said, "over most of these sixty-three minutes [of the album], Mayer proves he can bowl you over, not just make your knees weak", ultimately giving the album three out of five stars.[7] Katy Hastey of Billboard found that "while "Try!" is brimming with talent, it's not consistently compelling."[8] People magazine praised the album, concluding, "Here's hoping Mayer keeps this new groove going for his next solo disc."[9]

Track listing

[edit]
No.TitleWriter(s)Length
1."Who Did You Think I Was"John Mayer3:09
2."Good Love Is on the Way"Mayer, Steve Jordan, Pino Palladino4:50
3."Wait Until Tomorrow" (The Jimi Hendrix Experience cover)Jimi Hendrix4:14
4."Gravity"Mayer5:49
5."Vultures"Mayer, Jordan, Palladino5:19
6."Out of My Mind"Mayer7:39
7."Another Kind of Green"Mayer4:39
8."I Got a Woman" (Ray Charles cover)Ray Charles, Renald Richard7:40
9."Something's Missing"Mayer6:56
10."Daughters"Mayer6:14
11."Try"Mayer, Jordan, Palladino6:52
Total length:63:23

Personnel

[edit]

[10]

Certifications

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Region Certification Certified units/sales
United States (RIAA)[11] Gold 500,000

Sales+streaming figures based on certification alone.

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Try! is a live album by the John Mayer Trio, consisting of John Mayer on guitar and lead vocals, Pino Palladino on bass, and Steve Jordan on drums. Released on November 22, 2005, by Columbia Records, it was recorded during a performance at the House of Blues in Chicago, Illinois, and serves as the group's only full-length release. The album blends with pop and influences, featuring energetic renditions of Mayer's originals like "Who Did You Think I Was" and "Gravity," alongside covers such as ' "Wait Until Tomorrow" and ' " / Mary Ann." It highlights Mayer's guitar prowess and the trio's improvisational chemistry, drawing from Mayer's admiration for classic and artists. Try! peaked at number 34 on the and received critical acclaim for its raw energy and musicianship, earning a for Best Rock Album at the . The project marked a departure from Mayer's solo pop-oriented work, emphasizing his roots in and live performance.

Background

John Mayer's Pre-Trio Career

John Mayer rose to prominence in the early 2000s with his debut major-label album, , released in 2001, which achieved 5x platinum status in the United States and introduced his signature pop-rock sound blending acoustic introspection with subtle electric guitar elements. The album's lead single, "Your Body Is a Wonderland," became a breakout hit, peaking at No. 18 on the and earning Mayer his first Grammy Award for Best Male Pop Vocal Performance at the on February 23, 2003. Following this success, Mayer released his second studio album, , on September 9, 2003, which debuted at No. 1 on the and featured a more polished production with expanded instrumentation, including horns and synthesizers, while retaining his lyrical focus on relationships and self-reflection. During the supporting tour from late 2003 into 2004, Mayer increasingly highlighted his guitar prowess, delivering extended solos that infused pop-rock tracks with bluesy phrasing, as seen in live renditions of songs like "Come Back to Bed," where his Stratocaster-driven playing evoked soulful, improvisational depth. Mayer's growing affinity for blues was rooted in early influences, particularly , whom he discovered at age 13 through a neighbor's and began emulating in his teenage band, and , whose emotive style shaped his phrasing and tone. This shift became evident in collaborations with blues icons like and during 2003-2004, and culminated in his performance at Clapton's from June 4 to 6, 2004, in , , where he played blues-infused versions of his material, such as "City Love," earning praise from Clapton himself for his guitar command. From 2003 to 2005, Mayer's solo tours further emphasized these improvisational guitar explorations, extending solos beyond structured arrangements to incorporate spontaneous blues riffs and phrasing that hinted at his impending pivot toward a fuller blues trio format.

Formation of the John Mayer Trio

In early 2005, John Mayer assembled the John Mayer Trio to pursue a raw blues rock sound within a power trio configuration, drawing from his admiration for artists like Jimi Hendrix, Eric Clapton, and Stevie Ray Vaughan. Mayer's prior blues influences served as the catalyst for seeking out seasoned collaborators capable of delivering an intense, improvisational dynamic. The lineup consisted of Mayer on guitar and lead vocals, Pino Palladino on bass, and Steve Jordan on drums, backing vocals, and percussion. Palladino, a veteran session bassist, brought extensive experience from collaborations with acts including The Who and Jeff Beck. Jordan, similarly accomplished, had previously performed with John Belushi's Blues Brothers band and contributed to Keith Richards' solo projects. Their selection stemmed from Mayer's ongoing sessions with Jordan, during which Jordan recommended Palladino for an upcoming benefit event. The trio's initial rehearsals were minimal, limited to a single run-through of Hendrix's "Bold as Love" ahead of their appearance at the Tsunami Aid: A Concert of Hope on January 15, 2005, which served as their inaugural performance together. Building momentum, they made their major public debut as a unit at the on February 13, 2005, delivering a rendition of Mayer's "Daughters." This early outing highlighted the group's cohesive energy and set the stage for subsequent live explorations.

Production

Recording Sessions

The recording sessions for Try! took place live at the in , , on September 21 and 22, 2005, during a sold-out two-night stand by the . The venue's accommodated approximately 1,000 attendees per show, fostering an energetic crowd that enhanced the raw, interactive atmosphere of the performances. Multi-track recording was handled by engineer Chad Franscoviak, with a focus on preserving the improvisational jams and extended solos that defined the trio's blues-rock style during these shows. The final album includes 11 tracks selected from material across both nights, chosen to showcase the setlist's dynamic intensity and the band's onstage chemistry.

Production Team and Process

The production of Try! was led by John Mayer and Steve Jordan as primary producers, with John Alagia serving as additional producer. The album drew from live recordings captured during the John Mayer Trio's performances at the House of Blues in Chicago. Mixing duties were handled by Joe Ferla, who refined the live captures to preserve their energetic dynamics, while managed the mastering at Sterling Sound in New York. Recording engineers Chad Franscoviak and Joe Ferla contributed to the initial capture and post-recording polish across the tracks. The album's artwork featured a minimalist design emphasizing the raw, exclamatory energy of the performances, created through collaboration between and the Seattle-based firm Ames Bros. A notable addition was a brief guest appearance by Chalmers "Spanky" Alford on the title track "Try!", enhancing the live without altering the overall trio format.

Musical Content

Track Listing

Try! is a live album featuring 11 tracks recorded during the John Mayer Trio's 2005 tour, blending original compositions with covers, for a total runtime of 63:22.
No.TitleWriter(s)Length
1Who Did You Think I Was3:09
2Good Love Is on the Way, Steve Jordan, Pino Palladino4:51
3Wait Until TomorrowJimi Hendrix (cover)4:15
4Gravity5:49
5Vultures, Steve Jordan, Pino Palladino5:19
6Out of My Mind7:39
7Another Kind of Green4:40
8, Renald Richard (cover)7:40
9Something's Missing6:57
10Daughters6:15
11Try, Steve Jordan, Pino Palladino6:53
The vinyl reissue divides the tracks across four sides: Side A (tracks 1–3), Side B (tracks 4–6), Side C (tracks 7–9), and Side D (tracks 10–11).

Song Selection and Live Arrangements

The song selection for Try! blends John Mayer's original compositions with two covers, creating a setlist that bridges his recent studio work and future directions while highlighting blues influences. The album includes six originals drawn from or previewing his albums Heavier Things (2003) and the forthcoming Continuum (2006), such as "Daughters" and "Something's Missing" from the former and "Who Did You Think I Was," "Good Love Is On The Way," "Gravity," and "Vultures" from the latter, alongside additional trio-specific originals like "Out of My Mind," "Another Kind of Green," and the title track "Try." These are complemented by covers of blues and soul icons, including Jimi Hendrix's "Wait Until Tomorrow" and Ray Charles' "I Got a Woman," which are extended through improvisational playing to emphasize the trio's raw energy. The live arrangements transform these tracks into extended, improvisational vehicles suited to the trio format of Mayer on guitar and vocals, Pino Palladino on bass, and Steve Jordan on drums, eschewing the full band and layered production of Mayer's studio albums for unadorned interplay. Originals like "Gravity" and "Vultures" gain improvisational depth through spontaneous solos and rhythmic dialogues, while the cover "I Got a Woman" features elongated guitar explorations by Mayer, punctuated by Palladino's walking bass lines and Jordan's propulsive drumming, emphasizing collective musicianship over scripted elements. This approach captures the energy of the September 2005 House of Blues performance in Chicago, with minimal overdubs to preserve the raw, in-the-moment execution. Thematically, the blues-centric curation underscores a shift toward unpolished virtuosity, allowing the trio to demonstrate technical prowess and emotional immediacy in a format that contrasts sharply with Mayer's more refined, pop-oriented studio recordings.

Release and Promotion

Album Release Details

Try! was released on November 22, 2005, by , under the umbrella. The album launched in and digital download formats, with the presented in a digipak edition bearing a label for explicit language. In 2011, a remastered vinyl appeared as a 180-gram double LP pressing through Music On Vinyl.

Singles and Promotional Activities

The lead single from Try! was "Who Did You Think I Was", with the live version from the album released to radio on September 13, 2005, two months before the album's launch. The track, originally written by , showcased the Trio's blues-rock energy in its live album rendition, emphasizing Mayer's guitar work alongside Pino Palladino's bass and Steve Jordan's drums. The single was backed with "Come When I Call" as the B-side. A , featuring a studio recording, was released in 2006. Promotion for Try! centered on highlighting the band's live authenticity, with (a label) producing web trailers featuring clips from the performance and organizing in-store listening events at major retailers to immerse fans in the concert atmosphere. The campaign targeted adult alternative and AAA radio formats, where the single received significant airplay to appeal to Mayer's established fanbase from his solo work. The Trio supported the album's rollout with television appearances, including a performance of "Who Did You Think I Was" on the on November 24, 2005. This exposure tied into select live dates, where the group incorporated Try! material during early shows of Mayer's broader touring schedule beginning in December 2005.

Reception

Critical Reviews

Upon its release, Try! received generally positive reviews from critics, who praised the album's energetic blues-rock performances and the John Mayer Trio's chemistry, though some noted inconsistencies in pacing and a shift away from Mayer's songwriting focus. AllMusic awarded it 8.5 out of 10, lauding Mayer's "blistering guitar work" and the live energy that captured the trio's improvisational prowess. Critics also pointed out drawbacks, with some feeling the emphasis on instrumental virtuosity and blues covers somewhat overshadowed Mayer's songwriting strengths from prior solo work, describing the album as "brimming with talent" but "not consistently compelling." Despite these critiques, the record's artistic merits were affirmed by its nomination for Best Rock Album at the in 2007, where it competed against releases like ' Stadium Arcadium but ultimately did not win.

Commercial Performance and Certifications

Try! debuted at number 34 on the U.S. chart, selling approximately 50,000 copies in its first week. In the United States, Try! was certified by the RIAA on August 8, 2018, for shipments of 500,000 units. The certification reflects physical and digital sales during the early era, with no further Platinum status awarded. By 2025, the album's total U.S. sales remained at the Gold level.

Legacy

Influence on John Mayer's Career

The release of Try! represented a significant career pivot for , solidifying his reputation as a blues guitarist and distancing him from the pop image established by earlier albums like . By fronting the with drummer Steve Jordan and bassist , Mayer showcased extended guitar solos and improvisational jams that highlighted his influences from -rock icons, effectively rebranding his sound in a live context. This shift directly informed the full-band arrangements and -inflected production on his 2006 studio album Continuum, which refined the raw energy of Try! into more structured yet soulful tracks, earning widespread acclaim and multiple Grammy wins. The album's emphasis on collaborative, guitar-centric performance also carried forward to later releases like Battle Studies (2009), where Mayer continued to prioritize ensemble dynamics over solo acoustic work. The Trio's chemistry from Try! fostered enduring professional relationships with and Palladino, leading to ongoing collaborations beyond the initial live recordings. The group reunited for studio sessions in , underscoring the lasting impact of their partnership on Mayer's exploration of blues and roots music. While Born and Raised (2012) featured a different core band, the improvisational ethos developed with the Trio influenced its folk-blues orientation and Mayer's broader approach to ensemble playing in subsequent projects. Try!'s nomination for Best Rock Album at the in 2007 enhanced Mayer's credibility in rock circles, validating his pivot toward and increasing his visibility among guitar enthusiasts. Mayer has described this nod as particularly meaningful among his early Grammy recognitions, as it affirmed his artistic evolution away from pop toward more authentic, genre-rooted expression. This boosted profile paved the way for high-profile opportunities, including his role in from 2015 onward, where the jam-band improvisation honed during the Trio era translated seamlessly into extended live explorations of material. On a personal level, Mayer reflected on the Trio experience in 2006 as a vital reset for his career, shifting emphasis from studio-polished songs to the spontaneity of live performance and allowing him to reconnect with his guitar roots. This mindset refresh reinvigorated his songwriting and stage presence, setting the stage for a more versatile and enduring trajectory in the years that followed.

Cultural Impact and Later Performances

The release of Try! helped revitalize interest in the power trio format in blues-rock, showcasing a raw, improvisational energy that echoed classic acts like and the Experience while bridging to modern audiences. The album's live, guitar-driven performances contributed to discussions of the mainstream blues revival, sharing stylistic similarities with subsequent artists like , who blend traditional blues with contemporary rock sensibilities. Songs from Try!, particularly "Gravity," have appeared in 2000s dramas and soundtracks such as the TV series Numb3rs, embedding the album in and exposing its blues-infused sound to broader viewers. The album's enduring appeal is evidenced by its 2011 remastered vinyl reissue on 180-gram heavyweight pressing by Music On Vinyl, which renewed accessibility for collectors and audiophiles. The reunited for notable performances post-release, including a full set at Eric Clapton's 2010 in , where they delivered extended jams on tracks like "Who Did You Think I Was" and covers such as "," highlighting the group's chemistry. Another reunion occurred on December 8, 2007, at the Nokia Theatre in during Mayer's Where the Light Is concert, featuring a dedicated trio segment with songs from Try!. In 2025, Mayer incorporated full-band elements reminiscent of the trio's style into his solo set at the Palm Tree Music Festival in , including an extended jam on "" that evoked the album's improvisational spirit. Try! has cultivated a within the jam-band community, where its extended live arrangements resonate with fans of improvisational music; groups like the have occasionally nodded to its style through collaborative jams with Mayer, perpetuating its legacy in live scenes. The album's availability on streaming platforms has seen a resurgence in the , underscoring its sustained popularity among enthusiasts.

References

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