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David Mirvish, CM OOnt (born August 29, 1944) is a Canadian theatre producer, impresario, and art collector. He owns and operates Toronto-based theatrical production company Mirvish Productions, which he founded with his father in 1986.[1] He has also produced and presented several productions on Broadway and in London's West End.

Key Information

Mirvish is also a prominent art collector, having amassed a large collection of Canadian and international works, including from renowned artists Frank Stella and Jules Olitski.[2] Between 1963 and 1978, he owned and ran an art gallery and museum, David Mirvish Gallery.[3] He also owned an independent bookstore specializing in art and design between 1974 and 2009.[4]

Personal life

[edit]

Mirvish is the only child of Anne Lazar Macklin, an artist, and "Honest" Ed Mirvish, who was a Toronto businessman and owner of the discount department store, Honest Ed's. He is Jewish.[5]

Mirvish married his high-school sweetheart Audrey in 1967.[6] They have three children, Jacob, Hannah, and Rachael.[7][8]

He has contributed to, and partnered with, many non-profit organizations, charities and other philanthropic organizations, including the Toronto Public Library, the Toronto Arts Foundation, and Kids Up Front.[9][10] In 2023, he worked with The Thirty Birds Foundation to provide Kabul school girls who had fled Afghanistan with access to tickets to shows, including the Canadian production of Harry Potter and the Cursed Child.[11]

Theatre career

[edit]

Mirvish Productions

[edit]
Main article: Mirvish Productions

In 1986, Mirvish co-founded Mirvish Productions with his father, with the purpose of producing and presenting large-scale original works at the Royal Alexandra Theatre, and, in 1993, the newly built Princess of Wales Theatre. Following his father's retirement, Mirvish took over control of the Royal Alexandra Theatre, which was initially purchased as a temporary venue for touring productions.[12][13]

Mirvish experienced early success with Canadian productions, such as Les Misérables (1989-1990), Miss Saigon (1993-1995), Crazy for You (1993-1995), and Beauty and the Beast (1995-1997). After productions of Tommy (1995) and Jane Eyre (1996-1997) were less successful, Mirvish once again found continued success with other large-scale musicals. In 1999, Mirvish announced they would be launching a Canadian sit-down production of The Lion King, which premiered at the Princess of Wales Theatre in March 2000.[14] Also that same year, Mamma Mia! made its North American premiere at the Royal Alexandra Theatre. After its success, Mirvish opened a Canadian sit-down production of the musical which ran for five years.[15] After declining theatre attendance because of the SARS outbreak, The Lion King closed in January 2004 and Mamma Mia closed in May 2005.[16]

In 2005, he partnered with Kevin Wallace, Saul Zaentz, and Michael Cohl to produce The Lord of the Rings, a stage musical adaptation based on J. R. R. Tolkien's novels of the same name. The world premiere production opened in March 2005, and cost an estimated $30 million.[17] The musical closed on September 3, 2006, following poor sales and negative reviews.[18] The musical, which was advertised as the most expensive stage production in North American history, was unable to fully repay its investors.[18]

In 2008, Mirvish finalized a deal to acquire both the Canon Theatre and the Panasonic Theatre. The sale was challenged by Aubrey Dan, but Mirvish ultimately prevailed, giving him two Yonge Street theatres.[19][20] The Canon Theatre was later renamed the Ed Mirvish Theatre in honour of his father.[21]

In 2018, Mirvish mounted a sit-down production of the Canadian musical Come from Away at the Royal Alexandra Theatre. As a result of the production's success, the production was relocated to the Elgin Theatre in 2019 to accommodate the new Canadian sit-down production of Dear Evan Hansen, which was promised the Royal Alexandra Theatre.[22] Come from Away later returned to the Royal Alexandra Theatre, and, after a hiatus because of the COVID-19 pandemic, returned in December 2021. However, the musical permanently closed after only a few performances amidst tightened pandemic restrictions that were re-introduced.[23] Come from Away played 855 performances in Toronto, making it the longest-running Canadian show and musical.[24]

In May 2022, a Canadian production of Harry Potter and the Cursed Child premiered at the Ed Mirvish Theatre.[25] The theatre underwent an extensive $5 million renovation and set a Canadian weekly box office record for a non-musical play, grossing an estimated $2 million in sales.[26] By the time the play closed, Harry Potter and the Cursed Child set a record for the longest running professional play in Canadian history.[25]

In November 2023, Mirvish announced that The Lion King would return to Toronto for an open-ended run at the Princess of Wales Theatre. According to Mirvish, this would be the first time in North America that a city will host a second sit-down production of the musical, with the original Canadian production having run from 2000 to 2004.[27]

The Old Vic

[edit]

In 1982, Mirvish and his father purchased The Old Vic, a performing arts theatre when it was placed for sale. Mirvish's winning bid was approximately, £550,000, outbidding Andrew Lloyd Webber.[28] They immediately began renovating and refurbishing the theater. The theatre reopened on October 31, 1983 with The Queen Mother in attendance.[29]

In 1987, Mirvish installed Jonathan Miller as artistic director. They experienced a string of critical and commercial success, including winning an Olivier Award for a production of the musical Candide. However, after three consecutive years of mounting financial losses, Miller resigned in 1990.[30] Sir Peter Hall was also appointed artistic director of The Old Vic.[31] Under Hall's direction, the company experienced success with productions of The Master Builder and Waiting for Godot. Despite the successes, the financial losses continued. By 1998, Mirvish sold The Old Vic to a charitable trust, which has continued operating the theatre as a non-profit.[32][33]

Art collections

[edit]

Mirvish began his career as an art collector in 1963, when he was 19 years old. That same year, he opened his first business, David Mirvish Gallery, to display contemporary Canadian, American and British art. In 1974, he opened David Mirvish Books, an independent bookstore dedicated to books on art and design. The bookstore closed in 2009.[4]

Since the closure of the art gallery in 1978, Mirvish continues to buy and sell Canadian and international artwork as a private collector. In addition, he lends works to museums and occasionally puts them on display in his theatres.[34]

[edit]
Main article: David Mirvish Gallery

In 1963, at the age of 19, Mirvish opened an art gallery that specialized in American abstract painters of the 1960s and 1970s known as the Color Field school.[35] The David Mirvish Gallery was one of the first businesses to open in the new Markham Street community, which later became known as Mirvish Village.[3]

The gallery primarily showcased Color Field and Post-painterly Abstraction works. Over the next 15 years, through approximately 130 exhibitions, the gallery became a focal point of Toronto's cultural life and was considered a pillar in the establishment of the abstract art movement in Canada. By the mid-1970s, Mirvish found that much of the artwork that interested him and that he wanted to display had decreased in popularity.[34] Despite this, the gallery continued to provide both inventory and expertise to a number of commercial art dealers worldwide and to lend works to scholarly exhibitions even after closing public exhibitions in the summer of 1978.[34]

David Mirvish Books

[edit]
David Mirvish Books in 2009 (left), and the Frank Stella painting on display (right)

In 1974, Mirvish opened an independent bookstore, David Mirvish Books, which specialized in books on visual arts, architecture, photography, design and film.[36] The bookstore was originally located directly across the street from his art gallery, and located near Honest Ed's.[36] However, upon closure of his art gallery in 1978, the bookstore relocated into its premises.[36] It featured a 50-foot wall painting by Frank Stella, Damascus Gate, Stretch Variation.[4] The bookstore developed a cult following, and was popular among arts students and researchers since it offered many out-of-print books on art and design.[37]

The store closed in 2009, citing the changing retail market for small independent bookstores and uncertain economic market at the time.[4]

Real estate ventures

[edit]

In 1999, Mirvish worked with Toronto real-estate developer Harry Stinson to purchase the building at 1 King Street West in downtown Toronto, and transform it into a mixed-use development featuring luxury condominiums, hotel suites, and commercial office space. The property became known as One King West. The redevelopment and renovation project began in 2000, and cost an estimated $95 million.[38] The luxury condos opened in 2006, however, later that year, Mirvish dissolved the partnership with Stinson.[39] Mirvish accused Stinson of owing him $11.8 million that was overdue.[39] In response to Mirvish's demand for payment, Stinson filed for bankruptcy protection.[40] This dispute led to Mirvish retaining some of the more valuable parts of the property, which included three penthouses and ownership of unsold units.[40] Mirvish eventually ended up selling off these assets.[41]

In August 2010, Mirvish announced that he would provide a 9,765 square foot space to Theatre Museum Canada. This provided the mostly online museum with its first permanent space for exhibition.[42]

In September 2012, Mirvish unveiled plans to demolish the Princess of Wales Theatre, where it would be replaced as part of a development project designed by renowned architect Frank Gehry.[43] The plan included the construction of three condominium towers, referred to as "sculptures", and a large public gallery called the Mirvish Collection, which would showcase Mirvish's extensive art collection.[44] Additionally, the project aimed to create a new campus for OCAD University, which would integrate cultural and educational elements into the residential complex. Although admitting he was hesitant to destroy the theatre, Mirvish still believed that this project would combine residential spaces with significant cultural amenities, and improve Toronto's reputation as a global cultural destination.[45]

This plan faced significant criticism and was ultimately rejected by Toronto Council due to concerns about over-densification, the towers' height, and the area's historical value as a cultural hub.[46] In response to these objections, Mirvish substantially revised his plans. In May 2014, he unveiled a new proposal that retained the Princess of Wales Theatre while still pursuing a major development project. The revised plan reduced the number of towers from three to two, with heights of 92 and 82 storeys, respectively. This modification decreased the overall density by 25-30% and reduced the number of residential units by 600.[46] The new design also incorporated a public square between the towers at street level and maintained space for art exhibitions. This compromise addressed many of the city's concerns while still allowing for significant development. This received support from the city's planning department, with Chief Planner Jennifer Keesmaat stating they were "substantively towards agreement".[46]

Other ventures

[edit]

Between 2002 and 2005, Mirvish was a member of the Board of Trustees of the Royal Ontario Museum and the National Gallery of Canada.[47]

In February 2012, Mirvish was appointed the 8th Chancellor of the University of Guelph and was installed as Chancellor at the June 2012 convocation ceremonies.[48] Mirvish's appointment as Chancellor was extended in 2014. However, in September 2016, Mirvish resigned as Chancellor citing increased personal and work responsibilities.[49]

Theatre credits

[edit]

Toronto

[edit]

Mirvish presents several shows specifically for Toronto that play for either a limited engagement or an extended run, of which Mirvish was a producer or co-producer on:

Broadway / West End

[edit]

Sources: [50][51][52]

Honours and awards

[edit]

Distinguished awards

[edit]

Tony Awards

[edit]

As a producer, Mirvish has been nominated for 19 Tony Awards, winning 5 times.

Year Nominated work Category Result
2008 Macbeth Best Revival of a Play Nominated
2009 Guys and Dolls Best Revival of a Musical Nominated
2013 Lucky Guy Best Play Nominated
2014 Violet Best Revival of a Musical Nominated
2015 Skylight Best Revival of a Play Won
2017 Dear Evan Hansen Best Musical Won
Come from Away Nominated
2018 The Band's Visit Best Musical Won
Angels in America Best Revival of a Play Won
Three Tall Women Nominated
The Iceman Cometh Nominated
2019 Ain't Too Proud Best Musical Nominated
Oklahoma! Best Revival of a Musical Won
Torch Song Best Revival of a Play Nominated
The Waverly Gallery Nominated
2020 Jagged Little Pill Best Musical Nominated
Tina: The Tina Turner Musical Nominated
2022 Girl from the North Country Best Musical Nominated
Hangmen Best Play Nominated

Sources:[58][59]

See also

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

David Mirvish

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from Grokipedia
David Mirvish is a Canadian theatre producer, impresario, and art collector known for leading Mirvish Productions, Canada's largest commercial theatre company, and for owning and operating four major theatres in Toronto's Entertainment District. Born in Toronto as the son of theatre legend Ed Mirvish, he has shaped the city's cultural landscape through landmark theatre restorations, new constructions, and a vast array of productions ranging from blockbuster musicals to innovative Canadian works. Mirvish began his professional life as an art dealer, opening the David Mirvish Gallery in 1963 at age 19 and running it for 15 years, where he presented exhibitions of contemporary Canadian, American, and British art, with a focus on abstract and Color Field painters. In the early 1980s, he joined his father in acquiring and restoring London's historic Old Vic Theatre, which they operated until 1998 and which earned them special recognition from the Society of London Theatre. In 1986, he founded Mirvish Productions and shifted the family business toward active production rather than solely presenting tours, building the Princess of Wales Theatre in 1993 and later acquiring additional venues, including what became the Ed Mirvish Theatre and CAA Theatre. Under his leadership, Mirvish Productions has brought numerous international and homegrown successes to Toronto stages and beyond, including long-running engagements of The Lion King, Mamma Mia!, Les Misérables, The Drowsy Chaperone, and Harry Potter and the Cursed Child, alongside co-productions with Canadian companies and presentations on Broadway and in the West End. The company maintains both a main subscription season for large-scale works and an Off-Mirvish series for more experimental programming, and it has presented over a thousand touring productions in Toronto. Mirvish has also maintained his interest in visual art as a prominent collector, particularly of Color-field and Abstract Expressionist works, and has been honored for his contributions to theatre with memberships in the Order of Canada and the Order of Ontario, among other awards. He continues to run Mirvish Productions with his daughter Hannah, extending a family legacy in Toronto theatre that spans more than six decades.

Early Life

Family Background and Childhood

David Mirvish was born on August 29, 1944, in Toronto, Ontario, Canada. He is the only child of Edwin "Honest Ed" Mirvish, a renowned discount store owner who founded the iconic Honest Ed's department store in 1948, and Anne Lazar Macklin, an artist and sculptor known professionally as Anne Mirvish. Mirvish grew up in a Jewish family in Toronto, where his childhood was shaped by the vibrant and unconventional environment created by his parents' pursuits in business and the arts. His father's retail empire at Honest Ed's immersed him in a world of elaborate publicity stunts, bargain sales, and theatrical promotions, including events like in-store roller skating derbies, dance marathons, and even a pink-painted elephant sale. Meanwhile, his mother's career as a sculptor provided an early exposure to artistic creativity. Mirvish later reflected that he assumed such an upbringing was ordinary, stating, “I didn’t know it wasn’t normal,” in reference to his childhood surrounded by the “publicity stunts and bargain bins of his father’s wacky world of retail theatre.” During high school, while peers focused on standard curriculum, he often read art history books such as John Rewald’s History of Impressionism. His father's purchase of the Royal Alexandra Theatre in 1963 marked an early family transition toward theatre involvement.

Art Career

David Mirvish opened the David Mirvish Gallery in Toronto in 1963 at the age of 19. The gallery operated for the next 15 years, presenting approximately 130 exhibitions and gaining international recognition as a major showcase for contemporary Canadian, American, and British art. It specialized in Color Field painting and Post-painterly Abstraction, exhibiting works by artists including Milton Avery, Walter Darby Bannard, Jack Bush, Anthony Caro, Helen Frankenthaler, Hans Hofmann, Morris Louis, Robert Motherwell, Robert Murray, Kenneth Noland, Jules Olitski, Larry Poons, David Smith, and Frank Stella. The gallery played a significant role in establishing the abstract art movement in Canada. Public exhibitions ceased in the summer of 1978, although the gallery continued to supply inventory and expertise to commercial art dealers worldwide and to lend works to scholarly exhibitions. In 1974, as an outgrowth of the gallery, Mirvish opened David Mirvish Books/Books on Art, which specialized in books on art and design, including many rare and out-of-print titles. Located in Mirvish Village, the bookstore became a prominent gathering place for artists, art lovers, educators, and students, regularly hosting book launches, author signings, and accompanying art exhibitions. A notable feature was a 50-foot-long painting by Frank Stella (Damascus Gate, Stretch Variation) displayed on the back wall. It closed on March 1, 2009, after 35 years in operation. Since the closure of public gallery exhibitions in 1978, Mirvish has continued as a private collector, focusing on major works by artists such as Frank Stella and Jules Olitski. His collection has been refined through strategic acquisitions, particularly of 1960s and 1970s colour-field painters, with occasional loans to museums.

Theatre Career Beginnings

Partnership with Ed Mirvish

David Mirvish began his active involvement in the family's theatre interests in 1986, when he assumed responsibility for their operations and Mirvish Productions was founded in partnership with his father, Ed Mirvish. This marked a shift toward producing original large-scale musicals and plays, building on Ed Mirvish's earlier purchase and restoration of the Royal Alexandra Theatre in 1963, which had served as a venue for touring shows. Their collaboration extended internationally in 1982, when David and Ed Mirvish jointly purchased the Old Vic Theatre in London, England, restoring and operating it until its sale in 1998. The father-son partnership focused on presenting ambitious productions at the Royal Alexandra Theatre in Toronto, including the Canadian production of Les Misérables (Toronto 1989–1990). In 1993, Ed and David Mirvish constructed the Princess of Wales Theatre, where they premiered the Toronto production of Miss Saigon (1993–1995), further establishing their joint commitment to major musical theatre in Canada.

Theatre Ownership and Expansion

Toronto Theatres and Developments

David Mirvish significantly expanded the family's theatre holdings in Toronto through new construction, acquisitions, and related real estate initiatives. His father, Ed Mirvish, purchased the Royal Alexandra Theatre in 1963, revitalizing it as a key venue, and David assumed management responsibilities in 1986. In partnership with his father, David co-built the Princess of Wales Theatre, a modern 2,000-seat venue that opened on May 26, 1993. The Princess of Wales was the first privately built stand-alone theatre in North America in over 50 years, representing a significant private investment in Toronto's entertainment district. In 2008, Mirvish Productions acquired two additional venues: the 2,300-seat Canon Theatre and the more intimate Panasonic Theatre. The Canon Theatre was renamed the Ed Mirvish Theatre in 2011 following the end of its naming rights agreement with Canon, honoring David's father. The Panasonic Theatre underwent a renaming to the CAA Theatre in 2018 as part of a sponsorship partnership with CAA. Through these efforts, Mirvish Productions owns and operates four prominent downtown Toronto theatres: the Royal Alexandra Theatre, the Princess of Wales Theatre, the Ed Mirvish Theatre, and the CAA Theatre. Mirvish has also pursued real estate developments connected to his theatre assets. In 2012, he collaborated with architect Frank Gehry on a proposed redevelopment of the Princess of Wales site and adjacent properties, envisioning a cultural and residential complex that would have included replacing the existing theatre with new structures incorporating three distinctive towers. The ambitious plan faced opposition and was later revised to adjust its scope and preserve elements of the original site.

International Theatre Ventures

Ownership of The Old Vic

In 1982, David Mirvish and his father Ed Mirvish jointly purchased London's historic Old Vic theatre for £550,000 after it was placed on the market. They outbid other interested parties, including Andrew Lloyd Webber, and proceeded to refurbish and restore the venue to its Victorian-era splendor at a significant cost. The renovations, which included returning the theatre to its 1871 layout and adding seats, led to its reopening in November 1983. During their ownership, the Mirvishes appointed notable artistic directors to guide programming. Jonathan Miller assumed the role in 1987 and served for three years, emphasizing the development of young talent. In 1997, Sir Peter Hall was brought in to establish a repertory company, with his inaugural season featuring a critically and commercially successful production of Samuel Beckett's Waiting for Godot. The Old Vic's operation proved financially turbulent over the approximately 15-year period, with ongoing challenges and losses despite artistic achievements. In 1998, the Mirvishes sold the theatre to the Old Vic Theatre Trust, a charitable organization. That same year, Ed and David Mirvish received the joint Laurence Olivier Special Award in recognition of their restoration efforts and contributions to British theatre through the venue.

Mirvish Productions Leadership

Company Growth and Major Productions

In 1986, David Mirvish assumed responsibility for the family's theatrical interests from his father Ed Mirvish, founding Mirvish Productions and shifting the company's focus from primarily presenting touring shows to producing original plays and musicals as well as local productions of international blockbusters featuring Canadian talent. This strategic evolution supported significant company growth, including the development of major long-running sit-down productions in Toronto that helped establish Mirvish as Canada's largest commercial theatre company. Among the most prominent successes were Disney's The Lion King, which premiered at the Princess of Wales Theatre in 2000 and ran until 2004 before returning for a second open-ended Canadian sit-down engagement from November 2, 2024, to August 30, 2025. Mamma Mia! also debuted in Toronto with its North American premiere in 2000 at the Royal Alexandra Theatre. Come from Away had its world premiere in Toronto in February 2016 at the Royal Alexandra Theatre, achieving 855 performances before closing permanently on December 22, 2021, due to renewed pandemic restrictions. Harry Potter and the Cursed Child premiered at the CAA Ed Mirvish Theatre on May 31, 2022, and set a record as the longest-running professional play in Canadian history prior to its closure on July 2, 2023. A notable disappointment came with the world premiere of the Lord of the Rings musical at the Princess of Wales Theatre in 2006, which closed on September 3, 2006, after receiving poor reviews and underperforming at the box office. Mirvish's involvement outside stage theatre has remained limited, including contributions as stage producer on the 2021 film adaptation of Dear Evan Hansen and as presenter on An Evening with Sir Peter Ustinov in 1995.

Awards and Honors

Recognitions and Achievements

David Mirvish has been widely recognized for his contributions to theatre, the arts, and education in Canada and abroad. He was invested as a Member of the Order of Canada in 1996 for stimulating the development of Canadian artistic talent through theatre, providing employment opportunities in the field, and his exceptional service as an art collector and benefactor of galleries. In 2001, he was appointed to the Order of Ontario. In 1998, David Mirvish and his father Ed Mirvish jointly received the Special Award from the Society of London Theatre at the Laurence Olivier Awards. He has been awarded honorary degrees from multiple Canadian universities, including an Honorary Doctor of Letters from Ryerson University (now Toronto Metropolitan University) in 1996, an Honorary Doctor of Laws from Queen's University in 1998, an Honorary Doctor of Letters from York University in 2002, and an Honorary Doctor of Laws from the University of Toronto in 2004. Mirvish served as Chancellor of the University of Guelph from 2012 to 2016. As a Broadway producer, he has received Tony Awards from multiple nominations, including Best Musical for Dear Evan Hansen in 2017 and Best Musical for The Band's Visit in 2018.

Personal Life

Family, Philanthropy, and Later Activities

David Mirvish married his high-school sweetheart, Audrey, in 1967. The couple has three children: Jacob, Hannah, and Rachael. Hannah, the middle child, has taken an active role in the family enterprise, serving as co-impresario and co-producer of Mirvish Productions alongside her father. Mirvish has supported various philanthropic initiatives focused on arts access and community welfare. He and Audrey have been donors to the Toronto Public Library Foundation. Mirvish Productions has maintained a partnership with Kids Up Front to provide theatre tickets to children and youth facing barriers. In 2023, David and Hannah Mirvish collaborated with The Thirty Birds Foundation to offer complimentary tickets to a performance of Harry Potter and the Cursed Child for young Afghan women refugees recently resettled in Canada following their evacuation from Kabul. He served on the Board of Trustees of the Royal Ontario Museum from 2002 to 2005. He also served on the Board of Trustees of the National Gallery of Canada.

References

  1. https://www.mirvish.com/about/mirvish-productions
  2. https://nac-cna.ca/en/bio/david-and-hannah-mirvish
  3. https://www.canadiantheatre.com/dict.pl?term=Mirvish%2C%20David
  4. https://www.broadwayworld.com/people/David-Mirvish/
  5. https://www.artnews.com/art-collectors/top-200-profiles/david-and-audrey-mirvish/
  6. https://canadianwhoswho.ca/bio.php?id=25459
  7. https://nuvomagazine.com/magazine/summer-2007/david-mirvish
  8. https://dolcemag.com/successstories/david-mirvish-toronto/14319
  9. https://www.jewishvirtuallibrary.org/mirvish
  10. https://www.theglobeandmail.com/arts/art-and-architecture/david-mirvish-unveils-his-art-and-pitches-his-big-plan-for-toronto/article12884706/
  11. https://officiallondontheatre.com/news/old-vic-saviour-mirvish-dies-72062/
  12. https://www.broadwayworld.com/article/LES-MISERABLES-to-Open-at-Torontos-Royal-Alexandra-Theatre-in-July-2012-20111011
  13. https://www.mirvish.com/learn/timelines/princess-of-wales-theatre-timeline
  14. https://www.mirvish.com/visit/theatres/royal-alexandra-theatre
  15. https://www.mirvish.com/visit/theatres/princess-of-wales-theatre
  16. https://playbill.com/article/mirvish-productions-buys-torontos-canon-and-panasonic-theatres-com-152768
  17. https://globalnews.ca/news/186182/torontos-canon-theatre-renamed-after-beloved-entrepreneur-ed-mirvish/
  18. https://www.mirvish.com/visit/theatres/caa-theatre
  19. https://www.blogto.com/city/2012/09/frank_gehry_and_david_mirvish_to_transform_king_west/
  20. https://storeys.com/frank-gehry-condo-development-revised/
  21. https://www.london-se1.co.uk/news/view/2811
  22. https://playbill.com/article/torontos-ed-mirvish-discusses-sale-of-old-vic-com-101009
  23. https://www.oldvictheatre.com/stories/samuel-beckett-and-the-old-vic/
  24. https://www.mirvish.com/the-canadian-cultural-heritage-of-the-royal-alexandra-theatre-and-mirvish-productions
  25. https://www.mirvish.com/learn/timelines/history-of-mirvish-theatre-timeline
  26. https://playbill.com/article/the-lion-king-will-open-2nd-sit-down-production-in-toronto
  27. https://www.broadwayworld.com/article/COME-FROM-AWAY-Closes-Permanently-in-Toronto-20211227
  28. https://playbill.com/article/torontos-harry-potter-and-the-cursed-child-sets-final-performance
  29. https://variety.com/2006/legit/news/toronto-s-rings-rolls-off-sept-3-1200336991/
  30. https://www.cbc.ca/news/entertainment/toronto-s-lord-of-the-rings-to-close-in-september-1.588732
  31. https://www.imdb.com/name/nm0592574/
  32. https://www.gg.ca/en/honours/recipients/146-4430
  33. https://officiallondontheatre.com/olivier-awards/winners/olivier-winners-1998/
  34. https://www.tonyawards.com/nominees/?q=David%20Mirvish
  35. https://www.ibdb.com/broadway-cast-staff/david-mirvish-21601#Awards
  36. https://torontolife.com/city/david-mirvish-on-the-edge/
  37. https://www.theglobeandmail.com/arts/theatre-and-performance/article-family-show-business-how-producer-hannah-mirvish-earned-her-spot-next/
  38. https://tplfoundation.ca/2020donors/
  39. https://www.mirvish.com/ticket-info/donate-your-tickets
  40. https://www.facebook.com/mirvish/posts/pfbid0SPdkYkF3fKcMWtbJo64bFkAG3Wo4z6PEEkgxuqGH5i46JKHUX8C6hEb1pAoXaN6fl
  41. https://www.uoguelph.ca/news/2012/06/david_mirvish_i_1.html
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