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Bandslam
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Bandslam
Theatrical release poster
Directed byTodd Graff
Screenplay by
Story byJosh A. Cagan
Produced byElaine Goldsmith-Thomas
Starring
CinematographyEric Steelberg
Edited byJohn Gilbert
Production
companies
Distributed bySummit Entertainment[1]
Release dates
  • August 6, 2009 (2009-08-06) (Mann Village Theatre)
  • August 14, 2009 (2009-08-14) (United States)
Running time
111 minutes
CountryUnited States
LanguageEnglish
Budget$20 million
Box office$12.2 million

Bandslam is a 2009 American musical romantic comedy drama film directed by Todd Graff, who co-wrote the screenplay with Josh A. Cagan, based on a story by Cagan. The film stars Aly Michalka in her feature film debut, Vanessa Hudgens, Gaelan Connell, Scott Porter, and Lisa Kudrow. The story revolves around Will (Connell) and Charlotte (Michalka), who form an unlikely bond through their shared love of music. Assembling a like-minded crew of misfits, the friends form a rock group and perform in a battle of the bands competition called "Bandslam".

Principal photography took place in Austin, Texas. During filming, the film underwent multiple title changes, including Will and Rock On.

Bandslam premiered at the Mann Village Theatre in Westwood, Los Angeles, on August 6, 2009, and was released in the United States on August 14, by Summit Entertainment. The film received generally positive reviews from critics, with many praising the acting and soundtrack. However, the film was a commercial failure, grossing only $12.2 million worldwide against a $20 million budget. Insiders panned the film's marketing, which many cited as a primary reason for the film's underperformance at the box-office. In a brief cameo appearance, this was David Bowie's final film appearance before his death in 2016.

Plot

[edit]

Will Burton is a music enthusiast and a David Bowie fan. When Will's mother Karen finds a new job, he switches to a new school, which he is eager to do since he was bullied at his previous one. During lunch one day at his new school, he meets a girl who says her name is written Sa5m (pronounced Sam; the 5 is silent). She tells him about Bandslam, an annual music competition in which the winning band gets a recording contract. Will and Sa5m quickly become friends but, shortly after, he is sought after by an older girl named Charlotte Barnes. Impressed by his eclectic knowledge of music, Charlotte, who is a gifted singer-songwriter, asks Will to manage her rock/ska band.

Will agrees to help Charlotte's band (later called I Can't Go On, I'll Go On) which includes Bug and Omar, eventually expanding it with more like-minded outcasts. The group's sound starts to come together and their prospects for success look bright. Will starts losing his "loser-status", but the band gets in the way of completing a class project he was doing with Sa5m. After spending a day with Sa5m, Charlotte teaches Will how to properly kiss a girl, by demonstrating on him that night. Will takes Sa5m to the overlook and, after an awkward start, successfully kisses her, after which Sa5m shyly asks Will to accompany her to a movie screening, to which he agrees. However, Will stands up Sa5m, instead going to a concert with Charlotte. After that, Sa5m starts ignoring Will at school; so he visits her house, hoping to apologize. Her mom shows him a video of a younger Sa5m performing "Everything I Own", but when Sa5m arrives home she is outraged and orders Will to leave. As an apology, he makes a touching documentary short about her for his Human Studies project and she eventually forgives him.

After Will accidentally ruins Ben's attempt to reconcile with Charlotte, Ben decides to do a little research on him, in order to ruin his image. He finds out about Will's father, who was sent to prison years ago when he accidentally killed a child while driving drunk. Ben then starts to call Will "Dewey" (just as other students did at his old school), which stands for "DWI" ("Driving While Intoxicated"). Will detests this nickname because it reminds him of his father, of whom he is ashamed. Soon after, Charlotte's father dies, and she decides to quit the band. Her father hated how she acted when she was with her ex-boyfriend, so after he got sick, she decided to change her image and be nicer to "people like Will." The band members are hurt by this discovery, but they decide to go on nonetheless, with Sa5m taking over as lead singer.

On the night of Bandslam, Charlotte comes backstage to apologize to the band for her behaviour. Will and the band accept her apology. Right before going on stage, however, they see Ben's band (the "Glory Dogs") playing the same song that I Can't Go On, I'll Go On were planning to perform, forcing them to change their act at the last minute. Will suddenly remembers the video Sa5m's mother showed him earlier and suggests that they perform "Everything I Own", since it is the only other song Sa5m knows. To buy some time, Will comes out first onstage, but at first, he is embarrassingly silent. The students begin to chant "Dewey". He starts to walk off the stage, but then comes back and decides to chant with them instead. After carrying the chant for a while, he finally changes it to, "Do we wanna ROCK?!". The band then takes the stage and performs "Everything I Own".

Although they fail to win the competition, a YouTube video of their performance gains the band popularity at school. David Bowie sees the video and sends an e-mail to Will, explaining that he is starting an indie music label and is interested in having the band as one of their first acts. Will is so excited and overwhelmed that he falls down in the middle of the school hallway.

Will and Sa5m, happily together, attend Charlotte's graduation ceremony.

Cast

[edit]

In addition, David Bowie has a cameo appearance as himself.

Production

[edit]

Development

[edit]

In January 2007, Walden Media and Summit Entertainment announced that they would co-finance the film at the time titled Will, written by Josh A. Cagan and Todd Graff, who would also serve as director.[2][3][4][5] Before filming, the cast had two weeks of music rehearsals, with the actors and actresses designated to play their instruments. Ryan Donowho and Aly Michalka had extensive experience with the drums and guitar, respectively, so they were used to their instruments, but Lisa Chung, Scott Porter, and Vanessa Hudgens were not. Hudgens revealed she didn't expect there to be as much music, and "they are like, 'We are going to have two weeks of music rehearsals,' and I was like, 'What?' But it was really cool. It's definitely not the kind of music I do normally."[6]

Casting

[edit]

David Bowie began talks in early January 2007 to be in the film. Bowie had a vital role as Will Burton's idol, to whom Burton frequently wrote e-mails. He makes a short cameo in the end of the film.[7] Liam Aiken was originally chosen to play Will, but ultimately the role was given to Gaelan Connell.[8] When Connell auditioned for Will, he was recommended to try out for the cellist because of his background playing cello. Graff watched his cello audition, and decided to give him the starring role.[9] Originally, Hudgens wanted to play the role of Charlotte, but she was cast for the role of Sa5m. Hudgens sang "Rehab" by Amy Winehouse for her audition,[6] and was inspired by Wednesday Addams from The Addams Family to portray her character.[10]

Filming

[edit]

Principal photography began on February 9, 2008, in Austin, Texas.[11][12] Although the film is set in New Jersey, Graff felt strongly that it was important to shoot in a place with a wide array of great live music to choose from.[13][14]

Because Aly Michalka was on tour with her sister AJ Michalka and Miley Cyrus, she did not arrive in Austin until midway through rehearsals. Conveniently, the tour's last stop was in Austin, where rehearsal and filming for the movie took place. All of the instruments and singing in the movie were recorded by the actors, with the exception of the guitar parts of Vanessa Hudgens and Scott Porter, as well as Lisa Chung's piano parts. Although Hudgens and Porter learned how to play their songs, they were dubbed by guitarists Jason Mozersky and JW Wright. Music supervisors Lindsay Fellows and Linda Cohen sourced and cleared all music. Adam Lazus produced all on camera song performances at a local studio in Austin.

Release

[edit]
The premiere night in the Mann Village Theatre in Westwood, Los Angeles, on August 6, 2009

Bandslam held its world premiere in Westwood, California, on August 6, 2009.[15] The film was first theatrically released on August 12, 2009, in the United Kingdom, Ireland, and France. It was released on August 13, 2009, in Australia, and on August 14 in the United States and Canada.[16] The film was originally intended to be released on April 10, 2009.[17] However, it was pushed back to July 31, 2009, which was the original release date once production started. It was finally moved to its eventual release date of August 14, 2009. The film was previously titled Will during production.[18] However, it was renamed to Rock On, ultimately ending up being called Bandslam. The film was rated PG in the US for some thematic elements and mild language.[19] In the Philippines, it was rated PG.[20]

Marketing

[edit]

Summit Entertainment spent an estimated $10 million to produce and market Bandslam.[21] The full-length trailer was released in the internet on March 25, 2009.[22] On June 3, 2009, the official poster was released.[23] A novelization of the movie written by Aaron Rosenberg was released by Penguin Books on July 9, 2009.[24] Michalka, Hudgens and Connell hosted a Bandslam Reel Thinking event at the Grammy Museum to promote the importance of music to middle-schoolers.[25][26] In partnership with Magic 106.7, Summit Entertainment conducted a band contest in Boston's Burlington Mall. Hudgens and Connell attended the contest as judges. Mike Ryan won the contest and performed his original song on August 1, 2009.[27] On August 7, 2009, Hudgens and Michalka were inducted as an honorary girl scouts by the Girl Scouts of Greater Los Angeles. During the induction, a special screening was held for the scouts present.[28] In the United Kingdom, browser game Stardoll started a campaign which lets users dress Vanessa Hudgens in Bandslam outfits, view the film trailer, and create their own band using Stardoll scenery and virtual guitars to gift friends.[29]

Summit Entertainment's marketing strategies have been criticized. The studio apparently received calls and e-mails from other studios' heads of marketing, saying the film's campaign may be the worst job they have seen from positioning, title, marketing tie-ins, and targeting audiences. Deadline Hollywood editor Nikki Finke released an e-mail from a Bandslam insider who pointed out that Summit's marketing have basically sold it based on their stars Hudgens and Michalka instead of selling the concept. The e-mail also claims that "they Disneyfied this movie with glitter paint". The insider commented that the bad marketing was particularly unfortunate, in result of the good reviews.[30] Yale Daily News marked that the film had the "Worst Marketing", pointing out that "Summit Entertainment, which has a done an admirable job marketing the Twilight films, completely ruined what should have been a sleeper hit."[31]

Home media

[edit]

Bandslam was released on DVD on March 16, 2010.[32]

Reception

[edit]

Box office

[edit]

Despite receiving positive reviews, the film was not a box office success. Debuting at 2,121 theaters, the film only grossed $890,000 on its first day and failed to chart in the top 10.[33] In its opening weekend, Bandslam grossed $2,231,273 in the United States and Canada, ranking #13 at the box office. The film eventually reached the top 10 and grossed $50,000 more on the same day.[34] By the end of its run, Bandslam grossed $5,210,988 domestically and $7,014,035 internationally, totaling $12,225,023 worldwide.[35]

Critical response

[edit]

Bandslam was well-received critically, before and after it was released. The Broadcast Film Critics Association gave it an 81 rating score and a 4/4 stars rating.[36] As of August 15, 2009, based on 20 reviews collected, Metacritic gave the film a 66% "metacritic" score, indicating generally favorable reviews.[37] Rotten Tomatoes gives a score of 82% "fresh" rating based on 103 reviews collected; 84 "fresh" and 19 "rotten" with the reported consensus "Bandslam is an intelligent teen film that avoids teen film cliches, in an entertaining package of music and coming-of-age drama."[38] With the positive critical response from the review Rotten Tomatoes collected, it ranked #9 in the 10 Tomatoemeters of the Summer.[39] Comparatively, Yahoo! Movies gives a grade of "B−" averaged from 7 critic reviews.[40] Entertainment Weekly's Lisa Schwarzbaum gave the film a "B", and praised Hudgens' and Michalka's performances as well.[41]

Variety said that "Bandslam" will make its cracking voice heard amid the summer's boy-based blockbuster clique[42] while Joe Williams remarked, "Although it's the wimpy teen musical that prevails, it's the misfit coming-of-age story that leaves an impression."[43] Roger Ebert wrote on his review, that though this isn't a breakthrough movie, it's charming, and not any more innocuous than it has to be.[44] Fort Worth Weekly revealed in their review, "The comedy subsides into some unusually heavy drama in the second half, and only Graff's assured direction keeps it from tipping over into weepiness."[45] Empire and Digital Spy all gave Bandslam a three out of five rating[46][47] while Independent Weekly and the Deseret News both gave the film two out of four.[48][49]

Rene Rodriguez of The Miami Herald revealed that the film was from "the John Hughes playbook of high-school comedies but lack the heart and insight Hughes invested in his pictures.", but still praised the teenage cast saying "The performances in Bandslam are uniformly strong – good enough to make you wish this bunch of charismatic, talented kids had been given better material."[50] Time Out reviewer Derek Adams said that Bandslam is far from exceptional, but is saved by decent character development, a cluster of engaging performances and several amusing deadpan moments.[51] Canada's The Globe and Mail reviewer's conclusion follows: "Bandslam offers some nice observational and comedy moments, and director and co-writer Todd Graff deftly deliver the coming-of-age goods for the three main characters."[52] The Daily Telegraph's reviewer Leight Paastch says that the film gives the genre a right old spin thanks to some lively performances and sharp pacing.[53]

Bandslam was The Washington Post's critic choice, having a perfect score of 4/4 stars.[54] Bandslam was somehow associated with High School Musical in a couple of reviews. However, the reviews concluded the comparisons positively, saying that Bandslam was "actually a lot quirkier than the posters would have you believe."[55][56] New Jersey's local newspaper, The Star Ledger says that the plot is nicely skewed: "Basically, it's the standard teen picture – girl torn between bad boy and nice guy – with a gender switch."[57] Michael Phillips of the Chicago Tribune praised the film by saying: "Bandslam is a pretty good movie given that the odds of it having been a pretty bad movie were steep."[58] Andy Webster of The New York Times said that Bandslam may not entirely break new teen-movie ground, but it does offer intriguing glimpses of performers ready to bolt from the Disney stable.[59]

Hudgens received an amount of praise from reviewers, emphasizing her transition from being associated with her previous commercial character, Gabriella Montez, multiple times. Reviewers also cited her impressive performance in the film.[60][61] Even though Connell and Michalka each received their fair amount of enthusiastic press, David Waddington of North Wales Pioneer claims that Hudgens "outshines the rest of the cast, failing to fit in with the outcast narrative and making the inevitable climactic ending all the more expected."[62] Hudgens was praised with her performance in the film that The Observer critic, Philip French said that she looks like the young Thandie Newton and "wisecracks like Dorothy Parker." French then adds that "Bandslam is a witty, touching, cleverly plotted film with excellent music."[63]

Reviewers asserted that the film's music mainly lifted to the success of Bandslam from reviews, especially the ska version of "Everything I Own", that the film is full of unexpected pleasures set to a surprisingly retro soundtrack.[64][65][66] Similarly, Michael Rechtshaffen of The Hollywood Reporter emphasized the effect of the film's music-driven comedy set against the backdrop of a high school battle of the bands competition which manages to come up with a fresh backbeat for the familiar alienated teen refrain, boosted by a talented cast and authentic soundtrack.[67][68]

Accolades

[edit]
Awards
Year Award Category Recipients and nominees Result
2009 11th Annual Golden Tomato Awards[69] Best Musical Bandslam Nominated
2010 Scribe Awards[70] Young Adult Novel – Best Adaption Bandslam: The Novel Won
Gabriel Awards[71] Family Film of the Year Bandslam Won
Recognitions
Year Award Category Recipients and nominees Result
2009 indieWIRE[72] Best Film Bandslam 10th
Best Supporting Performance Aly Michalka 5th

Soundtrack

[edit]

The soundtrack was released under Hollywood Records on August 11, 2009.[73] The soundtrack features tracks from Wilco, The Burning Hotels, Velvet Underground, Peter Bjorn and John, Seventeen Evergreen, Honor Society, the Daze, Nick Drake and David Bowie.[74]

References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Bandslam is a American teen musical comedy film directed and co-written by . The movie stars Gaelan Connell as Will Burton, a socially awkward high school student and music aficionado who relocates to a new town, where he is recruited by popular singer Charlotte Banks (Alyson Michalka) to manage her fledgling rock band as they prepare for a prestigious battle-of-the-bands competition called Bandslam. Alongside Charlotte, Will assembles a group of misfit musicians, including the quirky guitarist Sa5m (), and navigates personal challenges, budding romances, and rivalries while pursuing musical dreams. The film's plot centers on themes of , self-discovery, and the transformative power of music in a high setting, drawing comparisons to earlier teen musicals but emphasizing original songs and a more grounded narrative. Key supporting roles include as Will's supportive mother, Karen, and as Charlotte's ex-boyfriend and antagonist, Ben. Additional cast members feature , , and as band members, contributing to the ensemble dynamic. The screenplay, co-written by Graff and Josh A. Cagan, incorporates references to and features performances of both covers and original tracks. Produced by , Goldsmith-Thomas Productions, and , Bandslam had a of $20 million and was released theatrically on August 14, 2009, with a runtime of 111 minutes and a PG rating for mild language and thematic elements. It grossed $5.2 million in the United States and and $12.2 million worldwide, marking it as a commercial disappointment despite its modest production scale. The film received positive critical reception for its heartfelt story and musical sequences, earning an 81% approval rating on based on 102 reviews, with praise for avoiding clichés and showcasing strong performances from its young leads. Audience scores were more mixed at 64%, reflecting varied appeal among teen viewers.

Synopsis and cast

Plot

Will Burton, a socially awkward teenager obsessed with music and classic films, relocates from , , to , alongside his single mother, Karen, who takes a new job in the area. Upon arriving at his new high school, Will faces isolation and mild due to his introverted nature and unconventional interests, struggling to make connections in an unfamiliar environment. Will's life changes when he befriends the reserved Sa5m, an alternative classmate who shares his passion for indie and obscure tracks and introduces him to Bandslam, a high-stakes statewide competition pitting high school groups against one another. Soon after, he encounters Charlotte Barnes, a charismatic senior and former cheerleader with a hidden talent as a , who recognizes his extensive knowledge of history during a chance meeting. Impressed, Charlotte recruits Will to manage her nascent band as they prepare for the competition. Under Will's guidance, the band expands with an eclectic roster of recruits, including enthusiastic Basher Martin, an eccentric from juvenile detention who adds rhythmic flair despite his unconventional style, along with a and other misfits eager for a creative outlet. Rehearsals become a proving ground for collaboration, as the group refines original songs and covers, but tensions simmer with external pressures: Charlotte's domineering ex-boyfriend, Ben Wheatly, leads the reigning champion rival band, escalating a heated rivalry through sabotage attempts and taunts that test the newcomers' resolve. Internally, Will navigates budding romantic feelings for Sa5m, a goth-inspired , complicated by his deepening platonic bond with Charlotte, while confronting personal insecurities tied to his absent father. The narrative builds to the Bandslam climax at a major event, where equipment failures, last-minute member doubts, and fierce competition from Ben's polished group threaten to derail their set. Despite these obstacles, unites for a raw, heartfelt performance that showcases their unique sound and growth, securing a surprising victory and affirming Will's evolution from outsider to confident leader. Through vignettes of late-night practices and onstage triumphs, the story underscores themes of redemption for misunderstood teens, the acceptance of eccentrics in a conformist high school setting, and music's role in forging lasting friendships and self-empowerment.

Cast

Bandslam features an of young actors portraying high school students navigating music, friendship, and competition, with supporting roles filled by established performers. The film highlights the dynamic interactions within the central , blending with musical elements. The principal cast includes:
ActorCharacterRole Description
Gaelan ConnellWill BurtonAn awkward, film-obsessed newcomer who relocates to a new town and takes on the role of manager for a fledgling .
Charlotte BarnesA talented who assembles and leads the band after facing personal setbacks.
Sa5mAn enigmatic, goth-inspired who joins the band and later becomes lead singer, bringing unique energy to the group.
Karen BurtonWill's supportive and quirky single mother, providing emotional grounding for her son.
Ben WheatlyThe charismatic but antagonistic leader of a rival band, serving as the primary competitor.
Basher MartinThe eccentric and skilled drummer in Charlotte's band, contributing to its unconventional sound.
Additional band members add to the ensemble's diversity, including as Bug, a quirky ; as Omar, the band's ; Elvy as Irene Lerman, the cellist; and Lisa Chung as Kim Lee, the keyboardist, each bringing distinct personalities that enhance the group's chemistry.

Production

Development

The development of Bandslam originated with writer-director , who drew inspiration from a youthful, authentic sensibility reminiscent of filmmakers like and John Hughes to craft a music-infused teen story. Graff co-wrote the screenplay with Josh A. Cagan, based on an original story by Cagan, emphasizing themes of personal growth and musical passion among high school outsiders. Summit Entertainment acquired the project following its scripting phase, positioning it for wide release with a focus on appealing to post-High School Musical audiences through its blend of indie voice and high-concept elements. The production was greenlit with an initial budget of $20 million, prioritizing the creation of an featuring new compositions to underscore the film's battle-of-the-bands narrative. Key creative decisions shifted the tone toward a musical rather than pure comedy, integrating live performances and eclectic influences like and to empower its young protagonists while targeting viewers seeking more mature fare. Graff, building on his directorial debut with the music-centric Camp (2003), ensured the script revisions highlighted teen empowerment through band dynamics and self-discovery.

Casting

The casting for Bandslam was handled by Nancy Nayor, who sought emerging teen actors capable of demonstrating musical proficiency during auditions to suit the film's focus on a high rock competition. Open calls and submissions in targeted young talent with instrumental or vocal skills, including newcomers like and Elvy Yost, for whom the project marked their first audition. This approach emphasized authenticity in portraying musically inclined characters, with selected actors undergoing two weeks of intensive rehearsals to refine their performances on instruments like guitar and keyboards. Vanessa Hudgens, fresh off her success in the High School Musical franchise, auditioned for the role of Sa5m despite her established status, aiming to demonstrate her versatility beyond musical theater roles. Directors viewed her casting as a calculated risk, reworking elements of the script to leverage her dramatic potential in a more introspective, non-singing-heavy character, while incorporating her real-life preparation, such as learning guitar. Hudgens performed Amy Winehouse's "Rehab" during her audition, showcasing that aligned with the film's aesthetic. Gaelan Connell, a relative unknown with prior minor roles, was selected from a pool of hundreds for the lead role of Will Burton following chemistry reads with the ensemble, particularly to capture an authentic, awkward teen perspective informed by his own experiences. As a newcomer, Connell benefited from on-set guidance from co-stars, allowing his natural fit for the "nerdy" protagonist to shine without prior extensive film credits. Supporting roles presented challenges in balancing established performers with the teen ensemble's energy. was cast as Will's mother, Karen, drawing on her comedic timing from Friends to provide grounded humor amid the band's dynamics. , known for his antagonistic jock role in Friday Night Lights, was chosen for Ben Wheatly to bring intensity to the rival band leader, ensuring credible tension in musical showdown scenes. Auditions for band members incorporated live musical demonstrations, with extras receiving instrument training to enhance realism during performance sequences.

Filming

Principal photography for Bandslam commenced on February 4, 2008, and wrapped on April 2, 2008, taking place primarily in , which substituted for the film's setting. Filming utilized Austin Studios at 1901 E. 51st Street for many interior scenes, while exterior high school sequences were shot at A.N. McCallum High School and Fine Arts Academy, as well as the Texas School for the Deaf; additional locations around Austin captured the suburban and urban environments needed for the story. Director Todd Graff approached the music sequences by emphasizing natural integration, having characters engage with music through playing instruments, listening, and discussion rather than staging traditional song-and-dance numbers, to heighten the film's teen authenticity. A key challenge during production was preparing the cast for live band performances, with several actors undergoing training to learn their respective instruments; for instance, Vanessa Hudgens practiced guitar to portray her character's role in the group convincingly. Post-production editing, which included syncing the performers' live takes with the original soundtrack recordings, was completed in time for the film's August 2009 release.

Release

Marketing

The marketing campaign for Bandslam, handled by , primarily targeted teenage girls aged 13-17 by leveraging the star power of and , positioning the film as a feel-good teen musical in the vein of High School Musical to capitalize on their fanbases. This approach, however, drew criticism for misrepresenting the film's quirkier, indie-inspired tone, with ads and posters emphasizing upbeat music competitions and Hudgens' cheerful image holding a guitar against a glittery backdrop. Pre-release buzz began with the online debut of the full trailer on March 25, 2009, followed by the official poster release on June 3, 2009, and included bundling an exclusive New Moon trailer with Bandslam's screenings to boost attendance among young audiences. In the , a partnership with the virtual fashion site created an interactive campaign where users could dress a digital version of Hudgens in Bandslam outfits, watch the trailer, and assemble virtual bands, aiming to engage the site's predominantly teen female users. Advertising efforts featured TV spots aired on youth-oriented networks, highlighting the band's formation and high-stakes competition to appeal to the target demographic's interest in music and self-empowerment stories. Posters and promotional materials further stressed the music theme, with taglines and visuals focusing on the battle-of-the-bands climax to evoke excitement around teen aspirations. For press promotion, the cast, including Hudgens, Michalka, and Gaelan Connell, made appearances at high-profile events such as the 2009 , where they introduced the performance to generate buzz among fans. Director participated in interviews emphasizing the film's authentic portrayal of high school dynamics, though the campaign largely avoided deeper themes like in favor of lighter musical elements. Online efforts included viral clips of band performances shared on platforms to extend reach to the 13-17 age group. The received tied-in promotion, with previews available digitally to complement the film's music-driven narrative.

Home media

Bandslam was released on DVD and Blu-ray on March 16, 2010, by . The standard DVD edition is presented in format, while the offers additional content such as featurettes and deleted scenes. Special features on the include an track by director and a for the song "Where Are You Now" performed by . Digital availability began with an iTunes exclusive release in 2010, and as of November 2025, it is available for streaming on platforms including and Prime Video.

Reception

Box office

Bandslam was released theatrically on August 14, 2009, in 2,121 theaters. In its opening weekend, the film grossed $2,231,273 domestically, placing 13th at the North American . This performance was impacted by competition from high-profile releases such as , which debuted at number one with over $20 million, as well as G.I. Joe: The Rise of Cobra and . The film underperformed in its second weekend, earning $858,829—a 61.5% decline from the debut—while maintaining the same 2,121 theaters, resulting in a per-screen average drop from $1,051 to $404. Domestically, Bandslam ultimately grossed $5,210,988. Internationally, it rolled out starting in mid-August 2009 in markets including the (August 12) and (August 13), with additional releases in September, such as (September 11) and Hong Kong (September 24). The international total reached $7,014,035, for a worldwide gross of $12,225,023 against a $20 million . Analysts attributed the overall underperformance largely to inadequate efforts, which failed to generate sufficient buzz despite the film's appeal to a young audience. Regionally, the film fared better in the , where it earned $2,543,431—its strongest international market—compared to the U.S. total, though per-screen averages declined sharply in subsequent weeks across territories.

Critical response

Upon its release, Bandslam received generally positive reviews from critics, who appreciated its fresh take on the teen musical genre despite some familiar tropes. The film holds an 81% approval rating on , based on 102 reviews, with the consensus noting it as "an intelligent that avoids clichés, in an entertaining package of music and coming-of-age drama." On , it scores 66 out of 100, based on 20 critic reviews, indicating "favorable" reception. Critics frequently praised the film's energetic music sequences and the performances, particularly Alyson Michalka as Charlotte Banks and as Sa5m, who brought depth to her role beyond her High School Musical persona. awarded it 2.5 out of four stars, commending its charm and the way it handles teen dynamics with sincerity rather than cynicism, describing protagonist Will Burton as "a nice kid with a good ear" who navigates high school awkwardness authentically. Variety highlighted the movie as a "scrappiest number" in high school musicals, calling it an "awkward, earnest, almost irresistible indie" and a tuneful underdog story that stands out amid summer blockbusters. The Hollywood Reporter lauded director Todd Graff's handling of the band scenes, noting the "energetic" and "lively" execution that elicits strong performances from the young cast, contributing to the film's feel-good vibe. However, some reviews pointed to criticisms of the film's formulaic plot and uneven pacing, which occasionally veered into predictability reminiscent of other Disney-style teen fare like High School Musical. described it as "overlong," suggesting the narrative could have been tighter to maintain momentum. Variety acknowledged its awkwardness as both a strength and a flaw, implying a lack of full polish in execution. Audience reception was similarly positive but slightly more mixed, with a 64% audience score on , where users commonly praised the soundtrack's infectious energy and relatable coming-of-age themes.

Accolades

Bandslam received recognition primarily in youth and family-oriented awards circuits. At the 31st Young Artist Awards in 2010, the film earned a nomination for Best Family Feature Film – Motion Picture, alongside entries such as Alvin and the Chipmunks: The Squeakquel and Night at the Museum: Battle of the Smithsonian, though it did not win. In 2009, it won the Golden Tomato Award for Best Musical at the Golden Tomato Awards. In 2010, it received the in the Family Film category. The film garnered no nominations at major industry awards like the or , underscoring its status as a modest commercial and critical entry in the teen .

Soundtrack

Album release

The for Bandslam was released on August 11, 2009, by , three days prior to the film's theatrical debut. The album compiles a mix of original songs, covers, and licensed tracks to complement the film's musical themes, featuring performances by the cast alongside established artists. The production of the album was overseen by music supervisors Linda Cohen and Lindsay Fellows, who handled the sourcing and clearance of the music. It includes cast contributions such as Aly Michalka's vocals on "Amphetamine" and "Someone to Fall Back On" by I Can't Go On, I'll Go On, Scott Porter's performance on "Pretend" with The Glory Dogs, and Vanessa Hudgens's feature on "Everything I Own" by I Can't Go On, I'll Go On. The track listing consists of 15 songs, blending rock, pop, and indie influences:
No.TitleArtist(s)Length
1""4:31
2"Amphetamine"I Can't Go On, I'll Go On featuring 3:18
3"24 Hours"4:13
4"Where Are You Now?"3:49
5"Lunar One"Seventeen Evergreen3:59
6""2:39
7"Twice Is Too Much"Exist5:15
8"Road"2:01
9"Someone to Fall Back On"I Can't Go On, I'll Go On featuring 4:17
10"I Want You to Want Me"3:36
11"Pretend" & The Glory Dogs4:25
12"Stuck in the Middle"The Burning Hotels3:18
13"Blizzard Woman Blues"The Daze3:29
14""I Can't Go On, I'll Go On featuring 3:56
15"What Light"3:34
The album was made available in format and as a digital , distributed through platforms like and physical retailers. The film Bandslam prominently features a blend of original songs and licensed tracks, all integrated as to propel the plot, develop character arcs, and highlight the central theme of musical collaboration among misfits. These songs are performed live by the cast within the story, emphasizing the band's formation, rehearsals, and high-stakes against rivals, while underscoring emotional growth and interpersonal bonds. A standout original track is "," written and performed by the fictional band I Can't Go On, I'll Go On (with vocals by as Charlotte Banks), which first appears during early band rehearsals to establish their quirky ska-punk and evolves into a high-energy at the climactic bandslam finale. captures the group's unity and creative synergy, as the characters overcome personal insecurities to deliver a cohesive set that nearly wins the contest. Vanessa Hudgens, portraying the enigmatic guitarist Sa5m, contributes a poignant cover of Bread's "Everything I Own" in a ska arrangement during the same finale medley, blending it with the band's originals to showcase their evolution from awkward tryouts to polished performers. The performance, though initially overlooked by judges, symbolizes redemption and resilience, drawing surprise acclaim from David Bowie (playing himself in the audience) and propelling the narrative toward resolution. Another key moment features Aly Michalka's rendition of "Someone to Fall Back On" (originally by ), accompanied by Hudgens on guitar and as a supportive figure, in an intimate scene that advances themes of emotional vulnerability and mutual reliance amid the Will's journey. This diegetic piece reinforces the film's focus on friendship and second chances, contrasting the high-energy band sequences. Licensed tracks enhance the soundtrack's eclectic vibe and tie into character backstories; David Bowie's "Rebel Rebel" kicks off the , evoking Will's relocation and outsider status with its defiant rock edge. Nick Drake's folk-tinged "Road" accompanies a reflective montage of Will's isolation in his new town, deepening the sense of longing and introspection. In rivalry scenes, (as antagonist Ben Wheatly) leads his rock band Rant in "Pretend," a gritty original that heightens tension during confrontational performances, illustrating the competitive stakes and stylistic clashes between bands. The songs' thematic roles are overseen by soundtrack director Desirée Craig Ramos and music supervisor Lindsay Fellows, who prioritized authentic, plot-advancing live recordings to mirror the characters' real-time musical discoveries and rivalries. Overall, the elevates Bandslam beyond typical teen fare, using performances like Charlotte's solos and the band's unified medleys to explore redemption through art and the transformative power of collective creativity.

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