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Aweng Ade-Chuol
Aweng Ade-Chuol
Aweng Ade-Chuol
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Key Information

Aweng Mayen Chuol is a South Sudanese Australian model, actress, and artist.


Early life and education

[edit]

Chuol was born in the Kakuma Refugee Camp in Kenya, her family having fled the Second Sudanese Civil War. They moved to Australia when Chuol was seven years old.[1] She has 11 siblings, of whom she is the eldest.[2] Her father was a child soldier in the First Sudanese Civil War and also fought in the Second, dying as a result of an infected gunshot wound in 2006.[3][4]

Career

[edit]

In 2017, while working at a McDonald's in Sydney at the age of 18,[3] Chuol was noticed by an agent from Chadwick Models, who encouraged her to work with them. She signed with the organisation and began her career as a model.[1] She has since modelled for Fenty, Vetements, and Pyer Moss, among others.[1]

In 2020, Chuol featured in Beyoncé's musical film and visual album Black Is King,[1] and in a Ralph Lauren holiday advertisement alongside her wife.[5]

Chuol is studying law and psychological sciences at the University of New England, from which she graduated in 2021.[1][6] She hopes to use her law degree to help marginalised people, and would like to found a mental health centre in South Sudan. Chuol also takes acting classes, and is aiming to become an actor. She cites Lupita Nyong'o and Shonda Rhimes as inspirations for her acting career.[1]

Chuol was listed in OkayAfrica's 100 Women in 2019.[2]

Personal life

[edit]

Chuol is one of 11 siblings, all of whom reside in Sydney, Australia.[7]

Chuol met her ex-wife, Alexus, in January 2019.[3] They dated for nine months before becoming engaged. The couple got married in December of the same year at New York City Hall, and have matching "XII" (12) tattoos on their ring fingers.[6] Following their marriage, Chuol received homophobic abuse, particularly from communities in South Sudan, leading to her attempting suicide a few months later.[8] She spent three days in an intensive care unit and six more in hospital as a result.[3]

Chuol and Alexus were featured on the cover of Elle magazine in 2020.[8] As of September 2020 the couple lived in London.[3]

The couple got divorced at the end of December 2021.[9]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Aweng Ade-Chuol

View on Grokipedia
from Grokipedia
Aweng Ade-Chuol is a South Sudanese-Australian model, actress, and student recognized for her work with brands such as Balmain, , and UGG. Born in Kenya's to parents who fled the , she is the eldest of twelve siblings and resettled in at age seven, where her father, a former child soldier, later died amid ongoing conflict. Scouted in 2017 while working at a in , Ade-Chuol debuted at , walking for designers including , Pyer Moss, and MM6 , and appeared in Beyoncé's visual album as well as Rihanna's shows. In addition to modeling, she pursues degrees in law and psychological science at the University of New England, with ambitions to establish for people of color and a center in . Ade-Chuol advocates for refugee and through organizations like War Child and as a speaker at international forums, drawing from her experiences as a displaced . Her to Alexus Ade-Chuol, a nail artist and design assistant, has drawn homophobic backlash from segments of the South Sudanese community, contributing to her public discussions of ideation and cultural tensions over sexuality.

Early Life and Background

Birth and Family Origins

Aweng Ade-Chuol was born on November 30, 1998, in the refugee camp in northwestern . Her parents, originating from , had fled the violence of the Second Sudanese Civil War, seeking refuge in the camp established for displaced persons from the region. As the eldest of 12 children, Ade-Chuol grew up in a large family amid the hardships of camp life, where her parents raised her and her 11 younger siblings. The family's South Sudanese heritage traces to the war-torn areas of what was then , with displacement driven by ethnic conflicts and civil strife that uprooted thousands during the prolonged war from to 2005. Limited public details exist on her parents' specific backgrounds beyond their status, though Ade-Chuol has described her early years as marked by communal survival in the camp environment. At age seven, Ade-Chuol relocated with her family to , settling initially in Sydney's South Sudanese community, where her mother primarily cared for the children. This migration reflected broader patterns of resettlement for Sudanese refugees through humanitarian programs, though family-specific circumstances remain sparsely documented in available accounts.

Escape from Sudan and Refugee Experience

Aweng Ade-Chuol's parents fled their home in amid the Second Sudanese Civil War (1983–2005), a conflict between the Sudanese government and southern rebel groups that displaced millions and resulted in an estimated two million deaths. Her mother, who was 16 at the time and pregnant with Aweng, escaped with her husband before crossing into . The family sought refuge in , a sprawling camp in northwestern established in 1992 to house those fleeing regional conflicts, including from and neighboring countries. Ade-Chuol was born in under a tree, as the first of 12 children born to her parents. Her in the camp was characterized by isolation and limited resources, with the family relying on amid and harsh conditions typical of such settlements, which housed over ,000 people by the . The camp served as a temporary haven for East Africans escaping violence, but it offered precarious safety, with residents facing food shortages, disease outbreaks, and ongoing insecurity from cross-border tensions. In 2005, at approximately age seven, Ade-Chuol emigrated with her mother and 11 younger siblings to under a resettlement program, settling in Sydney's South Sudanese community. Her father remained behind in , reportedly continuing to fight in the conflict. This separation contributed to the family's challenges in adapting to life in , where they navigated cultural integration, economic hardship, and the psychological impacts of displacement. Ade-Chuol has since advocated for , highlighting issues like trauma from camp life and family fragmentation.

Settlement in Australia

Aweng Ade-Chuol and her family fled the Second , relocating first to the refugee camp in where she was born, before being granted asylum in , , in 2006 when she was seven years old. She arrived with her mother and 11 younger siblings, while her father remained behind, continuing to fight on South Sudan's battlefields. Upon settlement, the family integrated into Sydney's South Sudanese community, where Ade-Chuol described experiencing a happy childhood and adapting well to Australian life despite the challenges of displacement. As the eldest of 12 children, she contributed to family responsibilities early on, reflecting a strong instilled by relatives who had preceded them in emigrating from . This period marked a transition from hardships to relative stability, though Ade-Chuol later reflected on the lingering impacts of trauma from her early experiences. In , Ade-Chuol pursued formal education and initially aspired to careers in or , benefiting from Australia's opportunities for refugee integration, including access to schooling and community support networks. Her settlement experiences underscored themes of resilience and cultural adaptation, as she navigated identity in a multicultural environment while maintaining ties to her South Sudanese heritage.

Education and Pre-Modeling Years

Formal Education

Aweng Ade-Chuol completed her at Auburn Girls High School in Western , , a institution with a predominantly Muslim student body reflecting the area's diverse immigrant communities. During high school, she excelled in Legal Studies, English, and , which aligned with her longstanding ambition to become a . After high school, Ade-Chuol enrolled at the University of New England in . As of 2018, she was pursuing dual degrees in and , with the latter chosen for personal interest and its utility in understanding interpersonal dynamics in the fashion industry. By 2020, she was completing bachelor's degrees in and psychological sciences, intending to leverage her legal training to establish affordable law firms serving people of color and centers in . In 2021, she continued a double degree in and psychological sciences while balancing modeling commitments. As of 2023, she remained engaged in law studies, underscoring her commitment to legal advocacy amid her professional career.

Early Aspirations and Influences

Prior to her discovery in the modeling industry, Aweng Ade-Chuol aspired to a career in , motivated by her academic strengths in Legal Studies, English, and during high school. She cultivated an early enthusiasm for , regularly engaging with political television programs and debates, which reinforced her determination to study at . These interests aligned with her plans to complete and enroll in a law program, including participation in university debating activities. To finance her postsecondary education, Ade-Chuol took on part-time employment at fast-food outlets such as and beginning at age 14, reflecting a practical approach shaped by her family's emphasis on . At 18, while in her second year of law studies, she balanced these academic pursuits with initial modeling opportunities after being approached by an agent at her workplace. Her pre-modeling focus remained on legal training, which she later supplemented with studies in psychological sciences. Early influences extended to fashion and photography, where Ade-Chuol drew inspiration from Alexander McQueen's designs, Peter Lindbergh's photographic work, and a magazine image of , though these did not initially divert her from her legal ambitions. Her refugee background and relocation to at age eight instilled a drive for professional stability and advocacy, informing her as a means to effect systemic change.

Modeling and Professional Career

Discovery and Entry into Industry

Aweng Ade-Chuol was first scouted at age 16 while residing in , , within a South Sudanese community, though her mother deemed her too young to pursue modeling at that time, leading her to prioritize . She continued working part-time jobs, including as a cashier at a local , where she was rediscovered at age 18 around 2017. Following the rediscovery, a scout provided her with a , prompting her entry into the industry; within two weeks, she signed with agencies and was flown to for her professional debut. In 2018, Ade-Chuol walked exclusively for at , marking her runway entry and securing representation in , , New York, and . This rapid transition from fast-food employment to international bookings highlighted her distinctive features and poised her for broader fashion opportunities.

Key Campaigns, Runways, and Achievements

Ade-Chuol's modeling breakthrough occurred in 2018 when she walked exclusively for during Fashion Week's Fall/Winter collections, marking her debut after being scouted while working at a in . That same year, she appeared in Rihanna's Fenty x Savage debut runway show, contributing to the brand's presentation. In Spring 2019, she walked for Pyer Moss, featuring in Kerby Jean-Raymond's Weeksville-inspired collection at . Subsequent runway appearances include shows for MM6 Maison Margiela, ASAI, , and Burberry's Spring/Summer 2022 presentation in . More recently, she walked for KNWLS during Fashion Week's Autumn/Winter 2024 and returned to for their Fall/Winter 2024-2025 show in on March 1, 2024. In campaigns, Ade-Chuol has fronted for , , and , leveraging her distinctive features including facial scars from childhood activities. Additional endorsements include Balmain and UGG, with the latter highlighted in a 2023 feature where she discussed her involvement. These efforts have positioned her as a prominent face in diverse beauty standards within the industry, evidenced by her 24 advertising credits and participation in 48 runway shows as of recent profiles.

Expansion into Acting and Art

Ade-Chuol has pursued alongside her modeling career, with early interests sparked by watching films and television after learning English. She began formal training by working weekly with an acting coach during the in 2020, allowing more time for creative development. Her screen debut came in Beyoncé's visual album , released on Disney+ on July 31, 2020, where she appeared as a performer. Subsequent credits include a featured role in the 2023 music video for 30 Seconds to Mars' single "Stuck" and an appearance in the 2022 documentary series Supreme Models, which profiles prominent figures in the industry. She has also guested on the Australian television program One Plus One in 2011. In addition to acting, Ade-Chuol has identified as an artist, incorporating creative pursuits into her multifaceted career as a model, performer, and student. Specific artistic projects beyond performance remain limited in public documentation, though she has expressed a broad commitment to artistic expression drawn from her personal experiences.

Personal Life

Relationships and Marriage

Aweng Ade-Chuol met Alexus Ade-Chuol, a nail-artist entrepreneur, in January 2019 during a business meeting in . The pair began dating shortly after and became engaged nine months later following a proposal in that Ade-Chuol described as "beautiful and straight to the point." They married on December 13, 2019, at in a attended by close friends. To mark the occasion, the couple commemorated the day with matching tattoos and a casual pizza dinner, reflecting their preference for low-key celebrations amid Ade-Chuol's rising modeling career. Ade-Chuol's family in has expressed support for the marriage, with her mother and siblings embracing Alexus as part of the family despite not having met her in person as of late 2020. The couple's relationship has been portrayed in media as a modern partnership, with joint interviews discussing their first year of coinciding with the , which stranded them in New York. No prior long-term relationships for Ade-Chuol have been publicly documented in .

Mental Health Challenges

In 2020, Ade-Chuol experienced severe difficulties exacerbated by public backlash following her to Alexus Ade-Chuol in December 2019. She reported receiving intense homophobic abuse, particularly from South Sudanese communities, which contributed to her emotional distress amid the 's isolation. This culminated in a in April 2020, after which she spent three days in intensive care and required six months of recovery. Ade-Chuol publicly disclosed the incident on in June 2020, stating she was in a better place but emphasizing the importance of sharing such experiences to reduce stigma. In a subsequent ELLE UK interview, she detailed how the combination of familial rejection—stemming from her religious upbringing—and online criticism intensified her depression and anxiety. Ade-Chuol has attributed these challenges partly to cultural clashes between her background and Western norms of personal expression, including her identity and relationship, which strained ties with conservative community elements. Despite recovery, she has continued to discuss the episode in advocacy contexts, linking it to broader issues like the under-addressed needs of populations, where stigma and limited access to care compound vulnerabilities.

Advocacy Efforts

Refugee and Mental Health Initiatives

Ade-Chuol, born in Kenya's Kakuma refugee camp after her family fled South Sudan's civil war, has channeled her experiences into advocacy for psychosocial support in refugee settings, particularly emphasizing mental health needs for girls and children in conflict zones. She collaborates with War Child, which provides protection and education for children in war-affected areas, and Children in Conflict, focused on aiding young people impacted by violence and displacement. These partnerships underscore her efforts to address trauma validation and therapy access for refugees, whom she describes as deserving "someone that has an experience with the world... to give them validation for their existence." In October 2019, Ade-Chuol recorded a video message for the International Conference on and Psychosocial Support in Crisis Situations, advocating for enhanced resources to help refugees cope with from camps and conflict. Her public discussions, including a November 2020 episode of the Seeking Peace , highlight the urgency of interventions for camp-dwelling children, informed by her own early memories of displacement. Ade-Chuol is pursuing a degree in child psychology to deepen her expertise in these areas.

Cultural Identity and Public Statements

Aweng Ade-Chuol, born in the in to South Sudanese parents, identifies strongly with her South Sudanese heritage while acknowledging the formative influence of her Australian upbringing after her family's in 2003. Her name, "Aweng," translates to "cow" in Dinka, a Nilotic ethnic group prominent among South Sudanese, symbolizing sacred value in pastoral traditions where livestock underpin social and economic structures. She has described a childhood disconnection from her origins, recalling a assignment on "home" that prompted her to learn for the first time about her birth, as her family suppressed discussions of displacement to focus on adaptation—"pack up, let it go, and keep going." In public statements, Ade-Chuol has emphasized personal belonging over rigid adherence to communal traditions, particularly in the context of her 2019 to Alexus Ade-Chuol, which contravened South Sudan's 2011 constitutional ban on such unions and elicited widespread condemnation from the South Sudanese . She advocated for normalizing gay , stating, "Gay marriages should be treated as significant and as normal as any other ," framing it as a matter of equality rather than cultural deviation. The union provided her a sense of stability amid her nomadic modeling life, as she noted, "Once I got married I realised I had found a place where I was respected and loved unconditionally. has brought me a sense of permanent home and belonging that I was looking for." While her accepted the , broader community backlash included public wishes for her harm on her wedding day and persistent questioning of "How dare she marry a ?," which she described as "saddening" and baffling, leading the couple to relocate to for a fresh start. Ade-Chuol has highlighted the tension between her heritage and individual agency, noting positive responses from some Sudanese women who found validation in her visibility as an openly figure, despite traditional South Sudanese norms—shaped by and tribal customs—viewing same-sex relations as . She has expressed political ambitions tied to her roots, aspiring to visit and pursue leadership with a focus on "upholding " as her core mission, signaling a desire to reconcile her assimilated Western values with ancestral ties through reform rather than rejection.

Controversies and Criticisms

Backlash from South Sudanese Community

Ade-Chuol's marriage to Alexus Ade-Chuol in December 2019 in New York elicited widespread condemnation from segments of the South Sudanese diaspora and communities in . The union, publicized in early 2020, provoked accusations of cultural betrayal and immorality, rooted in South Sudan's constitutional ban on enacted in 2011 and penal code provisions criminalizing homosexual acts with penalties up to 14 years imprisonment. Critics within the community, including online commentators from the Australian-South Sudanese population, labeled the marriage a rejection of Dinka tribal traditions emphasizing heterosexual unions and procreation, with some invoking religious interpretations from and indigenous beliefs dominant in . Public responses included vitriolic attacks, with users decrying Ade-Chuol as a "Western-corrupted" figure who disgraced her heritage by prioritizing personal desires over communal expectations of and family lineage preservation. In interviews, she recounted how the backlash isolated her from networks, as elders and peers withdrew support, viewing the as an affront to collective survival narratives forged during South Sudan's and displacements. This reaction echoed broader tensions in South Sudanese diaspora groups, where assimilation into liberal host societies like is often scrutinized for eroding patriarchal and patrilineal structures central to ethnic identity. The controversy highlighted fractures between younger, urbanized members exposed to global LGBTQ+ visibility and conservative factions adhering to homeland norms, where public same-sex relationships remain and subject to enforcement. Ade-Chuol noted in a 2020 ELLE feature that the hostility was "baffling" yet pervasive, with community leaders amplifying disapproval through informal networks, though no formal or legal actions from South Sudanese authorities were reported. Reports from multiple outlets corroborated the intensity of online harassment, which peaked following her ELLE cover appearance in November 2020 depicting the couple kissing, further framing her as a symbol of cultural divergence.

Broader Debates on Assimilation and Tradition

Aweng Ade-Chuol's same-sex marriage to Alexus Ade-Chuol in December 2019 exemplified tensions between individual assimilation into Western liberal norms and adherence to South Sudanese cultural traditions, particularly within diaspora communities. Traditional South Sudanese society, influenced by Dinka tribal customs and widespread Christian beliefs, emphasizes heterosexual marriage as essential for family lineage, clan alliances, and bride wealth exchanges, viewing same-sex unions as incompatible with procreative and communal obligations. Her public embrace of pansexuality and the marriage drew sharp condemnation from segments of the South Sudanese Australian community, with some expressing wishes for harm against her, contrasting with support from her immediate family. This backlash underscored empirical patterns in immigrant groups where rapid adoption of host-country values on sexuality erodes traditional social cohesion, as second-generation individuals prioritize personal autonomy over collective norms. In broader diaspora debates, such conflicts highlight causal trade-offs: assimilation facilitates economic and social in liberal democracies like , enabling careers in global industries such as fashion, but often at the expense of cultural continuity and community ties. South Sudan's 2011 constitution explicitly bans , reflecting pre-colonial and post-independence resistance to as a foreign import antithetical to African systems, a stance echoed in discussions invoking "traditional values" against external pressures. Critics within conservative diaspora factions argue that unchecked assimilation risks diluting ethnic identity, leading to higher rates of isolation and issues, as evidenced by Ade-Chuol's own in 2020 amid the vitriol, which she attributed partly to community rejection. Pro-assimilation advocates, including some younger diaspora members, counter that traditions must evolve to accommodate human diversity, citing global human rights frameworks, though data from refugee studies indicate persistent intergenerational rifts exacerbate identity crises. Ade-Chuol has voiced frustration over the community's fixation on her personal life amid South Sudan's ongoing civil strife, questioning, "It was the happiest day of my life, and they couldn’t let me enjoy it," while acknowledging her role as an unintended symbol for gay rights among Sudanese youth. This positions her narrative within realist debates on causal realism: Western individualism empowers personal fulfillment but challenges the empirical utility of traditions in fostering resilient group survival, especially for refugees fleeing war. Sources like fashion media portray the opposition primarily as prejudice, yet overlook how such traditions historically sustained ethnic groups amid adversity, informing selective source credibility in coverage that favors progressive reinterpretations over unaltered cultural precedents.

References

  1. https://usa.10magazine.com/10-questions-with-aweng-ade-chuol/
  2. https://www.vogue.com/article/aweng-ade-chuol-model-multi-hyphenate-beyonce-black-is-king
  3. https://www.showstudio.com/contributors/aweng-chuol
  4. https://www.elle.com/uk/life-and-culture/culture/a34805600/aweng-january-cover-interview/
  5. https://people.com/style/aweng-ade-chuol-kisses-wife-on-the-cover-of-elle-uk/
  6. https://www.famousbirthdays.com/people/aweng-chuol.html
  7. https://www.elle.com/uk/fashion/a31280136/aweng-chuol-interview/
  8. https://www.models1.co.uk/women/image/4273-aweng-chuol/
  9. https://www.papermag.com/aweng-chuol-alton-mason-pride
  10. https://officemagazine.net/kid
  11. https://msmagazine.com/2021/02/25/supermodel-aweng-ade-chuol-is-an-advocate-for-refugee-mental-health/
  12. https://i-d.co/article/model-aweng-chuol-interview/
  13. https://www.dazeddigital.com/beauty/article/41541/1/aweng-model-first-female-president-south-sudan
  14. https://www.thecut.com/2020/12/aweng-ade-chuol-talks-mental-health-in-elle-uk-interview.html
  15. https://anneofcarversville.com/fashion/2020/12/8/aweng-chuol-elle-uk
  16. https://meetingofmindsuk.uk/realreads/aweng-ade-chuol-life-love-lows/
  17. http://www.starobserver.com.au/news/aweng-ade-chuol-on-racism-the-reaction-to-her-marriage-to-alexus-ade-chuol/204502
  18. https://www.missionmag.org/the-south-sudanese-australian-model-aweng-chuol-has-turned-an-unlikely-background-into-a-wildly-successful-modeling-career/
  19. https://thephotoacademy.com/en/magazine/aweng-chuol-tells-you-how-to-do-it
  20. https://www.teenvogue.com/story/models-changing-the-fashion-industry-2019
  21. https://www.unomodels.com/news/31221-aweng-chuol-at-the-burberry-ss-22-show
  22. https://imagelinkglobal.com/products/ILEA002404531/
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  26. https://www.vogue.com/slideshow/new-york-city-hall-wedding-model-aweng-ade-chuol-alexus-ade-chuol
  27. https://www.instagram.com/p/CtrYowsBNbt/
  28. https://www.youtube.com/watch?v=nsMMnwy15VM
  29. https://www.starobserver.com.au/news/aweng-ade-chuol-on-racism-the-reaction-to-her-marriage-to-alexus-ade-chuol/204502
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  31. https://www.facebook.com/NLinSouthSudan/posts/south-sudanese-top-model-aweng-chuol-born-in-kakuma-has-become-an-activist-for-m/2456025241179077/
  32. https://shows.acast.com/seeking-peace/episodes/aweng-chuol
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  36. https://www.humandignitytrust.org/country-profile/south-sudan/
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