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Birdsong (serial)
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| Birdsong | |
|---|---|
| Based on | Birdsong by Sebastian Faulks |
| Written by | Abi Morgan |
| Directed by | Philip Martin |
| Starring | |
| Composer | Nicholas Hooper |
| Country of origin | United Kingdom |
| Original language | English |
| No. of series | 1 |
| No. of episodes | 2 |
| Production | |
| Producer | Lynn Horsford |
| Running time | Episode 1 – 84 minutes Episode 2 – 82 minutes |
| Production company | Working Title Television |
| Original release | |
| Network | BBC One |
| Release | 22 January – 29 January 2012 |
Birdsong is a two-part British 2012 television drama, based on the 1993 war novel Birdsong by Sebastian Faulks. It stars Eddie Redmayne as Stephen Wraysford and Clémence Poésy as Isabelle Azaire and was directed by Philip Martin based on a screenplay by Abi Morgan.
The adaptation was produced by Working Title Films for the BBC and PBS's Masterpiece. It premiered in January 2012 in the United Kingdom and in April 2012 in the United States.
Plot
[edit]The television adaptation differs from the novel in many respects, completely omitting the section set in the 1970s.
The story is told in flashbacks, with Stephen Wraysford's experiences in World War I alternating with his memories of his affair with Isabelle Azaire, a young married woman whom he met before the war when he was staying in her husband's house to learn about business. Stephen and Isabelle run away together when their affair is discovered by her husband, but she leaves Stephen after a short time. Stephen recalls these events when he is badly wounded as a result of an encounter with German sappers when he and his own men accompany the British tunnellers of the Royal Engineers underground. Left for dead, he is discovered and saved by Jack Firebrace, a working-class man with whom Stephen has previously felt little empathy.
In 1916, Stephen is reunited with Isabelle as a result of a chance meeting with her sister Jeanne, shortly before his battalion goes "over the top" in the Battle of the Somme. Upset by the encounter, he takes his fellow-officer Weir to a prostitute, but neither man is able to obtain satisfaction. Weir plays a much smaller role than he does in the novel. During the battle, Stephen is again wounded and loses many of his men; Firebrace and Weir are among the survivors.
Two years later, with the war drawing to a close, Stephen's men are preparing another mining expedition. He meets Jeanne, who tells him that Isabelle has died, but he also discovers that he has a seven-year-old daughter, Françoise, whose existence Isabelle had concealed from him. He is also disheartened by the death of his friend Weir, shot dead by a sniper. German miners, digging close by, lay a charge and Weir's men are unable to get out of the tunnel in time. Stephen and Firebrace are the only ones left alive, but their way out is blocked. They talk and share their experiences, Firebrace grieving for his dead son while Stephen confides in him that he has a daughter (in the novel, Stephen is unaware of the child's existence at this stage). Stephen finds some explosives and Firebrace, himself close to death, tells him how to lay them in order to blast their way out of the tunnel. Before Stephen completes the task, Firebrace dies. The explosion successfully clears a way out for Stephen, and he stumbles out of the mine to be confronted by two German soldiers, who tell him that the war is over.
Unlike in the novel, Stephen meets Françoise before the war is over and Jeanne implores him to be a part of her life; after the war he is seen showing up at Jeanne's house to be with her and his daughter.
Whereas in the novel Stephen is terrified of birds, the television adaptation does not explore this, although birdsong is frequently heard.
Cast
[edit]- Eddie Redmayne as Stephen Wraysford
- Clémence Poésy as Isabelle Azaire
- Laurent Lafitte as René Azaire
- Clara Grebot as Lisette Azaire
- Maxime Roussel as Gregoire Azaire
- Joseph Mawle as Jack Firebrace
- Matthew Goode as Captain Gray
- Richard Madden as Weir
- Anthony Andrews as Colonel Barclay
- Marie-Josée Croze as Jeanne Fourmentier
- Thomas Turgoose as Tipper
- George MacKay as Private Douglas
- Rory Keenan as Brennan
- Daniel Cerqueira as Shaw
- Sean McKenzie as Turner
- Matthew Aubrey as Byrne
- Abraham Belaga as Lebrun
- Océane Bersegeay-Holliday as Françoise
Episodes
[edit]| No. | Title | Directed by | Written by | Original release date | U.K. viewers (millions) [1] | |
|---|---|---|---|---|---|---|
| 1 | "Episode 1" | Philip Martin | Abi Morgan | 22 January 2012 | 7.01 | |
|
France, 1910, and Englishman Stephen Wraysford arrives to work at the textile factory of the Azaire family, only to fall desperately in love with his host's wife Isabelle. Before long, the pair begin an illicit and all-consuming affair, with huge consequences for them both. | ||||||
| 2 | "Episode 2" | Philip Martin | Abi Morgan | 29 January 2012 | 6.16 | |
|
As Stephen recovers from his injuries, he continues to be haunted by memories of his affair with Isabelle – and while he and his men prepare for a major offensive at the Somme, he unexpectedly meets his former lover again. However, she is unable to explain why she left him, throwing him into a state of turmoil before the battle. | ||||||
Production history
[edit]Working Title held the screen rights to the novel for many years, but were quoted as saying "there is something afoot" after Faulks' 2007 commission to write a new James Bond novel.[2]
Shooting of war scenes took place near Gyúró, Hungary. Remains of the set can be seen on Google Maps.[3]
References
[edit]- ^ "Weekly Viewing Summary (see relevant week)". BARB. Archived from the original on 12 July 2008.
- ^ "26 July 2007". Pr-inside.com. Archived from the original on 28 September 2011. Retrieved 12 December 2010.
- ^ "Google Maps". Google Maps. Retrieved 18 June 2013.
External links
[edit]- Birdsong at IMDb
- Actors Clémence Poésy and Joseph Mawle, director Philip Martin and screenwriter Abi Morgan discuss Birdsong on BAFTA Guru.
- Episode 1 of Birdsong Archived 25 January 2012 at the Wayback Machine in the RadioTimes.
Birdsong (serial)
View on GrokipediaSynopsis and episodes
Plot overview
The two-part BBC serial Birdsong (2012) adapts Sebastian Faulks' novel, centering on the life of Stephen Wraysford, a young English industrialist sent to Amiens, France, in 1910 to study manufacturing techniques at a textile factory owned by René Azaire. There, Stephen lodges with the Azaire family and embarks on a passionate, forbidden affair with René's much younger wife, Isabelle, marked by intense romance amid the bourgeois tensions of pre-war France. Their relationship is discovered by René, leading Isabelle to flee with Stephen, though she later abandons him, leaving him devastated as World War I erupts.[2][1] The narrative employs a non-linear structure, intercutting vivid flashbacks to the 1910 affair with Stephen's harrowing experiences as a British officer on the Western Front from 1916 to 1918. In the trenches near Amiens—the very site of his lost love—Stephen grapples with the brutal realities of war, including the futile 1916 Battle of the Somme, where massive casualties underscore the futility and horror of industrialized conflict. He befriends fellow tunneler Jack Firebrace, endures psychological trauma from underground mining operations fraught with cave-ins, flooding, and close-quarters combat with German sappers, and witnesses the deaths of comrades like Captain Michael Weir during failed assaults. These war sequences highlight Stephen's isolation and shell shock, contrasting sharply with memories of Isabelle's embrace.[2][9] Unlike Faulks' novel, which includes a 1970s storyline following Stephen's descendants uncovering his diary, the adaptation condenses the timeline to the war era, omitting this generational arc to focus on immediate emotional impacts. Isabelle's fate is revealed off-screen through her death, and that she had borne Stephen's daughter, Françoise, whose existence she had kept secret and whom her sister Jeanne raises after returning to the family home. The story culminates in 1918 with the Armistice: Stephen survives a final tunnel collapse—where Firebrace perishes—and reunites with Jeanne, meeting young Françoise for the first time, symbolizing fragile renewal amid devastation. This ending emphasizes themes of forbidden love, profound loss, and human resilience, tailored to the serial's compact format that intertwines personal passion with the collective tragedy of the Great War.[2][10][11]Episode guide
The two-part serial Birdsong aired on BBC One in the United Kingdom, with each episode running approximately 90 minutes including commercials but edited to 84 minutes for Episode 1 and 82 minutes for Episode 2 in their core runtime.[2] The series premiered internationally on PBS's Masterpiece in the United States starting April 22, 2012, and has since been available on various streaming platforms such as Amazon Prime Video and Netflix following its initial broadcast.[12] Episode 1, directed by Philip Martin, aired on January 22, 2012, and drew an overnight audience of 6.03 million viewers on BBC One, achieving a 23.6% share of the available audience.[13] The episode introduces the 1910 setup of Stephen Wraysford's time in Amiens, France, intercut with his initial deployment to the front lines in 1916 and early experiences in the trenches, establishing the dual timeline structure through measured pacing that balances intimate personal moments with the mounting tension of war.[14] Martin's directorial approach emphasizes close-up, immersive shots of the trenches to convey the soldiers' confined perspective, slowing the rhythm during flashback sequences to heighten emotional resonance before accelerating into the raw intensity of the initial battlefield encounters.[15] Episode 2, also directed by Martin, aired on January 29, 2012, attracting an overnight viewership of 5.29 million, or a 21.4% audience share.[13] It builds on the first installment by delving deeper into the escalating horrors of the Somme offensive, including revelations surrounding Isabelle Azaire and a poignant resolution involving family ties, while maintaining the intercut narrative to weave personal hauntings with collective trauma.[16] Here, Martin's pacing intensifies the war sequences with a more relentless tempo, utilizing 360-degree sets to simulate the disorienting chaos of no man's land raids and gas attacks, contrasting the episode's earlier, reflective recovery scenes to underscore the unrelenting brutality without overwhelming the story's emotional core.[15] The U.S. broadcast of this episode followed on April 29, 2012, on Masterpiece.Cast and characters
Principal cast
Eddie Redmayne stars as Stephen Wraysford, the protagonist and a British officer grappling with a forbidden pre-war romance and the horrors of World War I trench warfare. Redmayne's portrayal captures the character's emotional turmoil across dual timelines, drawing on his extensive stage experience prior to the serial, including acclaimed performances in West End productions like Red and The Goat, or Who Is Sylvia?, which honed his ability to convey introspective depth. Clémence Poésy portrays Isabelle Azaire, Stephen's passionate yet conflicted married lover in the idyllic pre-war French setting of Amiens. Poésy's performance underscores Isabelle's vulnerability and inner conflict, enhanced by her French heritage and fluency, which brought authenticity to the role and the period's linguistic nuances. Joseph Mawle plays Jack Firebrace, Stephen's loyal comrade and fellow tunneler in the underground war efforts beneath the Western Front. Mawle's depiction emphasizes the profound bond and shared sacrifices between the soldiers, highlighting themes of quiet resilience amid the brutality of the trenches.Supporting roles
Matthew Goode portrays Captain Gray, Stephen Wraysford's superior officer during the trench warfare sequences, embodying a sense of detached efficiency amid the chaos of World War I.[3] His performance highlights the strained authority figures face in commanding men through unimaginable horrors, contributing to the serial's exploration of leadership under duress without overshadowing the central narrative.[17] Marie-Josée Croze plays Jeanne Fourmentier, Isabelle Azaire's sister and a figure of quiet resilience in the post-war segments, where she becomes Stephen's eventual romantic partner and aids in his emotional reconciliation.[18] Her role underscores the lingering impacts of loss and recovery, providing a tender counterpoint to the earlier passion with Isabelle through subtle revelations that deepen Stephen's character arc.[19] Laurent Lafitte depicts René Azaire, Isabelle's domineering husband and a wealthy industrialist whose possessive nature drives early conflicts, reflecting the rigid class structures and patriarchal tensions of pre-war French society.[3] Lafitte's portrayal captures the volatility of a man entangled in personal and societal expectations, adding layers to the themes of forbidden desire and social constraint in 1910 Amiens.[9] Among other pivotal supporting performers, George MacKay appears as Private Douglas, a young soldier involved in the perilous underground tunneling operations alongside Stephen and Jack Firebrace. His character's presence intensifies the claustrophobic tension during mine collapses and explosions, emphasizing the camaraderie and fragility of life in the subterranean war efforts.[20]Production
Development
Working Title Television acquired the screen rights to Sebastian Faulks' 1993 novel Birdsong shortly after its publication, holding them for over a decade without producing a feature film adaptation.[21] To reclaim the film rights, Faulks granted Working Title a license in the mid-2000s to develop a television version, leading to the decision to structure it as a two-part miniseries that focused primarily on the World War I storyline while omitting the novel's 1970s narrative arc to maintain narrative intensity and historical immersion.[10] Screenwriter Abi Morgan was commissioned to adapt the novel, condensing its multiple timelines into a non-linear structure that interwove the pre-war romance in France with the trenches of World War I, thereby heightening the interplay between personal passion and wartime devastation.[22] Morgan's approach drew on her experience with period dramas, including her work on The Hour, which shaped the script's sharp, introspective dialogue to capture emotional depth amid historical turmoil.[23] The project secured co-production from BBC One and PBS Masterpiece, with BBC commissioning the two-part drama in August 2010 as part of its slate of epic literary adaptations.[24] Adapting the novel's sensitive depiction of World War I presented challenges, particularly in balancing graphic portrayals of trench warfare and erotic elements without sensationalizing the brutality or romance.[15] To ensure historical accuracy, the production team consulted experts such as historian Peter Barton for battlefield and tunnel recreations, and Imperial War Museum curator Martin Boswell oversaw costume details using period-appropriate fabrics sourced from Poland.[15]Filming
Principal photography for the 2012 miniseries adaptation of Birdsong took place in 2011, primarily in Hungary, which served as a stand-in for Amiens and the French trenches during World War I. Locations included the banks of a Danube tributary near Budapest to depict pre-war Amiens, a sunflower field outside the city for trench warfare sequences, and a studio near Budapest where an accurate replica of the underground tunneling network was constructed, marking the first such attempt in a television production. War scenes were shot near Gyúró, with remnants of the sets visible in satellite imagery.[25][26] Directed by Philip Martin, the production emphasized realism in the trench sequences through influences from documentaries such as The Battle of the Somme (1916) and Restrepo (2010), which the cast and crew screened to capture authentic body language and emotional stillness amid chaos. Cinematographer Julian Court employed shadows and silhouettes to convey impending danger without overt spectacle. Period authenticity extended to the sets and costumes designed by Charlotte Walter, who sourced Edwardian-era clothing from Paris and London, supplemented by recreations based on historical family photographs; soldiers' uniforms were pre-distressed with artificial gore for verisimilitude.[25][15][27] Filming faced challenges in recreating the harsh conditions of World War I trenches, particularly the mud and explosions, under a constrained budget that required maximal resource efficiency. Unexpected summer rains in Hungary inadvertently aided authenticity by turning the sunflower field into a quagmire suitable for the muddy trench environments, though they also disrupted schedules. Explosions and widescreen depictions of carnage were handled safely to prioritize emotional impact over graphic excess. The original score, composed by Nicholas Hooper, was integrated to heighten key emotional moments, underscoring the contrast between intimate love scenes and the brutality of war.[25][28] Post-production, including editing to weave the non-linear structure of flashbacks with the present-day narrative, was completed by late 2011, allowing the two-part serial to premiere on BBC One in January 2012.[25]Reception
Critical response
The 2012 television adaptation of Birdsong garnered generally positive reviews, particularly for its emotional resonance and Eddie Redmayne's compelling portrayal of the haunted protagonist Stephen Wraysford. On IMDb, the miniseries holds an average rating of 7.3 out of 10, drawn from over 6,500 user votes.[2] Rotten Tomatoes aggregates a 75% Tomatometer score based on eight critic reviews, with the consensus describing it as "an epic romance intensified by its backdrop of all-consuming disaster."[4] Critics frequently praised the series' authentic rendering of World War I trench conditions and its exploration of love amid devastation. Sam Wollaston in The Guardian hailed it as a "glorious tale of love and war" that captured the novel's intensity after a 20-year wait for adaptation, commending Redmayne's nuanced performance and the chemistry with Clémence Poésy as Isabelle, while noting the effective depiction of both terror and tedium in the trenches.[9] Grace Dent, also in The Guardian, called it "remarkable" and "visceral," emphasizing its unsettling blend of romance and despair.[29] However, some reviewers critiqued the pacing, particularly in the flashbacks; a Telegraph preview observed that the initial 45 minutes felt slow before accelerating into more emotional territory.[30] The handling of themes—balancing the tenderness of the central love story against the raw horror of war—drew mixed responses. Variety's Brian Lowry appreciated the tense battle sequences and strong lead performances but described the overall tone as "stubbornly old-fashioned melodrama," faulting the excessive gauzy flashbacks and tedious romantic buildup for diluting the war's impact compared to contemporaries like War Horse.[3] This structure, while loyal to the novel's dual timelines, occasionally strained viewer investment in the interpersonal dynamics. In the long term, Birdsong has maintained cultural relevance through its availability on streaming services, including addition to Netflix in late 2024, which has sparked renewed interest and accessibility for new audiences as of 2025.[31][32] It contributed to heightened interest in World War I narratives leading into the 2014 centenary. Recent retrospectives, such as a Collider article in January 2025 praising Redmayne's performance and a Liverpool Sound and Vision review in May 2025 highlighting its emotional depth, underscore its enduring portrayal of the conflict's human cost.[33][34]Awards and nominations
The 2012 television adaptation of Birdsong received recognition primarily through British awards bodies, with notable achievements in the BAFTA Television Awards and Craft Awards. At the 2012 BAFTA Television Craft Awards, the serial won the award for Best Costume Design for Charlotte Walter's work, which was praised for its authentic depiction of early 20th-century French and wartime British attire.[35] It was also nominated in the Best Writer category for Abi Morgan's screenplay adaptation.[8] In the performance categories at the main 2012 BAFTA Television Awards, Joseph Mawle earned a nomination for Best Supporting Actor for his portrayal of Jack Firebrace.[36] Additionally, the serial received a nomination for Best Makeup and Hair Design at the Craft Awards for Emma Scott's contributions to character transformations across civilian and trench settings.[37] Beyond BAFTA, Birdsong garnered nominations at the Royal Television Society (RTS) Craft & Design Awards 2012, including one for Best Photography and Lighting (Fiction/Entertainment) for cinematographer Julian Court, highlighting the serial's evocative World War I trench sequences.[38] It also won the Banff Rockie Award for Best Miniseries at the 2012 Banff World Television Festival, acknowledging its overall production quality and storytelling.[39] A nomination for Best Miniseries or Motion Picture Made for Television came from the 2012 Satellite Awards, though it did not win.[40] Despite its U.S. broadcast on PBS's Masterpiece, the serial received no major Primetime Emmy Award nominations.[41] These accolades, particularly the technical wins, underscored the production's commitment to historical accuracy in recreating World War I environments and period details, contributing to its critical esteem.[35] The recognition helped elevate the profiles of key talents, including Eddie Redmayne, whose lead performance as Stephen Wraysford gained international notice ahead of his later Oscar-winning roles.[42] No significant awards followed after 2012, but by 2025, the serial continued to be highlighted in retrospectives on World War I-themed media for its enduring portrayal of the conflict's human cost.[43]| Award Body | Year | Category | Result | Recipient |
|---|---|---|---|---|
| BAFTA Television Craft Awards | 2012 | Best Costume Design | Winner | Charlotte Walter |
| BAFTA Television Craft Awards | 2012 | Best Writer | Nominee | Abi Morgan |
| BAFTA Television Awards | 2012 | Best Supporting Actor | Nominee | Joseph Mawle |
| BAFTA Television Craft Awards | 2012 | Best Makeup and Hair Design | Nominee | Emma Scott |
| RTS Craft & Design Awards | 2012 | Best Photography and Lighting (Fiction/Entertainment) | Nominee | Julian Court |
| Banff World Television Festival | 2012 | Rockie Award for Best Miniseries | Winner | Production team |
| International Press Academy | 2012 | Satellite Award for Best Miniseries or Motion Picture Made for Television | Nominee | Production team |
