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Definition of Real
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| Definition of Real | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | June 10, 2008 | |||
| Recorded | 2007–08 | |||
| Genre | ||||
| Length | 58:49 | |||
| Label |
| |||
| Producer |
| |||
| Plies chronology | ||||
| ||||
| Alternative cover | ||||
 | ||||
| Singles from Definition of Real | ||||
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Definition of Real is the second studio album by American rapper Plies. It was released on June 10, 2008, by Big Gates Records, Slip-n-Slide Records and Atlantic Records. Guest appearances include Ne-Yo, J. Holiday, Keyshia Cole, Trey Songz, Jamie Foxx and The-Dream. The album garnered mixed reviews from critics who questioned Plies' lyricism and vocal work. Definition of Real debuted at number 2 on the Billboard 200 and spawned two singles: "Bust It Baby Pt. 2" and "Please Excuse My Hands".
Critical reception
[edit]| Aggregate scores | |
|---|---|
| Source | Rating |
| Metacritic | 59/100[1] |
| Review scores | |
| Source | Rating |
| AllMusic |    [2] |
| DJBooth | [3] |
| HipHopDX | [4] |
| IGN | 8/10[5] |
| MSN Music (Consumer Guide) | D+[6] |
| RapReviews | 7/10[7] |
| UGO | D[8] |
Definition of Real received mixed reviews from music critics who questioned Plies' abilities as a capable rapper. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 59, based on 5 reviews.[1]
Khalid Strickland of IGN gave high praise to the album's hyper-violent gangster material for displaying Plies' growth as a rapper, concluding that "Overall, with its bumping production and street sensibility, Definition of Real is a tight-knit piece of work that stiff-arms the dreaded "sophomore slump."[5] Patrick Taylor of RapReviews said that despite being a transition to his next album and containing lightweight R&B hits that clashed with his thug image, he praised the album for delivering street tracks that were interlaced with introspection, concluding that "As it stands, Definition of Real may not be an instant classic, but it isn't a sophomore slump either, and there are signs that there could be more to Plies beyond his drawl and his love of female reproductive organs."[7] AllMusic's David Jeffries also criticized the album's inclusion of radio songs but felt that Plies added more lyrical clarity to his goon bravado, saying that "The compelling three-quarters of Definition of Real that seems to have crawled out of the gutter proves that Plies is best off when he does it the ski-mask way."[2]
Jon Caramanica of The New York Times praised Plies for maintaining his charisma when delivering both vindictive vulgarities and conscience sincerity despite the album not being as strong as The Real Testament, saying that it "lacks some of that album's rawness, but is still strong, thanks to his shockingly literal and unforgiving rhymes."[9] Roman Cooper of HipHopDX felt the album's production had a cohesive sound but criticized Plies' inability to move past typical gangsta material and into more introspective tracks like "Somebody Loves You" and "1 Day", saying that "Seemingly incapable of switching up his flow or creating vivid imagery, it's important to realize that in listening to Definition of Real, you won't be getting Ready to Die."[4] Nathan Slavik of DJBooth was mixed on the album, saying that he was put off by the expletive-laden lyrics heard throughout the hardcore tracks and love songs but that it would attract more to the female demographic.[3] In MSN Music, Robert Christgau panned the album's overly violent and misogynistic content.[6]
Sales
[edit]Definition of Real debuted on the Billboard 200 at number two selling 214,902 copies in the first week of release, making it his second #2 album and highest first week sales, beating his debut album The Real Testament, which sold 96,000 in its first week. It was released on the same day as Lil Wayne's album Tha Carter III. It had the second best-selling sales for a hip hop album that year at the time of release behind Tha Carter III until it was surpassed by first week sales of The Game's album LAX and Jeezy's album The Recession later in the year . It was the fifth fast-selling hip hop album of 2008, until T.I.'s sixth studio album Paper Trail became the second in 2008, putting the album the sixth fastest selling hip hop album of 2008. In celebration of the album he renamed the date Goon 10th, instead of June 10[10] As of October 2008, the album has sold approximately 524,000 copies in the United States.[11] It has become the rapper's second album to go gold and is his most successful sales of album to date.
Singles
[edit]The first single is "Bust It Baby (Part. 2)" featuring Ne-Yo. It is currently his biggest hit single to date, peaking at number seven on the US Billboard Hot 100 chart. The second single is "Please Excuse My Hands" featuring Jamie Foxx, and The-Dream.
There is also a music video for the song "Who Hotter Than Me", released June 10, 2008.[12]
Track listing
[edit]| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "I'm Da Man" (featuring Trey Songz) | Drumma Boy | 3:49 | |
| 2. | "Ol' Lady" |
| NecronamBeatz | 3:35 |
| 3. | "Bushes" |
| Midnight Black | 4:12 |
| 4. | "Worth Goin' FED Fo" |
| Bryan Tyson | 3:59 |
| 5. | "Dat Bitch" |
| DVS | 3:33 |
| 6. | "Somebody (Loves You)" |
| Rodnae | 4:38 |
| 7. | "Feel Like Fuckin'" |
| Bryan Tyson | 4:15 |
| 8. | "Watch Dis" (featuring Kevin Cossom) |
| Drumma Boy | 3:29 |
| 9. | "Who Hotter Than Me?" |
| Midnight Black | 3:29 |
| 10. | "1 Day" |
| Bryan Tyson | 3:51 |
| 11. | "Bust It Baby (Part 2)" (featuring Ne-Yo) | J.R. Rotem | 4:01 | |
| 12. | "Shit Bag" |
| Bryan Tyson | 3:34 |
| 13. | "Please Excuse My Hands" (featuring The-Dream and Jamie Foxx) |
| 4:24 | |
| 14. | "Rich Folk" |
| Pentagon Productions | 4:03 |
| 15. | "#1 Fan" (featuring Keyshia Cole and J. Holiday) | DJ Nasty & LVM | 3:57 |
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 16. | "Thug Section" |
| Kane Beatz | 4:50 |
| 17. | "Die Together" |
| Bryan Tyson | 3:09 |
| 18. | "Bust It Baby (Part 1)" |
| DVS | 3:14 |
Sample Credits[13]
- "Somebody (Loves You)" contains a sample of "Somebody Loves You Baby", written by Eugene Curry and Walter Sigler, as performed by Patti LaBelle.
- "Bust It Baby (Part 2)" contains a sample of "Come Back to Me", written by Janet Jackson, James Harris, and Terry Lewis, as performed by Janet Jackson.
See also
[edit]Charts
[edit]
Weekly charts[edit]
|
Year-end charts[edit]
|
Certifications
[edit]| Region | Certification | Certified units/sales |
|---|---|---|
| United States (RIAA)[20] | Gold | 500,000‡ |
|
‡ Sales+streaming figures based on certification alone. | ||
References
[edit]- ^ a b "Reviews for Definition Of Real by Plies". Metacritic. CBS Interactive. Retrieved July 11, 2016.
- ^ a b Jeffries, David. "Definition of Real - Plies". AllMusic. Retrieved August 4, 2011.
- ^ a b Slavik, Nathan (June 11, 2008). "Plies - Definition of Real". DJBooth. Archived from the original on July 15, 2017. Retrieved October 7, 2018.
- ^ a b Cooper, Roman (June 13, 2008). "Plies - Definition of Real". HipHopDX. Cheri Media Group. Archived from the original on August 2, 2009. Retrieved August 4, 2011.
- ^ a b Strickland, Khalid (July 10, 2008). "Plies - Definition of Real Review". IGN. Ziff Davis. Archived from the original on September 19, 2016. Retrieved October 7, 2018.
- ^ a b Christgau, Robert (December 2008). "Consumer Guide". MSN Music. Archived from the original on March 20, 2012. Retrieved August 4, 2011.
- ^ a b Taylor, Patrick (June 24, 2008). "Plies :: Definition of Real :: Big Gates/Slip-N-Slide/Atlantic". RapReviews. Retrieved August 4, 2011.
- ^ Heinzelman, Bill (June 10, 2008). "Plies - Definition of Real Album Review". UGO. Archived from the original on June 14, 2008. Retrieved November 26, 2016.
- ^ Caramanica, Jon (June 16, 2008). "CRITICS' CHOICE; New CDs". The New York Times. Retrieved August 4, 2011.
- ^ Andreas Hale (June 18, 2008). Hip Hop Album Sales: Week Ending 6/15/08 Archived 2008-10-16 at the Wayback Machine HipHopDX. Accessed June 21, 2008.
- ^ "Hip Hop Album Sales: The Week Ending 10/19/08 | Get the Latest Hip Hop News, Rap News & Hip Hop Album Sales | HipHop DX". Archived from the original on June 12, 2012. Retrieved September 13, 2011.
- ^ "Who Hotter Than Me by Plies". iTunes. June 10, 2008.
- ^ a b c Definition of Real (booklet). Big Gates, Slip-n-Slide, Atlantic. 2008.
- ^ "Plies Chart History (Billboard 200)". Billboard.
- ^ "Plies Chart History (Top R&B/Hip-Hop Albums)". Billboard.
- ^ "Plies Chart History (Top Rap Albums)". Billboard.
- ^ "Year-End Charts: Billboard 200 Albums - 2008". Billboard. Retrieved December 17, 2018.
- ^ "Year-End Charts: Top R&B/Hip-Hop Albums - 2008". Billboard. Archived from the original on June 13, 2015. Retrieved December 18, 2018.
- ^ "Year-End Charts: Top Rap Albums - 2008". Billboard. Archived from the original on July 5, 2015. Retrieved December 18, 2018.
- ^ "American album certifications – Plies – Definition of Real". Recording Industry Association of America. Retrieved April 13, 2019.
Definition of Real
View on Grokipediafrom Grokipedia
Background and recording
Development
Following the success of his debut album The Real Testament, released on August 7, 2007, Plies transitioned to work on his sophomore project, building on the established street rap persona that resonated with audiences through raw, unfiltered narratives of Southern hip-hop life.[3] The album was certified gold by the RIAA in February 2008, providing a strong foundation for further development.[4] The title Definition of Real reflects Plies' commitment to authenticity and "keeping it real" in his music, continuing the theme from his debut The Real Testament.[3] This thematic focus aligned with Plies' self-described approach of "just being himself" to maintain credibility with fans.[5] Big Gates Records, in partnership with Slip-n-Slide Records and Atlantic Records, played a key role in the album's development, urging a rapid sophomore release approximately 10 months after the debut to leverage the rising momentum from singles like "Shawty."[6] Plies sought to refine his sound by blending enduring street credibility with elements designed for wider radio accessibility. The recording took place primarily in 2008.[7]Recording process
The recording sessions for Definition of Real took place primarily in early 2008, culminating in the album's release on June 10, 2008, less than 18 months after Plies' debut album The Real Testament. This tight timeline reflected the momentum from his rising success, with sessions spread across multiple locations to accommodate production demands.[3] Key recording occurred at 1350 Studios, Side 3 Studios, and Patchwerk Recording Studios in Atlanta, Georgia, alongside sessions at Paramount Recording Studios. These Atlanta-based facilities, central to Southern hip-hop production at the time, facilitated the bulk of the tracking and mixing. Plies, based in Fort Myers, Florida, traveled for these sessions, blending his local influences with the city's vibrant studio ecosystem.[1] The production team featured prominent beatmakers including Drumma Boy (Christopher Gholson), who crafted the track for "I'm Da Man" featuring Trey Songz; J.R. Rotem, responsible for "Bust It Baby" with Ne-Yo; DJ Nasty & LVM; and Necronam, among others. These collaborations were integral to the sessions, with guest artists contributing vocals remotely or in-studio to enhance select tracks. Some songs underwent revisions to integrate these features, adapting initial demos to fit the final lineup.[8] Plies maintained a hands-on role throughout, writing lyrics directly in the studio as beats were played, often adjusting lines inspired by immediate personal reflections or the track's vibe to ensure an authentic flow. This iterative process, conducted under the pressure of a post-debut schedule, prioritized capturing his signature drawl without overproduction.[9]Composition
Musical style
Definition of Real exemplifies Southern hip-hop with prominent trap influences, characterized by its gritty, street-oriented sound across 15 tracks with a total runtime of 58:49.[10][11] The album's production draws heavily from the Dirty South aesthetic, incorporating booming 808 bass lines and synth-driven instrumentation that evoke the humid, club-ready energy of mid-2000s Florida rap.[12] Tracks like "Worth Goin FED Fo'" feature glimmering Miami club synthesizers layered over menacing rhythms, blending electronic flourishes with hard-hitting percussion to create an immersive sonic landscape.[12] The production techniques emphasize dense, bass-forward beats interspersed with strategic sampling to enhance emotional and narrative depth. Notable examples include the Patti LaBelle sample in "Somebody (Loves You)" from "Somebody Loves You Baby (You Know Who It Is)," which adds a soulful undercurrent to the track's introspective tone, and elements from "Come Back to Me" in "Letter," providing a nostalgic R&B interpolation.[1] These elements are paired with repetitive, hypnotic synth patterns and distorted 808 kicks that dominate the low end, fostering a trap-infused bounce suitable for both car systems and urban nightlife. In "I'm Da Man," the beat's pulsating synths and sub-bass underscore Trey Songz's smooth R&B hooks, creating a crossover-friendly hybrid that tempers the album's raw aggression with melodic accessibility.[5] Relative to Plies' debut album The Real Testament, Definition of Real demonstrates a refined evolution in production quality, shifting from synth-drenched, occasionally club-focused beats to a more polished sound engineered for broader commercial appeal without sacrificing its gritty, authentic edges.[12] This maturation is evident in the cleaner mixes and varied sonic textures that balance underground grit with radio potential, as seen in the cohesive yet dynamic arrangements across the project.[5] Guest artists significantly contribute to the album's sonic diversity, introducing melodic R&B layers that contrast Plies' laid-back, sneering delivery. Collaborations with The-Dream and Jamie Foxx on "Please Excuse My Hands" infuse the track with harmonious hooks and falsetto ad-libs, elevating the synth-pop-leaning beat into a seductive, party anthem that highlights the interplay between hip-hop grit and contemporary R&B polish.[13][12] Similarly, Trey Songz's vocal contributions on "I'm Da Man" provide a velvety counterpoint, enriching the trap-soul fusion and underscoring the album's appeal to diverse audiences within the hip-hop spectrum.[5]Lyrical themes
The lyrics on Definition of Real predominantly explore themes of street life, relationships, hustling, and authenticity, with a strong emphasis on distinguishing "real" individuals from "fake" ones within hip-hop culture. Plies frequently delves into the harsh realities of urban survival, portraying the dangers and paranoia inherent in the drug trade, as seen in "Bushes," where he raps about lurking armed in hiding spots to evade threats: "Bitch you gettin to yo house, I be right in yo bushes." Hustling is another central motif, exemplified in "I'm Da Man," which boasts about his past as an ex-drug dealer and solid street credentials, asserting, "Went to sleep real, woke up realer / Goon affiliated, ex drug dealer." These tracks underscore Plies' commitment to genuine narratives drawn from his Florida roots, contrasting authentic experiences with superficial posturing in the rap game.[14][5][15] Relationships form a significant portion of the album's lyrical content, often blending romance with loyalty amid street pressures. In "Ol' Lady," Plies addresses romantic entanglements through a lens of retribution and desire, humorously threatening to pursue a debtor's primary partner: "Don’t want yo’ side ho, nigga, I want your main bitch / The one you call ‘babe,’ the one you in love wit’." This track highlights themes of fidelity and emotional investment in personal bonds, reflecting Plies' raw take on love in a high-stakes environment. Similarly, "#1 Fan" shifts to more affectionate territory, emphasizing unwavering support from a partner who stands by him through adversity.[5][14] Plies' delivery style is characterized by a repetitive, conversational flow infused with slang-heavy Florida dialect, eschewing intricate rhyme schemes in favor of straightforward, emphatic storytelling that mirrors everyday speech. This approach reinforces the album's focus on relatability and unfiltered expression, allowing themes of authenticity to resonate through his slow, confident drawl. Guest verses, such as Keyshia Cole's on "#1 Fan," integrate seamlessly to elevate romantic elements, providing R&B-infused harmony that complements Plies' gritty persona without overshadowing the core messages of loyalty and realness. The production, with its minimalistic and gritty beats, bolsters this raw lyrical tone by keeping the focus on the words themselves.[14][5][15]Release and promotion
Singles
The lead single from Definition of Real was "Bust It Baby Pt. 2", featuring Ne-Yo and released on April 11, 2008.[16] The track peaked at number 7 on the Billboard Hot 100 chart[17] and number 2 on the Hot R&B/Hip-Hop Songs chart,[18] while reaching number 1 on the Mainstream R&B/Hip-Hop Airplay chart.[19] It was later certified platinum by the RIAA on June 6, 2016, for sales and streaming equivalent to one million units in the United States.[20] The second single, "Please Excuse My Hands", featuring Jamie Foxx and The-Dream, followed on July 13, 2008, with a focus on club and radio appeal to drive urban airplay.[21] It debuted on the Billboard Hot 100 at number 95 and peaked at number 66,[22] while reaching number 8 on the Hot R&B/Hip-Hop Songs chart.[23] The song's uptempo production and explicit lyrics targeted dance floors and rhythmic radio formats to sustain momentum for the album. Plies' single strategy for Definition of Real emphasized radio promotion, with the lead single certified platinum by the RIAA to capitalize on airplay and boost overall album sales. Additionally, "I'm Da Man" featuring Trey Songz served as a promotional radio single, helping to generate early buzz ahead of the album's June 10, 2008 release.[24]Marketing and videos
Definition of Real was released on June 10, 2008, through Big Gates Records, Slip-n-Slide Records, and Atlantic Records in standard CD and digital formats, with select editions including bonus tracks featuring artists such as T-Pain and Akon.[1][12][25] The album's promotional campaign leveraged early social media platforms and television appearances to build anticipation following the success of Plies' debut album The Real Testament. Pre-order incentives were promoted via official channels, encouraging fans to secure copies ahead of release, while the artist's MySpace page generated significant buzz through updates and fan engagement.[26][27] Plies also appeared on BET's 106 & Park for performances and interviews, enhancing visibility among urban audiences.[28] Two key music videos supported the rollout, tying into the singles' promotion. The video for "Bust It Baby Pt. 2" featuring Ne-Yo showcases Plies in opulent settings with luxury cars and women, emphasizing themes of extravagance and romance.[29] Similarly, the "Please Excuse My Hands" video featuring Jamie Foxx and The-Dream highlights energetic party scenes, capturing a celebratory club atmosphere.[30][31]Commercial performance
Chart performance
Definition of Real debuted at number 2 on the US Billboard 200 chart on the week ending June 28, 2008, with Lil Wayne's Tha Carter III occupying the top spot.[32] The album marked Plies' second consecutive entry at this position, following his debut The Real Testament. It also reached number 2 on the Top R&B/Hip-Hop Albums chart that week.[33] Similarly, it peaked at number 2 on the Top Rap Albums chart.[34] The album maintained a presence on the Billboard 200 for 28 weeks, demonstrating sustained popularity in the US market. On the Top Rap Albums chart, it accumulated 29 weeks, underscoring its strong performance within the rap genre.[34] In year-end tallies, Definition of Real ranked number 76 on the 2008 Billboard 200.[35] The success of singles like "Bust It Baby Pt. 2" contributed to its overall chart visibility.Sales and certifications
In its first week of release, Definition of Real sold 214,902 copies in the United States, marking a strong debut for Plies' second studio album.[32] By October 2008, the album had accumulated total U.S. sales of 520,000 copies, reflecting solid commercial momentum in the initial months following its June launch.[36] No significant physical or digital sales updates were reported after 2008.[37] Worldwide, Definition of Real achieved approximately 600,000 units sold, though detailed international sales data remains limited.[38] The album received RIAA Gold certification on October 14, 2008, for 500,000 units shipped in the U.S., but has not been upgraded to Platinum as of 2025, underscoring the impact of streaming on traditional certification thresholds.Critical reception
Professional reviews
The album received mixed reviews from critics, who appreciated Plies' authenticity in Southern rap while often critiquing his limited lyrical range and repetitive style. AllMusic noted that while the record features strong street anthems built on literal rhymes, it lacks the raw energy of his debut, resulting in a somewhat polished but less visceral effort.[15] Similarly, HipHopDX highlighted Plies' undeniable swag and charisma in introspective moments but faulted his monotonous delivery and inability to create vivid imagery, suggesting he excels more in bragging or humorous tracks than in convincing gangsta narratives.[39] Critics frequently praised the production quality and infectious hooks, particularly on standout collaborations like "Bust It Baby Pt. 2" featuring Ne-Yo, which blended smooth R&B elements with Plies' gritty persona to create club-ready appeal. RapReviews commended the solid, familiar beats that support Plies' confident Southern drawl, emphasizing his authenticity as a "realist rapper alive" despite occasional clashes between his goon image and radio-friendly attempts.[40] IGN echoed this, describing his primal, minimalist verses drenched in a murky Southern drawl as a defining strength that makes the album solid for fans of ghetto-centric rap.[41] Common criticisms centered on Plies' over-reliance on gangsta tropes, such as in tracks like "Bushes" and "Shit Bag," which came across as unconvincing and formulaic, alongside weak efforts at crossover radio hits that diluted his street credibility. The Metacritic aggregation of 59/100 from five reviews underscores this mixed status, with four positive and one negative assessment.[42]Metacritic analysis
Definition of Real received a Metacritic score of 59 out of 100, based on 5 reviews from mainstream critics, which categorizes the album's reception as "mixed or average."[42] The distribution of reviews consisted of 80% positive (for example, from IGN), 0% mixed, and 20% negative, with the highest score being 80 out of 100 from IGN.[42] Trends in the reviews showed that early critiques often praised the commercial appeal of singles like "Hypnotized" featuring Akon, while later assessments highlighted criticisms of the album's formulaic structure when compared to contemporaries such as T.I.'s more innovative southern rap efforts.[40][5] As of 2025, the Metacritic score remains unchanged at 59/100, though increased streaming activity has sparked fan discussions underscoring underrated tracks like "Please Excuse My Hands."[42]Track listing and credits
Track listing
The standard edition of Definition of Real features 15 tracks with a total runtime of 58:49.[43] All tracks are primarily written by Algernod Lanier Washington (Plies), with additional co-writers noted where applicable.[44]| No. | Title | Featured artist(s) | Duration | Producer(s) | Additional writers | Notes |
|---|---|---|---|---|---|---|
| 1 | "I'm Da Man" | Trey Songz | 3:51 | Drumma Boy | Christopher Gholson (Drumma Boy), Tremaine Neverson (Trey Songz) | - |
| 2 | "Ol' Lady" | — | 3:37 | Necronam (BC) | Brandon Crear | - |
| 3 | "Bushes" | — | 4:13 | Midnight Black | Tracey Sewell | - |
| 4 | "Worth Goin' FED Fo" | — | 4:00 | Bryan Tyson | - | - |
| 5 | "Dat Bitch" | — | 3:34 | DVS | D. Valbrun, J. Valbrun | - |
| 6 | "Somebody (Loves You)" | — | 4:40 | Rodnae | Warren Sigler, Edward B. Ferrell, Raphael Brown | Samples "Somebody Loves You Baby" by Patti LaBelle |
| 7 | "Feel Like Fuckin'" | — | 4:16 | Bryan Tyson | - | - |
| 8 | "Watch Dis" | Kevin Cossom | 3:31 | Drumma Boy | - | Backing vocals: Dwight Watson |
| 9 | "Who Hotter Than Me" | — | 3:30 | Midnight Black | T. Sewell | - |
| 10 | "1 Day" | — | 3:52 | Bryan Tyson | - | - |
| 11 | "Bust It Baby (Part 2)" | Ne-Yo | 4:02 | J.R. Rotem | James Harris III, Terry Lewis, Jimmy Jam, Shaffer Smith (Ne-Yo) | Samples "Come Back to Me" by Janet Jackson |
| 12 | "Shit Bag" | — | 3:34 | Bryan Tyson | - | - |
| 13 | "Please Excuse My Hands" | Jamie Foxx, The-Dream | 4:26 | Frank E, Olijgee | J. Franks, O. Goldstein | - |
| 14 | "Rich Folk" | — | 4:06 | Pentagon Productions | - | - |
| 15 | "#1 Fan" | J. Holiday, Keyshia Cole | 3:59 | DJ Nasty & LVM | J. Mollings, K. Cossom, L. Mollings | - |
| No. | Title | Featured artist(s) | Duration | Producer(s) | Additional writers | Notes |
|---|---|---|---|---|---|---|
| 16 | "Thug Section" | — | 4:47 | Kane | - | Best Buy exclusive bonus track |
| 17 | "Die Together" | — | 3:06 | Bryan Tyson | - | Best Buy exclusive bonus track |
| 18 | "Bust It Baby (Part 1)" | — | 3:20 | DVS | - | Digital and select bonus track |