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...And Mother Makes Three
View on Wikipediafrom Wikipedia
| ...And Mother Makes Three | |
|---|---|
 | |
| Genre | Sitcom |
| Created by | Richard Waring |
| Starring | |
| Country of origin | United Kingdom |
| Original language | English |
| No. of series | 4 |
| No. of episodes | 26 |
| Production | |
| Running time | 30 minutes |
| Production company | Thames Television |
| Original release | |
| Network | ITV |
| Release | 27 April 1971 – 27 June 1973 |
...And Mother Makes Three is a British sitcom shown on ITV from 27 April 1971 to 27 June 1973. Starring Wendy Craig, it was written by Peter Buchanan, Peter Robinson, Richard Waring and Carla Lane. It was made for the ITV network by Thames Television.[1]
Cast
[edit]- Wendy Craig – Sally Harrison
- Robin Davies – Simon Harrison[1]
- David Parfitt – Peter Harrison
- Valerie Lush – Auntie (Florence Massey)
- George Selway – Mr Campbell
- Richard Coleman – David Redway (series 3 and 4)
- Julie Dawn Cole – Arabella (series 1 and 2)
- Miriam Mann – Jane Redway (series 3 and 4)
Plot
[edit]Newly widowed mother Sally Harrison is trying to hold down a job as an assistant to Mr Campbell, a veterinarian. Her children are Simon and Peter, and her aunt lives with them and tries to help. In Series 3 Mr Campbell moves to Scotland and the vet premises is taken over by divorcee David Redway, an antique bookseller who has a daughter, Jane. David and Sally fall in love.
Episodes
[edit]Series One (1971)
[edit]- "Simon's Holiday" (27 April 1971)
- "Birthday Bike" (4 May 1971)
- "A Bird in the Hand" (11 May 1971)
- "Get Mobile" (18 May 1971)
- "School for Love" (25 May 1971)
- "Pound of Flesh" (1 June 1971)
- "Mr Mum" (8 June 1971)
Series Two (1971–72)
[edit]- "A Hard Day Out" (2 December 1971)
- "The Matchmakers" (9 December 1971)
- "Growing Pains" (16 December 1971)
- "But How Can I Tell Them?" (23 December 1971)
- "Once A Year Day" (30 December 1971)
- "All Play and No Work" (6 January 1972)
Short Special (1971)
[edit]- Part of Mike and Bernie Winters' All-Star Christmas Comedy Carnival (25 December 1971)
Series Three (1972)
[edit]- "Gather Ye Mushrooms While Ye May" (14 September 1972)
- "Father Figure" (21 September 1972)
- "Girl Talk" (28 September 1972)
- "Thank Heaven for Little Girls?" (5 October 1972)
- "A Family Affair" (12 October 1972)
- "Two Hearts That Beat As Two" (19 October 1972)
Series Four (1973)
[edit]- "Wedding Talk" (16 May 1973)
- "Homes, Sweet Homes" (23 May 1973)
- "A Home and A Job" (30 May 1973)
- "The Eve of the Day" (6 June 1973)
- "And Father Makes Five" (13 June 1973)
- "Starting Trouble" (20 June 1973)
- "The Honeymoon's Over" (27 June 1973)
DVD releases
[edit]All four series have been released on DVD in the United Kingdom (Region 2) by Network DVD. A 4-disc set of the complete series has also been released.
| DVD | Release date |
|---|---|
| The Complete Series 1 | 31 March 2008 |
| The Complete Series 2 | 24 September 2008 |
| The Complete Series 3 | 22 June 2009 |
| The Complete Series 4 | 19 July 2010 |
| The Complete Series 1 to 4 Box Set | 8 November 2010 |
...And Mother Makes Five
[edit]In the fourth series of ...And Mother Makes Three Sally Harrison marries David Redway, leading to a sequel called ...And Mother Makes Five.[2]
References
[edit]- ^ a b And Mother Makes Three: Production, British TV Comedy, retrieved 13 February 2013
- ^ And Mother Makes Three: Summary, British TV Comedy, retrieved 13 February 2013
Further reading
[edit]- Mark Lewisohn, "Radio Times Guide to TV Comedy", BBC Worldwide, 2003
External links
[edit]- ...And Mother Makes Three at Nostalgia Central
- ...And Mother Makes Three at IMDb
- ...And Mother Makes Three at British Comedy Guide
...And Mother Makes Three
View on Grokipediafrom Grokipedia
Supporting cast includes Robin Davies as her younger son Simon, David Parfitt as older son Peter, Valerie Lush as Auntie Flo, and Richard Coleman as her employer, Mr. Campbell.[1][2] Created by Richard Waring and produced by Peter Frazer-Jones, the show ran for four series comprising 26 episodes, plus one short special, all filmed in colour using a multi-camera studio format typical of 1970s British television comedy.[1]
It was broadcast by Thames Television and captured the era's light-hearted portrayal of family dynamics, earning a positive reception with an IMDb rating of 7.1/10 (77 ratings).[3][1]
Overview
Premise
...And Mother Makes Three is a British sitcom centered on Sally Harrison, a recently widowed mother in her 30s who works as a veterinary receptionist to support her two young sons, Simon and Peter.[1][4] Living in suburban England, Sally navigates the challenges of single parenthood while maintaining her career and household, often with the help of her live-in Aunt Flo.[5] Aunt Flo adds comic relief through her well-intentioned but meddlesome interference and outdated perspectives on family life.[6] The family dynamics revolve around the contrasting personalities of the sons: Simon, a pre-teen known for his mischievous and boisterous behavior, and Peter, the younger and more innocent child who often amplifies the everyday chaos.[7] Core themes explore the balancing act of single parenthood, professional demands, and emerging romantic possibilities, all infused with humor derived from domestic mishaps and generational clashes in 1970s Britain.[1] Wendy Craig's portrayal of Sally serves as the emotional anchor, grounding the family's comedic trials.[8] Over the course of the series, the plot evolves from an initial emphasis on widowhood and family adjustment to the development of a romance between Sally and her neighbor, David Redway, a divorced father of one daughter, Jane.[7] This relationship culminates in their marriage toward the end of the original run, expanding the blended family dynamic and leading into a sequel series that further examines the complexities of step-parenting and household integration.[9]Format and style
...And Mother Makes Three consists of 26 half-hour episodes across four series, produced in a multi-camera studio format typical of 1970s British sitcoms.[3][7] Each episode features self-contained stories that build around family crises, resolving them through humorous escalation and tidy conclusions, emphasizing the everyday struggles of single parenting as the core source material for comedy.[7] The show's comedic approach blends farce and situational humor, centering on misunderstandings, physical gags from household mishaps, and witty banter driven by character quirks, all delivered in a light-hearted tone that avoids delving into serious drama.[7] This style prioritizes gentle, endearing chaos over slapstick excess, reflecting the era's preference for relatable domestic comedy in Thames Television productions.[7] Visually and thematically, the series unfolds in modest domestic settings—a family home and a veterinary clinic—capturing the rhythms of working-class life with subtle commentary on 1970s gender roles and the trials of single motherhood through everyday scenarios.[10] The multi-camera setup allows for dynamic framing of interactions in these confined spaces, underscoring themes of resilience and familial bonds without overt preachiness.[10] Like other Thames sitcoms of the period, such as Bless This House, ...And Mother Makes Three maintains a focus on intergenerational family dynamics and suburban life, but it stands out with its female protagonist at the helm, offering a perspective on maternal challenges amid shifting social norms.[10]Cast and characters
Main cast
The main cast of ...And Mother Makes Three centered on the Harrison family, with Wendy Craig starring as the widowed mother Sally Harrison, a harried yet optimistic figure managing household chaos and her job as a veterinary receptionist while raising her two sons, appearing in all 26 episodes of the series.[1][3] Craig's versatile performance blended situational comedy with moments of emotional pathos, capturing Sally's resilience amid everyday mishaps and family demands.[11] Robin Davies portrayed Simon Harrison, the older son aged 12-14 across the series, whose character embodied teenage rebellion and quick wit, often reacting to his mother's scatterbrained decisions with exasperated humor that heightened the domestic comedy.[1][11] David Parfitt played the younger son, Peter Harrison, aged 7-9, providing an innocent contrast through his childlike antics and wide-eyed involvement in the family's comedic predicaments.[1][11] Valerie Lush appeared throughout the full run as Auntie Flo (Florence Massey), the eccentric aunt living with the family, whose meddlesome yet supportive interference served as a key source of comic tension and relief in the household dynamics.[1][6] These core ensemble members drove the show's premise of a widowed mother's challenges in balancing work, parenting, and romance.[11]Supporting cast
The supporting cast of ...And Mother Makes Three featured several recurring characters who contributed to the show's exploration of community ties, workplace dynamics, and evolving family structures outside the central Harrison household. George Selway portrayed Mr. Campbell, Sally Harrison's employer and the local veterinarian, appearing in the first three series to inject humor through his interactions at the veterinary practice.[12] His role often highlighted Sally's professional challenges and occasional flirtatious undertones, adding layers to her character as a working widow balancing career and home life.[13] Introduced later in the series, Richard Coleman played David Redway, a widower and antiquarian who becomes Sally's primary love interest starting from the third series.[12] Redway's character arc drives much of the romantic subplot, culminating in marriage by the end of the fourth series and facilitating the transition to the sequel ...And Mother Makes Five.[14] His presence introduces external perspectives on single parenthood, with subtle tensions resolved through his growing bond with Sally and her sons.[8] Miriam Mann appeared as Jane Redway, David's young daughter, in the third and fourth series, bringing additional comedic opportunities through the adjustments of a blended family.[12] Jane's integration into the Harrison dynamic underscores themes of step-sibling relationships and shared parenting responsibilities, enhancing the show's focus on relational growth without overshadowing the core narrative.[2] These characters collectively advanced subplots involving romance and social connections, often intersecting briefly with the main family to propel emotional developments.[15]Production
Development
The sitcom ...And Mother Makes Three was developed as a star vehicle for actress Wendy Craig, building on her success in the BBC series Not in Front of the Children (1967–1970), where she played a similar harried mother figure.[7] Created by writer Richard Waring, who had penned the earlier show, the series shifted the setting to ITV and Thames Television to capitalize on Craig's established appeal as a comedic lead portraying domestic challenges.[1] This transition allowed Waring to explore a widowed protagonist, emphasizing resilience in single parenthood during a period of evolving family structures in 1970s Britain.[7] The writing team was initially formed around Peter Buchanan and Peter Robinson, who contributed scripts for the early episodes alongside Waring, focusing on light-hearted family dynamics.[7] As the series progressed into its second through fourth series, Waring took a more prominent role in scripting; Carla Lane co-wrote one episode in series 2.[2][16] Thames Television greenlit the project for the ITV network in early 1971, ordering a seven-episode first series to test the format's viability, largely due to Craig's proven popularity and the demand for family-oriented comedies.[1] The debut episode centered on widow Sally Harrison navigating life with her two sons, serving as a foundational exploration of the single-mother trope to refine the blend of humor and heartfelt moments.[11] This commissioning decision reflected broader 1970s trends in British television toward depicting working mothers positively, mirroring increasing divorce rates and women's workforce participation.[7]Crew
Peter Frazer-Jones served as both director and producer for all 26 episodes of ...And Mother Makes Three across its four series from 1971 to 1973.[12][2] His direction emphasized tight comedic timing suited to the studio-bound format, contributing to the series' efficient pacing in multi-camera sitcom production.[13] Johnny Hawksworth composed the theme music and incidental scores for the entire run, drawing on his experience in light music for television.[2][17] The theme, a classical-style piece, underscored the show's domestic family themes.[17] Set design was handled by Bill Palmer, who created the interiors for the Harrison family home and the veterinary clinic where protagonist Sally worked, for the first two series.[13][2] The episodes were primarily filmed in studio at Teddington Studios in London, with constructed sets and a few exterior shots filmed on location nearby.[18][19] In later series, production design transitioned to David Ferris for series 3 and Andrew Drummond for series 4, maintaining consistency in the show's visual style without significant alterations to the core production approach.[12]Episodes
Series 1 (1971)
The first series of ...And Mother Makes Three premiered on ITV on 27 April 1971 and ran for seven episodes until 8 June 1971, introducing viewers to widow Sally Harrison's efforts to manage her new role as a single mother while beginning her career as a veterinary assistant under Mr. Campbell.[20] The episodes center on Sally's adjustment to widowhood following her husband's recent death, the arrival of her supportive but meddlesome Aunt Flo to help with household duties, and the everyday chaos of raising her two young sons, Peter and Simon.[3] This inaugural run establishes the show's gentle domestic comedy style, emphasizing family mishaps and maternal resilience without delving into romantic entanglements. The series highlights key introductory elements, such as the establishment of family routines disrupted by the boys' school-related antics—like Simon's camping preparations or Peter's blunt observations—and Sally's workplace hurdles, including handling quirky animal cases and balancing professional demands with home life.[21] Aunt Flo's integration into the household provides comic relief through her traditional views clashing with Sally's modern independence, while the veterinary surgery setting introduces lighthearted scenarios involving pets and clients.[3] These developments set the tone for situational humor rooted in single-parent challenges, drawing on relatable 1970s British suburban life.| No. | Title | Air date | Synopsis |
|---|---|---|---|
| 1 | Simon's Holiday | 27 April 1971 | Sally helps Simon prepare for a camping trip by packing his extensive list of supplies, but a backyard test run results in chaos, a sleepless night, and an unexpected visit from neighbor children when he falls ill.[22] |
| 2 | Birthday Bike | 4 May 1971 | Simon scrimps to buy a bicycle for his birthday, prompting Sally to take extra shifts at the vet's to surprise him, though concealing the gift proves difficult amid family prying.[23] |
| 3 | A Bird in the Hand | 11 May 1971 | Sally agrees to care for a mynah bird, only to discover its cage empty; her frantic search for a replacement leads to encounters with owners demanding odd behaviors from the pet.[24] |
| 4 | Get Mobile | 18 May 1971 | The family enters a "Spot the Ball" competition; Sally borrows a car for driving lessons, but Aunt Flo objects to the dilapidated vehicle sourced from a vicar.[25] |
| 5 | School for Love | 25 May 1971 | Sally develops a brief infatuation with Simon's teacher and attends a school art exhibition, where an awkward encounter with a potential suitor named Tom Collins unfolds.[26] |
| 6 | Pound of Flesh | 1 June 1971 | Peter innocently comments on Sally's figure, leading her to join Aunt Flo in a weight-loss bet; hunger and temptation test her resolve as she aims to slim down.[27] |
| 7 | Mr Mum | 8 June 1971 | Strange noises in the house alarm Sally; with television banned as punishment, the boys pursue new hobbies, culminating in Aunt Flo's shock over their secretive project.[28] |
Christmas special (1971)
The Christmas special for ...And Mother Makes Three aired as a brief segment within the variety programme Mike and Bernie Winters' All-Star Christmas Comedy Carnival on ITV. Broadcast on 25 December 1971, the segment ran for approximately 7 minutes and featured the core family in a holiday-themed sketch.[29] Wendy Craig reprised her role as the widowed mother Sally Harrison, supported by Robin Davies as her elder son Simon, David Parfitt as the younger son Peter, and Valerie Lush as the meddlesome Auntie Flo.[29] The script was penned by Richard Waring, with direction and production handled by Peter Frazer-Jones; Bill Palmer served as production designer, and Johnny Hawksworth composed the music.[29] Produced shortly after the first series concluded in June 1971, the special incorporated seasonal elements into the show's established domestic comedy format, extending the portrayal of family life amid everyday mishaps.[1] Like many ITV programmes from the era, the recording was routinely wiped for reuse of videotape, and no known copies survive in the archives.[29]Series 2 (1971–1972)
The second series of ...And Mother Makes Three aired on ITV from 2 December 1971 to 6 January 1972, comprising six half-hour episodes that built on the domestic comedy of the first series by delving deeper into the Harrison family's interpersonal dynamics, particularly the challenges of raising adolescent sons and well-intentioned but chaotic matchmaking efforts.[20] Broadcast on Thursday evenings, the episodes maintained the show's focus on Sally Harrison's (Wendy Craig) scatterbrained yet devoted attempts to balance her veterinary assistant job with single parenthood, often exacerbated by her sons Simon (Robin Davies) and Peter (David Parfitt), and the meddling of her sister-in-law Auntie Flo (Valerie Lush). Key developments in this series highlighted the boys' emerging teenage independence and family resistance to external influences, such as unwanted suitors, while underscoring themes of growth and relational tensions within the household. For instance, adolescence issues were central in explorations of Simon's rebellious streak, reflecting broader concerns of the era about youth leaving education prematurely. Aunt Flo's persistent matchmaking added humorous layers of interference, portraying her as a comic foil who inadvertently complicates Sally's life through overzealous romantic schemes. These elements advanced character growth without resolving ongoing family frictions, setting the stage for further evolution in subsequent series.[31] The episodes are summarized in the following table:| Episode | Title | Air Date | Synopsis |
|---|---|---|---|
| 1 | A Hard Day Out | 2 December 1971 | Exhausted by the school holidays, Sally ties up Auntie Flo in the broom cupboard for a moment's peace, but Mr. Campbell suggests taking the boys to a fair to wear them out, leading to typical Harrison family mayhem.[32] |
| 2 | The Matchmakers | 9 December 1971 | Simon and Peter decide to find a husband for their mother and lure a potential suitor to the house; complications arise when Mr. Campbell impersonates a rival to sabotage the match.[33] |
| 3 | Growing Pains | 16 December 1971 | Sally objects to Simon's plan to quit school and join the army; panic ensues when a note suggests he has run away, prompting her to search a recruitment office.[34] |
| 4 | The Old Order Changeth | 23 December 1971 | The family vacations at Mr. Campbell's sister's cottage, where Sally's bungled attempt to iron a skirt spirals into a series of escalating disasters.[31] |
| 5 | Once A Year Day | 30 December 1971 | On Auntie's birthday, Sally insists the boys have not forgotten; Simon arranges a surprise Italian meal, but their real plan involves sneaking off to the cinema.[31] |
| 6 | All Play And No Work | 6 January 1972 | After Mr. Campbell fires Sally for incompetence, Auntie Flo pushes her toward a job at the boys' school, but clashes over a staff dinner lead to other prospects amid the arrival of a mysterious new neighbor.[20][31][35] |
Series 3 (1972)
The third series of ...And Mother Makes Three, broadcast on ITV from 14 September to 19 October 1972, builds on the flirtatious developments from series 2 by escalating Sally Harrison's relationship with David Redway toward formal commitment, while highlighting tensions in blending their families.[20][36] This six-episode run emphasizes Sally's efforts to balance her career advancement with the emotional challenges of introducing David's daughter, Jane, to her sons, Peter and Simon, amid growing jealousy and relational hurdles.[36] The series opens with Sally navigating professional changes following her boss Mr. Campbell's relocation to Scotland, prompting her to pursue new opportunities in a more intellectually demanding role.[36] As her romance with David deepens, the narrative shifts to family integration, including the sons' initial resistance to Jane's presence and cultural differences between the Harrison and Redway households, culminating in the pivotal announcement of their engagement.[36]| Episode | Title | Air Date | Synopsis |
|---|---|---|---|
| 1 | Gather Ye Mushrooms While Ye May | 14 September 1972 | Sally discovers rocks while gardening and learns of Mr. Campbell's impending move to Scotland; she competes against younger rivals for a position with a book expert, marking a potential career shift.[20][36] |
| 2 | Father Figure | 21 September 1972 | Sally's fluctuating mood stems from interactions with her new boss; a dinner invitation exposes personal truths, while her sons inadvertently reveal her more adventurous side to him.[20][36] |
| 3 | Girl Talk | 28 September 1972 | Discovering risqué magazines in Peter's room leads to advice from Auntie on open communication; David decides to introduce his daughter Jane to the boys, testing early family dynamics.[20][36] |
| 4 | Thank Heaven for Little Girls? | 5 October 1972 | Sally frets over leaving her sons with Jane, who unexpectedly bonds with Simon despite shared mischievous tendencies; Auntie opts for a hotel stay to avoid complicating matters.[20][36] |
| 5 | The Engagement | 12 October 1972 | Sally's parents arrive unannounced, coinciding with revelations about David's aristocratic mother; a family meeting, orchestrated by Auntie, formalizes the engagement announcement amid initial awkwardness.[20][36] |
| 6 | Two Hearts That Beat as Two | 19 October 1972 | Sally's mother takes over the wedding plans, turning the jeweler's into a war zone; David's reluctance for a church marriage causes doubts amid emerging family tensions.[20][36][37] |
Series 4 (1973)
The fourth and final series of ...And Mother Makes Three aired on ITV from 16 May to 27 June 1973, comprising seven episodes that served as the narrative conclusion to Sally Harrison's story. Building briefly on the romantic developments from previous series, this run centered on Sally's marriage to widower David Redway (played by Richard Coleman), the challenges of merging their households, and the integration of David's teenage daughter Jane (Patricia Cutts) with Sally's sons Peter and Simon. The episodes explored wedding preparations, immediate post-marital adjustments, and the growth of the blended family toward optimistic unity, emphasizing themes of resilience and familial harmony.[20]| Episode | Title | Air Date | Synopsis |
|---|---|---|---|
| 1 | Wedding Talk | 16 May 1973 | Sally's aunt raises concerns about her past marriage during discussions of her upcoming wedding to David, heightening pre-wedding anxieties amid family excitement.[5] |
| 2 | Homes, Sweet Homes | 23 May 1973 | The families grapple with decisions about living arrangements as Sally and David plan their combined household, with disagreements over properties and preferences.[39] |
| 3 | A Home and a Job | 30 May 1973 | Sally balances her veterinary assistant role with the logistics of establishing a new family home, while Simon attempts to find a suitor for Auntie Flo.[40] |
| 4 | The Eve of the Day | 6 June 1973 | Tensions build on the night before the wedding, with last-minute mishaps testing the couple's resolve, including borrowed gifts and stag night concerns.[41] |
| 5 | And Father Makes Five | 13 June 1973 | Jane arrives to join the newly formed family of five, leading to initial clashes and adjustments among the step-siblings as they navigate shared spaces.[42] |
| 6 | More or Less | 20 June 1973 | The newlyweds face early marital challenges, including breakfast arguments and jealousy sparked by a newspaper article, while attempting household tasks like cobweb removal.[43] |
| 7 | The Honeymoon's Over | 27 June 1973 | Sally and David's honeymoon is interrupted by family obligations and mechanical issues; the series concludes with the family affirming their unity in the new routine.[44] |
Broadcast and home media
Original transmission
...And Mother Makes Three was originally transmitted on the ITV network, produced by Thames Television, from 27 April 1971 to 27 June 1973. The sitcom aired in four series plus a Christmas special, typically in weekly evening time slots around 7:30 pm or 8:30 pm, targeting family audiences during prime time.[1] The first series ran in the spring of 1971, with seven episodes broadcast on Tuesdays at 8:30 pm from 27 April to 8 June. Subsequent series shifted to other weekdays: the second series aired in the autumn and winter of 1971–1972, starting on Thursdays at 7:30 pm from 2 December 1971 for six episodes, concluding in early 1972, alongside a short Christmas special on 30 December 1971.[21][46][47][48][49] The third series followed in autumn 1972, with six episodes on Thursdays at 7:30 pm beginning 14 September. The fourth and final series transmitted in spring 1973, featuring seven episodes on Wednesdays at 7:30 pm from 16 May to 27 June.[21][46][47][48] Viewership for the series was strong, consistently placing it among ITV's top-rated programs and ranking 11th overall in the UK's most-watched TV shows of 1973, underscoring its role in bolstering the network's dominance in family sitcom programming during the early 1970s. No international transmissions took place during the original run, though domestic reruns occurred later on ITV regions.[45]DVD releases
Network DVD released the first series of ...And Mother Makes Three in the United Kingdom on 31 March 2007 in Region 2 format.[50] This initial release contained the seven episodes from Series 1, remastered from the original videotapes for improved picture and sound quality.[50] On 8 November 2010, Network DVD issued a complete series box set encompassing all four series and the 1971 Christmas special, totaling 27 episodes across four discs.[51] The set includes the full run of 26 regular episodes plus the holiday special, with episodes remastered from the original tapes and presented in their original broadcast order.[52] Extras on the collection feature comprehensive episode guides and interviews with lead actress Wendy Craig and co-star Robin Davies, though no deleted scenes or additional footage are included. As of 2025, the complete series box set remains in print and available for purchase in the UK through major retailers. For viewers in the US and EU, options are limited to imports via online marketplaces, with no official releases in Region 1 format.[53] The series is not available on major streaming platforms such as Netflix or Prime Video, but episodes can be accessed via Network's on-demand service where available.Reception and legacy
Critical response
Upon its debut in 1971, ...And Mother Makes Three was received as a light-hearted domestic sitcom offering relatable family humor, with Wendy Craig's portrayal of the widowed Sally Harrison earning praise for its warmth and comedic timing.[11] The series was seen as a charming successor to similar family-oriented comedies, emphasizing the everyday chaos of single parenthood without delving into heavier social commentary.[11] In modern assessments, the show holds an average rating of 7.1 out of 10 on IMDb, based on 77 user votes, reflecting its enduring appeal as nostalgic entertainment.[3] A 2021 DVD review described it as "routine and clumsy by modern standards," noting its very white, straight, and male-focused perspective, which highlights dated gender roles, though it commended the series for being groundbreaking as a female-led comedy at the time.[5] Critics have highlighted strengths in the positive depiction of a single mother's resilience and familial bonds, anchored by strong performances, particularly Craig's versatile and endearing lead role that balanced humor with heartfelt moments.[11][5] Weaknesses include formulaic plots centered on mishaps and misunderstandings, lacking the depth in addressing social issues found in edgier contemporaries.[11] The series received no BAFTA or other major award nominations.[3]Sequel
Following the marriage of Sally Harrison to David Redway at the conclusion of the original series, the sequel "...And Mother Makes Five" continued the story as a British sitcom broadcast on ITV from 1974 to 1976. Produced by Thames Television, it comprised 26 episodes across four series, centering on the newly blended family dynamics in their suburban home. Sally (Wendy Craig), now Redway, navigates life with her sons Simon (Robin Davies) and Peter (David Parfitt), alongside David's teenage daughter Jane (Maxine Gordon), expanding the household to five members and introducing comedic tensions from step-family adjustments.[7] The core cast retained Wendy Craig and added Richard Coleman as David Redway, with supporting roles filled by actors such as Valerie Lush and guest appearances including Tony Britton. Key differences from the original lay in the shift from a widowed mother's solo challenges to the humor of remarriage and co-parenting, emphasizing clashes between the children's loyalties and the adults' efforts to unify the family. The series was primarily written by Richard Waring, with contributions from Wendy Craig (under the pseudonym Jonathan Marr for 13 episodes, co-written with Jack Bentley), Brian Cooke, Johnnie Mortimer, and Carla Lane; it was produced and directed by Peter Frazer-Jones, maintaining the multi-camera studio format in color.[7][9] In terms of reception, the show achieved strong viewership, ranking as the ninth most-watched program on ITV in 1974, though it received less critical acclaim than its predecessor, with praise focused more on Craig's versatile performance as a harried yet optimistic working mother. Wendy Craig's portrayal earned her awards, including TV Times Funniest Woman on TV for 1972–1974 and Variety Club ITV TV Personality of the Year in 1973. The series concluded after four seasons, reflecting the natural progression of its storylines as the family matured. Culturally, it exemplified 1970s sitcom trends in depicting blended families and gender roles in domestic life, contributing to the era's light entertainment output on family expansion and resilience.[7][7]References
- https://www.[imdb](/page/IMDb).com/title/tt0066628/