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Altitude Film Distribution
Altitude Film Distribution
from Wikipedia

Altitude Film Distribution is a British film distribution company, part of the Altitude Film Entertainment group.[1] The parent company was launched in 2012 by Optimum Releasing founder Will Clarke. Altitude Film Entertainment is vertically integrated, with divisions that handle film production, finance and international sales, as well as UK distribution.[2]

Key Information

History

[edit]

Altitude Film Distribution's first release came in 2014 with the Oscar-winning documentary 20 Feet from Stardom, which was followed by Fruitvale Station and Abel Ferrara's Welcome to New York. In 2015, Altitude released Ira Sachs' Love Is Strange; a biopic film, Amy, about the British singer Amy Winehouse, which was directed by Asif Kapadia and was released in cinemas on 3 July 2015 in the United Kingdom; international espionage thriller Spooks: The Greater Good; and Narcopolis, a science fiction film. In 2016, they released Bolshoi Babylon, a behind-the-scenes portrait of Moscow's Bolshoi Theatre. On 27 April 2016 it was announced that Altitude would partner with the British Academy Award winning film director Kevin Macdonald, on a new documentary film on Whitney Houston's life and death. It was released in 2018. It's been revealed that the movie is to include rare unheard tracks & performances, with family members & friends to help build up the film through recorded interviews and archive footage.[3]

In 2023, Altitude Film gave limited theatrical releases in the United Kingdom for Winnie-the-Pooh: Blood and Honey, a universally panned indie slasher film starring Nikolai Leon, Craig David Dowsett and Chris Cordell, and Wham!, a critically praised documentary film about the titular English pop duo consisting of George Michael and Andrew Ridgeley.[4]

In 2024, Altitude Film released Winnie-the-Pooh: Blood and Honey 2, the sequel to Blood and Honey, starring Scott Chambers (who is also the film's producer) and Simon Callow. The film divided critics, but many of them considered it an improvement over its predecessor.

Filmography

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Select cinema releases

[edit]
Title Director Release date
20 Feet From Stardom Morgan Neville 28 March 2014
Fruitvale Station Ryan Coogler 6 June 2014
A Promise Patrice Leconte 1 August 2014
Welcome To New York Abel Ferrara 8 August 2014
Love Is Strange Ira Sachs 13 February 2015
White Bird in a Blizzard Gregg Araki 6 March 2015
Spooks: The Greater Good Bharat Nalluri 8 May 2015
The Connection Cédric Jimenez 29 May 2015
Amy Asif Kapadia 3 July 2015
Narcopolis Justin Trefgarne 29 September 2015
A Nazi Legacy : What Our Father's Did David Evans 6 November 2015
Bolshoi Babylon Nick Read 8 January 2016
Moonlight Barry Jenkins 17 February 2017
The Florida Project Sean Baker 10 November 2017
Loveless Andrey Zvyagintsev 24 January 2018
Whitney Kevin Macdonald 6 July 2018
Monster Family Holger Tappe 2 March 2018
Mary and the Witch's Flower Hiromasa Yonebayashi 15 May 2018
Final Score Scott Mann 4 September 2018
Black '47 Lance Daly 28 September 2018 [5][6]
Horrible Histories: The Movie – Rotten Romans Dominic Brigstocke 26 July 2019
Little Monsters Abe Forsythe 15 November 2019
Les Misérables Ladj Ly 4 September 2020
Rocks Sarah Gavron 18 September 2020
Minari Lee Isaac Chung 17 May 2021
Gunda Victor Kossakovsky 4 June 2021
Night of the Kings Philippe Lacôte 23 July 2021
Pig Michael Sarnoski 20 August 2021
Titane Julia Ducournau 26 December 2021
Ali & Ava Clio Barnard 4 March 2022
Hive Blerta Basholli 18 March 2022
All the Beauty and the Bloodshed Laura Poitras 27 January 2023
The Real Charlie Chaplin James Middleton, James Spinney 18 February 2022[7]
Blue Jean Georgia Oakley 10 February 2023[8]
Winnie-the-Pooh: Blood and Honey Rhys Frake-Waterfield 15 February 2023[9]
Wham! Chris Smith 27 June 2023[4]
Talk to Me Danny and Michael Philippou 28 July 2023
Io capitano Matteo Garrone 5 April 2024
Winnie-the-Pooh: Blood and Honey 2 Rhys Frake-Waterfield 7 June 2024
I'm Still Here Walter Salles 21 February 2025
Peter Pan's Neverland Nightmare Scott Chambers 24 February 2025
Animal Farm Andy Serkis 11 July 2025
Bambi: The Reckoning Dan Allen 22 August 2025
Nouvelle Vague Richard Linklater TBA
Sirāt Oliver Laxe TBA

Home entertainment releases

[edit]
Title Director
Flu Sung-su Kim
Sx Tape Bernard Rose
Dracula 3D Dario Argento
All Cheerleaders Die Lucky McKee, Chris Sivertson
Iceberg Slim Jorge Hinojosa
Somm Jason Wise
Narco Cultura Shaul Schwarz
Torment Jordan Barker
The Rendlesham UFO Incident Daniel Simpson
Drew: The Man Behind The Poster Erik Sharkey
Doc of the Dead Alexandre O. Philippe
Wolves David Hayter
Superfast! Jason Friedberg, Aaron Seltzer
Colt 45 Fabrice Du Welz
The Dead 2 Howard J. Ford, Jonathan Ford
Zombie Fight Club Joe Chien
The Match Jakov Sedlar, Dominik Sedlar

Altitude Film Entertainment

[edit]
Altitude Film Entertainment
Company typePrivate
IndustryMotion picture
Founded2012; 14 years ago (2012)
Headquarters
United Kingdom
Key people
Will Clarke (chairman & CEO)
Andy Mayson (co-CEO)
Mike Runagall (Management Director)
Hamish Moseley (Managing Director)
Owner30West (minority stake)[10]
SubsidiariesAltitude Film Distribution
Altitude Film Production
Altitude Film Sales
Altitude Factual[11]
Websitewww.altitudefilment.com

Altitude Film Entertainment is a British entertainment company. The company comprises Altitude Film Production led by Will Clarke chairman and joint-CEO with Andy Mayson; Altitude Film Sales with Managing Director Mike Runagall; and Altitude Film Distribution.[12]

On 21 February 2020, 30West acquired a minority stake in Altitude Film Entertainment.[10] On 4 March that same year, Altitude created Altitude Factual, a unit for natural history documentaries.[11]

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Altitude Film Distribution is the UK theatrical distribution division of Altitude Film Entertainment, a vertically integrated independent film company founded in 2012 by industry veteran Will Clarke, encompassing production, financing, international sales, and distribution of mid-budget feature films and documentaries. The company emerged from Clarke's prior success with Optimum Releasing, which he established in 1999 and sold to Studiocanal in 2006, bringing his expertise in acquiring and releasing acclaimed independent titles to Altitude's broader operations. Co-CEO Andy Mayson, with a background at Working Title Films and PolyGram Filmed Entertainment, oversees the group's strategic direction, while Mike Runagall leads international sales, drawing from his tenure as SVP at Pathé. Altitude Film Distribution launched its first releases in 2014 with the Oscar-winning documentary , followed by Michael B. Jordan's , establishing a reputation for handling critically praised indie fare. Over the years, it has distributed notable titles including the Academy Award-winning (its highest-grossing release at £4.3 million in the UK), , , , , Beast, and in 2023 the horror hit Talk to Me, which became the division's biggest opening weekend. In 2020, talent management firm 30West acquired a significant stake in Altitude Film Entertainment, bolstering its resources for global expansion while maintaining a focus on commercially viable, awards-contending projects. The group continues to prioritize mid-range films, with activities as of 2025 including the 2024 release of the horror sequel Winnie-the-Pooh: Blood and Honey 2, documentaries like Mad About the Boy: The Noël Coward Story (2023), and thrillers such as The Prize and Hell Ride.

Overview

Founding and Background

Altitude Film Distribution was established in October 2013 as the theatrical distribution arm of Altitude Film Entertainment, a vertically integrated company focused on production, financing, international sales, and distribution. The parent company, Altitude Film Entertainment, was founded in May 2012 by Will Clarke, who previously established and led Optimum Releasing—a prominent British distributor—before selling it to in 2006. From its inception, Altitude Film Distribution operated from , serving as a UK-based entity dedicated to handling the release of independent and mid-range films with a strong emphasis on commercial viability. This approach aligned with the broader group's strategy of , allowing seamless coordination across the film lifecycle to support indie projects with global potential while prioritizing market-driven outcomes. Co-founded by Clarke alongside Andy Mayson, formerly head of sales at International and other major entities, the parent company provided the foundational infrastructure for the distribution arm's launch.

Key Personnel

Will Clarke serves as co-founder and co-CEO of Altitude Film Entertainment, the parent company of Altitude Film Distribution, bringing extensive experience from founding and running Optimum Releasing, which he sold to Studiocanal in 2006. Clarke established Altitude in 2012, focusing on vertically integrated operations including distribution, and continues to oversee strategic decisions that emphasize theatrical releases for independent films. Andy Mayson acts as co-CEO alongside Clarke, with a background in international film sales and production from board-level positions at companies including , , Icon Entertainment International, Exclusive Media, and . Mayson's expertise has been instrumental in building Altitude's sales and distribution arms since co-founding the company in 2012. Mike Runagall holds the position of managing director of Altitude Film Sales, a key component supporting the distribution activities, with prior experience as senior of international sales at International. He joined Clarke and Mayson as a co-founder in 2012 and has led sales efforts for numerous independent titles over his tenure. Other notable executives in distribution include Lia Devlin, who served as managing director of from 2021 until 2024, having joined the company in 2014 and overseen campaigns for over 150 films during her time there. Following her departure in 2024, the managing director role has not been filled, with theatrical sales headed by Bryony Forde and home entertainment by Adam Eldrett. Currently, Bryony Forde heads theatrical sales, while Adam Eldrett leads home entertainment, both contributing to the operational execution of releases since at least 2024. The leadership team, particularly Clarke and Mayson, has shaped Altitude Film Distribution's strategy toward mid-range independent films by prioritizing theatrical windows for genre-driven and original projects, such as supporting first-time filmmakers and aiming for commercial breakouts in the UK and market. This approach, informed by their combined decades in sales, production, and distribution, enables targeted acquisitions and marketing for films with potential audience appeal beyond niche arthouse releases.

History

Inception and Early Development (2012–2015)

Altitude Film Distribution was established as the releasing arm of Altitude Film Entertainment, which was founded in May 2012 by Will Clarke, the former head of Optimum Releasing, alongside Andy Mayson and Mike Runagall. The parent company initially focused on film production, financing, and international sales, starting with a small team of three and expanding to handle nearly 30 projects by 2015. The distribution division launched in October 2013, earlier than originally planned, to capitalize on opportunities in the market for independent films. The company's entry into theatrical distribution came with its first release, the Oscar-winning documentary , directed by , which hit UK cinemas in March 2014. This film, a tribute to backup singers, marked Altitude's debut in the documentary space and helped establish its reputation for handling acclaimed indie titles. Concurrently, Altitude began building its home entertainment portfolio with titles such as (directed by ) and Sx_Tape (directed by Bernard Rose), both released on DVD in 2014, targeting niche horror and thriller audiences. These early efforts focused on acquiring mid-budget international indies for UK rights, navigating a competitive landscape shaped by the consolidation of distributors like Studiocanal's acquisition of Optimum in 2006. Operating in the post-Optimum era presented challenges, including adapting to shifting international tastes and rising costs for indie releases, which prompted Altitude to emphasize vertically integrated strategies across production and distribution. The company prioritized selective acquisitions of independent films with strong festival pedigrees or commercial potential, avoiding overextension in a market dominated by major studios. A pivotal moment arrived with the July 3, 2015, release of Asif Kapadia's Amy, a on singer that achieved the largest opening weekend ever for a British in the UK, grossing over £1 million in its debut and solidifying Altitude's early market presence. This success underscored the viability of Altitude's approach to championing bold, artist-driven indie content.

Expansion and Recent Milestones (2016–present)

Following the success of its early releases, such as the Oscar-winning documentary 20 Feet from Stardom in 2014, Altitude Film Distribution built significant momentum in the post-Amy era, capitalizing on acclaimed acquisitions to establish itself as a key player in UK independent film distribution. A notable milestone came with the UK and Ireland release of Barry Jenkins' Moonlight on 17 February 2017, which earned critical acclaim and three Academy Awards, including Best Picture, demonstrating Altitude's ability to champion prestige arthouse titles with broad appeal. This momentum continued into the 2020s with the distribution of Lee Isaac Chung's Minari on 17 May 2021, an Oscar-nominated drama that highlighted the company's focus on diverse, immigrant narratives and contributed to its growing reputation for handling awards contenders amid a shifting market. In 2020, talent management firm acquired a significant stake in Altitude Film Entertainment, providing additional resources for expansion while retaining focus on mid-range, awards-oriented projects. The company further expanded its documentary portfolio, achieving commercial and critical successes that underscored its versatility in the genre. In 2018, Altitude released Kevin Macdonald's Whitney on 6 July, an authorized portrait of that received praise for its intimate exploration of the singer's life and career. Building on this, the 2023 release of Chris Smith's on 27 June marked another high-profile music documentary, offering archival insights into the pop duo's rise and attracting strong audience interest through a limited theatrical run before streaming availability. These projects not only diversified Altitude's slate but also reinforced its role in bringing culturally resonant films to audiences. Altitude ventured into genre filmmaking with the UK theatrical release of on 10 March 2023, a low-budget horror adaptation that sparked and debate while achieving cult status and proving the company's willingness to experiment with provocative IP-driven content. The sequel, , followed on 7 June 2024, expanding the franchise with a broader ensemble of characters and further highlighting Altitude's entry into horror territory as a means of audience engagement in a competitive landscape. These releases represented a strategic pivot toward elevated fare, balancing risk with commercial potential. In 2025, Altitude reached a significant milestone with the UK release of Walter Salles' I’m Still Here on 21 February, a Brazilian family drama starring Fernanda Torres that broke records as the highest-grossing foreign-language film in British cinema history, earning over £4 million in its opening weekend across 141 sites and affirming the company's post-pandemic resilience. Acquired at the script stage in 2022 during the industry's recovery phase, this success exemplified Altitude's adaptations to evolving distribution dynamics, including hybrid models that integrated theatrical runs with rapid digital and streaming access to maximize reach amid heightened competition from platforms like Netflix. The company's expanded slate for 2024–2025, encompassing arthouse, genre, and documentaries, reflects ongoing growth through targeted acquisitions and a commitment to theatrical innovation in a streaming-dominated era.

Distribution Activities

Theatrical Releases

Altitude Film Distribution specializes in theatrical releases of independent films, documentaries, and genre titles across the and , often targeting arthouse audiences alongside commercial appeal. The company's slate emphasizes elevated genre entries, broad arthouse dramas, and high-profile music documentaries, contributing to its reputation for diverse, risk-taking distribution. Notable successes include Oscar-winning dramas and record-breaking horrors, demonstrating the distributor's ability to achieve commercial impact within the indie sector. The following table highlights select theatrical releases, organized chronologically, showcasing key examples from the portfolio with UK release dates, genres, and brief notes on performance or impact where applicable.
TitleUK Release DateGenreNotable Impact
AmyJuly 3, 2015DocumentaryAsif Kapadia's Oscar-winning film on Amy Winehouse; grossed £3.5 million, a major box office hit for the distributor.
MoonlightFebruary 17, 2017DramaBarry Jenkins' Academy Award Best Picture winner; set a box office benchmark for Altitude at the time.
The Florida ProjectOctober 6, 2017DramaSean Baker's coming-of-age story; acquired at Cannes for UK release, praised for its raw portrayal of poverty.
LovelessNovember 10, 2017DramaAndrey Zvyagintsev's Cannes Jury Prize winner; highlighted Altitude's arthouse focus.
Maria by CallasMay 4, 2018DocumentaryTom Volf's portrait of the opera legend; added to slate alongside animated titles for diverse appeal.
Where Is Anne Frank?June 28, 2019AnimationAri Folman's Anne Frank adaptation; bolstered Altitude's festival-to-theatrical pipeline.
Little MonstersNovember 1, 2019Horror ComedyLupita Nyong'o-starring zombie rom-com; part of expanded 2019 slate including Gorbachev doc.
UnhingedSeptember 4, 2020ThrillerRussell Crowe road-rage actioner; released amid pandemic challenges, showcasing Altitude's awards-season contenders.
MinariApril 30, 2021DramaLee Isaac Chung's Oscar-nominated family story; estimated £200,000 box office, emphasizing immigrant experiences.
Silent NightDecember 10, 2021Horror DramaEnsemble holiday thriller with Keira Knightley; highlighted genre diversity in late-year release.
All the Beauty and the BloodshedNovember 18, 2022DocumentaryLaura Poitras' Venice Golden Lion winner on Nan Goldin; acquired for international sales and UK theatrical.
Winnie-the-Pooh: Blood and HoneyMarch 10, 2023HorrorLow-budget slasher reimagining; limited theatrical run capitalizing on public domain IP.
Talk to MeJuly 27, 2023HorrorA24's possession thriller; opened to £643,354, surpassing Moonlight as Altitude's biggest UK debut.
Io CapitanoOctober 20, 2023DramaMatteo Garrone's Venice Silver Lion migrant tale; part of strong 2023 arthouse lineup.
Winnie-the-Pooh: Blood and Honey 2June 7, 2024HorrorSequel to 2023's public domain slasher; theatrical release by Altitude in UK.
EmmanuelleJanuary 17, 2025DramaAudrey Diwan's erotic drama starring Noémie Merlant; UK theatrical by Altitude.
I'm Still HereFebruary 21, 2025DramaBrazilian historical drama; broke UK records for Latin American films with strong opening across 141 sites.
Sister MidnightMarch 14, 2025Horror ComedyKaran Kandhari's dark comedy starring Radhika Apte; part of 2025 genre lineup.

Home Entertainment and Digital Releases

Altitude Film Distribution has handled home entertainment releases primarily through physical media formats such as DVD and Blu-ray, beginning with early titles in the horror genre. One of the company's initial key releases was the 2012 film , directed by , which received a Blu-ray edition in the UK, emphasizing its 3D visual effects for home viewing. Similarly, the 2013 found-footage horror , directed by Bernard Bellew, was distributed on DVD in 2014, targeting fans of low-budget supernatural thrillers with its raw, intimate presentation. Following theatrical runs, Altitude extended select films to home entertainment, including horror extensions like Winnie-the-Pooh: Blood and Honey 2 (2024), which became available on DVD and Blu-ray in the UK after its cinema debut, allowing audiences to experience its slasher reinterpretation of characters in physical formats. These releases often followed theatrical precursors, providing comprehensive access to genre content for collectors and casual viewers alike. Post-2020, amid the , Altitude accelerated its shift toward digital and video-on-demand (VOD) distribution to adapt to cinema closures and changing consumer habits. The company pursued innovative VOD strategies, releasing films directly to digital platforms while maintaining limited theatrical windows, as part of a broader expansion beyond traditional models. This evolution included partnerships with major streaming retailers, enabling titles like : 2 to reach "Watch At Home" options on platforms such as and in the UK shortly after theaters. Altitude's digital efforts have emphasized accessibility for genre series, with VOD options complementing to broaden reach without notable bundled volumes reported for specific horror collections. This dual-format approach has sustained the company's non-theatrical output, focusing on timely digital availability to capitalize on post-release interest.

Parent Company

Altitude Film Entertainment Structure

Altitude Media Group was founded in May 2012 as a multifaceted entity focused on , , international , and distribution. The company operates as a vertically integrated , consolidating production, financing, international , and UK distribution under a single roof to streamline operations and enhance efficiency across the film lifecycle. This structure allows for coordinated decision-making and resource allocation, enabling the company to manage projects from development through to market release. Headquartered in at on the Strand, Altitude Media Group maintains a global outreach, particularly through its international sales arm that facilitates worldwide distribution partnerships. The base supports its UK-centric distribution activities while fostering connections with international markets. On 21 February 2020, U.S.-based investment firm acquired a significant minority stake in Altitude Media Group to bolster its expansion efforts and provide additional financial backing for growth initiatives. This investment has supported the company's scaling of production and distribution capabilities. Will Clarke serves as co-CEO, guiding the company's strategic direction alongside co-founder Andy Mayson.

Subsidiaries and Strategic Partnerships

Altitude Media Group maintains a vertically integrated structure with key subsidiaries and divisions that facilitate production, sales, and distribution activities. The core Altitude Film Distribution arm oversees UK theatrical and home entertainment releases, ensuring coordinated market rollout for acquired and produced titles. Complementing this, Altitude Film Sales handles international rights and licensing, led by Mike Runagall, formerly SVP of International Sales at Pathé, which broadens the company's global reach for its slate. The production division, operating under Altitude Media Group, develops and finances projects, enabling internal that feeds directly into the distribution pipeline and reduces reliance on external acquisitions. This vertical model streamlines operations by allowing seamless sourcing of high-quality films from to release. On March 4, 2020, Altitude launched Altitude Factual as a dedicated division focused on producing feature-length documentaries and long-running TV series, with an emphasis on and human-interest stories appealing to family audiences. This division expands the group's offerings into factual programming, providing a steady stream of internally generated content for theatrical, digital, and broadcast distribution. In terms of strategic partnerships, acquired a significant minority stake in Altitude Media Group in February , injecting capital and strategic expertise to fuel expansion across subsidiaries and enhance the overall distribution ecosystem. This investment has bolstered the company's ability to scale production and sales initiatives while maintaining operational independence.

References

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