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Birdsong (serial)
Birdsong (serial)
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Birdsong
Based onBirdsong
by
Sebastian Faulks
Written byAbi Morgan
Directed byPhilip Martin
Starring
ComposerNicholas Hooper
Country of originUnited Kingdom
Original languageEnglish
No. of series1
No. of episodes2
Production
ProducerLynn Horsford
Running timeEpisode 1 – 84 minutes
Episode 2 – 82 minutes
Production companyWorking Title Television
Original release
NetworkBBC One
Release22 January (2012-01-22) –
29 January 2012 (2012-01-29)

Birdsong is a two-part British 2012 television drama, based on the 1993 war novel Birdsong by Sebastian Faulks. It stars Eddie Redmayne as Stephen Wraysford and Clémence Poésy as Isabelle Azaire and was directed by Philip Martin based on a screenplay by Abi Morgan.

The adaptation was produced by Working Title Films for the BBC and PBS's Masterpiece. It premiered in January 2012 in the United Kingdom and in April 2012 in the United States.

Plot

[edit]

The television adaptation differs from the novel in many respects, completely omitting the section set in the 1970s.

The story is told in flashbacks, with Stephen Wraysford's experiences in World War I alternating with his memories of his affair with Isabelle Azaire, a young married woman whom he met before the war when he was staying in her husband's house to learn about business. Stephen and Isabelle run away together when their affair is discovered by her husband, but she leaves Stephen after a short time. Stephen recalls these events when he is badly wounded as a result of an encounter with German sappers when he and his own men accompany the British tunnellers of the Royal Engineers underground. Left for dead, he is discovered and saved by Jack Firebrace, a working-class man with whom Stephen has previously felt little empathy.

In 1916, Stephen is reunited with Isabelle as a result of a chance meeting with her sister Jeanne, shortly before his battalion goes "over the top" in the Battle of the Somme. Upset by the encounter, he takes his fellow-officer Weir to a prostitute, but neither man is able to obtain satisfaction. Weir plays a much smaller role than he does in the novel. During the battle, Stephen is again wounded and loses many of his men; Firebrace and Weir are among the survivors.

Two years later, with the war drawing to a close, Stephen's men are preparing another mining expedition. He meets Jeanne, who tells him that Isabelle has died, but he also discovers that he has a seven-year-old daughter, Françoise, whose existence Isabelle had concealed from him. He is also disheartened by the death of his friend Weir, shot dead by a sniper. German miners, digging close by, lay a charge and Weir's men are unable to get out of the tunnel in time. Stephen and Firebrace are the only ones left alive, but their way out is blocked. They talk and share their experiences, Firebrace grieving for his dead son while Stephen confides in him that he has a daughter (in the novel, Stephen is unaware of the child's existence at this stage). Stephen finds some explosives and Firebrace, himself close to death, tells him how to lay them in order to blast their way out of the tunnel. Before Stephen completes the task, Firebrace dies. The explosion successfully clears a way out for Stephen, and he stumbles out of the mine to be confronted by two German soldiers, who tell him that the war is over.

Unlike in the novel, Stephen meets Françoise before the war is over and Jeanne implores him to be a part of her life; after the war he is seen showing up at Jeanne's house to be with her and his daughter.

Whereas in the novel Stephen is terrified of birds, the television adaptation does not explore this, although birdsong is frequently heard.

Cast

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Episodes

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No.TitleDirected byWritten byOriginal release dateU.K. viewers
(millions) [1]
1"Episode 1"Philip MartinAbi Morgan22 January 2012 (2012-01-22)7.01
France, 1910, and Englishman Stephen Wraysford arrives to work at the textile factory of the Azaire family, only to fall desperately in love with his host's wife Isabelle. Before long, the pair begin an illicit and all-consuming affair, with huge consequences for them both.
2"Episode 2"Philip MartinAbi Morgan29 January 2012 (2012-01-29)6.16
As Stephen recovers from his injuries, he continues to be haunted by memories of his affair with Isabelle – and while he and his men prepare for a major offensive at the Somme, he unexpectedly meets his former lover again. However, she is unable to explain why she left him, throwing him into a state of turmoil before the battle.

Production history

[edit]

Working Title held the screen rights to the novel for many years, but were quoted as saying "there is something afoot" after Faulks' 2007 commission to write a new James Bond novel.[2]

Shooting of war scenes took place near Gyúró, Hungary. Remains of the set can be seen on Google Maps.[3]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Birdsong is a two-part British television drama that originally aired on in January 2012. Adapted from ' 1993 novel of the same name, it was directed by Philip Martin and written by . The series stars as Stephen Wraysford, a young English officer whose pre-war illicit romance with a married French woman profoundly influences his experiences amid the brutal of . The story unfolds across dual timelines, beginning in 1910 when Stephen arrives in Amiens, France, for work and becomes entangled in a passionate affair with Isabelle Azaire (Clémence Poésy), the wife of his host. This forbidden love is shattered by personal and societal turmoil, leading Stephen to return to . The narrative then shifts to 1916–1918, depicting Stephen's harrowing service in the tunnels beneath the Western Front alongside tunneller Jack Firebrace (Joseph Mawle), where he grapples with trauma, camaraderie, and the lingering echoes of his lost love. Supporting roles include Private Douglas (George MacKay) and Isabelle's sister Jeanne (Marie-Josée Croze), enriching the exploration of themes such as desire, duty, and the devastating impact of war. Produced by Television in association with and WGBH for Theatre, Birdsong was filmed primarily in and to recreate the French and Belgian settings. Executive producers included , , and Juliette Howell for Television, and Lucy Richer for , with Nicholas Hooper composing the score and Charlotte Walter designing the costumes. The miniseries premiered on 22 January 2012 with the first part, followed by the second on 29 January, each running approximately 90 minutes. It later aired internationally, including on in the United States starting 22 April 2012. Critically, Birdsong received acclaim for its emotional depth, Redmayne's nuanced performance, and the authentic portrayal of horrors, earning a 75% approval rating on based on eight reviews. It garnered multiple nominations at the 2012 , including for Best Supporting Actor () and Best Writer (), and won the BAFTA Television Craft Award for . The adaptation was praised for balancing the novel's romantic intensity with the grim realities of conflict, though some critics noted challenges in fully capturing the book's introspective elements within the television format.

Synopsis and episodes

Plot overview

The two-part BBC serial Birdsong (2012) adapts ' novel, centering on the life of Stephen Wraysford, a young English industrialist sent to , , in 1910 to study manufacturing techniques at a textile factory owned by Azaire. There, Stephen lodges with the Azaire family and embarks on a passionate, forbidden with René's much younger wife, Isabelle, marked by intense romance amid the bourgeois tensions of pre-war . Their relationship is discovered by René, leading Isabelle to flee with Stephen, though she later abandons him, leaving him devastated as erupts. The narrative employs a non-linear structure, intercutting vivid flashbacks to the 1910 affair with Stephen's harrowing experiences as a British officer on the Western Front from 1916 to 1918. In the trenches near —the very site of his lost love—Stephen grapples with the brutal realities of war, including the futile 1916 , where massive casualties underscore the futility and horror of industrialized conflict. He befriends fellow tunneler Jack Firebrace, endures psychological trauma from underground mining operations fraught with cave-ins, flooding, and close-quarters combat with German sappers, and witnesses the deaths of comrades like Captain Michael Weir during failed assaults. These war sequences highlight Stephen's isolation and , contrasting sharply with memories of Isabelle's embrace. Unlike Faulks' , which includes a storyline following 's descendants uncovering his diary, the adaptation condenses the timeline to the war era, omitting this generational arc to focus on immediate emotional impacts. Isabelle's fate is revealed off-screen through her death, and that she had borne 's , Françoise, whose existence she had kept secret and whom her Jeanne raises after returning to the . The story culminates in 1918 with the : survives a final tunnel collapse—where Firebrace perishes—and reunites with Jeanne, meeting young Françoise for the first time, symbolizing fragile renewal amid devastation. This ending emphasizes themes of forbidden love, profound loss, and human resilience, tailored to the serial's compact format that intertwines personal passion with the collective tragedy of the Great War.

Episode guide

The two-part serial Birdsong aired on in the , with each episode running approximately 90 minutes including commercials but edited to 84 minutes for Episode 1 and 82 minutes for Episode 2 in their core runtime. The series premiered internationally on PBS's in the United States starting April 22, 2012, and has since been available on various streaming platforms such as and following its initial broadcast. Episode 1, directed by Philip Martin, aired on January 22, 2012, and drew an overnight audience of 6.03 million viewers on , achieving a 23.6% share of the available audience. The episode introduces the 1910 setup of Stephen Wraysford's time in , , intercut with his initial deployment to the front lines in and early experiences in the trenches, establishing the dual timeline structure through measured pacing that balances intimate personal moments with the mounting tension of war. Martin's directorial approach emphasizes , immersive shots of the trenches to convey the soldiers' confined perspective, slowing the rhythm during flashback sequences to heighten emotional resonance before accelerating into the raw intensity of the initial battlefield encounters. Episode 2, also directed by Martin, aired on January 29, 2012, attracting an overnight viewership of 5.29 million, or a 21.4% audience share. It builds on the first installment by delving deeper into the escalating horrors of the Somme offensive, including revelations surrounding Isabelle Azaire and a poignant resolution involving family ties, while maintaining the intercut narrative to weave personal hauntings with collective trauma. Here, Martin's pacing intensifies the war sequences with a more relentless tempo, utilizing 360-degree sets to simulate the disorienting chaos of no man's land raids and gas attacks, contrasting the episode's earlier, reflective recovery scenes to underscore the unrelenting brutality without overwhelming the story's emotional core. The U.S. broadcast of this episode followed on April 29, 2012, on .

Cast and characters

Principal cast

Eddie Redmayne stars as Stephen Wraysford, the and a British grappling with a forbidden pre-war romance and the horrors of . Redmayne's portrayal captures the character's emotional turmoil across dual timelines, drawing on his extensive stage experience prior to the serial, including acclaimed performances in West End productions like Red and The Goat, or Who Is Sylvia?, which honed his ability to convey introspective depth. Clémence Poésy portrays Isabelle Azaire, Stephen's passionate yet conflicted married lover in the idyllic pre-war French setting of . Poésy's performance underscores Isabelle's vulnerability and inner conflict, enhanced by her French heritage and fluency, which brought authenticity to the role and the period's linguistic nuances. plays Jack Firebrace, Stephen's loyal comrade and fellow tunneler in the underground war efforts beneath the Western Front. Mawle's depiction emphasizes the profound bond and shared sacrifices between the soldiers, highlighting themes of quiet resilience amid the brutality of the trenches.

Supporting roles

Matthew Goode portrays Captain Gray, Stephen Wraysford's superior officer during the sequences, embodying a sense of detached efficiency amid the chaos of . His performance highlights the strained authority figures face in commanding men through unimaginable horrors, contributing to the serial's exploration of leadership under duress without overshadowing the central narrative. Marie-Josée Croze plays Jeanne Fourmentier, Isabelle Azaire's sister and a figure of quiet resilience in the post-war segments, where she becomes Stephen's eventual romantic partner and aids in his emotional . Her role underscores the lingering impacts of loss and recovery, providing a tender counterpoint to the earlier passion with Isabelle through subtle revelations that deepen Stephen's character arc. Laurent Lafitte depicts René Azaire, Isabelle's domineering husband and a wealthy whose possessive nature drives early conflicts, reflecting the rigid class structures and patriarchal tensions of pre-war French . Lafitte's portrayal captures the volatility of a man entangled in personal and societal expectations, adding layers to the themes of forbidden desire and social constraint in 1910 . Among other pivotal supporting performers, George MacKay appears as Private Douglas, a young soldier involved in the perilous underground tunneling operations alongside Stephen and Jack Firebrace. His character's presence intensifies the claustrophobic tension during mine collapses and explosions, emphasizing the camaraderie and fragility of life in the subterranean war efforts.

Production

Development

Television acquired the screen rights to ' 1993 novel Birdsong shortly after its publication, holding them for over a decade without producing a adaptation. To reclaim the film rights, Faulks granted a license in the mid-2000s to develop a version, leading to the decision to structure it as a two-part that focused primarily on the storyline while omitting the novel's 1970s narrative arc to maintain narrative intensity and historical immersion. Screenwriter was commissioned to adapt the novel, condensing its multiple timelines into a non-linear structure that interwove the pre-war romance in with the trenches of , thereby heightening the interplay between personal passion and wartime devastation. Morgan's approach drew on her experience with period dramas, including her work on The Hour, which shaped the script's sharp, introspective dialogue to capture emotional depth amid historical turmoil. The project secured co-production from and , with commissioning the two-part drama in August 2010 as part of its slate of epic literary adaptations. Adapting the novel's sensitive depiction of presented challenges, particularly in balancing graphic portrayals of and erotic elements without sensationalizing the brutality or romance. To ensure historical accuracy, the production team consulted experts such as historian Peter Barton for battlefield and tunnel recreations, and curator Martin Boswell oversaw costume details using period-appropriate fabrics sourced from .

Filming

Principal photography for the 2012 miniseries adaptation of Birdsong took place in 2011, primarily in , which served as a stand-in for and the French trenches during . Locations included the banks of a tributary near to depict pre-war , a sunflower field outside the city for sequences, and a studio near where an accurate replica of the underground tunneling network was constructed, marking the first such attempt in a television production. War scenes were shot near Gyúró, with remnants of the sets visible in . Directed by Philip Martin, the production emphasized realism in the trench sequences through influences from documentaries such as The Battle of the Somme (1916) and Restrepo (2010), which the cast and crew screened to capture authentic and emotional stillness amid chaos. Cinematographer Julian Court employed shadows and silhouettes to convey impending danger without overt spectacle. Period authenticity extended to the sets and costumes designed by Charlotte Walter, who sourced Edwardian-era clothing from and , supplemented by recreations based on historical family photographs; soldiers' uniforms were pre-distressed with artificial gore for . Filming faced challenges in recreating the harsh conditions of trenches, particularly the mud and explosions, under a constrained budget that required maximal resource efficiency. Unexpected summer rains in inadvertently aided authenticity by turning the sunflower field into a quagmire suitable for the muddy trench environments, though they also disrupted schedules. Explosions and depictions of carnage were handled safely to prioritize emotional impact over graphic excess. The original score, composed by Nicholas Hooper, was integrated to heighten key emotional moments, underscoring the contrast between intimate love scenes and the brutality of war. Post-production, including editing to weave the non-linear structure of flashbacks with the present-day narrative, was completed by late , allowing the two-part serial to premiere on in January 2012.

Reception

Critical response

The 2012 television adaptation of Birdsong garnered generally positive reviews, particularly for its emotional resonance and Eddie Redmayne's compelling portrayal of the haunted protagonist Stephen Wraysford. On , the miniseries holds an average rating of 7.3 out of 10, drawn from over 6,500 user votes. Rotten Tomatoes aggregates a 75% Tomatometer score based on eight critic reviews, with the consensus describing it as "an epic romance intensified by its backdrop of all-consuming disaster." Critics frequently praised the series' authentic rendering of trench conditions and its exploration of love amid devastation. Sam Wollaston in The Guardian hailed it as a "glorious tale of love and " that captured the novel's intensity after a 20-year wait for , commending Redmayne's nuanced and the chemistry with as Isabelle, while noting the effective depiction of both terror and tedium in the trenches. Grace Dent, also in The Guardian, called it "remarkable" and "visceral," emphasizing its unsettling blend of romance and despair. However, some reviewers critiqued the pacing, particularly in the flashbacks; a Telegraph preview observed that the initial 45 minutes felt slow before accelerating into more emotional territory. The handling of themes—balancing the tenderness of the central love story against the raw horror of —drew mixed responses. Variety's appreciated the tense battle sequences and strong lead performances but described the overall tone as "stubbornly old-fashioned ," faulting the excessive gauzy flashbacks and tedious romantic buildup for diluting the war's impact compared to contemporaries like War Horse. This structure, while loyal to the novel's dual timelines, occasionally strained viewer investment in the interpersonal dynamics. In the long term, Birdsong has maintained cultural relevance through its availability on streaming services, including addition to in late 2024, which has sparked renewed interest and accessibility for new audiences as of 2025. It contributed to heightened interest in narratives leading into the 2014 centenary. Recent retrospectives, such as a article in January 2025 praising Redmayne's performance and a Liverpool Sound and Vision review in May 2025 highlighting its emotional depth, underscore its enduring portrayal of the conflict's human cost.

Awards and nominations

The 2012 television adaptation of Birdsong received recognition primarily through British awards bodies, with notable achievements in the BAFTA Television Awards and Craft Awards. At the 2012 BAFTA Television Craft Awards, the serial won the award for Best Costume Design for Charlotte Walter's work, which was praised for its authentic depiction of early 20th-century French and wartime British attire. It was also nominated in the Best Writer category for Abi Morgan's screenplay . In the performance categories at the main 2012 BAFTA Television Awards, earned a nomination for Best for his portrayal of Jack Firebrace. Additionally, the serial received a nomination for Best Makeup and Hair Design at the Craft Awards for Emma Scott's contributions to character transformations across civilian and trench settings. Beyond BAFTA, Birdsong garnered nominations at the Royal Television Society (RTS) Craft & Design Awards 2012, including one for Best Photography and Lighting (Fiction/Entertainment) for cinematographer Julian Court, highlighting the serial's evocative trench sequences. It also won the Banff Rockie Award for Best at the 2012 Banff World Television Festival, acknowledging its overall production quality and storytelling. A nomination for Best or Motion Picture Made for Television came from the 2012 , though it did not win. Despite its U.S. broadcast on PBS's , the serial received no major Primetime Emmy Award nominations. These accolades, particularly the technical wins, underscored the production's commitment to historical accuracy in recreating environments and period details, contributing to its critical esteem. The recognition helped elevate the profiles of key talents, including , whose lead performance as Stephen Wraysford gained international notice ahead of his later Oscar-winning roles. No significant awards followed after 2012, but by 2025, the serial continued to be highlighted in retrospectives on -themed media for its enduring portrayal of the conflict's human cost.
Award BodyYearCategoryResultRecipient
BAFTA Television Craft Awards2012Best Costume DesignWinnerCharlotte Walter
BAFTA Television Craft Awards2012Best WriterNominee
BAFTA Television Awards2012Best Supporting ActorNominee
BAFTA Television Craft Awards2012Best Makeup and Hair DesignNomineeEmma Scott
RTS Craft & Design Awards2012Best Photography and Lighting (Fiction/Entertainment)NomineeJulian Court
Banff World Television Festival2012Rockie Award for Best MiniseriesWinnerProduction team
International Press Academy2012Satellite Award for Best Miniseries or Motion Picture Made for TelevisionNomineeProduction team

References

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