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Vabank
Vabank
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Vabank
Directed byJuliusz Machulski
Written byJuliusz Machulski
StarringJan Machulski
Witold Pyrkosz
Leonard Pietraszak
Jacek Chmielnik
Krzysztof Kiersznowski
CinematographyJerzy Łukaszewicz
Edited by Mirosława Garlicka
Music byHenryk Kuźniak
Release date
  • 1981 (1981)
Running time
108 minutes
CountryPoland
LanguagePolish

Vabank is a 1981 Polish comedy heist film written and directed by Juliusz Machulski, set in 1934 Warsaw (although actually filmed in Łódź and Piotrków Trybunalski).[1]

The film received several awards and nominations, among them:

The film's name is Polish for Va banque, a gambling term for when one is betting to win or lose all.

Plot

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In October 1934, a famous safe cracker in Warsaw criminal circles and also a jazz trumpeter, Henryk Kwinto, is released from a prison, where he has spent the past six years. After arriving home, he discovers that his wife has already found a substitute for him in the face of a police commissioner named Karelicki. Kwinto removes hidden roll of banknotes out of the chair's leg, places his key to the apartment on a table and leaves.

Near the city gates he is met by two younger petty criminals, brothers Moks and Nuta, who have successfully debuted by robbing a jewel store and now wish to have the legendary safe-cracker as an accomplice. Kwinto by taking out of his pocket a mouthpiece of trumpet asserts that they had mistaken him for someone else and he is a musician. Although they seem to be confused, the brothers nonetheless tell him the address of their automobile shop in case if "Mr Musician would be willing to play together with them".

Kwinto rents a hotel room. Soon he is visited by his former accomplice and now a successful banker, Gustaw Kramer who informs him that six years ago Kwinto was arrested not by chance. Kramer who was caught in the act, then agreed to lure the elusive safe-cracker into a trap set up by the police. As a compensation for moral damages he brought Kwinto 45,000 złoty considering his betrayal as resolved. In response Kwinto advises not to tell him the address of his bank, to which Kramer is confident in the invulnerability of the bank's own safes reacts with a sneer and uses the phrase "ear of a herring" (Polish: ucho od śledzia, an idiom, similar to English "Goose egg") hinting at the impossibility of robbing his bank.

Kwinto goes to visit a musician named Tadeusz Rychliński, with whom he performed in a band at least six years earlier. From the wife of Tadeusz, Marta, he learns about the death of his friend. Shortly before his death, Tadeusz deposited all his savings, 19,000 złoty, in the bank of Kramer, but on the way home he was robbed, the raiders took away the receipt and the bank deposit became unavailable. The next day Tadeusz allegedly threw himself out of the window. According to the widow, the police arrived to conclusion that there was a suicide.

In the memory of a perished friend, Marta gives Kwinto the Tadeusz's trumpet. In its mouthpiece Kwinto discovers a note of Rychliński where it says "I know how Kramer became an owner of the bank". Kwinto arrives to conclusion that robbery and staging of the suicide were committed at the Kramer's request.

In the light of the discovered circumstances Kwinto starts to act. He finds Moks and Nuta in their automobile shop and instructs them to find the last address of his old friend Duńczyk. Kramer receives back his 45,000 złoty in mail along with a newspaper cut out where placed the Tadeusz's obituary and understands that a war is declared on him. He sends to Kwinto Krempitsch, a hired killer, who sometime ago killed Tadeusz by pushing him out of a window. But Kwinto, who foresaw the action of the banker, takes care of Krempitsch by himself.

The brothers have not found Duńczyk. The search has been taken over by Kwinto himself and, remembering his old habits, finds his pal at a football game. However, Duńczyk has finished with his criminal past and more than anything he values a peace. At first he refuses, but Henryk convinces Duńczyk that for him taking vengeance on Kramer is a matter of principle. They witnessed that Krempitsch, trying to kill Kwinto, accidentally kills a complete stranger. Taking the advantage of a muss, heroes leave the stadium. After all Duńczyk agrees to participate in his friend's daring plan.

Kwinto presents his plan to rob the Kramer's bank and that under suspicion turned to be the banker himself. Duńczyk heads on reconnaissance to the bank and opens to be obvious an account there. With experience eye, he assesses all alarm features of the bank's building and in his home workshop by method of trial and error selects the shape of the plate capable of blocking the alarm.

The companions begin to implement the plan. Kramer by accident as he thinks meets with a charming Natalia whom he helps to start the stalled car. A week later with bouquet of flowers and champagne Kramer comes to visit her. On one of stair landings he runs into a black man who exits a neighboring apartment with a Dalmatian on the leash. Natalia asks Kramer to help her unfasten the necklace with the plate that is supposed to block the alarm in the bank and insensibly throws the adornment into the window where it is picked by Moks.

At the same time Kwinto under suspicion of robbing the lawyer Walenta's villa is detained by police and brought to the precinct. However soon the real robbers are arrested and Kwinto is getting released.

Downing gas masks and gloves, Kwinto and his companions infiltrate into the bank through a ventilation shaft of the restaurant located over it. There they stun security guards, block the alarm with a plate that served as the necklace clasp, and take out of the safe all money and valued papers. With a thermal lance Nuta cuts through a side wall of the safe an opening, and the group goes away leaving at the crime scene a plate of the necklace. Taking advantage of the owner's absence, the accomplices transport the main portion of the valuables to the Kramer's house.

In the evening celebrating the successfully turned trick the group to which belongs Natalia as well being a fiancée of Moks divides the remaining money. His share Kwinto sends to Marta ostensibly as compensation to the family of the victim of bank's machinations.

In the morning the bank was filled with police. Head of the investigation commissioner Przygoda determines that the safe was cut only to stage hacking, and rather was opened in the usual way. In addition on the found plate were discovered fingerprints of Kramer. It gave the commissioner a reason to conduct the search in the Kramer's house where in basket with dirty laundry were found the stolen valuables.

Kramer attempts to prove that at the time of robbery he has an alibi. At first he takes police to the Natalia's apartment, but she is not there and living in the apartment people argue that never saw Kramer. Then the banker remembers about another witness, a black man with a Dalmatian who had exited out of the neighboring apartment. But the owner of the apartment claims that never saw them.

Kramer gets arrested. Near the court's building he sees Kwinto who reads a newspaper and understands the robbery of his bank is the handiwork of a former accomplice. Kwinto catching the Kramer's glance touches his ear reminding Kramer about his words "ear from a herring" (Polish: ucho od śledzia).

A sequel, Vabank II, was made in 1984.

Cast

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References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Vabank is a 1981 Polish comedy written and directed by Juliusz Machulski, set in pre-war during , where it follows the story of a skilled robber named Kwinto who seeks against his former partner by planning an elaborate robbery. The film stars Jan Machulski as the protagonist Henryk Kwinto, a master safecracker recently released from prison after being framed, alongside Witold Pyrkosz as Duńczyk, as the antagonist Kramer, and Jacek Chmielnik as Moks. Produced during a period of political tension in under , Vabank draws inspiration from classic Hollywood films while incorporating elements of Polish interwar culture and humor. The plot centers on Kwinto's determination to reclaim his stolen safe and expose Kramer's betrayal, leading to a meticulously planned break-in at Kramer's bank that blends suspense, witty dialogue, and comedic mishaps among the criminal ensemble. Machulski's debut feature, filmed primarily in and to evoke Warsaw's atmosphere, features innovative and a that enhances its nostalgic tone. Upon release, Vabank achieved immediate popularity in and the , becoming a for its optimistic portrayal of clever underdogs outwitting authority figures amid societal constraints. Critics have praised it as a landmark of Polish cinema, influencing subsequent films in the genre and remaining a beloved staple of Eastern European entertainment.

Film Overview

Plot Summary

The film is set in in 1934. Henryk Kwinto, a skilled safecracker and trumpeter, is released from prison after serving six years for a he was framed for by the banker Gustaw Kramer. Upon his release, Kwinto intends to leave his criminal life behind, but he soon learns of the suicide of his old friend Tadeusz Rychliński, who was driven to despair by Kramer's betrayal and after Rychliński fell into . Kwinto investigates and realizes that Kramer orchestrated the original frame-up to seize control of the bank and has now eliminated Rychliński to cover his tracks, staging the suicide to avoid scrutiny. Determined to exact revenge, Kwinto assembles a team for a daring heist targeting Kramer's own . He recruits an inept young boxer named Olgierd, a tailor named Szabba who provides costumes, and the young accomplice Moks who handles disguises. The plan is meticulously crafted to occur on the exact date and time of Kwinto's original six years prior, ensuring that evidence will point directly to Kramer; they intend to use a necklace plate bearing Kramer's fingerprints to disable the 's alarm system. The team prepares disguises and coordinates distractions, including a staged alibi involving Kwinto's former lover Natalia to mislead the police. The heist unfolds with tense precision. The group enters the bank through a ventilation shaft from an adjacent restaurant, avoiding detection by the guards. Kwinto works methodically to crack the safe, navigating its complex locks while Olgierd and the others handle diversions and lookout duties. They successfully steal 585,000 zlotys in cash and securities, but complications arise when Kramer, suspicious of Kwinto, attempts to bribe him into silence and hires a hitman to eliminate the threat. The team escapes amid a chaotic pursuit, planting the incriminating plate at the scene to frame Kramer. In the resolution, the police investigation leads to Kramer's arrest when his fingerprints on the alarm-disabling plate and other evidence tie him to the robbery, exposing his past crimes including the frame-up and Rychliński's coerced suicide. Kwinto returns the stolen money to the original victims of Kramer's schemes, such as the 19,000 złoty to Rychliński's widow, and walks away from crime, his revenge complete.

Cast and Characters

Jan Machulski leads the cast as Henryk Kwinto, the film's and a master safecracker who also plays the . Recently released from prison after being framed, Kwinto is depicted as cool under pressure and highly resourceful, assembling and leading a team for a daring heist to exact on his betrayer. His character anchors the , blending precision and wit to drive the group's dynamic. Leonard Pietraszak portrays Gustaw Kramer, the central antagonist and a ruthless banker who was Kwinto's former accomplice. Kramer framed Kwinto for a previous crime, leading to the suicide of Kwinto's friend Tadeusz Rychliński, and now lives in luxury as the target of the heist. His calculating and self-serving nature provides a stark contrast to the protagonists' camaraderie, heightening the tension within the story's opposing sides. The heist team includes Olgierd, the dim-witted boxer who serves as the muscle and getaway driver, contributing brute strength but comic mishaps to the group's efforts. Jacek Chmielnik plays the young and enthusiastic accomplice known as Moks, responsible for disguises and adding youthful energy and quick thinking to the ensemble's operations. Krzysztof Kiersznowski appears as Szabba (also called Struna), the bumbling tailor who supplies costumes and provides much of the film's through his incompetence, balancing the team's more serious members. Supporting roles enhance the ensemble, with Ewa Szykulska as Marta Rychlinska, Kramer's who aids the while offering moments of intrigue and humor in her interactions. Witold Pyrkosz plays J.J. Dunczyk, Kramer's business partner, reinforcing the villainous duo's influence. Józef Para is cast as Przygoda, the determined police investigator whose pursuit adds urgency to the heist team's actions.

Production

Development

Juliusz Machulski wrote the screenplay for Vabank during his studies at the , with the first draft completed in the summer of 1977 while on vacation along the Bulgarian coast at age 22. The script drew inspiration from 1930s American gangster films and classic heist movies such as (1973) and (1955), blending their stylish crime elements with nostalgic references to Polish interwar-era stories set in 1930s , including the real-life safe-cracker Stanisław Cichocki (known as "the "). Machulski aimed to create a retro gangster comedy that evoked the elegance and wit of these influences while adapting them to a Polish context under communist-era constraints. As Machulski's feature film debut, Vabank reflected his background in theater—stemming from his family of actors, including his father Jan Machulski—and his experience with short films during training. He collaborated closely with Jerzy Łukaszewicz, a fellow graduate known for his work in amateur and professional , to achieve a visually dynamic style that supported the film's comedic thriller tone. This partnership helped translate Machulski's vision of a lighthearted yet tense heist narrative into a cohesive production. Key casting decisions emphasized personal and professional synergy, particularly in selecting Jan Machulski to portray the protagonist Henryk Kwinto, leveraging the elder Machulski's veteran status as a seasoned theater and film actor to infuse authenticity and family chemistry into the role. This choice not only revitalized Jan Machulski's career but also allowed Juliusz to draw on their real-life rapport for the character's depth. Produced under the Polish state film system by Zespół Filmowy Kadr, Vabank faced typical budget constraints of early communist-era cinema, with limited resources necessitating creative resourcefulness to blend comedy and heist thriller elements without lavish sets or effects. The modest funding aligned with Machulski's goal of prioritizing sharp and plot ingenuity over spectacle, resulting in a that maximized impact through narrative drive. The title Vabank derives from the Polish adaptation of the French gambling term "va banque," meaning "all-in" or risking everything on a single bet, which symbolizes the high-stakes revenge plot and the characters' bold gambles. This choice underscored the film's thematic focus on audacious criminal enterprise in a period drama.

Filming and Technical Aspects

Principal photography for Vabank commenced in 1981, primarily at locations in —including the Ogrodowa Street cemetery, the courthouse at Dąbrowski Square, the at POW Street 26, Łagiewniki Forest near Arturówek, and the Grand Hotel on —and in , such as the Art Exhibition Office at Sieradzka Street 8 and a corner at Sieradzka and Kościuszko Square. Additional scenes were filmed in at the former Agricultural Bank building on Nowogrodzka Street 50 and in Łęczyca at the on Pocztowa Street. These sites substituted for the 1934 setting, as the city's post-World War II reconstruction had altered its interwar urban landscape beyond practical use for period recreation. The film was shot in color on 35mm stock, with a runtime of 104 minutes. Jerzy Łukaszewicz employed compositions to evoke the elegance and grit of , utilizing the selected locations' surviving architecture to stand in for Warsaw's pre-war milieu. His work emphasized visual rhythm in action sequences, contributing to the film's dynamic pacing. Henryk Kuźniak composed the original score, blending influences—such as and dixieland motifs—with orchestral arrangements to mirror the era's vibrancy and underlying suspense. Notable tracks like "Ragtime Vabank" capture the interwar Polish urban nightlife, performed in part by traditional ensembles. Set designer Jerzy Skrzepiński recreated elements of interwar Polish architecture, drawing on Łódź's industrial-era buildings to simulate Warsaw's bustling streets and interiors. Costumes by Ewa Gralak-Jurczak featured period attire like tailored suits and gowns, while props—including vintage safes, automobiles, and period banking fixtures—enhanced historical fidelity within budget constraints. Editing by Mirosława Garlicka focused on tight cuts to amplify comedic beats and tension in heist moments, ensuring a brisk narrative flow.

Release and Reception

Premiere and Distribution

Vabank had its world premiere at the 1981 Polish Film Festival in , where it received acclaim for its innovative debut direction. The film, with a runtime of 108 minutes, was produced by Zespół Filmowy Kadr under the Polish state film system, which included censorship oversight, and was approved for broad distribution despite the imposition of in December 1981. This positive festival reception paved the way for its subsequent honors at international events. Following the festival, Vabank saw its nationwide theatrical release in on March 1, 1982, achieving significant success with over 1.4 million viewers in its first year—a strong performance for a directorial debut amid the era's political constraints. Internationally, distribution began in 1982, featuring screenings at festivals such as Mystfest in , , and the International Film Festival in in the , which helped expand its reach beyond . In Poland during the 1980s, Vabank gained further accessibility through home video releases on and regular television broadcasts, solidifying its early among audiences. As of 2025, the film became available on major streaming platforms in .

Awards and Critical Response

Vabank received acclaim at several film festivals shortly after its release. At the Polish Film Festival (now known as the Gdynia Film Festival), Juliusz Machulski won the award for Best Debut Director. The film also secured the AGIS-BNL Award for Best Film at the 1982 Mystfest in . It was further nominated for the Gold Hugo for Best Feature at the in 1982. Critics praised Vabank for its successful blend of and , highlighting Machulski's innovative direction in his debut feature and the strong acting. Reviews noted the film's tight intrigue, clever script, and charismatic performances, particularly Jan Machulski as the lead safecracker, positioning it as a masterpiece of Polish cinema. Contemporary analyses have interpreted the film as a on 1930s Polish society, depicting a bourgeois world of banks and wealth amid economic challenges, with the protagonist's triumph symbolizing resistance against oppressive systems. The film holds an 86% approval rating on based on six critic reviews and a 7.8/10 rating on from over 5,000 user votes. Audiences embraced Vabank as a major hit, with witty dialogue and period charm contributing to its appeal; it drew over 2.5 million viewers in , becoming one of the era's top successes. The film achieved cult status, offering escapism and optimism during Poland's period, leaving viewers uplifted by its charismatic heroes and subversive narrative.

Legacy

Sequel

Vabank II, czyli riposta is a 1984 Polish comedy-crime film directed and written by Juliusz Machulski, serving as a direct sequel to the original Vabank by continuing the story of safecracker Henryk Kwinto following the events of the initial heist. In the film, the antagonist Gustaw Kramer escapes from prison and seeks revenge against Kwinto, who had framed him for the bank robbery, setting the stage for a new confrontation before Kramer plans to flee to Switzerland. The narrative resolves lingering threads from the first film, such as Kramer's fate, while escalating the comedic elements through a series of elaborate schemes, including a kidnapping and a faked death, culminating in Kwinto and his associate outsmarting Kramer and escaping with his ill-gotten gains. The sequel features returning key cast members, with Jan Machulski reprising his role as the clever Kwinto and as the vengeful Kramer, alongside supporting actors like Jacek Chmielnik as Moks and new additions introducing heightened antics in settings that expand the original's milieu. Production began in 1984, utilizing much of the same creative team from , including Witold Adamek, though shifting to color from the original's black-and-white aesthetic to enhance the visual flair of the period piece. Filming took place primarily in and surrounding areas, such as Ruda Pabianicka, capturing interwar 's atmosphere through locations like historic buildings and studios. The film premiered on May 6, 1985, in , following its completion in late 1984. Critically, Vabank II was regarded as a solid extension of the franchise, praised for its tight plotting and the chemistry between the leads, though often noted for relying more on familiar tropes than the innovative energy of its predecessor. Additionally, it earned recognition at the 1985 Polish Feature Film Festival, including an Audience Award and a for composition, underscoring its popular appeal and technical merits.

Cultural Impact

Vabank established Juliusz Machulski as a leading figure in Polish cinema, launching his career with a blend of heist thriller and comedy that influenced subsequent 1980s films, including his own Sexmission (1984), which similarly mixed genre elements to offer escapist entertainment amid political tensions. The film revived interest in depictions of interwar Poland, particularly 1930s Warsaw, by portraying a vibrant pre-communist era through its setting and style, inspiring later works exploring crime and satire in that historical context. Its title, derived from the French gambling term "va banque" meaning to risk everything, has permeated Polish media as an idiom for high-stakes situations, frequently quoted in discussions of bold or desperate actions. Achieving cult status in Poland and the , Vabank gained enduring popularity through frequent TV reruns and screenings at film festivals, where its humorous take on outwitting authority resonated as a form of subtle rebellion. Scholars interpret the film's backdrop as a veiled commentary on communist-era economic frustrations, providing optimism and a sense of freedom during the imposition of in 1981. In modern recognition, Vabank appears in lists of top Polish comedies, such as Studio Filmowe Kadr's selection of the 10 best, and underwent digital restoration in 2012, with versions available for free streaming on platforms like , ensuring accessibility to new generations. The sequel extended its narrative, further cementing the franchise's influence on Polish popular .
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