B.A.P discography

The discography of B.A.P, a South Korean boy band formed by TS Entertainment, encompasses two studio albums, seven extended plays, eight single albums, and numerous singles, including Japanese releases, primarily between 2012 and 2018, reflecting their hip-hop-infused K-pop style during their initial seven-year run.^[1] Debuting on January 26, 2012, with the single album Warrior, the group—originally consisting of six members—quickly gained attention for their powerful performances and socially conscious lyrics, amassing a dedicated international fanbase known as BABY.^[2] Their output concluded with the 2018 live EP B.A.P Concert Special Solo 'The Recollection', following internal challenges including a 2014 lawsuit against their agency that led to renewed contracts.^[3] Key releases highlight B.A.P's evolution from high-energy anthems to more mature themes, with notable Korean-language works including the debut EP No Mercy (2012), the studio album First Sensibility (2014), and singles like "One Shot" (2013), "Stop It" (2012), and "Crash" (2017), which charted prominently on South Korean platforms such as Gaon.^[1] The band also ventured into the Japanese market starting in 2012, releasing localized versions of hits like "Warrior" and full albums such as Best Move (2013) and One Shot (2014), contributing to their global appeal.^[2] After Bang Yong-guk and Zelo departed in 2018, and following Himchan's exit in January 2019 amid legal issues related to sexual assault allegations, the remaining members—Dae-hyun, Young-jae, and Jong-up—saw their contracts expire with TS Entertainment, leading to the group's effective disbandment on February 18, 2019.^[4] In a surprising development, Bang Yong-guk reunited with Dae-hyun, Young-jae, and Jong-up under the project name BANG&JUNG&YOO&MOON via MA Entertainment, releasing their first post-hiatus EP Curtain Call on August 8, 2024, featuring five tracks including the title song "Gone" and compositions by Yong-guk, marking a nostalgic yet forward-looking close to their legacy.^[4] This reunion EP, produced amid Zelo's military service (which he completed in June 2025 without rejoining the project), underscores B.A.P's enduring influence in K-pop, with plans for a fan concert to celebrate the release.^[4]

Korean discography

Studio albums

B.A.P released two Korean studio albums during their active years with TS Entertainment, showcasing a broader range of tracks compared to their EPs and single albums. These full-length releases allowed for deeper exploration of their hip-hop, rock, and pop influences, often with thematic cohesion around personal growth and relationships. Both albums achieved strong performance on the Gaon Album Chart (now Circle Chart) and Billboard World Albums Chart, contributing to the group's domestic and international success.^[5] The debut studio album, First Sensibility, was released on February 3, 2014, following the group's legal resolution with their agency. Featuring 13 tracks with the lead single "1004 (Angel)," a mid-tempo R&B track highlighting vocal harmonies, it debuted at number 3 on the Gaon Album Chart and number 1 on the Billboard World Albums Chart. The album sold 106,190 copies in South Korea. Limited editions included photobooks and posters.^[6] The second studio album, Noir, arrived on November 7, 2016, presenting a more mature sound with noir-inspired aesthetics focusing on longing and introspection. The title track "Skydive" blended upbeat pop with rap verses. It peaked at number 2 on the Gaon Album Chart and number 1 on the Billboard World Albums Chart, selling 52,812 copies in South Korea. The album included 13 tracks, with editions featuring DVDs of performances.^[7]

Extended plays

B.A.P's extended plays, often referred to as mini-albums in the K-pop industry, represent a core component of their Korean discography, featuring 4 to 7 tracks with cohesive thematic concepts and typically released in quicker cycles than full studio albums. These releases allowed the group to explore bold, narrative-driven music videos and performances centered on social commentary, empowerment, and dystopian futures, contributing to their reputation for high-energy hip-hop and rock-infused sound. From their debut in 2012 to their post-reunion comeback in 2024, B.A.P issued seven EPs under TS Entertainment and later Warner Music Korea, achieving consistent top placements on the Gaon Album Chart (now Circle Chart) and international recognition on Billboard's World Albums chart.^[8] Their debut EP, Warrior, released on January 26, 2012, marked B.A.P's entry into the music scene with a militant theme emphasizing perseverance and rebellion against injustice. It debuted at number 3 on the Gaon Album Chart and reached number 10 on the Billboard World Albums chart, selling 34,882 copies in South Korea. The EP includes four tracks blending hip-hop and rock elements.^[6] Following the success of Warrior, B.A.P released Power on April 27, 2012, classified as an EP in international platforms despite some domestic sources labeling it a single album; it continued the group's aggressive, motivational motif with tracks focusing on inner strength. The EP peaked at number 2 on the Gaon Album Chart and number 10 on the Billboard World Albums chart, with initial sales exceeding 30,000 copies. It features four tracks produced to showcase the members' rap and vocal dynamics.^[8] No Mercy, B.A.P's third EP, arrived on July 19, 2012, delving into themes of street justice and resilience amid urban chaos, later repackaged as Crash on August 30, 2012, with an additional track. It debuted at number 3 on the Gaon Album Chart, selling over 57,000 copies combined for both versions. The original EP contains five tracks, highlighting the group's synchronized choreography and intense performances.^[9] The 2013 EP One Shot, released February 13, built on B.A.P's rising popularity with a narrative of seizing opportunities, achieving number 2 on the Gaon Album Chart and topping the Billboard World Albums chart for the first time as a K-pop act. It sold 86,386 copies and topped iTunes hip-hop charts in the US, Canada, and New Zealand. Featuring five tracks, it emphasized emotional depth in lyrics and production.^[10][5] Later that year, Badman dropped on August 6, 2013, portraying a vigilante storyline against corruption, which resonated with fans through its cinematic music video. The EP reached number 3 on the Gaon Album Chart and number 1 on the Billboard World Albums chart, with total sales of 88,989 copies. It includes six tracks fusing trap influences with the group's signature power.^[11][5] After a period of legal disputes with their agency, B.A.P returned with Matrix on November 16, 2015, a dystopian-themed EP critiquing societal control and surveillance, marking a mature evolution in their artistry. It debuted at number 1 on the Gaon Album Chart—their first such achievement—and sold 98,276 copies. The six-track release incorporates electronic and industrial sounds for an immersive concept.^[5] Carnival, released February 22, 2016, shifted to a vibrant, celebratory vibe with circus-inspired visuals, serving as a lighter counterpoint to prior intense themes while addressing fan loyalty. It peaked at number 2 on the Gaon Album Chart and number 48 on Japan's Oricon Albums Chart. The EP features six tracks blending pop and EDM elements.^[12] In a significant milestone, B.A.P's remaining members—Bang Yong-guk, Jung Dae-hyun, Yoo Young-jae, and Moon Jong-up—reunited in 2024 under the name BANG&JUNG&YOO&MOON due to trademark issues, releasing Curtain Call on August 8, 2024, as their first post-reunion EP and a reflective farewell to their journey. It debuted at number 3 on the Circle Album Chart and number 23 on Japan's Oricon Weekly Album Chart, topping Hanteo's daily physical sales on its release week. The five-track EP evokes nostalgia and closure, with emotional ballads and uptempo tracks honoring their legacy.^[13]

Single albums

B.A.P's Korean single albums represent concise musical offerings, typically comprising 2 to 4 tracks centered around a lead single, released in both digital and physical formats to bridge gaps between their extended plays and studio albums. These releases highlighted the group's versatility, from high-energy hip-hop to acoustic and seasonal themes, and often achieved strong chart performance on the Gaon Album Chart (now known as the Circle Chart). The format allowed for focused promotions while maintaining momentum in their discography. The following table summarizes B.A.P's single albums, including release dates, Gaon Album Chart peaks, and track listings: B.A.P Unplugged 2014 stands out as a live acoustic recording, capturing intimate performances to showcase the group's vocal and instrumental abilities without electronic production. In contrast, the 2024 release Christmas with You, issued under the name BANG&JUNG&YOO&MOON following the group's reunion after a period of hiatus, emphasizes holiday themes with warm, festive arrangements and unplugged variants for a cozy seasonal appeal. All single albums were distributed by TS Entertainment until 2019, after which MA Entertainment handled subsequent releases, contributing to Gaon chart success through physical sales and digital streams.

Singles

B.A.P's Korean singles primarily consist of title tracks from their EPs, studio albums, and single albums, which were promoted heavily on music shows and charted on the Gaon Digital Chart (now Circle Digital Chart). These singles often featured powerful choreography and socially aware lyrics, driving the group's popularity in South Korea and abroad. Many achieved top 10 positions on Gaon, with strong digital sales and streaming performance. The following table highlights key Korean singles with verified chart data up to 2018 and post-reunion releases.^[22]

Japanese discography

Studio albums

B.A.P's Japanese studio albums were released under King Records and featured adaptations of their Korean tracks with Japanese lyrics, alongside original compositions tailored for the Japanese audience. These releases emphasized the group's powerful hip-hop and rock influences, often including exclusive content like new B-sides and promotional materials to engage local fans. The albums consistently charted in the top ten on the Oricon Albums Chart, reflecting B.A.P's growing popularity in Japan during their active years. The debut Japanese studio album, Best. Absolute. Perfect, was released on March 30, 2016, as a compilation highlighting the group's hits. It included Japanese versions of songs such as "Warrior," "One Shot," and "No Mercy," along with the original Japanese track "Kingdom" as the lead single. The album debuted at number 4 on the Oricon Albums Chart and sold 24,327 copies in its first week.^[9] Track listings were adapted with Japanese vocals and instrumentation to suit market preferences, and limited editions featured a 48-page photobook and Matoki-themed merchandise. Unlimited, the second studio album, arrived on June 28, 2017, marking B.A.P's first full-length release with predominantly original Japanese tracks. Featuring 13 songs, including the singles "Wake Me Up," "Fly High," and "Feel So Good," it showcased a mix of upbeat pop-rock and intense rap sequences. The album entered the Oricon Albums Chart at number 6, with first-week sales of 21,170 copies.^[23] Exclusive content included DVD editions with music videos and behind-the-scenes footage, emphasizing the group's dynamic live performance style. The third and final studio album, Massive, was issued on March 28, 2018, containing 10 original tracks such as "Honeymoon" and "Hands Up." It continued the trend of Japanese-exclusive production, blending electronic elements with the group's signature aggressive sound. Debuting at number 6 on the Oricon Albums Chart, the album supported B.A.P's subsequent Japan tour. Limited versions offered DVDs and special packaging like mini tote bags. No further Japanese studio albums were released after 2018, as the group shifted focus to Korean activities amid contract changes and eventual disbandment in 2019.

Singles

B.A.P entered the Japanese market with their debut single in 2013, releasing a series of singles that included Japanese-language adaptations of their Korean hits and original compositions tailored for local audiences. These releases were typically available in multiple physical formats, such as CD+DVD limited editions, standard CD editions, and special limited versions with exclusive merchandise like photocards or rings, to appeal to Japanese fans. Coupled b-sides often featured additional Japanese versions of group tracks or new songs, supporting promotions through music videos, fan events, and television appearances on programs like Music Station. The singles performed well on the Oricon Singles Chart, reflecting B.A.P's growing popularity in Japan during their active years.^[22][24] The group's singles up to 2018 are detailed below, highlighting key releases with verified chart performance and sales data where available. Higher-charting entries like "No Mercy" benefited from extensive promotion, including live performances on Japanese TV and handshake events that boosted physical sales.^[25][9]

Other charted songs

Korean other charted songs

B.A.P's Korean-language non-title tracks have occasionally charted on the Gaon Digital Chart (now Circle Digital Chart), often driven by fan streaming and album sales following the release of their EPs and albums. These b-sides highlight the group's strong discography depth, with tracks gaining traction independently of promotional activities. One early example is "It's All Lies" from the 2012 EP Power, which entered the Gaon Digital Chart at number 178 due to initial fan interest in the album's rock-influenced sound. Similarly, "Punch" from the 2013 EP One Shot peaked at number 100, benefiting from the EP's overall success and the track's energetic hip-hop style that resonated with listeners. From their first studio album First Sensibility in 2014, b-sides such as "With You" (peaked at #105) and "Lovesick" (#109) also charted, reflecting the album's emotional ballads that appealed to a broader audience beyond the title track "1004 (Angel)". Following B.A.P's 2024 reunion as Bang & Jung & Yoo & Moon, the EP Curtain Call included b-sides such as "Love", "Farewell", "Stand It All", and "Way Back", which saw increased streaming from dedicated fans celebrating the group's return after seven years, though none entered the Circle Digital Chart. The album debuted at number 3 on the Circle Album Chart, contributing to visibility for these tracks amid the comeback hype.^[43]

Japanese other charted songs

B.A.P's Japanese non-single tracks, including b-sides from singles like "Coffee Shop" and "Zero" on the 2014 "EXCUSE ME" release, did not achieve independent charting on major platforms such as the Oricon Singles Chart or Billboard Japan Hot 100, where visibility was confined to full single and album sales.^[44] Album cuts from releases like the 2016 album Unlimited, featuring tracks such as "Freaky Sound" and "Fire Flame," similarly lacked separate song chart entries, underscoring the group's reliance on promotional singles for chart impact in the Japanese market.^[45] With no new Japanese material since the 2018 compilation B.A.P THE BEST -Japanese Version-, no additional non-single tracks have entered charts as of 2025.

Music videos

Korean music videos

B.A.P's Korean music videos are renowned for their high-production values, narrative-driven concepts, and cinematic storytelling, often produced by TS Entertainment in collaboration with directors from Zanybros. These visuals typically emphasize the group's powerful image, blending action, social commentary, and emotional depth to complement their hip-hop and EDM-influenced tracks. From their debut in 2012 through their 2017 releases and the 2024 reunion project, the videos have garnered significant acclaim, including awards at the Mnet Asian Music Awards (MAMA) for innovative visuals.^[46][47][48] The debut music video for "Warrior," released on January 26, 2012, was directed by Hong Won-ki and featured a fierce warrior theme portraying the members as rebels fighting oppression, establishing B.A.P's signature intense aesthetic with dynamic choreography and urban sets. It has surpassed 25 million views on YouTube as of November 2025, reflecting enduring fan engagement. "No Mercy," unveiled on July 18, 2012, also directed by Hong Won-ki, adopted a gritty prison concept with the members depicted as stylish inmates breaking free, aligning with a "pop boy" theme that highlighted fashion-forward rebellion and earned praise for its sharp dance sequences.^[46][49][48] In 2013, "One Shot," directed by Hong Won-ki and released on February 11, transformed into a spy thriller narrative, showing the group as a gang executing a high-stakes rescue mission across Korea and the Philippines, filmed over 100 hours with explosive action scenes that showcased groundbreaking production. Later that year, "Badman" on August 6 delved into a cinematic war-zone concept, critiquing societal injustices through dystopian visuals of the members as outlaws in a ruined city, emphasizing dramatic slow-motion effects and thematic depth.^[50][51][52] "Skydive," released on November 6, 2016, featured an epic 10-minute runtime with aerial stunts and a multi-layered storyline of survival and escape, incorporating high-altitude filming and stunt choreography to evoke adrenaline-fueled freedom, later expanded in a director's cut for deeper character arcs. The 2017 video for "Wake Me Up," premiered on March 6, shifted to a more introspective concept, illustrating young people's personal struggles—such as bullying and isolation—through interconnected vignettes of cathartic awakenings, underscoring themes of resilience and social awareness in a polished, empathetic style.^[53][47][54] Following the group's partial reunion in 2024, the music video for "GONE," the title track from the EP Curtain Call released on August 8 by the quartet BANG&JUNG&YOO&MOON, showcased high-production elements with emotional, reflective visuals tying back to B.A.P's legacy, including nostalgic callbacks and intimate performances that boosted viewership amid the reunion hype. This release marked a resurgence, with the video rapidly accumulating views and highlighting the impact of fan-driven demand on their post-hiatus visibility.^[55][56]

Japanese music videos

B.A.P's Japanese music videos were created to support their singles and albums in the Japanese market, often adapting Korean originals with localized elements such as adjusted choreography, Japanese-language lyrics, and staging influenced by local production teams to resonate with audiences. These videos emphasized dramatic narratives and visual styles tailored for platforms like YouTube and Nico Nico Douga, contributing to the group's promotions tied to Oricon chart performances. All such productions occurred prior to the group's 2019 hiatus, with no new Japanese music videos released following their 2024 reunion. The Japanese version of "Warrior," B.A.P's debut single in Japan, featured a music video released on September 13, 2013, directed by a Japanese team and incorporating localized choreography that highlighted the group's powerful dance routines in urban settings. This adaptation of their 2012 Korean hit promoted the single's October 9 release, which debuted at number 5 on the Oricon Daily Singles Chart, marking a strong entry into the market. The video's intense, warrior-themed visuals aligned with Oricon-linked events and garnered significant attention on Japanese streaming platforms. In 2014, the music video for the Japanese version of "No Mercy" premiered on March 9, showcasing dramatic staging with high-energy performances and shadowy aesthetics to evoke the song's aggressive tone. Produced as part of the third Japanese single's rollout on April 3, it supported promotions that propelled the track to number 2 on both the Oricon Daily and Weekly Singles Charts. The video's fresh footage, distinct from the Korean original, emphasized theatrical elements suited for Japanese viewers. "Kingdom," released as the lead track for B.A.P's first Japanese studio album Best. Absolute. Perfect. on March 30, 2016, had its full music video unveiled on March 4, featuring a royal theme with opulent costumes and majestic sets symbolizing empowerment. Shot in sub-zero temperatures to capture an epic atmosphere, it served as a key promotional tie-in for the album's Oricon chart success and the group's world tour announcements in Japan. The video's grand scale differentiated it from prior releases, focusing on narrative depth for international appeal. The Japanese adaptation of "Feel So Good," the fifth single released on July 13, 2016, included a music video debuted on June 24 that portrayed emotional ballad visuals through heartfelt expressions and intimate group dynamics, thanking fans with themes of gratitude ("arigato"). This version maintained the song's uplifting yet sentimental vibe from the Korean original while adding subtle Japanese cultural nuances in its warm, reflective cinematography. Promoted via Oricon channels, it helped sustain B.A.P's momentum in Japan ahead of their later activities.