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Balachandran Chullikkad
Balachandran Chullikkad
Balachandran Chullikkad
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Balachandran Chullikkad (born 30 July 1957) is an Indian poet, orator, lyricist and actor in Malayalam-language media.

Key Information

Early life

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Balachandran was born in Paravur, Ernakulam, Kerala, India. He completed his graduation in English literature from the Union Christian College, Aluva (first two years) and Maharajas College, Ernakulam.[1][2]

Career

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His collection of poems published includes Pathinettu Kavithakal, Amaavaasi, Ghazal, Maanasaantharam, Dracula etc.[3] Another collection of his previously published poems, Balachandran Chullikkadinte Kavithakal (The Poems of Balachandran Chullikkad), was published in 2000.[3] He has also published a book of his memoirs, Chidambarasmarana (2001).[4]

He has participated in many national literary seminars organised by the Central Academy of Letters, India. He was one among the ten members of a cultural delegation of India to Sweden in 1997 invited by Nobel Academy and Swedish Writers Union.[5] He represented Indian poetry in the international bookfair in Gothenburg, Sweden in November 1997.[6]

Chullikkad is also an actor in Malayalam films and serials.[7][8] As an actor, he is best known for G. Aravindan's Pokkuveyil (1981) in which he played a young artist who lives with his father, a radical friend and a music-loving young woman. The film is about how his world collapses when his father dies, the radical friend leaves him and her family takes the woman away to another city.[9]

In 2018, he criticised the state education department for their incompetency in teaching Malayalam language. He urged it to remove his poems from curricula in schools, colleges and universities. Chullikkadu alleged that marks were being given in abundance for papers containing mistakes without proper evaluation, and the appointment of Malayalam teachers are not on the basis of qualifications, but caste, religion, political influence and nepotism. He said research work on Malayalam literature lack quality and that doctoral degrees were conferred on even those works which contain mistakes.[10][11]

Personal life

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Chullikkad is married to Vijayalakshmi, a known Malayalam poet and they have a son named Appu.[12][3]

In 2000, he took Buddhism as his religion.[13] He says that this cannot be called a conversion from Hinduism because he was never a follower of that religion. "I have not converted because I have not been a believer though I was a Hindu. I have now embraced Buddhism, not converted to Buddhism. The problem with Hinduism is that it is a religion of social status and set-ups. Your value in Hinduism depends on the family in which you were born," he says.[14]

Political views

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In a 2000 interview, Chullikkad revealed that he was a sympathiser of the Naxalite movement during his teenage years. He then continued as a Marxist for some years. But after the fall of the Soviet Union and "the Eastern European experience", he rethought his conviction about Marxism and reorganised his intellectual life on a different path. "I found that Marxism is outdated and irrelevant. Now I am not a Marxist, but a social and political democrat. Soviet experience proved that individual freedom without the base of socialism and socialism without sanctioning individual freedom is a failure. Communism practised all over the world is some kind of socialism without sanctioning individual freedom. Communism without approving individual freedom is social fascism", he said.[15]

Awards

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In 1990, he refused the Sanskriti Award for the best young writer in India and declared that he would not accept any award for his literary works.[16] In 2001, his work Balachandran Chullikkadinte Kavithakal was selected for the Kerala Sahitya Akademi Award for Poetry,[17] but Chullikkad did not accept the award.[16] In 2003, he received the National Film Award for Best Non-Feature Film Narration / Voice Over (Non Feature Film Category) for The 18 Elephants – 3 Monologues.[18]

Bibliography

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Filmography

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Films

[edit]

Actor

[edit]
Year Title Role Notes
1982 Pokkuveyil
1987 Ezhuthapurangal Balan
Theertham Shivan
1988 Marikkunnilla Njaan
1994 Pradakshinam
Sraadham
2005 Rappakal Deva Narayanan
Maanikyan Himself Cameo
The Tiger Dr. Bharathan Kumar
Nerariyan CBI Thirumeni
Bharathchandran I.P.S. Mudoor Sidhan
2006 Chinthamani Kolacase Sathyan Master
Aanachandam Vishwanathan
Vaasthavam
2007 Ali Bhai Collector Sukumaran Nair
Abraham & Lincoln
Nasrani Adv. Mathews
2008 One Way Ticket Balan Master
Parunthu Abraham
Oridathoru Puzhayundu Comrade Dasettan
Minnaminnikoottam Appukuttan Maashu
Pakal Nakshatrangal
Roudram Doctor Surendran
2009 Kali
Evidam Swargamanu Elias
Vellathooval
Sagar Alias Jacky Reloaded
Samastha Keralam PO Balagangadharan
Patham Nilayile Theevandi Board member
Chattambinadu Kattappilly Cheriya Kuruppu
Madhya Venal
Vairam: Fight for Justice
Ivar Vivahitharayal
2010 Drona 2010 Nelloor Karanavar
Pokkiri Raja
Amma Nilaavu
Sadgamaya
Bodyguard
Elsamma Enna Aankutty Dr. Stephen Tharakan
Sakudumbam Shyamala
Pranchiyettan & the Saint Ajay Nambiar
2011 Ithu Nammude Katha Advocate
Three Kings Shankaran Unni Raja's father
August 15 Vasudevan
Collector
Bombay March 12
2012 Orkut Oru Ormakoot
Naughty Professor
Ayalum Njanum Thammil Murali
Mayamohini Shankaradi Melpathoor
Thattathin Marayathu
Last Bench Vinyan
916 Narayanan
2013 Sound Thoma Dr. George Joseph
Bharya Athra Pora Rajendran
August Club
White Paper
Lokpal Ashraf
Immanuel Madhavettan
Proprietors: Kammath & Kammath Sathyaneshan
Namboothiri Yuvavu @ 43
Kadal Kadannu Oru Maathukutty Shamsu
Nadodimannan KRP
Omega.exe
Silence
Pigman
Kaattum Mazhayum Unreleased
2014 Cousins Varkey Master
The Dolphins
Pranayakadha
Kootathil Oral
Manja Abhayaraj's friend
Mr. Fraud Adv. Idiculla
On The Way
Thomson Villa
Parayan Baaki Vechathu
Ringmaster
Onnum Mindathe
2015 Kumbasaram
Mashithandu
Oru New Generation Pani
Onnam Loka Mahayudham
Tharakangale Sakshi
Ellam Chettante Ishtam Pole
32aam Adhyayam 23aam Vaakyam Noaha
Two Countries Kanaran Master
2016 Action Hero Biju Paulachan
Kolamass
Pachakallam
King Liar Paraparambil Narayanan Nair
Welcome to Central Jail Khader
2017 Hello Dubaikkaran
Sathya
Aakashamittayee Himself
Kaaliyan
Role Models College Principal
Vishwa Vikhyatharaya Payyanmar Govindan Master
2018 Marubhoomiyile Mazhathullikal
Aami Himself
Ottakoru Kaamukan Older Dominic
Neeli
Mohanlal Hari
Ira Judge
Oru Pazhaya Bomb Kadha Rohith Shetty
Thanaha
2019 Janaadhipan Swamy
Madhura Raja Adv. Mohandas
Children's Park Rishi's father
Thrissur Pooram Adv. Jayamohan
2021 Ice Orathi
Bheeshma Parvam Girija Achari
2022 Naradan Vijayan [21]
2023 Sesham Mike-il Fathima Himself
2025 L Jagadamma Ezham Class B [22]
Aabhyanthara Kuttavaali Sahadevan's father [23]
Flask [24]
Composer
  • "Amme Pinvili Vilikkaathe" ... Pokkuveyil 1982
  • "Oru Ormmathan" ... Pokkuveyil 1982
  • "Paampu Kadicha" ... Ezhuthaappurangal 1987
Lyricist
  • Amme Pinvili Vilikkaathe ... Pokkuveyil 1982
  • Oru Ormmathan ... Pokkuveyil 1982
  • Nimishamaam ... Sruthi 1987
  • Leelaaravindam ... Sruthi 1987
  • Cheekithirukiya ... Sruthi 1987
  • Onam Vannu (Bit) ... Sruthi 1987
  • Ganapathiye Nin Achan ... Theertham 1987
  • Aathintho ... Theertham 1987
  • Bas More Nainan ... Theertham 1987
  • Paampu Kadicha ... Ezhuthaappurangal 1987
  • Kaanaamarayathu ... Pradakshinam 1994
  • Kaavalam Kiliye ... Saamoohya Paadam 1996
  • Kaavalam Kiliye ... Saamoohya Paadam 1996
  • Indrasabha ... Abraham & Lincoln 2007
  • Thakkida Tharikida ... Abraham & Lincoln 2007
  • Swapnamaraalike ... Abraham & Lincoln 2007
  • Kezhamaankannaale ... Abraham & Lincoln 2007
  • uduraajamukhi ... Abraham & Lincoln 2007
  • Raagam Shokam ... Thaniye 2007 G Venugopal
Playback singer
  • Poothappaattu ... Chillu 1982
  • Amme Pinvili Vilikkaathe ... Pokkuveyil 1982
  • Oru Ormmathan ... Pokkuveyil 1982
  • Paampu Kadicha ... Ezhuthaappurangal 1987
  • Idavamaasa perumazha ... Makalkku 2005
Story
  • Jaalakam (1987)
  • Idanaazhiyil Oru Kaalocha (1987)
  • Oozham (1988)
  • Orukkam (1990)
Dialogue
  • Jaalakam (1987)
  • Idanaazhiyil Oru Kaalocha (1987)
Screenplay

Television

[edit]
Year Title Role Notes
2024-Present Snehapoorvam Shyama Zee Keralam
2023–2024 Anuraga Ganam Pole Zee Keralam
2022–2023 Amma Makal Zee Keralam
Thoovalsparsham (TV series) Asianet
2020–2023 Thinkalkalamaan Surya TV
2019–2020 Chackoyum Maryyum Mazhavil Manorama
2019–2021 Sumangali Bhava Zee Keralam
2018–2020 Bhagyajathakam Mazhavil Manorama
2018 Gauri Surya TV
2017 Seetha Flowers TV
2017–2018 Ammuvinte Amma Mazhavil Manorama
2016–2017 Pokkuveyil Flowers TV
2016 Mayamohini Mazhavil Manorama
2015 Karuthamuthu Asianet
2015 Ganga Doordarshan
2014 Balamani Mazhavil Manorama
2013 Eran Nilav Doordarshan
2011 Chila Nerangalil Chila Manushyar Amrita TV
2011–2012 Kathayile Rajakumari Mazhavil Manorama
2010 Indhraneelam Surya TV
Devimahathmyam Asianet
2009–2010 Vadakaikkoru Hridayam Amrita TV
2009 Pookalam Surya TV title song lyrics
2008–2009 Priyamanasi Surya TV
2008 Thulabharam Surya TV
Meera Asianet
2007 Makalude Amma Surya TV
Mizhi Thurakkumbol Surya TV
Venalmazha Surya TV
Parvanendu
Swapnagale Kaaval Kairali TV
Mizhi Thurakkumo Doordarshan

Web series

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Year Title Role Notes
2024 Jai Mahendran Rtd Tahasildar Shibu [25]

Notes

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Balachandran Chullikkad

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Balachandran Chullikkad (born 30 July 1957) is an Indian poet, orator, lyricist, and actor working predominantly in the Malayalam language. Native to Paravur in Ernakulam district, Kerala, he graduated with a degree in English literature and rose to prominence as a representative of modern Malayalam poetry through collections like Balachandran Chullikkadinte Kavithakal. Chullikkad has appeared in numerous Malayalam films, including Action Hero Biju and Ayalum Njanum Thammil, while also contributing as a lyricist and earning the National Film Award for Best Non-Feature Film. His works often explore profound philosophical and social themes, establishing him as a multifaceted cultural figure in Kerala.

Early Life

Birth, Family, and Education

Balachandran Chullikkad was born on 30 July 1957 in Paravur, , , . He was born into the aristocratic and wealthy , which had significant resources and social standing in the region. Chullikkad is married to , a noted . Chullikkad completed his undergraduate degree in English literature at Maharajas College, .

Literary Career

Poetry and Major Publications

Balachandran Chullikkad emerged as a significant voice in modern poetry through his debut collection Pathinettu Kavithakal, published in 1980 by in . This work, comprising 18 poems, marked his entry into literary circles with introspective and contemporary themes reflective of post-1970s society. His second collection, Amavasi, followed in , published by D.C. Books in , delving into existential motifs and human solitude through 54 pages of verse. Subsequent publications expanded his oeuvre, including (D.C. Books), which draws on the form's rhythmic structure to address personal and socio-political reflections, with the poem "Ghazal" itself composed in 1984. Further collections such as Manasantharam and continued his exploration of psychological depth and unconventional narratives, often blending irony with cultural critique. In 2000, D.C. Books released Balachandran Chullikkadinte Kavithakal, a comprehensive compiling his works up to that point, solidifying his reputation as a prolific with over five major volumes. These publications, primarily issued by Kerala's leading literary presses, underscore his consistent output from the early 1980s onward, influencing subsequent generations of writers.

Song Lyrics and Prose Contributions

Balachandran Chullikkad has contributed lyrics to numerous s, often infusing them with poetic and drawn from his literary style. His debut as a came in the 1982 film Pokkuveyil, directed by , where he penned songs such as "Amme Pinvili Vilikkaathe," "Oru Ormmathan," and "Nimishamaam," which explore themes of longing and transience. Subsequent works include "Paampu Kadicha Neram" for Ezhuthaappurangal (1987) and "Kaanaamarayathu" for Pradakshinam (1994), the latter composed by and reflecting contemplative rural life. In later films, Chullikkad's lyrics continued to blend lyrical depth with cinematic narrative. For Abraham & Lincoln (2007), he wrote "Kezhamaankannaale," set to music by Ouseppachan, emphasizing emotional restraint. His contributions extended to Poomaram (2018), with "Oru Sooryanalle" composed by Gopi Sundar, marking a return after a hiatus and highlighting youthful aspiration. These film songs, totaling over a dozen documented instances, demonstrate his versatility in adapting poetic form to melodic structures while maintaining thematic consistency with his broader oeuvre. Beyond film, Chullikkad has rendered select poems as lyrical performances, such as "Sandarshanam" (composed by Jaison J , 2024) and "Yaathraamozhi" (2007), which blur lines between recitation and song, often featured in musical albums or videos. In prose, Chullikkad authored the memoir Chidambara Smarana (published 2001), a reflective account of his experiences in 1980s-1990s , chronicling personal struggles, literary influences, and socio-political observations through journal-like entries. This work stands as a key non-poetic contribution, offering introspective narrative prose that complements his poetic explorations of and disillusionment.

Media and Acting Career

Film Appearances

Balachandran Chullikkad debuted as an actor in the film Pokkuveyil (1982), directed by , marking his entry into cinema alongside his primary pursuits in poetry and . Over the subsequent decades, he took on supporting roles in over 70 films, typically portraying nuanced character parts such as professionals, elders, or authority figures, while continuing to contribute to several projects. His early filmography includes Ezhuthaappurangal (1987), Theertham (1987), Marikkunnilla Njaan (1988), Pradakshinam (1994), and Sraadham (1994). In the 2000s, notable appearances feature Rappakal (2005), Manikyan (2005), and (2008). Later roles encompass (2010), (2011), (2012), (2014) as Advocate Idiculla, (2014) as Judge, (2016), (2016) as Paraparambil Narayanan Nair, and (2016) as Khader.
YearFilm TitleRole
1982PokkuveyilSupporting role
1987EzhuthaappurangalSupporting role
1987Supporting role
2005RappakalSupporting role
2014Advocate Idiculla
2016Supporting role
2016Paraparambil Narayanan Nair
2016Khader

Television and Web Series Roles

Balachandran Chullikkad has appeared in several Malayalam-language television serials, primarily in supporting roles that leverage his distinctive presence as a and . His television work includes serials such as Meera, Mizhi Thurakkumo, Chila Nerangalil Chila Manushyar, and Seetha, where he contributed to ensemble casts in narrative-driven family dramas typical of regional . In more recent productions, Chullikkad featured in Amma Makal (2022), portraying a significant character alongside actors like and in a storyline involving familial tensions and dramatic events. He also took on a meaty role in Anuraga Ganam Pole (premiered 2023), a serial emphasizing logical plotting and character depth, co-starring with and Prince. These appearances highlight his selective engagement with , often aligning with themes of human relationships and societal observation akin to his literary output. No verified roles in web series have been documented in available sources, suggesting his acting career has remained more prominent in films and traditional television formats.

Oratory and Public Life

Lectures, Recitations, and Performances

Balachandran Chullikkad has garnered acclaim for his oratorical skills, delivering lectures and speeches that intertwine literary analysis with critiques of societal norms, often at literary festivals, academic institutions, and public forums. His style emphasizes humanistic themes and enlightenment through literature, positioning him as a public intellectual who employs prose and verse to address communalism and orthodoxy. In September 2018, he spoke at a memorial event for poet Abhimanyu, urging a united front against divisive forces and highlighting the risks faced by voices opposing communalism. Chullikkad's poetry recitations are noted for their emotional depth and performative intensity, frequently drawing large audiences at national events. At the Mathrubhumi International Festival of Letters in Thiruvananthapuram in February 2018, his recitation stood out as one of the highlights, captivating attendees with selections from his oeuvre. In July 2017, he recited poems and engaged in audience interactions during Sahitya Akademi programs in New Delhi, showcasing works that reflect personal and migratory experiences. Similarly, a 2017 Sahitya Akademi session featured his readings followed by discussions on poetic craft. His recitations extend to audio formats, including a Sahitya Akademi cassette documenting live poetry readings and the 1992 album Amavasi Poems (Kavithakad), which compiles seven tracks of his voiced verses. Internationally, Chullikkad has performed recitations representing Indian literature, such as during a 1997 cultural delegation to Sweden. More recently, in 2024, he presented a soul-stirring poetry reading at the Art Lovers of America Festival in Seattle, emphasizing themes of resilience through his distinctive delivery. Domestically, his 2020 recitation of Edasseri Govindan Nair's lines on migrant suffering, during a Kannur oratory series on 'Shrinking Spaces, Transcending Letters', evoked tears and underscored the visceral impact of his performances. In addition to recitations, Chullikkad has lectured at educational settings, such as assuming a role at Varma College in in 2017, where he shared insights on poetry and literature. He has also delivered memorial addresses, including the Vayalar Ramavarma Memorial Speech, and critiqued institutional practices in public talks, such as those targeting academic poets' detachment from lived realities. Performances extend to dramatic interpretations, like his rendition of Marc Antony's "Friends, Romans, countrymen" speech, blending oratory with theatrical flair in events at institutions such as U.C. College in 2022. These engagements highlight his versatility in using voice and gesture to amplify poetic and rhetorical power.

Political and Ideological Stances

Early Influences and Naxalite Sympathies

Balachandran Chullikkad, born in 1957 in Kerala amid a backdrop of intensifying leftist activism following the 1967 Naxalbari uprising, encountered radical political ideas during his formative years. The Naxalite movement, characterized by Maoist-inspired peasant rebellions against feudal structures, gained traction in parts of India, including underground sympathies in Kerala during the 1970s. In his teenage years, roughly the early , Chullikkad admitted to sympathizing with the Naxalite cause, reflecting the era's appeal of revolutionary ideologies to youth disillusioned with mainstream and social inequalities. In a interview, he explicitly stated, "I was a sympathiser of the Naxalite movement in my teenage." This alignment stemmed from exposure to radical literature and the broader cultural ferment in , where intersected with anti-establishment fervor, though specific personal catalysts beyond the remain undocumented in primary accounts. These early sympathies later evolved into freelance Marxism, but Chullikkad distanced himself after the Soviet collapse, reorganizing his worldview away from collectivist dogmas. Accusations of Naxalite leanings persisted into later family disputes, as noted by actor in 2019, who linked them to Chullikkad's with a amid political scrutiny. Such revelations underscore how his youthful radicalism, while transient, shaped perceptions of his ideological trajectory.

Secularism, Anti-Communalism Positions, and Critiques of Orthodoxy

Balachandran Chullikkad has consistently advocated for , emphasizing human connections that transcend religious divisions, as illustrated by his recounting of a Muslim colleague forgoing her fast to join his farewell lunch, prioritizing camaraderie over ritual observance. He has positioned himself as a critic of religious , particularly within , where societal branding as a "caste Hindu" despite non-practice led to feelings of oppression and forced association with communal causes he rejected. In 2000, Chullikkad formally embraced in Bodhgaya, following the Ambedkarite tradition that views as a rational rather than a deity, citing its rejection of and as aligning with his principles; he framed this not as conversion from —which he never followed—but as a deliberate against rising Hindu communalism and the system's entrenchment in society. He has highlighted historical Hindu suppression of Buddhists and Jains in as evidence of orthodoxy's coercive legacy, intending as a tool to challenge hierarchies. Chullikkad's anti-communal stance targets forces promoting religious division, including the BJP's vision of a Hindu nation and global Islamic efforts to supplant other faiths, both of which he accuses of eroding India's constitutional framework. In , at a for slain leader M. Abhimanyu, he called for a of students, farmers, laborers, and the marginalized to combat fascist and communal threats ahead of the elections, opposing religious organizations' influence on campuses as divisive. He has critiqued even leftist groups, including Communists, for pragmatic compromises with and despite professed secular ideals. His support for individual conversions, such as writer Madhavikutty's to , drew threats from Hindu nationalists, underscoring his resistance to orthodoxy's intolerance.

Controversies and Public Disputes

Requests to Exclude Works from Syllabi

In March 2018, Balachandran Chullikkad publicly appealed to educational authorities in to withdraw his poems from school and college syllabi, arguing that his works were being mishandled by unqualified teachers and pseudo-intellectuals within the academic system. He specifically criticized the appointment of instructors based on factors such as , , and political affiliations rather than merit, claiming this led to distorted interpretations and rote memorization that undermined the poetry's intent. Chullikkad emphasized that his poetry was not intended for compulsory study or mass consumption, stating, "I am begging them to exclude my poems from all syllabi and all researches," as he viewed forced academic inclusion as a degradation of his creative output. The request sparked debate among literary figures, with some like poet acknowledging an author's right to seek exemption from curricula, while others questioned whether such pleas reflected broader concerns about pedagogical standards in education. Chullikkad's stance highlighted his disillusionment with institutional handling of , positioning the exclusion as a protective measure for both his work's integrity and students' comprehension, rather than an outright rejection of education itself. Chullikkad reiterated this demand on February 24, 2025, in a note to followers, reaffirming that he is "not Malayalam's beloved " and insisting his poems should not be imposed on students through syllabi, as they were never meant for such formalized dissemination. This follow-up underscored his consistent position against academic canonization, prioritizing voluntary engagement with his poetry over mandatory inclusion.

Criticisms of Literary Institutions and Remuneration Practices

In February 2024, Balachandran Chullikkad publicly criticized the for offering inadequate remuneration for literary engagements, highlighting a two-hour lecture he delivered on January 30, 2024, at the institution's International Literary Festival of Kerala. He received ₹2,400 for the session on Kumaranasan's poem Karuna, despite incurring additional out-of-pocket expenses of approximately ₹1,100 for local travel by cab, which he described as emblematic of undervaluation of literary contributions. Chullikkad contrasted this with public willingness to pay thousands or lakhs of rupees for mimicry and musical performances, arguing that such disparities reflect a systemic disregard for serious literary discourse among . Chullikkad's post triggered broader debate on norms within Kerala's literary , prompting responses from Akademi officials. President expressed regret over the "poor " and announced measures to provide Chullikkad with a more appropriate fee, while acknowledging administrative lapses. Chullikkad rejected any compensatory payment, emphasizing that his objection addressed institutional practices rather than personal gain, stating it could not be resolved through ad hoc adjustments. Cultural Affairs Minister also voiced regret, describing the incident as an "office mistake" and underscoring the validity of Chullikkad's concerns about equitable treatment for writers. The episode extended scrutiny to the Akademi's operational priorities, as subsequent criticisms from figures like lyricist amplified calls for reform in how state-funded bodies compensate literary artists amid budget allocations favoring other cultural events. Chullikkad's stance aligned with his prior reservations about academic and institutional handling of , though he framed this instance as a pointed of undervaluing intellectual labor in favor of more commercialized entertainment forms.

Withdrawal from Public Platforms

In October 2025, Balachandran Chullikkad announced his permanent withdrawal from public platforms, declaring an end to participation in felicitation events and similar public engagements. He cited exhaustion from excessive public adoration, stating that "even nectar turns to poison when taken in excess" and emphasizing that there should be a limit to such affection, as he no longer had the strength to bear it. This decision was prompted by a recent invitation from a Gulf-based offering traditional honors including a , cash prize, and a large audience, which he viewed as emblematic of ongoing demands on his time and energy. Chullikkad explicitly requested in his communication to media outlets, imploring, "Please, leave me alone," and affirming, "I have withdrawn from public life for good." He referenced a underscoring self-sufficiency: "Even if one doesn’t receive , it’s enough not to be beaten with the begging bowl," framing his retreat as a principled stand against unsolicited public . This move aligns with an earlier resolve around 2023, following a event where he felt overburdened by similar felicitations, leading him to initially curtail such appearances. His aversion to public platforms echoes long-standing patterns of reclusiveness, as observed in prior years. By , Chullikkad had already established a for media interactions, rejecting awards, and prohibiting celebrations of his literary or personal life, preferring to disseminate his work through personal channels like books, audio recordings, blogs, and selective rather than mainstream publicity. This consistent detachment underscores a deliberate prioritization of artistic integrity over public acclaim, avoiding the performative aspects of literary fame.

Personal Life

Marriage and Family

Chullikkad is married to , a poet. The couple has one son, named Appu. No public details are available regarding the date of their or additional members.

Awards and Recognitions

Accepted Honors

Balachandran Chullikkad received the National Film Award for Best Non-Feature Film Narration / Voice Over at the 51st National Film Awards in 2003 for his narration in the documentary The 18 Elephants – 3 Monologues, directed by P. Baburaj. This recognition highlighted his distinctive voice-over contribution to the film's exploration of poetic monologues inspired by elephant imagery. Unlike his consistent refusal of literary accolades post-1990, Chullikkad accepted this cinema-specific honor, which aligned with his multifaceted career as a poet-actor rather than purely literary output. No other major awards are documented as accepted by him in either literary or performative domains, reflecting his principled stance against institutional recognitions for creative writing.

Declined or Rejected Awards

In 1990, Chullikkad refused the Sanskriti National Award, presented as recognition for the best young writer in , and subsequently declared that he would accept no awards for his literary works, establishing a consistent policy against such honors. This position stemmed from his belief that artistic merit should stand independently of institutional validation. He reiterated this commitment over five decades of writing, stating in 2018 that he had never accepted awards for his literary output. In 2001, consistent with this policy, Chullikkad declined the , which had selected his poetry collection Balachandran Chullikkadinte Kavithakal for recognition. His refusal highlighted a broader aversion to formal literary accolades, prioritizing autonomy over acclaim from bodies like state academies. This stance has been noted in profiles describing him as one who shuns awards and media attention to maintain creative independence.

Bibliography

Poetry Collections

Balachandran Chullikkad's poetry collections primarily feature introspective and imagistic verse, often drawing from personal, rural, and existential themes. His debut anthology, Pathinettu Kavithakal, published in 1980, established his early style with 18 poems exploring human emotions and societal observations. Subsequent works expanded his thematic range. Amavasi (1982) delves into themes of absence and introspection, as reflected in its titular poem recited in audio collections. Ghazal (1987) incorporates lyrical forms influenced by Persian traditions, marking a stylistic evolution. (1988) introduces gothic and metaphorical elements, while Maanasaantharam (1994) focuses on internal psychological shifts. In 2000, DC Books released Balachandran Chullikkadinte Kavithakal, a compilation volume incorporating poems from his first five collections, providing a comprehensive overview of his oeuvre up to that point.

Other Writings

Chidambara Smaranam, published in 2001 by DC Books, stands as Balachandran Chullikkad's principal prose work, functioning as a memoir that compiles introspective journal entries spanning the 1980s and 1990s. The narrative details the author's encounters with financial hardship, relational dynamics, and existential reflections during a formative period of personal and artistic development in India. Its prose style, characterized by fluid, evocative language akin to molten lava, underscores themes of vulnerability and resilience without resorting to sentimentality. Chullikkad has also contributed essays and articles to literary journals and newspapers, often critiquing societal norms and literary establishments, though these have not been systematically compiled into dedicated collections beyond the memoir. Such writings reflect his broader engagement with non-fictional discourse, emphasizing empirical observations of cultural and personal realities over abstract theorizing.

Filmography

Feature Films as Actor

Balachandran Chullikkad began his acting career in with the lead role in Pokkuveyil (1982), directed by , portraying a young man grappling with personal and political turmoil. He has since appeared in over 75 feature films, predominantly in character roles that often draw on his poetic persona and intellectual presence. His film roles span decades, including supporting parts in (1987), Pradakshinam (1994), and Rappakal (2005), where he played Deva Narayanan. In (2005), he portrayed Thirumeni, contributing to the investigative thriller's ensemble. Later works feature him as Raja's lawyer in Madhuraraja (2019) and Swamy in Janaadhipan (2019).
YearFilmRole
1982PokkuveyilLead (young poet)
1987Actor
1994PradakshinamActor
2005RappakalDeva Narayanan
2005Thirumeni
2010Actor
2012Actor
2016Actor
2019MadhurarajaRaja's Lawyer
Chullikkad's performances are noted for authenticity, often reflecting his real-life identity as a , though he remains selective in roles aligning with his literary .

Television and Web Series

Balachandran Chullikkad has acted in multiple Malayalam-language television serials, often portraying supporting characters in family dramas and social narratives broadcast on regional channels. His television appearances include on Asianet, Thinkalkalaman on from 2020 to 2023, Sumangali Bhava on , Seetha on , Chackoyum Maryyum on , Bhagyajathakam on , and Gauri on . Additional serials feature him in Meera, Mizhi Thurakkumo, Chila Nerangalil Chila Manushyar, Priya Manasi, Ponnum Poovum, Pokkuveyil, and Omanathinkal Kidavoohalam. No web series credits are documented in available production records.

References

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  15. https://www.malayalachalachithram.com/listsongs.php?l=257
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  30. https://english.mathrubhumi.com/features/books/balachandran-chullikkad-becomes-emotional-while-reciting-edasseris-poem-v74b6u1p
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  32. https://www.youtube.com/watch?v=UGjFmKQ93tI
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  42. https://www.rediff.com/news/2000/apr/06faith.htm
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  44. https://m.rediff.com/news/2000/apr/06faith.htm
  45. https://www.indiatoday.in/india/kerala/story/malayalam-poet-balachandran-chullikad-requests-to-exclude-his-poems-from-academics-in-protest-against-pseudo-intellectuals-1193392-2018-03-20
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  54. https://www.thehindu.com/news/national/kerala/poet-balachandran-chullikad-comes-out-against-poor-remuneration-by-kerala-sahitya-akademi-for-his-lecture/article67807277.ece
  55. https://timesofindia.indiatimes.com/city/kochi/meagre-pay-from-akademi-for-lecture-irks-chullikkad/articleshow/107395521.cms
  56. https://thesouthfirst.com/kerala/how-two-celebrated-poets-have-embarrassed-the-ruling-ldf-and-its-cultural-wing-in-kerala/
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  58. https://www.onmanorama.com/news/kerala/2024/02/04/poet-balachandran-chullikkad-rejects-sahitya-akademi-compensation.html
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  62. https://english.mathrubhumi.com/features/books/said-goodbye-to-public-life-leave-me-alone-poet-balachandran-chullikkad-fed-up-with-felicitations-vna5dx5g
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  67. https://www.actiononframes.com/artist/balachandran-chullikkadu/
  68. http://kaavyaanjali-seetha.blogspot.com/2011/09/blog-post_24.html
  69. https://dcbooks.ae/view_book.aspx?productid=9788126402793
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  72. https://www.imdb.com/title/tt0082921/
  73. https://www.nettv4u.com/celebrity/malayalam/lyricist/balachandran-chullikkadu/list-of-serial-and-shows
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