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Coldcut
Coldcut are an English electronic music duo composed of Matt Black and Jonathan More. Credited as pioneers for pop sampling in the 1980s, Coldcut are also considered the first stars of UK electronic dance music due to their innovative style, which featured cut-up samples of hip-hop, soul, funk, spoken word and various other types of music, as well as video and multimedia. According to Spin, "in '87 Coldcut pioneered the British fad for 'DJ records'".
Coldcut's records first introduced the public to pop artists Yazz and Lisa Stansfield, through which these artists achieved pop chart success. In addition, Coldcut has remixed and created productions on tracks by Eric B & Rakim, James Brown, Queen Latifah, Eurythmics, INXS, Steve Reich, Blondie, the Fall, Pierre Henry, Nina Simone, Fog, Red Snapper, and BBC Radiophonic Workshop.
Beyond their work as a production duo, Coldcut are the founders of Ninja Tune, an independent record label in London, England (with satellite offices in Los Angeles and Berlin) with an overall emphasis on encouraging interactive technology and finding innovative uses of software. The label's first releases (the first four volumes of DJ Food - Jazz Brakes) were produced by Coldcut in the early 1990s, and composed of instrumental hip-hop cuts that led the duo to help pioneer the trip hop genre, with artists such as Funki Porcini, the Herbaliser and DJ Vadim.
In 1986, computer programmer Matt Black and ex-art teacher Jonathan More were part-time DJs on the rare groove scene. More also DJed on pirate radio, hosting the Meltdown Show on Kiss FM and worked at the Reckless Records store on Berwick Street, London where Black visited as a customer. The first collaboration between the two artists was "Say Kids What Time Is It?" on a white label in January 1987, which mixed The Jungle Book's "King of the Swingers" with the break from James Brown's "Funky Drummer". The innovation of "Say Kids..." caused More and Black to be heralded by SPIN as "the first Brit artists to really get hip-hop's class-cutup aesthetic". It is regarded as the UK's first breaks record, the first UK record to be built entirely of samples and "the final link in the chain connecting European collage-experiment with the dance-remix-scratch edit". This was later sampled in "Pump Up the Volume" by MARRS, a single that reached number one in the UK in October 1987.
Though Black had joined Kiss FM with his own mix-based show, the pair eventually joined forces on its own show later in 1987 called Solid Steel. The eclectic show became a unifying force in underground experimental electronic music and is still running, celebrating 25 years in 2013.
The duo adopted the name "Coldcut" and set up a record label called Ahead Of Our Time to release the single "Beats + Pieces" (one of the formats also included "That Greedy Beat") in 1987. All of these tracks were assembled using cassette pause button edits and later spliced tape edits that would sometimes run "all over the room". The duo used sampling from Led Zeppelin to James Brown. Electronic act the Chemical Brothers have described "Beats + Pieces" as the "first bigbeat record", a style which appeared in the mid-1990s.
Coldcut's first mainstream success came when Julian Palmer from Island Records asked them to remix Eric B. & Rakim's "Paid in Full". Released in October 1987, the landmark remix is said to have "laid the groundwork for hip hop's entry into the UK mainstream", becoming a breakthrough hit for Eric B & Rakim outside the U.S., reaching No. 15 in the UK, and the top 20 in a number of European countries. It featured a prominent Ofra Haza sample and many other vocal cut ups as well as a looped rhythm which later, when sped up, proved popular in the Breakbeat genre. Off the back of its success in clubs, the Coldcut "Seven Minutes of Madness" remix ended up being promoted as the single in the UK.
In 1988, More and Black formed Hex, a self-titled "multimedia pop group", with Mile Visman and Rob Pepperell. While working on videos for artists such as Kevin Saunderson, Queen Latifah and Spiritualized, Hex's collaborative work went on to incorporate 3D modelling, punk video art, and algorithmic visuals on desktop machines. The video for Coldcut's 'Christmas Break' in 1989 is arguably one of the first pop promos produced entirely on microcomputers.
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Coldcut
Coldcut are an English electronic music duo composed of Matt Black and Jonathan More. Credited as pioneers for pop sampling in the 1980s, Coldcut are also considered the first stars of UK electronic dance music due to their innovative style, which featured cut-up samples of hip-hop, soul, funk, spoken word and various other types of music, as well as video and multimedia. According to Spin, "in '87 Coldcut pioneered the British fad for 'DJ records'".
Coldcut's records first introduced the public to pop artists Yazz and Lisa Stansfield, through which these artists achieved pop chart success. In addition, Coldcut has remixed and created productions on tracks by Eric B & Rakim, James Brown, Queen Latifah, Eurythmics, INXS, Steve Reich, Blondie, the Fall, Pierre Henry, Nina Simone, Fog, Red Snapper, and BBC Radiophonic Workshop.
Beyond their work as a production duo, Coldcut are the founders of Ninja Tune, an independent record label in London, England (with satellite offices in Los Angeles and Berlin) with an overall emphasis on encouraging interactive technology and finding innovative uses of software. The label's first releases (the first four volumes of DJ Food - Jazz Brakes) were produced by Coldcut in the early 1990s, and composed of instrumental hip-hop cuts that led the duo to help pioneer the trip hop genre, with artists such as Funki Porcini, the Herbaliser and DJ Vadim.
In 1986, computer programmer Matt Black and ex-art teacher Jonathan More were part-time DJs on the rare groove scene. More also DJed on pirate radio, hosting the Meltdown Show on Kiss FM and worked at the Reckless Records store on Berwick Street, London where Black visited as a customer. The first collaboration between the two artists was "Say Kids What Time Is It?" on a white label in January 1987, which mixed The Jungle Book's "King of the Swingers" with the break from James Brown's "Funky Drummer". The innovation of "Say Kids..." caused More and Black to be heralded by SPIN as "the first Brit artists to really get hip-hop's class-cutup aesthetic". It is regarded as the UK's first breaks record, the first UK record to be built entirely of samples and "the final link in the chain connecting European collage-experiment with the dance-remix-scratch edit". This was later sampled in "Pump Up the Volume" by MARRS, a single that reached number one in the UK in October 1987.
Though Black had joined Kiss FM with his own mix-based show, the pair eventually joined forces on its own show later in 1987 called Solid Steel. The eclectic show became a unifying force in underground experimental electronic music and is still running, celebrating 25 years in 2013.
The duo adopted the name "Coldcut" and set up a record label called Ahead Of Our Time to release the single "Beats + Pieces" (one of the formats also included "That Greedy Beat") in 1987. All of these tracks were assembled using cassette pause button edits and later spliced tape edits that would sometimes run "all over the room". The duo used sampling from Led Zeppelin to James Brown. Electronic act the Chemical Brothers have described "Beats + Pieces" as the "first bigbeat record", a style which appeared in the mid-1990s.
Coldcut's first mainstream success came when Julian Palmer from Island Records asked them to remix Eric B. & Rakim's "Paid in Full". Released in October 1987, the landmark remix is said to have "laid the groundwork for hip hop's entry into the UK mainstream", becoming a breakthrough hit for Eric B & Rakim outside the U.S., reaching No. 15 in the UK, and the top 20 in a number of European countries. It featured a prominent Ofra Haza sample and many other vocal cut ups as well as a looped rhythm which later, when sped up, proved popular in the Breakbeat genre. Off the back of its success in clubs, the Coldcut "Seven Minutes of Madness" remix ended up being promoted as the single in the UK.
In 1988, More and Black formed Hex, a self-titled "multimedia pop group", with Mile Visman and Rob Pepperell. While working on videos for artists such as Kevin Saunderson, Queen Latifah and Spiritualized, Hex's collaborative work went on to incorporate 3D modelling, punk video art, and algorithmic visuals on desktop machines. The video for Coldcut's 'Christmas Break' in 1989 is arguably one of the first pop promos produced entirely on microcomputers.