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"Apocalypse Then"
American Horror Story episode
Episode no.Season 8
Episode 10
Directed byBradley Buecker
Written byRyan Murphy & Brad Falchuk
Production code8ATS10
Original air dateNovember 14, 2018 (2018-11-14)
Running time46 minutes
Guest appearances
Episode chronology
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American Horror Story: Apocalypse
List of episodes

"Apocalypse Then" is the tenth and final episode of the eighth season of the anthology television series American Horror Story. It aired on November 14, 2018, on the cable network FX. The episode was written by Ryan Murphy & Brad Falchuk, and directed by Bradley Buecker.[1]

Plot

[edit]

Myrtle infiltrates Jeff and Mutt's lab, secures placements for Coco and her family at Outpost 3 after the Apocalypse, and kills both men. Cordelia casts spells on Coco and Mallory so they can stay at the Outpost undetected by Michael until the point where Mallory's powers resurface, and she is ready to perform Tempus infinitum to travel back in time and incapacitate Michael. Witches learn that the voodoo queen Dinah Stevens defected to Michael's side and swear revenge.

After the apocalypse; following the events of the witches' arrival at the Outpost, Dinah asserts her loyalty to Michael, but the former voodoo queen, Marie Laveau, released from Hell by Papa Legba in exchange for Dinah's more corrupted soul, kills Dinah in a fit of rage as a punishment for her betrayal. Cordelia destroys the android Miriam Mead which distracts Michael and enables Madison to shoot him dead.

Before Michael can resurrect, Cordelia and Myrtle take Mallory to a safe place to begin the spell, but Mallory is stabbed by Brock leaving her too weak to perform magic. Michael resurrects and goes on a killing spree, murdering Madison, Marie, and Coco. Realizing the gravity of their situation, Cordelia faces Michael and kills herself to let Mallory ascend as the Supreme and initiate the Tempus infinitum spell.

Mallory arrives in 2015 and kills Michael by running him over with a car multiple times. Constance Langdon watches and leaves him to die on the street, erasing the timeline of the Antichrist's rise to power. Mallory arrives at the Robichaux's Academy and meets the other witches for the first time from their perspective. With the timeline altered, Myrtle remains dead and Madison remains in Hell (although Mallory says she will bring her back). Mallory also prevents Queenie from visiting Hotel Cortez, saving her life. Out of gratitude for dispatching Michael, Nan appears to escort Misty Day from Hell.

In 2020, Timothy and Emily, previously selected for their genetic potential in the erased timeline, meet and eventually have a child named Devon, who kills his nanny similar to Michael's first murder. Soon after that, Anton LaVey, Samantha Crowe, and Miriam Mead arrive to meet the new Antichrist, whose army of demonic children is being created by the cult known as the Delicates in order to breed children who will kill all mankind.

Reception

[edit]

"Apocalypse Then" was watched by 1.83 million people during its original broadcast, and gained a 0.8 ratings share among adults aged 18–49.[2]

The episode received mostly positive reviews. On the review aggregator Rotten Tomatoes, "Apocalypse Then" holds a 79% approval rating, based on 24 reviews with an average rating of 8.30/10. The critical consensus reads, "Ryan Murphy goes full Ryan Murphy in "Apocalypse Then," barreling past two convoluted episodes of multiverse building to deliver a satisfying, batsh—t finale that lives up to its namesake."[3]

Ron Hogan of Den of Geek gave the episode a 4/5, saying, "The finale of American Horror Story's most ambitious season manages to mash together two different series, marry separate mythologies, and somehow form a coherent season out of the chocolate and peanut butter of Murder House and Coven." He added, "Writers Ryan Murphy and Brad Falchuk aren't reinventing the wheel, but time travel does give the two an opportunity to bring back Jessica Lange as Constance again. Her exchanges with Michael are some of the best on the show" before concluding by "Even though the episode leans towards voiceover by the end, as Mallory explains her status as the Billy Pilgrim of the American Horror Story universe, it's still a very satisfying ending."[4]

Kat Rosenfield from Entertainment Weekly gave the episode an A+. She was pleased by the end of the pre-apocalypse flashbacks, and the entire showdown between the witches and Langdon. She also enjoyed the return of Bassett's Marie Laveau and the demise of Dinah. She noticed and appreciated the "double sci-fi homage" during Robot Mead's destruction, describing it as "a Scanners-style body explosion, followed by a very Space Odyssey rendition of "Daisy, Daisy" by her dying, decapitated [sic] head." Finally, she praised the return of Lange's Constance, commenting that "this finale was already A-grade material, but this second glorious cameo from Jessica Lange merits a "plus"."[5]

Vulture's Ziwe Fumudoh gave the episode a 5 out of 5. Much like Rosenfield, she praised the return of Angela Bassett and Jessica Lange, commenting "do you understand how privileged we are to watch an episode of television with Angela Bassett, Jessica Lange, and Sarah Paulson?" She was a fan of the showdown between the witches and Langdon, even if the deaths of Madison, Marie and Coco were "laughable". She also enjoyed the death of Langdon, saying that "it's mean but so delicious", and Lange's "impeccable monologue" at the start of the scene. Finally, she liked the cliffhanger of the episode, as it gives "hope for another epic battle between witches, warlocks, and a Lucifer with luscious locks."[6]

References

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Apocalypse Then

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from Grokipedia
"Apocalypse Then" is the tenth and final episode of the eighth season of the American anthology horror television series American Horror Story, subtitled Apocalypse. Directed by Bradley Buecker and written by series co-creators Ryan Murphy and Brad Falchuk, it originally premiered on the FX network on November 14, 2018. The episode serves as the season finale, centering on the witches of Miss Robichaux's Academy as they mount a desperate defense against Michael Langdon, the Antichrist introduced earlier in the season. It integrates crossover elements from prior seasons, particularly Coven (season 3) and Murder House (season 1), reuniting key characters such as Cordelia Goode (Sarah Paulson), Myrtle Snow (Frances Conroy), and Madison Montgomery (Emma Roberts) in a narrative that explores themes of apocalypse, resurrection, and supernatural warfare. Starring an including as Michael Langdon, , and , the installment features intense confrontations at Outpost 3, a post-nuclear survival , and delves into voodoo rituals, time manipulation, and moral dilemmas faced by the protagonists. The plot builds to a climactic battle that resolves the season's overarching threat of global destruction while providing closure to longstanding story arcs. As of November 2025, "Apocalypse Then" holds an user rating of 7.9 out of 10 based on over 4,000 votes and a 79% approval rating on from 24 reviews, praised for its ambitious , emotional reunions, and bold risks despite some criticisms of pacing and resolution. It underscores the enduring popularity of under Ryan Murphy's production.

Series and Episode Context

American Horror Story: Apocalypse Overview

is the eighth season of the FX horror anthology series , created by Ryan Murphy and . Set in a post-apocalyptic world following a nuclear war, the season explores the survival of a select elite in underground bunkers known as Outposts, managed by the enigmatic organization. The narrative blends supernatural horror with themes of end-times survival, centering on the arrival of Michael Langdon, a charismatic yet ominous figure who seeks to rebuild society in a hidden paradise. The season premiered on September 12, 2018, and consists of 10 episodes, airing weekly until November 14, 2018. It serves as a direct crossover between the first season, Murder House, which introduced Michael Langdon as the Antichrist born from a demonic conception, and the third season, Coven, featuring a coven of witches led by the Supreme, Cordelia Goode. Key plot elements include the fortified Outpost 3, a sanctuary for the wealthy and influential amid societal collapse, where Langdon's true nature emerges as a destructive force, countered by the resurgence of the witches' academy from Miss Robichaux's. This setup features classic characters such as Cordelia Goode (Sarah Paulson) and the Harmon family—Vivien (Connie Britton) and Ben (Dylan McDermott)—from prior seasons in a time-travel sequence to 2011, integrating their arcs into the apocalyptic conflict. Ryan Murphy intended the season to expand the series' interconnected mythology in an ambitious crossover format, describing it as a "big, bold, romantic" narrative that explodes the established universe by reuniting fan-favorite elements from Murder House and . This approach allowed for the return of characters like and elements from the Harmons' story, fulfilling long-teased connections and providing closure to lingering storylines while heightening the stakes in a world-ending scenario.

Role in the Season Arc

"Apocalypse Then" is the tenth and final episode of , airing on November 14, 2018, with a runtime of approximately 43 minutes. As the , it serves as the culmination of the 10-episode narrative arc, providing closure to the central conflicts surrounding the nuclear apocalypse, the confrontations within the , and the unfolding prophecy. This episode ties together the season's crossover elements from prior installments like and Murder House, resolving the interconnected supernatural threats in a high-stakes conclusion. The buildup to this finale spans the preceding episodes, particularly highlighting Michael's ascendance as a pivotal , the witches' strategic initiatives, and the critical alliances forged in episodes 8 and 9, which set the stage for the ultimate showdown. Structurally, the episode follows the series' typical format with a teaser sequence to hook viewers, multiple acts that escalate the tension, and a that offers additional layers to the crossover narrative's closure. This organization emphasizes the episode's role in delivering comprehensive resolution while leaving subtle implications for the broader universe.

Production

Development and Writing

The episode "Apocalypse Then," the season finale of , was written by series co-creators Ryan Murphy and from a story by Joshua Green. Executive producer contributed to the season's scripting process, drawing on his prior collaborations with Murphy on earlier installments of the anthology series. Development of the finale's script took place amid the ongoing production of season 8, which Murphy had conceptualized as a crossover event as early as 2017, with the full reveal announced in June 2018 to capitalize on fan demand for reuniting elements from Murder House and . Key writing decisions centered on resurrecting prominent Coven witches to drive the narrative climax, blending high-stakes horror with the show's characteristic campy humor to tie off the season's apocalyptic lore. The script navigated challenges in weaving together disparate timelines—spanning the , present day, and afterlife—while preserving continuity across the interconnected seasons without introducing inconsistencies.

Filming and Direction

The direction of "Apocalypse Then" was handled by , a frequent collaborator on the series who helmed several episodes across multiple seasons, bringing his signature blend of tense pacing and atmospheric tension to the season finale. Buecker's approach emphasized dynamic , including sweeping crane shots and handheld sequences, to heighten the episode's climactic confrontations and supernatural reveals. Filming for the episode took place from June to October 26, 2018, aligning with the overall season production schedule that wrapped in late fall to meet the November airdate. Much of the production occurred on soundstages at 20th Century Fox Studios in , where elaborate interior sets for the Outpost bunker and Miss Robichaux's Academy were constructed to recreate the post-apocalyptic and witchcraft environments. Additional location shooting included the Rosenheim Mansion at 1120 Westchester Place in , utilized for exterior and transitional scenes evoking the season's haunted architectural motifs. Exteriors for wasteland sequences, which informed the episode's broader apocalyptic backdrop, were captured at sites like the and Acton areas north of . Visual effects played a crucial role in realizing the episode's elements, with FuseFX providing comprehensive digital enhancements for otherworldly transformations and environmental destruction. Practical effects, overseen by AFX Studios, included custom prosthetics and stage blood for scenes, blending tangible makeup artistry with CGI to depict hellish realms and magical resurgences without relying solely on digital simulation. Lighting techniques favored real flame sources, augmented by LED "meta candles" for safety and control, to create a flickering, infernal ambiance in key sequences. MPC contributed specialized for disturbing, large-scale apocalyptic imagery, ensuring seamless integration with the practical elements.

Cast and Characters

Returning Cast from Prior Seasons

Sarah Paulson reprised her role as Foxx, the headmistress of Miss Robichaux's Academy for Exceptional Young Ladies originally introduced in the third season, . Paulson's portrayal maintained the character's evolution from a hesitant witch to a more assertive leader within the coven dynamics, showcasing her versatility through multiple roles across seasons, including the returning Billie Dean Howard from Murder House. Evan Peters returned as Tate Langdon, the troubled teen from Murder House who fathered the season's central antagonist, connecting the crossover narrative. His reprise was confirmed alongside other Murder House alumni, emphasizing the season's focus on legacy characters. Jessica Lange made a highly anticipated return as Constance Langdon, the enigmatic neighbor from Murder House, marking her first appearance since Roanoke in season six. The casting was announced in August 2018 as a surprise element, highlighting her pivotal role in bridging the early seasons. Lily Rabe reprised Misty Day, the nature-attuned swamp from , whose bohemian essence added depth to the returning coven ensemble. Her return, along with other members, was teased in August 2018 promotions for the season's later episodes, underscoring the crossover's emphasis on witch continuity. Frances Conroy returned as Myrtle Snow, the stylish and outspoken former Supreme from , whose resurrection and guidance proved crucial to the witches' strategy against Michael Langdon. Emma Roberts reprised Madison Montgomery, the sharp-tongued young witch from , contributing her telekinetic powers and sarcastic demeanor to the coven's defense in the finale. Taissa Farmiga returned as Zoe Benson, the telekinetic witch and former Supreme from Coven, participating in the ritualistic confrontations and time-altering efforts. Gabourey Sidibe reprised Queenie, the human voodoo doll from Coven, whose unique abilities aided in the supernatural battle and voodoo alliances. Angela Bassett returned as , the powerful voodoo queen from , facilitating key rituals and alliances in the episode's climactic supernatural warfare.

Guest Stars and New Roles

reprises his role as the vengeful television executive Brock in "Apocalypse Then," where he infiltrates Outpost 3 and stabs Mallory in retaliation for being abandoned during the nuclear , adding a layer of personal grudge to the escalating chaos. Eichner's casting leverages his comedic background from shows like to inject satirical humor and absurd tension into the horror, contrasting the episode's high-stakes battle sequences with his character's petty rage. Cheyenne Jackson portrays John Henry Moore, the authoritative head of the Warlock Council, in expanded scenes during the finale's climactic confrontation against the , where his resurrection and leadership amplify the magical alliance's efforts without ties to prior seasons. Jackson's selection for the role draws on his prior AHS appearances in dramatic and authoritative capacities, providing a grounded, horrific twist to the warlock's sacrificial involvement in the afterlife-tinged battle. Joan Collins plays Evie Gallant, the manipulative matriarch whose earlier bunker machinations underscore the elite survivors' political infighting, influencing the familial betrayals that heighten the episode's scale even in her absence from the final confrontation. Her casting, secured after an impromptu Oscars afterparty pitch to Ryan Murphy, emphasizes a satirical take on aging Hollywood royalty entangled in post-apocalyptic power plays. New roles in the episode include as the Black Pope, a sinister figure who emerges in a flash-forward to groom the next , enhancing the finale's twist on eternal cycles of evil with a brief but ominous cameo. These limited appearances, chosen for their ability to deliver horrific surprises and satirical commentary, bolster the battle's epic scope by introducing fresh antagonistic elements amid the returning ensemble.

Episode Summary

Plot Synopsis

The episode opens in the days leading up to the nuclear apocalypse, as Supreme Witch Cordelia Foxx and her coven devise a desperate plan to combat the Antichrist, Michael Langdon, by allowing the end times to unfold while burying themselves in a protective resurrection spell to survive until the full manifestation of Mallory's latent powers. Myrtle Snow infiltrates the Silicon Valley lab of Mutt Shipton and Jeff Pryce, compelling them through witchcraft to upload a destructive virus into the android Ms. Venable (Robo-Mead) that will erase her knowledge of Michael's true identity, before incinerating the duo to safeguard the coven's strategy. Cordelia then casts identity-concealing spells on Mallory and Coco St. Pierre Vanderbilt, enabling them to infiltrate Outpost 3 undetected, with Coco compelled to suppress Mallory's emerging abilities through verbal abuse. As the missiles launch, , Myrtle, and Madison Montgomery entomb themselves alive at Robichaux Academy. In 2021, three years after the bombs have devastated the world, Mallory's powers surge, shattering the spell and allowing the trio to claw their way out of their shallow grave, their survival intact. They race to Outpost 3, arriving amid the carnage of Michael's recent massacre, where they resurrect Coco and Mallory—slain earlier by the vengeful Brock—using vitalum vitalis. Dinah Stevens, the sole survivor among the witches, reveals her allegiance to Michael, prompting to summon in a soul-bargaining that liberates from hell; the voodoo priestess promptly beheads Dinah with a . Michael arrives at the outpost with Robo-Mead, demanding the witches' submission, but Cordelia activates the pre-planted virus, causing the android to self-destruct in a fiery explosion. Madison seizes the opportunity to blast Michael with Robo-Mead's detached gun arm, quipping snarkily about his vulnerability, though he swiftly retaliates by snapping her neck. Brock, having tracked his former employer across the wasteland, stabs Mallory fatally; Myrtle immolates him in response, while Michael then slays Marie Laveau and Coco. As Michael advances on Cordelia, she stabs herself in a sacrificial act, transferring her Supreme essence to empower Mallory as the new Supreme and invoking the tempus infinitum spell. Empowered, Mallory transcends time, traveling back to 2015 to the Murder House neighborhood, where she witnesses a young Michael after he has murdered a priest. Constance Langdon, his grandmother, confronts and disowns the disturbed boy, leaving him to wander the street in despair; Mallory then repeatedly runs him over with an SUV, ensuring his death and averting his rise as the Antichrist. The timeline resets, preventing the apocalypse entirely. Returning to her original era, Mallory intervenes at the Hotel Cortez to dissuade Queenie from checking in, thus sparing her an eternity in hell, and proceeds to Misty Day's swamp shack, where the timeline shift automatically resurrects the swamp witch from her infernal torment. Madison, also revived by the alteration, offers her characteristic sarcasm upon reawakening at the academy. In the restored world, balance appears reclaimed with the intact at . However, a set three years after the birth of their son (implied 2024) shows Timothy Howard and Emily Duncan—spared from their original suicide pact in the altered timeline—discovering their 3-year-old son has murdered the babysitter by slitting her throat, with ominous signs like a blood-red sky and dead crows; satanists led by the Black Pope Miriam Mead and Ms. Venable then arrive at their apartment door to claim and raise the child as the new .

Key Themes and Symbolism

The episode "Apocalypse Then" explores central themes of redemption and , contrasting the witches' powers with the eternal represented by Michael's demonic forces. Goode's ultimate to empower Mallory embodies redemption through collective sisterhood, as she declares the coven's legion-like strength against , underscoring a feminist reclamation of power amid apocalyptic ruin. motifs recur through the witches' rituals, such as reviving Coco, Mallory, and Misty Day, symbolizing renewal and the redirection of energy that defies death's finality. The figure of Michael Langdon serves as a potent symbol of inevitable doom, his abilities and manipulative highlighting humanity's vulnerability to charismatic . Symbolism in the episode draws heavily on cyclical time, with the Tempus Infinitum spell enabling a timeline reset that echoes the original "Murder House" season's themes of inescapable fate, suggesting that apocalypses are perpetual battles between . is depicted as a twisted mirror of the Outpost's elitist , a realm of ironic torments like Madison's endless retail , reinforcing eternal consequences for and . The Seven Wonders ritual represents ultimate and magical ascension, tying the witches' trials to profound tests of endurance and power. Michael's accelerated aging symbolizes the loss of innocence corrupted by infernal origins, his youthful facade crumbling to reveal monstrous maturity. These elements connect deeply to broader lore, incorporating biblical motifs from "Murder House"—such as the Antichrist's birth and demonic hauntings—with the feminist empowerment arcs of "," where becomes a tool for subverting patriarchal doom. The finale uniquely satirizes in the , exemplified by Dinah Stevens' Faustian bargain for a talk show hosted by the and Madison Montgomery's snide commentary on vanity, critiquing how fame persists as a hollow pursuit even in .

Reception and Impact

Critical Reviews

"Apocalypse Then" received generally positive reviews from critics, earning an 79% approval rating on based on 24 reviews, with the consensus stating that the episode "barrels past two convoluted episodes of building to deliver a satisfying, batsh--t finale that lives up to its namesake." The season as a whole holds a score of 63 out of 100, indicating mixed or average reviews. Critics praised the episode for its fan-service crossovers, particularly the returns of beloved characters like Jessica Lange as Constance Langdon, which provided emotional payoffs and a sense of closure to long-running storylines from earlier seasons. Ambitious battle sequences, including the witches' confrontation with the Antichrist Michael Langdon in the hellish underworld, were highlighted for their visual spectacle and gore, blending high-stakes action with the series' signature camp. Reviews from Den of Geek emphasized how these elements delivered a chaotic yet entertaining resolution, rewarding longtime viewers with callbacks to Murder House and Coven. However, some reviewers criticized the episode for rushed resolutions and an over-reliance on , with several plot points feeling contrived to force reunions and tie-ins. described the finale as uneven, noting plot conveniences in the sequence—such as abrupt resurrections and predictable sacrifices—that padded the runtime with redundant flashbacks and diminished tension. Telltale TV echoed these sentiments, pointing out lazy narrative devices like Mallory's time-travel intervention and unresolved implications that undermined the season's earlier buildup. Notable praise went to director Bradley Buecker's handling of the material, which effectively blended horror and humor through campy moments like robot-assisted sacrifices, as lauded in the Rotten Tomatoes consensus for embodying Ryan Murphy's maximalist style. Sarah Paulson's performance as Cordelia Goode stood out, with critics commending her commanding presence in the climactic standoff, delivering emotional depth and a memorable final line that encapsulated the witches' defiance.

Viewership and Fan Response

The season finale "Apocalypse Then" drew 1.83 million live U.S. viewers. Including delayed viewing through DVR and streaming, the episode's total reach was 4.07 million viewers. Fan reactions on were predominantly positive, particularly regarding the episode's crossovers with prior seasons, as evidenced by discussion threads on the finale where top comments lauding these elements received over 1,000 upvotes. However, some fans expressed criticism over the ending's ambiguity, noting unresolved plot threads in online forums. The broadcast reflected strong immediate engagement on . The episode's crossover elements have continued to influence fan discussions and the franchise's direction, as seen in announcements for season 13 in 2025, which features returning cast from earlier seasons.

References

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