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Victoria Winters
Victoria Winters
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Victoria Winters
Dark Shadows character
Alexandra Moltke portrays Victoria
Portrayed byAlexandra Moltke (1966–1968)
Betsy Durkin (1968)
Carolyn Groves (1969)
Joanna Going (1991)
Marley Shelton (2004)
Bella Heathcote (2012)
First appearanceJune 27, 1966
Last appearanceJanuary 10, 1969
Created byDan Curtis
In-universe information
OccupationGoverness
MotherElizabeth Collins Stoddard
Half-sistersCarolyn Stoddard
SpousePeter Bradford/Jeff Clark (1968)
GrandparentsJamison Collins
Catherine Collins
UnclesRoger Collins
First cousinsDavid Collins

Victoria "Vicki" Winters is a fictional character from the television Gothic soap opera Dark Shadows and its remakes of the same name. The role was originated by Alexandra Moltke on the ABC series from 1966 to 1968. After Moltke left to raise a family in 1968, actresses Betsy Durkin and Carolyn Groves briefly replaced her, for 10 episodes and 3 episodes respectively, before Victoria was written out completely. Jaclyn Smith, who was married to Dark Shadows actor Roger Davis at the time, was offered the role when Moltke left the show, but she declined.[1]

In the 1991 Dark Shadows series, which aired on NBC, actress Joanna Going assumed the part. The character was subsequently portrayed by Marley Shelton in the 2004 series. In the Dark Shadows film, Victoria is played by Bella Heathcote. A good-natured governess with a mysterious past, she is the de facto female lead in the various incarnations of the story.

1966–1968

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Arrival and early days

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Victoria Winters (Alexandra Moltke) was the prominent character on Dark Shadows for its first year of existence. For that year, each episode's opening narration began with, "My name is Victoria Winters..."

Victoria had been left at a foundling home in New York City, and thus, never knew her true parents—although monthly sums of money began to arrive mysteriously when she turned two. She received her surname from the season in which she arrived in New York. Evidently, Vicky attended some college before accepting the offer of a governess position in Collinsport, Maine. Upon her arrival in Collinsport, she met the brooding Burke Devlin (first played by Mitchell Ryan, later portrayed by Anthony George), with whom she would eventually become romantically involved. During the first episode, she also met a young waitress named Maggie Evans (Kathryn Leigh Scott) at the Collinsport Inn. Although Maggie derided Victoria for accepting the job at the Collinwood estate, the two women eventually became very good friends.

Victoria quickly became indispensable to Elizabeth Collins Stoddard (played by Joan Bennett), both as governess to Elizabeth's troubled young nephew David Collins (David Henesy) and companion to Elizabeth herself (although her initial quest to learn her true identity dismayed the family matriarch). For her own mysterious reasons, Elizabeth did not want Victoria to learn the truth. Victoria also became important as a family peacemaker, not to mention a stabilizing influence on Elizabeth's daughter, the rebellious Carolyn Stoddard (Nancy Barrett) and on the troubled David, son of Elizabeth's pompous and rather emotionally cold younger brother, Roger (Louis Edmonds). Slowly but surely, Victoria managed to form a bond with David. As she grew closer to Burke, she became embroiled in his old feud with the Collins family, all while she attempted to discover her origins. One early plotline involved Roger nearly dying in a car accident due to a bleed screw being removed from the hydraulic brake system of his car. Burke was a key suspect, but when Roger learned his own son David was the culprit, he dropped the investigation.

When fisherman Bill Malloy (Frank Schofield) threatened to reveal Roger's guilt in the manslaughter trial which led to Burke's wrongful conviction, he was murdered. Eventually, Victoria realized the killer was the disturbed caretaker Matthew Morgan (Thayer David). He kidnapped her and planned to kill her, but was frightened to death by the ghosts of Malloy, the Widows (women who had jumped from the cliffs after their husbands died), and Josette du Pres Collins (Kathryn Leigh Scott). Josette would later become a key figure in Victoria's life, as well as Dark Shadows history.

Shortly after Morgan's death, David's presumed-dead mother, Laura Murdoch Collins (Diana Millay) arrived, wanting to reunite with her son. Roger was reluctant, but Laura worked her charm on David, who was overjoyed to have a mother again. With the help of Josette's ghost and others, a suspicious Victoria realized Laura was a phoenix who planned to take herself and David to fiery deaths. Vicky saved him just in time. David was safe, the threat was gone, and Burke had finally settled his vendetta against the Collins family. David truly loved and trusted Vicky now, where before he had been hostile and spiteful toward her. Things were better than they had been for Victoria in some time, but that was not to last.

Enter Barnabas Collins

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Shortly after the ordeal with Laura Collins had ended, a mysterious man named Jason McGuire (Dennis Patrick) arrived in Collinsport and immediately convinced Elizabeth to let him stay at Collinwood. Victoria and the family were shocked (especially Carolyn) and put on the defensive when Jason's off-putting drifter friend Willie Loomis (played originally by James Hall for five episodes before John Karlen assumed, and became more well-known, in the role) joined him. Willie, a former small-time crook, soon proved too much even for Jason to put up with, and he ordered Willie to get out of town. Before leaving town, following a fight with Burke at the Blue Whale because he was harassing Maggie, Willie heard from David that the Collins family ancestors were buried with their personal jewels; Willie decided to help himself to the jewels by breaking into the Collins family mausoleum. In an effort to abscond with the jewels of Naomi Collins (Joan Bennett), he inadvertently discovered a secret room in the rear of the crypt. Inside was a single coffin wrapped in large, heavy chains. Willie removed the chains and opened the coffin. Rather than finding a cache of jewelry, however, Willie unwittingly freed Naomi’s son, Barnabas Collins (Jonathan Frid), who had been turned into a vampire 170 years before and was later chained in his coffin by his friend Ben Stokes (Thayer David) on the request of Barnabas’s father, Joshua Collins (Louis Edmonds).

After being bitten by Barnabas, Willie then became his slave. Shortly after his release, Barnabas showed up at Collinwood and introduced himself, first to Elizabeth, then the rest of the family, as a 'cousin' from England. Victoria was charmed, but was more concerned with Jason's hold on Elizabeth especially when he forced her into marriage and, on her wedding day to Jason, Elizabeth could take no more and finally admitted the truth behind Jason’s hold on her: 18 years earlier, Elizabeth had killed her husband, Paul Stoddard (Dennis Patrick), and that Jason, a friend of Paul’s, had buried his body in the Collinwood basement in a trunk, and that Jason had been blackmailing her with this information. Elizabeth also mentioned that she had confided this to Victoria and made her promise to keep this secret to herself. However, when Burke and Collinsport Sheriff George Patterson (Dana Elcar) went down to the basement to investigate, they dig up the trunk, and later showed both Elizabeth and Roger that Paul’s body was not in the trunk: it was in fact empty. Jason, apprehended by Patterson’s deputy after fleeing Collinwood, sheepishly revealed privately to Elizabeth that Paul had only been stunned when she hit him, that Jason later helped Paul disappear and lied to Elizabeth in order to get blackmail money in exchange for his silence. Elizabeth was furious that she had not only wasted 18 years of both never leaving Collinwood to guard this secret but also that Jason let her live with the guilt of believing that she killed Carolyn’s father. Though Elizabeth does not press charges against Jason, he was then ordered by Patterson to leave Collinsport for good. Before leaving town he meets with Willie to get him many jewels for Jason to sell but is angry when Willie brings him only one item. Not satisfied, Jason tries to rob the Old House, now Barnabas' property on Collinwood, but after greedily ignoring Willie’s frightening warnings about Barnabas, Jason, opening Barnabas’ coffin, meets his end, via strangulation, when the vampire’s hand reaches up to Jason’s throat. Barnabas and Willie later carry Jason’s body to the Collins family mausoleum where Barnabas orders Willie to bury it in the mausoleum’s secret room.

Victoria grows concerned about her friend Maggie, who becomes withdrawn and moody to everyone around her. Maggie was, in actuality, being enslaved by Barnabas due to her strong resemblance to his true love, Josette. Barnabas kidnaps Maggie and begins feeding off her blood. She is found with suspicious marks on her neck. He plans to make her his bride by thus controlling or hypnotizing her into being Josette, but with the help of the ghost of his little sister Sarah Collins (Sharon Smythe), Maggie escapes. She is later institutionalized, and to protect her from the person who had kidnapped her, Maggie's father, Sam Evans (David Ford), boyfriend Joe Haskell (Joel Crothers), and Dr. Dave Woodard (Robert Gerringer) decide to make everyone in Collinsport, including Barnabas, believe that Maggie is dead, and she is kept well-guarded afterwards for some months. Believing himself to be in the clear because of Maggie's 'death,' Barnabas eventually gives up on her and later tells Willie that he has chosen another girl to be his new Josette: Victoria, and Barnabas begins to pursue her. Burke does not trust Barnabas and begins an investigation that ends only when Vicki begs him to stop. The men reach an uneasy truce, and Victoria and Burke become engaged before Burke goes on an ill-fated plane trip to South America in 1967. Victoria believes that Burke has somehow survived when his body cannot be found. With Burke gone, Barnabas begins to more actively pursue Victoria.

Time travel

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During the second year of Dark Shadows, Victoria becomes unwittingly involved in Barnabas's sinister plans. After a séance to contact Barnabas' sister, Sarah Collins, Victoria is magically transported to the past in 1795. A time paradox between the years 1795 and 1967 causes a rift in the timeband; a carriage overturns in 1795, exchanging Victoria with its occupant, Phyllis Wick (Dorrie Kavanaugh), a governess hired by Naomi Collins. Victoria arrives at the Old Collins House and meets Collins ancestors who look just like the 20th Century Collins family she knows, but with different names, personalities, and relationships.

During this storyline, the origin of Barnabas's transformation into a vampire is finally revealed. Victoria makes the mistake of describing the future to the denizens of the past; she is soon seized by the fanatical Reverend Gregory Trask (Jerry Lacy) and accused of witchcraft. Despite the best efforts of Peter Bradford (Roger Davis), a law student and jailer who came to know Victoria and defended her at her trial, Victoria is sentenced to hang in 1796.

Although five months pass for Victoria in the past, Phyllis Wick (played by Margo Head in a recasting) experiences only five minutes in 1967. Realizing she is from the 18th century, the 20th century Collins family bombard her with questions, but Phyllis soon collapses in pain, clutching at her throat. At the exact moment of Victoria's "execution" she once again changes places with Phyllis, who dies in her place. Due to Victoria's very near-death experience, and as justice and revenge, a very angry Barnabas personally saw to it that Reverend Trask was sealed away in a very strong brick jail cell forever.

Jeff Clark and Goodbye

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When Victoria returned to the present, a worried Barnabas believed that she may have learned his secret and bit her before she could tell anyone of her memories of 1795. He convinced her, under his spell, to elope with him, even though deep down Victoria still had feelings for Peter Bradford. On their way out of town, Victoria and Barnabas were involved in a car accident after seeing a man named Jeff Clark (Roger Davis) who resembled Peter. After the accident, the mysterious Dr. Eric Lang (Addison Powell) cured Barnabas of his vampirism, and Barnabas's hold over Victoria's mind was gone.

Now known as Jeff Clark, Peter worked for Lang and became involved with Victoria before learning his true identity. Peter/Jeff helped Lang build a Frankenstein-like creature, named Adam (Robert Rodan), who tried to kidnap Carolyn and make her his monster bride. During this time, Roger's new wife Cassandra Blair Collins (Lara Parker), who was actually the witch Angelique Bouchard Collins in disguise, created a Dream Curse that one person would pass on to another by telling them the dream. The dream would get worse for each person until finally Barnabas would be told. When Vicky had the dream, she did her best to keep it from Barnabas, but to stop her pain, Barnabas, who genuinely cared for Victoria now, made her tell him. He then had the dream, woke up, and was bitten by a vampire bat, but survived.

After Dr. Lang was killed by a spell brought by Cassandra in an attempt to stop him from bringing Adam to life, Barnabas and his ally Dr. Julia Hoffman (Grayson Hall) were forced to create a mate for Adam. That mate, Eve (Marie Wallace), had the life force of Peter's evil lover Danielle Rogét (Erica Fitz) from the 18th century. She made him realize his true identity and planned to reunite with him, but Adam strangled her. After finding out that he really was Peter Bradford, Jeff faded away into 1795. A despondent Victoria (played by Betsy Durkin in a recasting) soon followed. Barnabas traveled back in time and rescued both Victoria (recast again and played by Carolyn Groves) and Peter from the machinations of the evil witch Angelique before returning to the present. Victoria, however, remained behind in the year 1795 with Peter and was never seen again in the series.

Victoria was thought to have lived happily ever after, but in 1970, the ghost of Peter Bradford appeared and told antique store owner Phillip Todd (Christopher Bernau) that Victoria had been killed by the Leviathans, the same otherworldly creatures which were battling Barnabas Collins at that time. Peter's ghost tried to convince Philip to destroy the Leviathan leader, Jeb Hawkes (Christopher Pennock). Angelique found out about what was going on and told Peter Bradford to return to his grave, as she was going to take her own vengeance against Jeb and the Leviathans (which she did). Victoria's inexplicable off-screen death came about when Dennis Patrick was unable to reprise the role of Paul Stoddard whose ghost would return to take revenge on Jeb. Another factor involved Alexandra Moltke's decision not to return to the series when asked. Thus, Victoria was apparently killed off in a fit of pique. Most Dark Shadows fans tend to ignore this development as it makes little sense that Jeb existed at the same time Victoria and Jeff departed Collinsport.

Victoria's position as governess went to Maggie Evans. Victoria was last mentioned in 1970 when the ghost of Gerard Stiles (Jim Storm) haunted Collinwood. Barnabas asked a possessed David to name the governess he had had before Maggie; David could not do so. David and Hallie Stokes (Kathleen Cody) then gave Daphne Harridge (Kate Jackson)'s suddenly materialized ghost some of Victoria's old clothes to wear.

1991 revival

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In the NBC 1991 primetime revival of the series, Victoria Winters was played by Joanna Going. The first and only season consisted of a retelling of the early Barnabas (Ben Cross) and 1795 saga, with the main difference being that this time, Vicki, not Maggie (Ely Pouget), was the spitting-image of Josette. If the series had continued (as with the original), there were plans to reveal that Victoria was Elizabeth (Jean Simmons)'s illegitimate daughter.

Return to Collinwood

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In 2003 Dan Curtis Productions approved a full-cast audio drama Return to Collinwood. During the reading of Elizabeth Collins Stoddard's will, the mystery surrounding Victoria Winters (which was never revealed in the TV series) is finally resolved. Carolyn learns that Elizabeth had a child out of wedlock; Victoria is actually Carolyn's older sister. In the late 1960s, Victoria was transported into the past and has not been seen since. In the will, Elizabeth implores Carolyn to find Victoria and bring her home.[2]

2004 pilot

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In the unaired WB 2004 pilot episode for a potential new series, Victoria Winters was played by Marley Shelton. For the first time, the character was depicted as a blonde. As with the 1991 series, Victoria was identical to Josette.

2012 feature film

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In the Tim Burton-Johnny Depp 2012 big-screen adaptation of Dark Shadows, Victoria Winters is played by Bella Heathcote. As with the subsequent incarnations of the series, Vicky is the spitting-image of Josette. Also, the roles of Maggie Evans and Victoria Winters were combined for the film. When first meeting Vicki it is revealed that her real identity is Maggie Evans, but she changes it to Victoria Winters while on a train ride to Collinwood where, as in the original series, she has been employed as David (Gulliver McGrath)'s governess. It is presumed that she changed her name because she didn't want anyone to learn of her strange past to find her or send her back to the insane asylum.

Upon first meeting her, Barnabas (Depp) instantly mistakes her for his lost Josette and instantly becomes smitten with her. He decides to become close to her and to try to make her fall in love with him. During the film it is shown that the ghost of Josette communicates with Victoria and is at a later point revealed that Victoria was Josette reincarnated.

By having Victoria being the reincarnation of Josette the film shows Victoria dealing with her past life regression issues until it finally becomes clear to her in the end. At the party scene when Barnabas and Victoria are outside Victoria unmasks to him about her childhood and they kiss. Angelique (Eva Green) walks in and sees them and becomes furiously angry and jealous. A few scenes later, after saving David from a falling disco ball, Victoria sees what Barnabas truly is and becomes afraid and flees.

Late in the film Angelique places the same curse on Victoria as she had done to Josette, i.e. to jump off the cliff and kill herself. A little later at the cliff, Victoria is stopped just in time by Barnabas and she tells him to either make her into a vampire or she'll jump. Barnabas refuses and she jumps, but he jumps after her and bites her. This turns her into a vampire before hitting the rocks and saves her from being killed. When Victoria reawakens, her modest new fangs show she now is also a vampire and she tells Barnabas to call her Josette. Barnabas concludes that his curse has ended as they kiss and the seawater hits them.

Character development

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Dan Curtis first dreamed of a dark-haired girl riding a train to an estate, which was the inspiration for Dark Shadows. In Shadows on the Wall, the series' bible, Victoria was initially called Sheila March until the name was changed to suggest a more regal, older time. Her search for answers to her mysterious past, which was the driving force behind her accepting the governess position at Collinwood, would have originally led to the revelation that Victoria was the product of an affair between Paul Stoddard and an unknown woman. Elizabeth was to have discovered Victoria's existence the night she thought she had killed Paul, and her guilt over his death prompted her to send money to the Foundling Home. However, these plans were eventually scrapped when the Dark Shadows production team decided that Victoria would be Elizabeth's illegitimate daughter instead. This was due, in part, to Alexandra Moltke's close resemblance to Joan Bennett. In 1987, Bennett recorded a special video for fans in which, in character as Elizabeth, revealed that Victoria was her daughter.[3]

As the Adam/Eve storyline of 1968 began to wind down, Ron Sproat was in the stages of slanting the plot to reveal Victoria's lineage when Moltke left the series due to her pregnancy.[4] She was briefly replaced twice, but neither actress was (reportedly) accepted by the audience. Attempts were made to persuade Moltke to return, but, unhappy with her diminished role and content to be a stay-at-home mother to her new son Adam Isles, she declined. Any and all plans for the character were ultimately shelved, and Victoria was unceremoniously written out with an off-screen 18th-century death.

Big Finish audio dramas

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Although Victoria herself has not yet appeared in any of the Big Finish audio plays to date, the character has been mentioned in passing. In The House of Despair, Ed Griffin (Jamison Selby) tells Quentin Collins (David Selby) that the people of Collinsport have not forgotten how "that Winters girl" inexplicably disappeared.[5] In Curse of the Pharaoh, Carolyn recalls Victoria having once dated Frank Garner (Conrad Fowkes).[6]

Victoria was heavily referenced throughout And Red All Over, which featured the return of Mitchell Ryan as Burke Devlin. In the audio play, Burke determines to do all he can to find Vicki and bring her home.[7]

Heiress of Collinwood

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Lara Parker's 2016 Dark Shadows novel centers Heiress of Collinwood around the return of Victoria Winters from her time in the past to find Collinwood deserted. The story continues on from Parker's previous book Wolf Moon Rising, and focuses on Vicki finally learning about her lineage.[8]

Music

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Robert Cobert composed "Vicki's Theme" for the character and it was used primarily during the first year of Dark Shadows. Cobert made a new arrangement of the song, which was retitled "Missy" and featured in the 1970 film House of Dark Shadows. In 2011, the alternative rock group Cujo recorded "Victoria Winters" on their album Venusian Skies, a song about the character and referencing events from Dark Shadows.

References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Victoria Winters is a fictional character and the primary protagonist of the American Gothic horror soap opera Dark Shadows, which aired on ABC from June 27, 1966, to April 2, 1971. Portrayed by actress Alexandra Moltke (later known as Alexandra Isles), Winters is introduced as a young governess from New York who accepts a position tutoring the troubled boy David Collins at the secluded Collinwood estate in the fictional coastal town of Collinsport, Maine. Raised as an orphan at the Foundling Home in Ellsworth, she arrives at Collinwood driven by a mysterious advertisement and an innate sense of connection to the location, embarking on a quest to uncover her unknown parentage and heritage. As the series unfolds, Winters—often referred to as "Vicki"—serves as the audience's surrogate, navigating the enigmatic and increasingly world of the Collins family, a once-wealthy shipping dynasty plagued by dark secrets, curses, and otherworldly phenomena. Her storyline intertwines with key supernatural elements, including her resemblance to the 18th-century Josette Collins, a tragic figure whose haunts , leading to visions, , and romantic entanglements with characters like , the patriarch revived in 1967. Winters' highlights themes of identity, destiny, and the blurring of past and present, as she grapples with eerie occurrences such as séances, attacks, and witch trials, all while attempting to protect from the estate's malevolent influences. Beyond the original series, Victoria Winters has appeared in various Dark Shadows adaptations, including the 1991 revival series, the 2004 unaired pilot remake where she is again the arriving awakening family secrets on , and Tim Burton's 2012 Dark Shadows, where the role is reimagined and played by , merging Winters with Josette as a modern descendant entangled in ' return. These portrayals underscore her enduring role as the innocent outsider drawn into gothic horror, influencing subsequent media like ' audio dramas, where Moltke reprised the character in stories extending the original canon.

Original Dark Shadows series (1966–1968)

Arrival at Collinwood

Victoria Winters, portrayed by Alexandra Moltke, is introduced in the original Dark Shadows series as a young woman with an enigmatic background, raised as an orphan at the Hammond Foundling Home in New York City since infancy. Her early life is marked by vague memories of her parents and a single accompanying note left with her as a baby, hinting at possible connections to a place called "Collinwood," though these details remain shrouded in mystery throughout her initial storyline. This orphan origin positions her as a seeker of identity, drawn to Collinsport by an unsolicited job offer that promises both employment and potential answers about her heritage. In the , aired on June 27, 1966, Victoria's journey begins with her boarding a train from New York to the remote coastal town of Collinsport, , arriving amid stormy weather that underscores the estate's isolated, foreboding atmosphere. The opening narration, delivered in by Moltke as Winters, sets the tone: "My name is Victoria Winters. My journey is beginning, a journey that I hope will open the doors of life to me and link my past with my future. A journey that will bring me to a strange new time and a strange old house called ." Upon disembarking at the Collinsport station, she encounters Burke Devlin, a enigmatic businessman with ties to the Collins family, who offers her a ride to the estate after a brief, tense at the Blue Whale tavern. Hired sight unseen by Elizabeth Collins Stoddard, the reclusive matriarch of the Collins family, Victoria is appointed as governess and companion to Elizabeth's troubled young nephew, David Collins, a role intended to provide structure for the boy while allowing Victoria to integrate into the household. Elizabeth, played by , defends the hiring decision to her brother Roger Collins during Victoria's arrival, emphasizing the need for fresh influence amid family tensions, though she offers no explanation for selecting Victoria specifically from the foundling home. Victoria's first interactions unfold at the grand yet decaying manor: she is warmly but cautiously welcomed by Elizabeth's daughter, Carolyn Stoddard, a rebellious young woman intrigued by the newcomer; meets the antagonistic Roger Collins, David's father, who views her presence with suspicion; and glimpses the eerie dynamics of the estate, establishing her as the audience's surrogate in exploring the Collins family's secrets. These early encounters highlight the family's dysfunction—marked by Roger's bitterness and Carolyn's flirtatious energy—while Victoria's poised demeanor contrasts with the household's underlying unease.

Supernatural encounters and Barnabas Collins

Upon settling into her role at , Victoria Winters encountered her first overt phenomena amid the ongoing investigation into Bill Malloy's suspicious death, which had implicated members of the Collins family and Devlin in potential foul play. In episode 85, aired on October 21, , while trapped in a locked room by the estate's caretaker Matthew Morgan during a confrontation tied to the Malloy , Winters witnessed the of Malloy himself, who appeared draped in and urged her to flee Collinsport to avoid sharing his fate. This marked a pivotal escalation from the series' initial gothic atmosphere to explicit ghostly intervention, as Malloy's spirit sought to expose the dangers surrounding the family's secrets. Further ghostly visions followed, including multiple apparitions of Josette Collins, the tragic 18th-century inhabitant of whose legend involved a fatal leap from Widow's Hill; in episode 70, Winters first glimpsed Josette's at the long-abandoned Old House on the estate, drawn there while exploring the property's history. These encounters intertwined with Winters' personal relationships, heightening her immersion in the undercurrents of Collinsport. Her budding romance with local fisherman Joe Haskell provided moments of normalcy, as the pair navigated dates amid the mansion's eerie ambiance, though Haskell's ties to the fishing community exposed him to the same perils Malloy had investigated. Concurrently, tensions escalated with Jason McGuire, a opportunistic drifter blackmailing Elizabeth Collins Stoddard over a past crime involving her late husband, drawing Winters deeper into concealed family scandals that fueled the hauntings; McGuire's manipulations often left Winters isolated and vulnerable to spectral warnings. A seance conducted at in episode 365 summoned Sarah Collins' spirit, who speaks through Winters before transporting her to 1795 in the following episode, reinforcing Winters' connection to the estate's haunted legacy and amplifying the psychological strain on her as . The arrival of in April 1967 represented a dramatic intensification of the elements, transforming the series into full-fledged horror. In 210, aired on April 18, 1967, handyman Willie Loomis, acting on cryptic instructions from McGuire, disturbed an ancient family crypt at Eagle Hill Cemetery and inadvertently triggered the exhumation of ' chained coffin, releasing a malevolent force dormant for nearly two centuries. The following , 211, depicted ' revival as a , who immediately attacked Loomis, establishing his predatory nature and marking the show's shift toward overt threats that ensnared the entire Collins household. quickly fixated on Winters due to her striking resemblance to his lost love Josette, initiating subtle manipulations to draw her into his orbit; he posed as a distant relative returning to , using charm and historical allusions to Josette to foster an unsettling affinity with Winters, who remained unaware of his vampiric curse. These early interactions positioned Winters at the center of ' schemes, blending romance, deception, and horror as he exploited her visions of Josette to blur the lines between past and present.

Time travel to 1795

As supernatural disturbances escalated at in late 1967, a in episode 365 summoned the spirit of Sarah Collins, who speaks through Victoria Winters. In the ensuing episode 366, aired November 21, 1967, Winters is supernaturally transported back to , materializing disoriented near the Collins estate on what corresponds to November 20, , on the eve of key family tragedies. In this era (episodes 366–460), she witnesses the origins of ' curse firsthand: the vengeful witch Angelique Bouchard, spurned by Barnabas, hexes him after his secret affair with ' servant, ultimately transforming him into a following his burial alive. Winters also observes Josette's doomed romance with Barnabas and her tragic leap from Widows' Hill, driven by Angelique's manipulations, events that eerily parallel the ghostly apparitions and warnings Winters encountered in her modern timeline. Winters' arrival in 1795 draws immediate suspicion from Abigail Collins and Reverend Trask, who accuse her of based on her anachronistic knowledge and unexplained appearance, leading to her swift trial and condemnation to hang. Befriended by the idealistic young lawyer Peter Bradford, who defends her in court and helps her escape imprisonment, Winters forms a deepening romantic bond with him, uncovering parallels that suggest she embodies a reincarnated essence of Josette, with Peter as the past-life counterpart to her modern suitor Jeff . She attempts to intervene in history by confiding in Josette about Angelique's sorcery and urging to flee impending doom, but these efforts prove futile, as the fixed timeline resists change and aligns with the curse's inevitability that Barnabas later alludes to after his 1967 revival. In episode 460, as Winters faces execution on the gallows, she is transported back to 1968, appearing at the present-day gallows site and reuniting with the Collins family.

Departure with Jeff Clark

In the latter part of 1968, the storyline of Victoria Winters reached its conclusion in the original Dark Shadows series through the revelation that Jeff Clark was the reincarnation of Peter Bradford, the 18th-century lawyer who had loved her during her time travel to 1795. This disclosure began in episode 610, when the character Eve, herself a reincarnation from the past, confronted Jeff and informed him of their shared history in 1795, prompting initial flashes of memory for him. By episode 636, Jeff fully accepted his identity as Peter, undergoing a ritual with Professor Timothy Stokes to recover his past-life memories, which solidified his bond with Victoria and motivated her to seek a way to reunite with him across time. This supernatural connection provided the narrative justification for Victoria's permanent exit from the 20th century, allowing the series to resolve her arc without disrupting the ongoing present-day plotlines. Following the confirmation, Victoria's storyline culminated in her marriage to /Peter and her decision to remain in 1795. In the present day, after a brief recasting of the role, Victoria married Jeff in episode 637, but he was soon drawn back to the 18th century by the forces of time, leaving her to confront the implications of their shared destiny. To explain her absence, Victoria left a letter for the Collins family at , stating her intention to stay in the past with Peter, where she would live out her life as his wife, effectively severing her ties to 1968 Collinsport. This departure marked the end of her role as and companion, transitioning her from the central figure of the early series to a resolved romantic endpoint in the historical timeline. Victoria's exit left several ongoing mysteries unresolved, notably the question of her parentage, which had been teased since her arrival at as an orphan from the Hammond . The narrative had hinted at connections to the Collins family, but her permanent relocation to 1795 prevented any definitive revelation, allowing the storyline to fade without closure. From a production standpoint, actress Alexandra Moltke's departure after episode 627 was influenced by her real-life , which complicated her continued involvement; the writers incorporated this into the plot by accelerating Victoria's time-travel resolution and briefly recasting the character before writing her out entirely.

Television revivals and pilots

1991 revival series

In the 1991 NBC revival of Dark Shadows, Victoria Winters was portrayed by actress Joanna Going, who also played the dual role of Josette du Pres to emphasize their visual and spiritual connection from the series' outset. Arriving by train at the isolated Collinwood estate near Collinsport, Maine, Victoria took up her position as governess to the troubled young David Collins amid rising supernatural threats to the Collins family, including ghostly apparitions and vampiric attacks. Her resemblance to the 18th-century Josette du Pres—Barnabas Collins' tragic lost love—immediately drew the attention of the vampire Barnabas (Ben Cross), who perceived Victoria as Josette's reincarnation, setting the stage for intense romantic tension as he confronted his centuries-old guilt and desire. The series reimagined Victoria's backstory as an orphaned young woman with deep ties to the Collins lineage, positioning her as a conduit for Josette's lingering spirit; early episodes featured her channeling elements of Josette through visions, dreams, and a pivotal where Victoria vanished temporarily, evoking possession-like displacement into the past. Supernatural encounters escalated quickly, with Victoria facing immediate vampire threats from and others, such as the revived Collins, while investigating family secrets at that blurred her present with events. Her growing bond with intertwined personal romance and peril, as his protective instincts clashed with his bloodlust, culminating in plotlines where Victoria aided efforts to his under the guidance of Dr. . A key unfulfilled arc involved revealing Victoria as the illegitimate daughter of matriarch Elizabeth Collins Stoddard (), which would have explained her intuitive pull to and resolved lingering mysteries about her origins, but the series was canceled after 12 episodes on April 5, 1991, leaving this and other threads—like extended time-travel consequences—unresolved. Frequent preemptions by news coverage disrupted scheduling, contributing to declining ratings despite strong initial buzz and over 7,000 fan letters protesting the axing.

2004 unaired pilot

In the 2004 unaired pilot for a proposed revival of the television series, Victoria Winters serves as the central , introducing the gothic atmosphere of in a contemporary setting. The pilot, developed for network, was written by and directed by , aiming to reimagine the original 1960s as a prime-time gothic horror series but was ultimately not picked up due to creative disagreements and network decisions. Original creator had expressed interest in a revival and contributed early ideas, including a prior script pitch to in 2001, though he did not directly helm the final production after The WB objected to his directing involvement. Victoria Winters is portrayed by actress as a compassionate young woman in her early twenties, hired by Elizabeth Collins Stoddard to tutor the troubled nine-year-old David Collins at the sprawling, modernized estate. Unlike prior incarnations, this version depicts Victoria as blonde, visually identical to the 18th-century ghost to immediately underscore the motif that links her to the supernatural legacy of the Collins family. The narrative begins with Victoria's arrival by train in the foggy coastal town of Collinsport on , where she is greeted by the enigmatic Willie Loomis and welcomed into by the reclusive Elizabeth, setting a tone of isolation and underlying menace. As Victoria settles into her role, the pilot highlights tense family dynamics, including the antagonistic relationship between and his ruthless father Collins, Elizabeth's guarded secrecy about the family's past, and the broader dysfunction among residents like the rebellious Stoddard. Supernatural hints emerge rapidly through Victoria's disturbing nightmare of a skeletal figure dripping water, eerie occurrences in her room, and 's unsettling encounters with ghostly apparitions, such as the Angelique. These elements culminate in the awakening of the , who instantly recognizes Victoria's striking resemblance to his long-lost fiancée Josette, drawing her into the estate's haunted history. This updated portrayal shifts from the original series' mid-20th-century backdrop to a 21st-century context, with sleek visuals and immediate immersion in horror to appeal to modern viewers while preserving core gothic themes.

Film and other adaptations

2012 feature film

In Tim Burton's 2012 Dark Shadows, Victoria Winters is portrayed by as a young woman hired in 1972 as the for the troubled child David Collins at the dilapidated estate. Arriving by train from New York, she steps into the chaotic world of the Collins family, mirroring her role as a governess in the original television series but adapted to the film's setting. The character undergoes significant alterations, merging elements of Victoria Winters with Maggie Evans from the source material, presenting her initially under the alias Maggie Evans before fully embodying Victoria. Victoria's backstory reveals her as the of , the 18th-century fiancée of (), whose tragic was orchestrated by the vengeful witch Angelique Bouchard (). This connection draws , recently freed from two centuries of entombment as a , into a romantic entanglement with her, as he recognizes Josette's spirit in Victoria's appearance and demeanor. Key scenes highlight her arrival amid the manor's eerie decay, her efforts to connect with the eccentric family members like Elizabeth Collins Stoddard (), and escalating confrontations, including ghostly visions and battles against Angelique's curses that threaten the Collins legacy. The film culminates in a tragic finale at Widow's Hill, where Victoria, compelled by supernatural forces echoing Josette's fate, leaps to her death; Barnabas dives after her and bites her mid-fall, transforming her into a vampire to save her life and binding their destinies eternally. This alteration perpetuates the vampire curse within the Collins bloodline, contrasting the original series' resolutions. Burton's direction infuses the narrative with a blend of gothic horror and comedic elements, using exaggerated visuals and witty to heighten the romantic and drama surrounding Victoria's arc.

Portrayals across media

Victoria Winters was first portrayed by Alexandra Moltke in the original ABC daytime series from 1966 to 1968, establishing the character as an innocent brunette governess with a mysterious past who arrives at seeking her origins. Moltke's depiction emphasized Victoria's wide-eyed vulnerability and moral center amid the growing supernatural threats, serving as the narrative's emotional anchor through her time-travel arc. During Moltke's maternity leave in 1968, the role was temporarily filled by interim actresses Betsy Durkin (episodes 630–639) and Carolyn Groves (episodes 662–665), who maintained the character's core innocence but in shorter, transitional arcs focused on her 1795 imprisonment. These portrayals preserved narrative continuity before the character was written out permanently. In the 1991 NBC revival series, reimagined Victoria as an ethereal figure with strong spiritual ties to the past, portraying her as both the modern and the possessed , highlighting themes of and ghostly influence. Going's performance conveyed a haunting innocence and emotional depth, differentiating it from the original by amplifying mystical connections over everyday mystery. The 2004 unaired WB pilot featured as a modernized, blonde Victoria tailored for a younger audience, presenting her as a confident, twentysomething tutor who doubles as ' lost love's exact likeness, blending contemporary appeal with gothic intrigue. This version shifted the character's look and demeanor to feel more accessible and less period-bound than prior iterations. took on a in Tim Burton's 2012 feature film , playing Victoria Winters alongside her alter ego Maggie Evans in a gothic-comedy framework infused with romance. Heathcote's portrayal emphasized a waifish, otherworldly charm with comedic undertones, adapting the innocent into a feisty, time-displaced heroine entangled in supernatural .

Audio dramas and novels

Return to Collinwood audio drama

The "Return to Collinwood" audio drama, produced by MPI Home Video in 2003, serves as the first full-cast audio continuation of the original Dark Shadows television series, adapting a stage play originally performed at the Dark Shadows Festival in Brooklyn, New York. Written by Jamison Selby with story contributions from Jim Pierson, the production features original composer Robert Cobert's score and reunites several veteran cast members, including as Quentin Collins, as Maggie Evans, as Willie Loomis, as Carolyn Stoddard, and Lara Parker as Angelique (posing as Cassandra Collins). Set in August 2003 at following the death of Elizabeth Collins Stoddard, the story centers on the family's gathering for the reading of her will and a mandated to contact her spirit, as stipulated in her instructions. The narrative delves into lingering mysteries from the original series, particularly the unresolved parentage of Victoria Winters, who had traveled back in time to during the television run. Through Elizabeth's recorded message played during the will reading, it is revealed that Victoria is her biological daughter, conceived out of wedlock with Paul Stoddard, and thus Carolyn Stoddard's half-sister; Elizabeth had given her up for shortly after birth to protect the family name. Seaview Cottage is bequeathed to Victoria, with Elizabeth's explicit directive to Carolyn to locate her and bring her home to , thereby resolving the long-standing enigma of Victoria's origins and ties to the Collins family. Key events unfold around the séance, where forces intervene: Angelique, returned in the guise of Quentin's estranged wife , manipulates proceedings to advance her own agenda against the family, leading to confrontations and revelations about past curses and relationships. arrives from after failing to find David Collins, adding layers of familial tension and searches for lost relatives, while Willie and others grapple with the estate's eerie atmosphere. The drama culminates in family reunions fraught with emotional reckonings, emphasizing themes of legacy, forgiveness, and the enduring pull of , without depicting Victoria's physical arrival but setting the stage for her potential reintegration. As an audio-only production spanning approximately two hours across two CDs, the work leverages innovative to immerse listeners, including layered echoes and whispers for the sequences, creaking doors and stormy winds to evoke Collinwood's gothic ambiance, and subtle time-echo effects hinting at the family's haunted history—elements that heighten the horror without relying on visuals and pay homage to the original series' radio-like narrative style.

Big Finish audio dramas

initiated their audio drama series in 2006, producing full-cast productions that extend the original television continuity while frequently alluding to Victoria Winters as a central figure in the Collins family history. These early releases, including mini-series and short stories, address her post-1795 absence by referencing her departure from with Jeff Clark to forge a new life beyond the family's cursed legacy, enabling narratives to unfold among the remaining residents without her on-site presence. The audios emphasize ensemble casts featuring original series actors such as as , Lara Parker as Angelique Bouchard, and as Evans, thereby enriching the gothic atmosphere through familiar voices. However, due to the unavailability of Alexandra Moltke, Victoria remains an offstage character, referenced through dialogue and lore rather than direct portrayal, which allows the expanding universe to honor her foundational role without centering new stories on her. Recurring allusions to Victoria appear in later installments, notably the 2015 release And Red All Over, where she is heavily referenced in connection to Burke Devlin (voiced by returning actor ) and early Collinwood events, with the Collins family, Evans clan, and others discussing her influence amid a tense plot involving a madman and hidden secrets. This audio ties her to the broader family dynamics without advancing her personal arc. Similar references persist in Barnabas-focused narratives around 2015, linking her time-travel experiences and relationships to the enduring Collins curse and supernatural intrigue. From 2006 to 2023, the series evolved through formats like the serialized Bloodlust (2015) and Bloodline (2019), incorporating enhanced audiobooks and short stories that sustain Victoria's status as a pivotal yet peripheral element of the canon, often invoked to contextualize Collinwood's haunted past and interpersonal tensions. Official publications such as Vortex magazine issues from 2010, 2011, and 2015 further highlight her enduring significance in fan discussions and production insights.

Heiress of Collinwood novel

Dark Shadows: Heiress of Collinwood is a 2016 novel written by and published by on November 8, 2016. As the fourth entry in Parker's series of tie-in novels, it picks up the narrative of Victoria Winters immediately after her time-travel departure from the to in the original television series, exploring her subsequent experiences in the past and her eventual return. Parker, who portrayed the witch Angelique Bouchard in the 1960s ABC , infuses the story with gothic horror elements drawn from the show's canon while introducing fresh twists. The plot begins in 1796, with Victoria stranded in the colonial era, mourning the execution of her love, Peter Bradford, and grappling with isolation in a world alien to her modern sensibilities. Dissatisfied with her circumstances, she navigates perils to escape back to the present, emerging in 1972 and relocating to , where she works as a television reporter. A cryptic letter soon draws her to , where she finds the grand estate deserted and the Collins family inexplicably vanished, leaving only the Barnabas Collins as a lingering presence. Named the sole heir to the Collinwood fortune in Elizabeth Collins Stoddard's will, Victoria must authenticate her identity amid mounting threats from malevolent spirits, ancient curses, and enigmatic figures like the charismatic European Stephon Voglesang, who becomes a romantic interest. As she delves into the mansion's hidden rooms and family archives, Victoria confronts unresolved forces tied to the Collins legacy, blending , mystery, and horror in a quest for self-discovery. The novel directly connects to the original series by addressing Victoria's ambiguous backstory, definitively establishing her as the illegitimate daughter of Elizabeth Collins Stoddard—a revelation long hinted at in the TV narrative but left unresolved due to the show's abrupt 1971 cancellation. This lineage ties into the Collins family curses, positioning Victoria as a key figure in perpetuating or breaking the cycle of doom at . Romantic closure arrives through the motif, with Peter Bradford's soul reborn as Jeff Clark from the series, enabling a heartfelt reunion that honors Victoria's 1968-1969 arc. Parker expands the canon with innovative elements, such as Victoria inheriting latent abilities from her ancestral bloodline, echoing Angelique's sorcery and empowering her to combat the estate's dark entities. These additions provide a satisfying extension for fans, emphasizing themes of heritage, destiny, and redemption while maintaining the eerie atmosphere of the source material.

Character development

Backstory and evolution

Victoria Winters was initially conceived by series creator following a dream of a mysterious young woman traveling by train to a foreboding mansion, which writer Art Wallace expanded into the 91-page series bible Shadows on the Wall. In this foundational document, the character was named March, a name later changed to Victoria Winters to evoke a more elegant and timeless quality suitable for the gothic tone. The character's backstory centered on her status as an orphan raised at the Hammond Foundling Home in New York, with an intended dramatic reveal that she was the illegitimate daughter of Elizabeth Collins Stoddard, the reclusive matriarch of ; early scripts in the bible positioned her father as Paul Stoddard, though production speculation later included figures like Bill Malloy as alternatives amid evolving storylines. This parentage mystery was teased from the series' premiere through a cryptic letter from the foundling home matron, hinting at hidden ties to the Collins family, but it remained unresolved due to shifting narrative priorities. Introduced as an innocent governess arriving at to tutor young David Collins, Winters embodied the classic gothic heroine, drawing parallels to figures like in her quest for identity amid family secrets and eerie occurrences. Her arc evolved dramatically as the series transitioned from drama to horror following the introduction of vampire in episode 211, which doubled ratings and relegated her personal mystery to the background while thrusting her into time-travel adventures. In the storyline, she became a protagonist akin to , enduring witchcraft accusations and execution, but production changes— including the need to recast after original actress Moltke's departure in episode 627 due to —altered these parallels, shortening her 1790s role and preventing deeper resolution. After the events (where she is hanged but rescued off-screen by ), Vicki elopes with Jeff Clark and is written out temporarily. Moltke's exit marked a pivotal shift, with Betsy Durkin briefly assuming the role for 10 episodes (starting in 630) before the character was written out; Carolyn Groves then played Winters for 4 episodes (659, 662, 664, 665), after which Vicki remained absent until the parallel time storyline in 1970. Fan dissatisfaction with earlier recasts led to taking over from episode 878 as the parallel version of Victoria (the Collins family's ward) until the character's arc concluded around episode 1197, near the series' end in episode 1225. This evolution from wide-eyed newcomer to a figure entangled in hauntings and temporal rifts facilitated the show's horror pivot, as her 1795 imprisonment and 1968 return via I-Ching wands opened doors to parallel time narratives, allowing fresh supernatural arcs to dominate after her diminished presence post-1968.

Thematic role and significance

Victoria Winters serves as the emotional core of , embodying innocence and vulnerability in the midst of the series' gothic decay and turmoil. As an orphaned arriving at the isolated estate, she represents a beacon of purity and curiosity, contrasting sharply with the mansion's haunted legacy of secrets and moral corruption. This positioning allows her to personify key themes such as destiny and the inescapability of familial curses, while her narrative arc subtly evokes through connections to the past that bind her to the Collins family history. Her character draws directly from the female gothic tradition, where heroines confront hidden truths and patriarchal shadows, underscoring the tension between personal agency and inherited fate. In terms of narrative structure, Victoria's perspective profoundly shapes the early episodes of , functioning as the primary viewpoint character and surrogate to draw viewers into the unfolding mysteries. Her opening monologues, delivered in each installment, establish the dual timelines of present-day intrigue and historical hauntings, effectively linking the living world of with its spectral echoes and propelling the soap opera's serialized progression. This surrogate role facilitates identification, allowing spectators to experience the gothic atmosphere through her wide-eyed and gradual immersion in the family's dark undercurrents. By anchoring the story in her outsider status, the series uses Victoria to bridge everyday realism with supernatural escalation, a technique that sustains viewer engagement across the show's initial non-vampiric phase. Culturally, Victoria Winters holds significance as a proto-feminist figure in 1960s television, navigating themes of independence and self-discovery within a predominantly male-dominated landscape. As a young woman who leaves an to seek her origins while assuming professional responsibility as a , she embodies emerging ideals of female autonomy amid the era's social constraints, challenging traditional domestic roles through her proactive pursuit of truth. This portrayal aligns with the female gothic's emphasis on empowered heroines who unravel patriarchal mysteries, positioning Victoria as an icon of resilience in daytime drama. Her journey reflects broader shifts toward women's liberation, making her a relatable for audiences grappling with identity in a changing world. Victoria's legacy extends to the horror genre as the archetypal governess-outsider, a figure whose innocent intrusion into haunted domains has inspired subsequent media explorations of psychological terror and familial dread. Modeled after Charlotte Brontë's , her role in revitalized the trope for television, influencing modern narratives where protagonists confront inherited traumas in decaying settings, such as the surrogate maternal figures in works like . This enduring underscores the governess's function as a catalyst for revealing suppressed horrors, cementing Victoria's impact on gothic storytelling across decades.

Music

Original theme compositions

"Vicki's Theme," composed by Robert Cobert in 1966 for the original Dark Shadows television series, serves as the primary musical motif associated with Victoria Winters. This poignant composition, characterized by wall-to-wall woodwinds, underscores her arrivals and emotional moments, evoking a sense of mystery and vulnerability that aligns with her role as an innocent newcomer to Collinwood. The theme appears in key scenes, such as Victoria's train journey to Collinsport and instances of haunting, where it heightens the gothic atmosphere through its melancholic tone. Its orchestration features simple woodwinds, often layered with subtle strings to build tension, transitioning from gentle introspection to eerie suspense. Within Robert Cobert's broader score for the series, which relied on a modest to craft the show's signature ambiance, "Vicki's Theme" functions as a representing her purity and isolation amid the unfolding mysteries. This approach allowed the music to integrate seamlessly with the narrative, enhancing the emotional resonance of Victoria's storyline during the early episodes.

Adaptations and covers

The 1991 revival series featured a soundtrack composed by Robert Cobert, who incorporated updated arrangements of familiar themes from the original series to maintain atmospheric continuity while adapting to contemporary production techniques, including synthesized elements for a modern gothic tone. In the 2012 film adaptation directed by , composer crafted a score that blended orchestral with eerie electronic tones reminiscent of Robert Cobert's original work, incorporating archival cues from the series to evoke key character moments. Subsequent tributes and covers of the Victoria Winters theme have appeared in fan-driven projects, often highlighting the theme's haunting melody as a nod to the character's enduring legacy. ' audio dramas, spanning releases from 2006 onward, frequently utilize Robert Cobert's theme music to preserve narrative and emotional continuity with the original series.

References

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