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Wheels of Fire
Wheels of Fire is the third album by the British rock band Cream. It was released in the US on 14 June 1968 as a two-disc vinyl LP, with one disc recorded in the studio and the other recorded live. It was released in the UK in the same format on August 9.
Cream's third album was planned to be a double album which would include several live performances. Unlike Disraeli Gears, which had been recorded in a matter of days, the Wheels of Fire sessions took place in small bursts over nearly a year. The recording engineers on disc one were Tom Dowd and Adrian Barber. The live performances on disc two were recorded by Bill Halverson and mixed by Adrian Barber.[citation needed]
Sessions with producer Felix Pappalardi began in July and August 1967 at IBC Studios in London, months before the release of Disraeli Gears, with the basic tracks for "White Room", "Sitting on Top of the World", and "Born Under a Bad Sign" put to tape. Jack Bruce expressed the band's preference for working with Pappalardi and Dowd, as well as the new unhurried atmosphere contrasted with the first two albums: "We're all temperamental but Tom...and Felix manage to get rid of that temperament...We spend a long time in the studio, so we don't have to rush. We usually talk for hours before we record anything, then we play, think and add sounds". Recordings continued with short sessions at Atlantic Studios in September and October 1967 where overdubs were added to the aforementioned three songs along with basic tracks for "Pressed Rat and Warthog" and the non-LP single "Anyone for Tennis". After more overdubs in mid-December, further work took place at Atlantic from 13–22 February 1968, during a break from the band's heavy tour schedule, where basic tracks for "Politician", "Passing The Time", "Deserted Cities of the Heart" and "As You Said" were laid down along with further work on the previous tracks.
The following month, Pappalardi ordered that a mobile recording studio in Los Angeles be shipped to The Fillmore Auditorium and Winterland Ballroom in San Francisco. Six shows were recorded at both venues from 7–10 March by Pappalardi and recording engineer Bill Halverson, with extra performances not included on Wheels of Fire ending up on Live Cream and Live Cream Volume II. Further recordings and mixing for the album were completed at Atlantic Studios in June 1968, nearly a year after they had started, with the completion of "White Room", "Passing the Time", "Deserted Cities of the Heart", "As You Said" and the recording of a final number, "Those Were the Days". By this point, recording at the end of two exhausting back-to-back tours of America, tensions between the band members had become considerably strained. The album was then rushed to shops in the US by mid-June.
The band's drummer Ginger Baker co-wrote three songs for the album ("Passing the Time", "Pressed Rat and Warthog", and "Those Were the Days") with jazz pianist Mike Taylor. Baker later admitted that "Pressed Rat and Warthog" was an inside joke, based on the bawdy imagery referred to by its title. Bassist Jack Bruce co-wrote four songs with poet Pete Brown including "White Room", "As You Said" (the only Cream recording which does not feature Clapton), "Politician" and "Deserted Cities of the Heart". In an interview, Pete Brown revealed that the lyrics to "White Room" were condensed from an eight page poem he had written when he moved into a new white-walled apartment room with bare furnishings, where he gave up drinking and drugs. "Politician" came together quickly for a January 1968 BBC radio session when, needing one more track, Bruce came up with a riff which Brown, who was present in the studio, thought was perfect to match with lines of a poem he'd written several years earlier; the song was finished and recorded for broadcast that day. Guitarist Eric Clapton contributed to the album by choosing two blues songs to cover, the standard "Sitting on Top of the World" and Booker T. Jones's "Born Under a Bad Sign", which had been the title track to the recent Albert King album of the same name. Production on the studio disc was more elaborate than that for the first two albums, with the addition of exotic instrumentation including glockenspiel, calliope, cello, trumpet, bells, viola and tonette creating a psychedelic feel, with the three blues numbers featuring the group's basic three piece sound.[citation needed]
For the second disc, Felix Pappalardi chose "Traintime" because it featured Jack Bruce's singing and harmonica playing, "Toad" because it featured Ginger Baker's lengthy drum solo, while "Spoonful" and "Crossroads" were used to showcase Eric Clapton's guitar work. All four songs had been a part of their set list since the band's beginnings in 1966, as shown by several early BBC performances.
The artwork for the album was by Martin Sharp, who had co-written "Tales of Brave Ulysses" and "Anyone for Tennis" with Clapton and also done the artwork for Disraeli Gears. The front and back covers consisted of a silver-grey psychedelic drawing, with the inner gatefold consisting of a similar drawing, only in Day-Glo colors of orange, green, pink and yellow. The photography was by Jim Marshall.
Wheels of Fire was released by Atco in the US on June 14, 1968, with a UK release on Polydor following on August 9. It was an instant blockbuster success, charting at No. 3 in the United Kingdom and No. 1 in the United States, Canada and Australia, becoming the world's first platinum-selling double album. The album's release, however, was accompanied by an announcement on July 10 that the band was going to split up by the end of the year, citing a loss of direction.
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Wheels of Fire
Wheels of Fire is the third album by the British rock band Cream. It was released in the US on 14 June 1968 as a two-disc vinyl LP, with one disc recorded in the studio and the other recorded live. It was released in the UK in the same format on August 9.
Cream's third album was planned to be a double album which would include several live performances. Unlike Disraeli Gears, which had been recorded in a matter of days, the Wheels of Fire sessions took place in small bursts over nearly a year. The recording engineers on disc one were Tom Dowd and Adrian Barber. The live performances on disc two were recorded by Bill Halverson and mixed by Adrian Barber.[citation needed]
Sessions with producer Felix Pappalardi began in July and August 1967 at IBC Studios in London, months before the release of Disraeli Gears, with the basic tracks for "White Room", "Sitting on Top of the World", and "Born Under a Bad Sign" put to tape. Jack Bruce expressed the band's preference for working with Pappalardi and Dowd, as well as the new unhurried atmosphere contrasted with the first two albums: "We're all temperamental but Tom...and Felix manage to get rid of that temperament...We spend a long time in the studio, so we don't have to rush. We usually talk for hours before we record anything, then we play, think and add sounds". Recordings continued with short sessions at Atlantic Studios in September and October 1967 where overdubs were added to the aforementioned three songs along with basic tracks for "Pressed Rat and Warthog" and the non-LP single "Anyone for Tennis". After more overdubs in mid-December, further work took place at Atlantic from 13–22 February 1968, during a break from the band's heavy tour schedule, where basic tracks for "Politician", "Passing The Time", "Deserted Cities of the Heart" and "As You Said" were laid down along with further work on the previous tracks.
The following month, Pappalardi ordered that a mobile recording studio in Los Angeles be shipped to The Fillmore Auditorium and Winterland Ballroom in San Francisco. Six shows were recorded at both venues from 7–10 March by Pappalardi and recording engineer Bill Halverson, with extra performances not included on Wheels of Fire ending up on Live Cream and Live Cream Volume II. Further recordings and mixing for the album were completed at Atlantic Studios in June 1968, nearly a year after they had started, with the completion of "White Room", "Passing the Time", "Deserted Cities of the Heart", "As You Said" and the recording of a final number, "Those Were the Days". By this point, recording at the end of two exhausting back-to-back tours of America, tensions between the band members had become considerably strained. The album was then rushed to shops in the US by mid-June.
The band's drummer Ginger Baker co-wrote three songs for the album ("Passing the Time", "Pressed Rat and Warthog", and "Those Were the Days") with jazz pianist Mike Taylor. Baker later admitted that "Pressed Rat and Warthog" was an inside joke, based on the bawdy imagery referred to by its title. Bassist Jack Bruce co-wrote four songs with poet Pete Brown including "White Room", "As You Said" (the only Cream recording which does not feature Clapton), "Politician" and "Deserted Cities of the Heart". In an interview, Pete Brown revealed that the lyrics to "White Room" were condensed from an eight page poem he had written when he moved into a new white-walled apartment room with bare furnishings, where he gave up drinking and drugs. "Politician" came together quickly for a January 1968 BBC radio session when, needing one more track, Bruce came up with a riff which Brown, who was present in the studio, thought was perfect to match with lines of a poem he'd written several years earlier; the song was finished and recorded for broadcast that day. Guitarist Eric Clapton contributed to the album by choosing two blues songs to cover, the standard "Sitting on Top of the World" and Booker T. Jones's "Born Under a Bad Sign", which had been the title track to the recent Albert King album of the same name. Production on the studio disc was more elaborate than that for the first two albums, with the addition of exotic instrumentation including glockenspiel, calliope, cello, trumpet, bells, viola and tonette creating a psychedelic feel, with the three blues numbers featuring the group's basic three piece sound.[citation needed]
For the second disc, Felix Pappalardi chose "Traintime" because it featured Jack Bruce's singing and harmonica playing, "Toad" because it featured Ginger Baker's lengthy drum solo, while "Spoonful" and "Crossroads" were used to showcase Eric Clapton's guitar work. All four songs had been a part of their set list since the band's beginnings in 1966, as shown by several early BBC performances.
The artwork for the album was by Martin Sharp, who had co-written "Tales of Brave Ulysses" and "Anyone for Tennis" with Clapton and also done the artwork for Disraeli Gears. The front and back covers consisted of a silver-grey psychedelic drawing, with the inner gatefold consisting of a similar drawing, only in Day-Glo colors of orange, green, pink and yellow. The photography was by Jim Marshall.
Wheels of Fire was released by Atco in the US on June 14, 1968, with a UK release on Polydor following on August 9. It was an instant blockbuster success, charting at No. 3 in the United Kingdom and No. 1 in the United States, Canada and Australia, becoming the world's first platinum-selling double album. The album's release, however, was accompanied by an announcement on July 10 that the band was going to split up by the end of the year, citing a loss of direction.