Hubbry Logo
Buffalo DaughterBuffalo DaughterMain
Open search
Buffalo Daughter
Community hub
Buffalo Daughter
logo
7 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Buffalo Daughter
Buffalo Daughter
Buffalo Daughter
View on Wikipedia
from Wikipedia

Buffalo Daughter is a Japanese rock band formed in 1993. The three main members are suGar Yoshinaga[1] (ex-Havana Exotica) on guitar, Yumiko Ohno (ex-Havana Exotica) on bass, and Moog (later changed to MoOog) Yamamoto on turntables and graphic design. The group had a drummer, Chica Ogawa, but after her departure they have had no permanent drummer and have hired different people to fill in as needed. In addition, the band is well known for using a number of electronic instruments, such as the TB-303, TR-606, Minimoog, shortwave radio, and other instruments. Although they emerged from Shibuya at about the same time as other Shibuya-kei acts, Yoshinaga does not believe the label accurately describes the band's music.[2]

Key Information

History

[edit]

Buffalo Daughter is considered to be the linchpin of the so-called "cut-and-paste" rock Shibuya-kei movement from Japan.[citation needed] The band was created in the early 1990s when it was signed to independent Japanese label Cardinal. Seeking wider exposure, they continued under the Beastie Boys' now-defunct music label Grand Royal, bringing their discography up to a total of four full-length album releases, an EP, and a handful of remixes. The band's style, always a variety of different sounds and genres, evolved slowly but surely into a more cohesive and restrained melodic style. In 2002 Buffalo Daughter released their fifth album I in the United States on Los Angeles-based label Emperor Norton Records.

According to band member Ohno, "We call ourselves Buffalo Daughter because our sound is very strong. And the buffalo is strong." In a 1998 interview, the group explained that "Buffalo" projects a pleasing image of American culture and countryside and at the time of the group's original formation, all the members were girls, so "Daughter" was appropriate. Also, the sound of the name itself appealed to the group.[3]

In 2006, Buffalo Daughter collaborated with pop singer Ami Suzuki. They released the single "O.K. Funky God" together on 28 February 2007, and it was later included on Suzuki's Connetta album.

In 2009, Buffalo Daughter performed the song "Galactic S-O-U-L" for the Katamari Forever soundtrack.

Members

[edit]
  • suGar Yoshinaga (vocals, guitars, TB-303)
  • Yumiko Ohno (vocals, bass, keyboards)
  • Moog Yamamoto (vocals, turntables)

Discography

[edit]

Full-length albums

  • Captain Vapour Athletes (1996) (a compilation of Shaggy Head Dressers and Amoebae Sound System)
  • Jungle Park Original Soundtrack with Delaware (1997)
  • New Rock (1998) [#77, Japan]
  • I (2001)
  • Pshychic (2003) [#68, Japan]
  • Euphorica (2006) [#151, Japan]
  • The Weapons of Math Destruction (2010) [#90, Japan]
  • Konjac-tion (2014) [#150, Japan][2]
  • We Are The Times (2021)[4]

EPs

  • Shaggy Head Dressers (1994)
  • Amoebae Sound System (1995)
  • Legend of the Yellow Buffalo (1995)
  • Socks, Drugs and Rock and Roll (1997)
  • A Long Life Story of Miss Cro-Magnon (2002)
  • Continuous Stories of Miss Cro-magnon (20 Years Later) (2021)

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Buffalo Daughter

View on Grokipedia
from Grokipedia
Buffalo Daughter is a Japanese alternative rock band formed in 1993 in , consisting of multi-instrumentalists suGar Yoshinaga (guitar, bass, vocals), Yumiko Ohno (keyboards, bass, vocals), and MoOoG Yamamoto (turntables, electronics, programming), often augmented by guest percussionists. The group is renowned for its experimental, genre-blending sound that fuses elements of , , , , and , drawing influences from the movement while incorporating warped harmonies, hip-hop beats, and textures. Emerging from the indie scene after the dissolution of Yoshinaga and Ohno's prior project Havana Exotica, Buffalo Daughter debuted with the EP Shaggy Head Dressers in 1994 on the Cardinal label, followed by Amoebae Sound System in 1995. Their international breakthrough came in 1996 with the full-length album Captain Vapour Athletes on ' Records imprint, facilitated by a connection through , which led to extensive touring in the United States, , and . Subsequent releases like (1998), I (2001) on Emperor Norton Records, and Pshychic (2003) on V2 Records solidified their reputation for innovative production and eclectic songwriting, with tracks often featuring Yamamoto's DJ and the band's signature multi-layered instrumentation. Over their three-decade career, Buffalo Daughter has maintained an active presence, releasing albums on their own Buffalo Ranch label, including Euphorica (2006), The Weapons of Math Destruction (2010), Konjac-tion (2014), and We Are The Times (2021), alongside remix collections and EPs, with remastered reissues in 2023 and a collaborative EP in 2025. Notable achievements include performances at high-profile events such as the 1998 alongside acts like and , collaborations with artists including Cornelius, , and , and licensing their music for advertisements by brands like and . The band has also ventured into multimedia, contributing to museum exhibitions at venues like the Museum of Contemporary Art in 2016 and Kanazawa's Museum in 2012, underscoring their enduring influence in Japan's alternative music landscape.

History

Formation and early career (1993–1997)

Buffalo Daughter was formed in 1993 in by guitarist Yoshinaga, bassist Yumiko Ohno, and turntablist MoOog Yamamoto, building on the members' prior collaboration in the band , where Yoshinaga and Ohno had explored dub and sounds across two albums. The trio's name evoked themes of strength, marking their entry into with an experimental approach blending guitar rock, , and hip-hop elements. The band quickly signed with Japan's independent Cardinal Records, a label affiliated with the indies magazine Beikoku Ongaku, and released their debut EP, Shaggy Head Dressers, in 1994, which showcased a eclectic mix of , , and noise influences. This was followed by the EP Amoebae Sound System in 1995, continuing their genre-blending style with tracks incorporating hip-hop beats and ambient textures, while the band began performing live in , including shows at venues like Club Quattro. Domestic tours during this period helped build their local following and led to their discovery by American act , who encountered the band's music while touring and recommended them to Records, the ' imprint. In 1996, Buffalo Daughter signed with and debuted on the label with the 7-inch single The Legend of the Yellow Buffalo, signaling a move toward more melodic structures amid their ongoing experimentation. Later that year, they released the Captain Vapour Athletes, which collected tracks from their earlier EPs alongside new material, and supported it with their first U.S. tours, including East Coast dates in March and shows opening for in November. The period culminated in 1997 with the release of Jungle Park Original Soundtrack, a collaborative album with electronic artist composed for a PC video game, further diversifying their output while maintaining domestic performances in .

International recognition and mid-career (1998–2010)

Buffalo Daughter achieved significant international exposure with the release of their album in 1998, which served as their major-label debut in the United States through Records, the imprint founded by the . The album positioned the band within the emerging "cut-and-paste" rock scene, a Shibuya-kei-inspired movement characterized by eclectic sampling and genre-blending, drawing comparisons to contemporaries like and . Produced with a mix of live instrumentation and electronic elements, featured tracks like "Great Five Lakes" that showcased the band's experimental edge, earning praise for its playful yet sophisticated sound. The album's launch propelled Buffalo Daughter into international touring, including a support slot for across the and , as well as performances at high-profile events such as the in Washington, D.C., alongside acts like the , , and . These opportunities marked the band's transition from Japan's underground scene to a broader global audience, with additional dates alongside Boys Against Girls in July and August 1998. Following Grand Royal's closure in 2001, Buffalo Daughter signed with Emperor Norton Records for their next release, I, which further integrated electronic textures with their rock foundation, emphasizing looped samples and synth-driven rhythms in songs like "Patience." By 2003, the band had shifted to V2 Records, releasing Pshychic, an album that deepened their exploration of electronic production techniques, incorporating machines and ambient soundscapes while maintaining the core trio's guitar-bass interplay. This period also saw the solidification of their three-piece lineup—suGar Yoshinaga on guitar and vocals, Yumiko Ohno on bass and vocals, and MoOoG Yamamoto on keyboards and guitar—following the departure of original mer Chica Ogawa in the late 1990s, with guest percussionists like those on Pshychic handling live and recorded duties thereafter. To promote the album, they toured with , expanding their presence in the circuit. The mid-2000s brought continued stylistic maturation, exemplified by Euphorica in 2006, still on V2, where electronic integration became more pronounced through glitchy beats and layered synths, as heard in tracks like "Cyclic," reflecting influences from and . During this time, Buffalo Daughter collaborated with Japanese pop artist on the single "O.K. Funky God," released in 2007, blending their experimental style with her vocal pop sensibilities in a project under . In 2009, they contributed the track "Galactic S-O-U-L" to the Katamari Forever soundtrack, a reimagined piece produced for the Bandai Namco game that highlighted their ability to adapt to multimedia contexts with cosmic, electronic-infused rock. By 2010, Buffalo Daughter launched their own imprint, Buffalo Ranch, for the release of The Weapons of Math Destruction, an album that culminated their mid-career evolution with dense electronic arrangements and mathematical precision in composition, featuring guest drummer Atsushi Matsushita on several tracks. This self-released effort underscored their independence after years of label transitions, while performances at festivals like Fuji Rock reinforced their enduring international appeal.

Recent years (2011–present)

In 2014, Buffalo Daughter released Konjac-Tion, their first studio in four years following Weapons of Math Destruction, marking a return to their experimental roots with a double-CD set featuring original tracks and remixes under a "" theme. The blended electronic, , and indietronica elements, showcasing the band's signature playful yet innovative sound. The band continued their output with We Are The Times in September 2021, an produced amid the that captured a darker, richer tone reflective of global uncertainties and personal introspection. Tracks like "Music" and "Global Warming Kills Us All" addressed contemporary themes through trippy electronics and funky rhythms, extending their techno-infused style. No new full-length studio album by the full band has been released since. In 2023, Buffalo Daughter reissued their 1998 album New Rock and 2001's I as double vinyl editions, remastered with rare bonus tracks, coinciding with a North American tour to support the releases. These archival efforts highlighted the band's enduring catalog, available via platforms like Bandcamp. The following year, 2024 saw the launch of the 360 Tour in , celebrating remixed stereo sound recordings from the AMBIENT KYOTO 2023 exhibition, with performances in , , and featuring immersive spatial audio. In 2025, the duo project Two Buffalo Daughters ( Yoshinaga and Yumiko Ohno), also known as 2BD, released their debut EP New BuD In The Mud on May 2 via , blending experimental elements in a collaborative format. To celebrate, Buffalo Daughter and 2BD co-headlined the "New BuD In The Mud" tour, with dates including May 23 in at Club Metro and June 1 in at Mame Romantic. The band also performed at events such as the January 19 gig by Two Buffalo Daughters at Polaris in , the Mori, Michi, Ishiba on May 25 in Aichi, One Park on July 18 in Fukui, an August 5 duo and band set at Four Forty Shimokitazawa in , and a September 7 anniversary show with DONGURIZU at WALL&WALL in . As of October 2025, the band announced plans to return to the studio for new material.

Musical style and equipment

Influences and genre classification

Buffalo Daughter's music draws heavily from German and pop, while incorporating elements of dub, club music, , and . These influences manifest in their eclectic approach, blending noisy textures and electronic experimentation with rock foundations, often evoking the atmospheric distortion of pioneers like My Bloody Valentine through layered guitar effects and feedback. Additionally, their association with —via signing to Records in 1996 and shared performances—highlights nods to hip-hop sampling and playful techniques in their "cut-and-paste" style. Although frequently linked to the movement for their mid-1990s emergence and genre-mixing aesthetics, guitarist suGar Yoshinaga has emphasized that the label does not accurately capture the band's sound, distinguishing it from the more stylish, pop-oriented acts like or Cornelius. Instead, Buffalo Daughter positioned themselves as a van-touring indie outfit focused on raw experimentation rather than trend-driven polish. This denial underscores their outsider status within Japan's vibrant 1990s alternative scene, where they emerged as a linchpin of the "cut-and-paste" rock movement, fusing traditional rock instrumentation with sampling and electronic manipulation to create collage-like compositions. Critics classify the band's genre as spanning indie pop, indie rock, experimental rock, neo-psychedelia, and indietronica, reflecting their boundary-pushing fusion of psychedelic grooves, noise elements, and electronic beats. Over time, their sound evolved from the noisy, instrumental experimentation of early releases—characterized by ambient drones, feedback, and abstract collages—to more structured melodic arrangements in later works, incorporating clearer vocal harmonies and rhythmic accessibility while retaining avant-garde edges. This progression highlights their adaptation within Japan's alternative landscape, bridging underground noise rock with broader indietronica appeal.

Signature instruments and production techniques

Buffalo Daughter's distinctive sound arises from the core trio's innovative use of analog synthesizers and electronic manipulation, eschewing traditional rock setups in favor of experimental gear. Guitarist suGar Yoshinaga employs the bass synthesizer to generate squelching bass lines, often layering them under blues-inflected guitar riffs for a hypnotic, electronic edge. Bassist Yumiko Ohno anchors the rhythm with and vintage keyboards, including the synthesizer, which adds warm, modular tones to their tracks. Meanwhile, MoOog Yamamoto handles turntables for rhythmic and looping, incorporating unconventional techniques like placing a chopstick under the record to create erratic, glitchy loops that integrate seamlessly with the band's organic elements. The band also draws on shortwave radio performances for sampling ambient noise and static, treating it as an improvised to infuse tracks with ethereal, found-sound textures—suGar Yoshinaga is credited with this on their 1998 album . Drum sounds are primarily sourced from electronic devices, such as the , evident in the track "303 + 606 = Acid" from the same album, which exemplifies their nod to through sequenced percussion and bass synthesis. Since the late 1990s, following the departure of their original drummer around 1998, Buffalo Daughter has relied on electronic augmentation rather than a full , using programmed rhythms and guest percussionists to maintain a sparse, machine-driven pulse that emphasizes their lo-fi electronic leanings. In production, the group favors multi-layered guitars processed through effects pedals and digital editing, building dense sonic walls without overwhelming the mix—Yoshinaga's contributions often feature overlapping riffs distorted for psychedelic depth. Early recordings utilized analog multi-tape setups like 16-track machines for organic , evolving to digital tools such as and Apple Logic by the early 2000s for precise looping and remixing. This approach shines in New Rock, where TB-303 sequences drive acid house-inspired grooves amid turntable scratches. By 2024, they shifted toward immersive remixing, releasing versions of tracks like "ET (Densha)" to enhance spatial depth in live and studio contexts, aligning with their ongoing experimentation for three-dimensional sound experiences.

Band members

Current members

Buffalo Daughter's current lineup consists of the core trio of Yoshinaga, Yumiko Ohno, and MoOog Yamamoto, who have anchored since the late . This stable configuration emphasizes their sound through layered instrumentation and collaborative songwriting, with the group frequently incorporating guest percussionists for live performances to add rhythmic depth without a fixed . suGar Yoshinaga is the band's lead guitarist, vocalist, and TB-303 operator, having co-founded Buffalo Daughter in 1993 after her time in the short-lived group Havana Exotica. As the primary architect of the band's guitar-driven textures, she has contributed to their evolution from shoegaze influences to more eclectic electronic elements across multiple albums. Her role extends to visual and production aspects, underscoring her foundational influence on the group's longevity. Yumiko Ohno handles bass, vocals, and keyboards, also drawing from her prior experience in Exotica alongside Yoshinaga. Ohno's contributions focus on melodic bass lines that interweave with the band's atmospheric arrangements, complemented by her harmony vocals and work, which enhance their complexity. MoOog Yamamoto provides turntables and vocals, serving as the band's sampling specialist and rhythmic backbone; his stage name evolved from Moog to MoOog in the early 2000s. Yamamoto's electronic manipulations and graphic design input have been integral to Buffalo Daughter's genre-blending aesthetic, offering a DJ-infused foundation that supports their improvisational live energy. Since their 2003 album Pshychic, the trio has solidified as a cohesive unit, fostering a dynamic interplay of guitar, bass, and that defines their output, while relying on rotating guest drummers—such as Atsushi Matsushita and Kin-ichi Motegi—for touring and recordings to maintain versatility. This approach has enabled sustained creativity and international touring without lineup disruptions.

Former members

Chika Ogawa served as Buffalo Daughter's original drummer from the band's formation in 1993 until her departure in the late 1990s. She provided percussion for their debut album Shaggy Head Dress (1994) and subsequent releases Captain Vapour Athletes (1996) and New Rock (1998), appearing on select tracks of the latter alongside guest drummers. Ogawa's drumming established the band's energetic live performances and rhythmic drive during its early career, helping shape their experimental rock sound in the mid-1990s. Her exit marked a shift to a permanent trio format without a fixed drummer, with the group incorporating electronic beats, samples, and rotating guest percussionists for subsequent recordings and tours. No other individuals are recognized as significant former members; the band has relied on occasional collaborators rather than formal additions beyond the core lineup.

Discography

Studio albums

Buffalo Daughter's debut full-length album, Captain Vapour Athletes, was released in 1996 by Grand Royal Records. It compiles their earlier material into a noisy collection characterized by shifting styles from melodic themes to industrial noise and riffs. The band's follow-up, Jungle Park, appeared in 1997 on Digitalogue. This experimental album serves as the original soundtrack for a , exploring elements with innovative . New Rock, released in 1998 by Records, marked Buffalo Daughter's U.S. breakthrough. The album incorporates electronic elements alongside , featuring insistent beats and detached vocals. Following a label change, the band issued I in 2001 through Emperor Norton Records. This release represents a melodic shift, blending sonic collages with structured songwriting. Pshychic, their 2003 album on V2 Records, emphasizes heavy sampling techniques in an experimental framework. In 2006, V2 Records released Euphorica, which highlights the band's collaboration era with guest artists across diverse tracks. The Weapons of Math Destruction came out in 2010 on Buffalo Ranch, with its title drawing from DJ Spooky's 1996 book Math-U-Matrix: Sound Artists in the Age of Artificial Intelligence and Mathematics. The album continues their fusion of rock and electronic sounds. Buffalo Daughter returned with Konjac-tion in 2014 via U/M/A/A (Buffalo Ranch), embracing an experimental return to raw, improvisational structures. The 2021 album We Are The Times, released by Buffalo Ranch, reflects on the through techno-infused . In 2023, Anniversary Group Arts issued vinyl reissues of and I, each including bonus tracks.

Extended plays and singles

Buffalo Daughter's early extended plays established their experimental sound, blending , electronic elements, and sampling techniques. Their debut EP, Shaggy Head Dressers, was released in 1994 on Cardinal Records, featuring tracks that showcased the band's initial foray into noisy, psychedelic textures. Following this, Amoebae Sound System appeared in 1995, also on Cardinal Records, as a maxi-single that expanded on their lo-fi aesthetic with rhythmic, bass-heavy compositions. The band's association with Records began with The Legend of the Yellow Buffalo in 1996, a 7-inch single/EP that marked their international debut and highlighted their growing interest in with electronic flourishes. This was followed by Socks, Drugs and in 1997, a 12-inch EP on the same label, which incorporated remixes by artists like , emphasizing Buffalo Daughter's collaborative and remix-oriented approach. In the 2000s, the group released A Long Life Story of Miss in 2002 on (), a five-track EP collecting remixes and covers of material from their I, including contributions from international producers. Their most recent EP, Continuous Stories of Miss Cro-magnon (20 Years Later), emerged in 2021 as a self-released three-track effort via under Buffalo Ranch, revisiting cosmic and experimental themes from their earlier work. Among their notable singles, "" served as a promotional lead from their 1998 album of the same name, with versions issued in 1998 on , capturing the band's shift toward more structured . In 2007, Buffalo Daughter collaborated with pop artist on the single "O.K. Funky God," released on , blending their indie sensibilities with elements. Additionally, they contributed "Galactic S-O-U-L" in 2009 to the Katamari Forever soundtrack on Games, a production that fused their sound with . In 2024, Buffalo Daughter released the remix single "ET (Densha) - AMBIENT KYOTO Mix" on July 19.

Legacy and reception

Critical acclaim and awards

Buffalo Daughter's 1998 album New Rock received positive critical reception for its innovative fusion of neo-psychedelia, electronica, and rock elements, earning an aggregated critic score of 80 out of 100 based on three reviews. The album was noted for pulling together a unique sound through electronic instruments, samples, and ambient noise, distinguishing it in the late-1990s indie landscape. User ratings averaged 3.4 out of 5 on Rate Your Music, indicating solid fan appreciation. The band's 2003 release Pshychic built on this acclaim, with highlighting its experimental blend of electronic and analog sounds in hypnotic, uncompromising jams. It garnered a score of 80 on Album of the Year from one review and a user average of 3.6 out of 5 on , affirming its relevance in circles. Konjac-tion (2014) was recognized for its creative ties to , stemming from a performance at the 21st Century Museum of Contemporary Art in , which inspired its thematic depth and enduring cultural resonance as covered in . The 2021 album We Are the Times earned praise for its timeliness amid global events, including the and climate concerns, with tracks offering optimism and emotional uplift during isolation, as detailed in . Reviewers commended its darker, richer evolution from prior works, marking a solid extension of the band's techno-infused style. While Buffalo Daughter has not received major industry awards, the group has garnered nods in indie communities for their consistent experimentation, with album ratings averaging around 3.5 out of 5 on across their discography. Some critiques, however, have labeled their output as overly niche or eclectic, such as a review of their 1999 EP WXBD that found it pleasingly diverse but lacking in memorability.

Cultural impact and tours

Buffalo Daughter has exerted a notable influence on the Japanese indie and scenes, particularly through their innovative sampling techniques that contributed to the "cut-and-paste" aesthetic within the broader movement. Their fusion of , , and eclectic elements helped shape mid-1990s Japanese underground music, inspiring subsequent acts in by emphasizing playful, genre-blending production. As global ambassadors of , their work bridged underground indie with wider pop , fostering a legacy of sonic experimentation that resonated in Tokyo's club scenes. The band's cultural footprint extends beyond music into gaming and crossovers, broadening their exposure to diverse audiences. Their contribution of the track "Galactic S-O-U-L" to the 2009 soundtrack for introduced their sound to a global gaming community, amplifying their reach through the popular series. Additionally, their 2007 collaboration with J-pop artist on the EP O.K. Funky God—including the lead single of the same name—created a bridge between indie experimentalism and mainstream , highlighting their versatility in crossover projects. These endeavors underscore Buffalo Daughter's role in embedding into broader cultural narratives, from to pop idols. Buffalo Daughter's touring legacy reflects their sustained international presence and evolution toward immersive live experiences. In the late 1990s and early , they conducted extensive runs across the and , including a 1998 tour supporting their album alongside and performances at the , which helped solidify their cult status abroad. This period of global outreach continued into the 2010s with festival appearances at events like Fuji Rock (2010) and SXSW (2015). More recently, their 2023 North American tour marked a 30th-anniversary celebration, drawing renewed attention from longtime fans. In 2024, the "360 Tour" in promoted new mixes derived from their AMBIENT KYOTO 2023 exhibition, offering spatial audio performances that enhanced their experimental ethos in live settings. Looking to 2025, Buffalo Daughter maintained ongoing relevance through Japan-focused tours and circuits, nurturing a dedicated . The "New BuD In The Mud" tour, featuring a joint bill with the experimental duo 2BD (comprising band members Yoshinaga and MoOoG ), kicked off on May 23, 2025, in , blending their core sound with fresh electronic explorations. Their appearance at One Park 2025 in Fukui on July 18 further embedded them in contemporary indie circuits, ensuring their influence persists among new and returning audiences.

References

  1. https://www.encyclopedia.com/education/news-wires-white-papers-and-books/buffalo-daughter
  2. https://buffalodaughter.com/biography_e/
  3. https://buffalodaughter.com/news_e/
  4. https://www.qobuz.com/us-en/interpreter/buffalo-daughter/189243
  5. https://anniversarygroup.com/Buffalo-Daughter
  6. https://www.youtube.com/watch?v=ih5eYJOdS5A
  7. https://buffalodaughter.com/2013/06/21/jungle-park-original-soundtrack/
  8. https://www.discogs.com/release/68601-Buffalo-Daughter-New-Rock
  9. https://holo.mg/stream/ryoichi-kurokawa-buffalo-daughter-et-densha/
  10. https://www.discogs.com/release/2506467-Buffalo-Daughter-I
  11. https://www.discogs.com/release/1234062-Ami-Suzuki-Joins-Buffalo-Daughter-OK-Funky-God
  12. https://www.discogs.com/release/3326853-Buffalo-Daughter-The-Weapons-Of-Math-Destruction
  13. https://buffalodaughter.com/2014/07/24/konjac-tion-2/
  14. https://www.discogs.com/master/777310-Buffalo-Daughter-Konjac-Tion
  15. https://rateyourmusic.com/release/album/buffalo-daughter/konjac-tion/
  16. https://wearethetimes.bandcamp.com/
  17. https://www.allmusic.com/album/we-are-the-times-mw0003587096
  18. https://www.slugmag.com/music/national-music-reviews/buffalo-daughter-we-are-the-times/
  19. https://www.thevinyldistrict.com/storefront/graded-on-a-curve-buffalo-daughter-we-are-the-times/
  20. https://www.brooklynvegan.com/buffalo-daughter-on-tour-now-in-support-of-new-rock-i-reissues/
  21. https://chartroommedia.com/buffalo-daughter/buffalo-daughter-announce-north-america-tour-and-reissues-of-new-rock-and-i-on-double-vinyl-featuring-rare-bonus-tracks/
  22. https://buffalodaughter.bandcamp.com/album/new-rock
  23. https://buffalodaughter.bandcamp.com/album/i
  24. https://buffalodaughter.com/2024/08/16/360-tour-in-japan/
  25. https://buffalodaughter.com/live_e/
  26. https://buffalodaughter.com/2025/05/03/2bd-first-ep-out-on-bandcamp/
  27. https://2bd2bd.bandcamp.com/
  28. https://www.instagram.com/buffalodaughter/
  29. https://www.wdirewolff.com/JapBD.htm
  30. https://panm360.com/en/interviews-panm360/buffalo-daughter-sign-of-the-times/
  31. https://www.yokogaomag.com/editorial/shibuya-kei
  32. https://www.allmusic.com/artist/buffalo-daughter-mn0000627258
  33. https://rateyourmusic.com/artist/buffalo-daughter
  34. https://www.scaruffi.com/vol6/buffalod.html
  35. https://15questions.net/interview/fifteen-questions-interview-buffalo-daughter/
  36. https://music.apple.com/us/song/303-606-acid/711586645
  37. https://www.ucc.asn.au/~tommo/pshychic.html
  38. https://buffalodaughter.com/2024/07/19/et-densha-ambient-kyoto-mix/
  39. https://www.aaemusic.com/artist/buffalo-daughter
  40. https://www.hollywoodbowl.com/musicdb/artists/870/buffalo-daughter
  41. https://sugarguitar.com/
  42. https://www.japantimes.co.jp/culture/1999/04/30/music/buffalo-daughter-reinvents-new-rock-again/
  43. https://buffalodaughter.[bandcamp](/page/Bandcamp).com/album/i
  44. https://japanga.com/japanese-music/artist-profile/Buffalo-Daughter/2309410
  45. https://fishmans.fandom.com/wiki/Moog_Yamamoto
  46. https://www.instagram.com/buffalodaughter/?hl=en
  47. https://www.bandsintown.com/a/61722-buffalo-daughter
  48. https://www.16bit.com/cd-buff-newrock.asp
  49. https://www.discogs.com/release/68971-Buffalo-Daughter-Captain-Vapour-Athletes
  50. https://www.discogs.com/release/12318936-Buffalo-Daughter-Delaware-Jungle-Park-Original-Soundtrack
  51. https://www.discogs.com/release/68604-Buffalo-Daughter-New-Rock
  52. https://music.apple.com/us/album/i/672099633
  53. https://www.amazon.com/I-Buffalo-Daughter/dp/B000060ONN
  54. https://www.discogs.com/release/68577-Buffalo-Daughter-I
  55. https://www.discogs.com/release/563226-Buffalo-Daughter-Pshychic
  56. https://www.discogs.com/release/3258538-Buffalo-Daughter-Euphorica
  57. https://www.discogs.com/master/398703-Buffalo-Daughter-The-Weapons-Of-Math-Destruction
  58. https://www.discogs.com/release/6860699-Buffalo-Daughter-Konjac-Tion
  59. https://buffalodaughter.bandcamp.com/album/we-are-the-times
  60. https://www.discogs.com/release/15649264-Buffalo-Daughter-Shaggy-Head-Dressers
  61. https://www.discogs.com/release/343417-Buffalo-Daughter-Amoebae-Sound-System
  62. https://www.discogs.com/release/68605-Buffalo-Daughter-The-Legend-Of-The-Yellow-Buffalo
  63. https://www.discogs.com/release/52170-Buffalo-Daughter-Socks-Drugs-And-Rock-And-Roll
  64. https://www.discogs.com/release/3441979-Buffalo-Daughter-A-Long-Life-Story-Of-Miss-Cro-Magnon
  65. https://buffalodaughter.bandcamp.com/album/continuous-stories-of-miss-cro-magnon-20-years-later
  66. https://www.amazon.com/New-Rock-Remixes-Buffalo-Daughter/dp/B000TWJOF6
  67. https://downloads.khinsider.com/game-soundtracks/album/katamari-damacy-tribute-original-soundtrack-katamari-takeshi
  68. https://buffalodaughter.bandcamp.com/track/et-densha-ambient-kyoto-mix
  69. https://www.albumoftheyear.org/album/39482-buffalo-daughter-new-rock.php
  70. http://www.16bit.com/cd-buff-newrock.asp
  71. https://rateyourmusic.com/release/album/buffalo-daughter/new-rock/
  72. https://www.albumoftheyear.org/user/emr/album/57946-pshychic/
  73. https://www.albumoftheyear.org/album/57946-buffalo-daughter-pshychic.php
  74. https://rateyourmusic.com/release/album/buffalo-daughter/pshychic/
  75. https://www.japantimes.co.jp/culture/2014/07/22/music/buffalo-daughter-calls-konjac-tions-newest-album/
  76. https://www.japantimes.co.jp/culture/2021/09/24/music/buffalo-daughter/
  77. https://pitchfork.com/reviews/albums/1004-wxbd-ep/
  78. https://www.reddit.com/r/listentothis/comments/4t655x/buffalo_daughter_great_five_lakes_indie_pop/
  79. https://music.apple.com/us/album/o-k-funky-god-ep/216190917
Add your contribution
Related Hubs
User Avatar
No comments yet.