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Distinctive feature
View on WikipediaIn linguistics, a distinctive feature is the most basic unit of phonological structure that distinguishes one sound from another within a language. For example, the feature [+voice] distinguishes the two bilabial plosives: [p] and [b] (i.e., it makes the two plosives distinct from one another). There are many different ways of defining and arranging features into feature systems: some deal with only one language while others are developed to apply to all languages.[1]
Distinctive features are grouped into categories according to the natural classes of segments they describe: major class features, laryngeal features, manner features, and place features. These feature categories in turn are further specified on the basis of the phonetic properties of the segments in question.[2]
Since the inception of the phonological analysis of distinctive features in the 1950s, features traditionally have been specified by binary values to signify whether a segment is described by the feature; a positive value, [+], denotes the presence of a feature, while a negative value, [−], indicates its absence. In addition, a phoneme may be unmarked with respect to a feature. It is also possible for certain phonemes to have different features across languages. For example, [l] could be classified as a continuant or not in a given language depending on how it patterns with other consonants.[3] After the first distinctive feature theory was created by Russian linguist Roman Jakobson in 1941, it was assumed that the distinctive features are binary and this theory about distinctive features being binary was formally adopted in "Sound Pattern of English" by Noam Chomsky and Morris Halle in 1968. Jakobson saw the binary approach as the best way to make the phoneme inventory shorter and the phonological oppositions are naturally binary.[4]
In recent developments[when?] to the theory of distinctive features, phonologists have proposed the existence of single-valued features. These features, called univalent or privative features, can only describe the classes of segments that are said to possess those features, and not the classes that are without them.[5]
List
[edit]
This section lists and describes distinctive features in linguistics.[6]
Major class
[edit]Major class features: The features that represent the major classes of sounds.
- [+/− syllabic][7] Syllabic segments may function as the nucleus of a syllable, while their counterparts, the [−syll] segments, may not. Except in the case of syllabic consonants, [+syllabic] designates all vowels, while [−syllabic] designates all consonants (including glides).
- [+/− consonantal][8] Consonantal segments are produced with an audible constriction in the vocal tract, such as obstruents, nasals, liquids, and trills. Vowels, glides and laryngeal segments are not consonantal.
- [+/− approximant] Approximant segments include vowels, glides, and liquids while excluding nasals and obstruents.
- [+/− sonorant][8] This feature describes the type of oral constriction that can occur in the vocal tract. [+son] designates the vowels and sonorant consonants (namely glides, liquids, and nasals) that are produced without an imbalance of air pressure in the vocal tract that might cause turbulence. [−son] describes the obstruents, articulated with a noticeable turbulence caused by an imbalance of air pressure in the vocal tract.
Laryngeal
[edit]Laryngeal features: The features that specify the glottal states of sounds.
- [+/− voice][7] This feature indicates whether vibration of the vocal folds occurs with the articulation of the segment.
- [+/− spread glottis][7] Used to indicate the aspiration of a segment, this feature denotes the openness of the glottis. For [+sg], the vocal folds are spread apart widely enough for friction to occur; for [−sg], there is not the same friction-inducing spreading.
- [+/− constricted glottis][7] The constricted glottis feature denotes the degree of closure of the glottis. [+cg] implies that the vocal folds are held closely together, enough so that air cannot pass through momentarily, while [−cg] implies the opposite. [+cg] sounds include glottalized, ejective and implosive consonants, as well as the glottal stop.
Manner
[edit]Manner features: The features that specify the manner of articulation.
- [+/− continuant][8] This feature describes the passage of air through the vocal tract. [+cont] segments are produced without any significant obstruction in the tract, allowing air to pass through in a continuous stream. [−cont] segments, on the other hand, have such an obstruction, and so occlude the air flow at some point of articulation.
- [+/− nasal][8] This feature describes the position of the velum. [+nas] segments are produced by lowering the velum so that air can pass through the nasal tract. [−nas] segments conversely are produced with a raised velum, blocking the passage of air from the nasal tract and shunting it to the oral tract.
- [+/− strident][7] The strident feature applies to obstruents only and refers to a type of friction that is noisier than usual. This is caused by high energy white noise.
- [+/− lateral][7] This feature designates the shape and positioning of the tongue with respect to the oral tract. [+lat] segments are produced as the center of the tongue rises to contact the roof of the mouth, thereby blocking air from flowing centrally through the oral tract and instead forcing more lateral flow along the lowered side(s) of the tongue.
- [+/− delayed release][7] This feature distinguishes stops from affricates. Affricates are designated [+del rel]
Place
[edit]Place features: The features that specify the place of articulation.
- [ LABIAL ][8] Labial segments are articulated with the lips. As consonants, these include bilabial and labiodental consonants.
- [+/− round]: [+round] are produced with lip rounding, while [−round] are not.
- [ CORONAL ][7][8] Coronal sounds are articulated with the tip and/or blade of the tongue. These include a large number of consonants, which can be made with the tip, blade or underside of the tongue (apical, laminal, or subapical consonant, respectively), making contact with the upper lip (linguolabial), between the teeth (interdental), with the back of the teeth (dental), with the alveolar ridge (alveolar), behind the alveolar ridge (postalveolar), or on or in front of the hard palate ((pre)palatal). With postalveolar sibilants, additional tongue shapes need to be distinguished, i.e. "domed" or slightly palatalized ("hushing" or "palato-alveolar"), palatalized (alveolopalatal), and "closed" ("hissing-hushing").
- [+/− anterior]: Anterior segments are articulated with the tip or blade of the tongue at or in front of the alveolar ridge. Dental consonants are [+ant], postalveolar and retroflex ones are [−ant].
- [+/− distributed]: For [+dist] segments the tongue is extended for some distance in the mouth. In other words, laminal dental and postalveolar consonants are marked as [+dist], while apical alveolar and retroflex consonants are [−dist].
- [ DORSAL ] Dorsal sounds are articulated by raising the dorsum of the tongue. All vowels are dorsal sounds. Dorsal consonants include palatal, velar and uvular consonants.
- [+/− high]: [+high] segments raise the dorsum close to the palate. [−high] segments do not.
- [+/− low]: [+low] segments bunch the dorsum to a position low in the mouth.
- [+/− back]: [+back] segments are produced with the tongue dorsum bunched and retracted slightly to the back of the mouth. [−back] segments are bunched and extended slightly forward.
- [+/− tense]: This feature (mainly) applies to the position of the root of the tongue when articulating vowels. [+tense] vowels have an advanced tongue root. In fact, this feature is often referred to as advanced tongue root (ATR), although there is a debate on whether tense and ATR are the same or different features.
- [ RADICAL ] Radical sounds are articulated with the root of the tongue. These include epiglottal consonants.
- [+/− advanced tongue root]: [+ATR] segments advance the root of the tongue.
- [+/− retracted tongue root]: [+RTR] segments bunch the root of the tongue towards the pharyngeal wall and activate the pharyngeal constrictor muscles
- [ GLOTTAL ][citation needed] Purely glottal sounds do not involve the tongue at all. These are the glottal consonants.
Vowel space
[edit]Vowels are distinguished by
- [+/− back] (back vowels)
- [+/− high] (close vowels)
- [+/− low] (low vowels)
- [+/− tense] (tense vowels)
However, laryngoscopic studies suggest these features[citation needed]
- [+/− front] (front vowels)
- [+/− raised] (raised vowels)
- [+/− retracted] (retracted vowels)
- [+/− round] (round vowels)
Jakobsonian system
[edit]This system is given by Jakobson & Halle (1971, 3.6, 3.7).
Sonority
[edit]- [+/− vocalic] vocalic, non-vocalic
- [+/− consonantal] consonantal, non-consonantal
- [+/− nasal] nasal, oral
- [+/− compact] forward-flanged: velar and palatal consonant, wide vowel (high vowels)[9]
- [+/− diffuse] backward-flanged: labial and coronal, narrow vowel (low vowels)[9]
- [+/− abrupt]
- [+/− strident] strident, mellow
- [+/− checked]
Protensity
[edit]- [+/− tense]
Tonality
[edit]- [+/− grave] peripheral consonant, back vowel
- [+/− acute]
- [+/− medial] coronal or palatal consonant, front vowel
- [+/− flat] narrowed slit, wider slit
- [+/− sharp] widened slit, narrower slit
Other uses
[edit]The concept of a distinctive feature matrix to distinguish similar elements is identified with phonology, but there have been at least two efforts to use a distinctive feature matrix in related fields. Close to phonology, and clearly acknowledging its debt to phonology, distinctive features have been used to describe and differentiate handshapes in fingerspelling in American Sign Language.[10] Distinctive features have also been used to distinguish proverbs from other types of language such as slogans, clichés, and aphorisms.[11]
Analogous feature systems are also used throughout Natural Language Processing (NLP). For example, part-of-speech tagging divides words into categories. These include "major" categories such as Noun vs. Verb, but also other dimensions such as person and number, plurality, tense, and others. Some mnemonics for part-of-speech tags conjoin multiple features, such as "NN" for singular noun, vs. "NNS" for plural noun, vs. "NNS$" for plural possessive noun (see Brown Corpus). Others provide more explicit separation of features, even formalizing them via markup such as the Text Encoding Initiative's feature structures. Modern statistical NLP uses vectors of very many features, although many of those features are not formally "distinctive" in the sense described here.
See also
[edit]References
[edit]- ^ Ladefoged, Peter (2012). Vowels and consonants. Sandra Ferrari Disner (3 ed.). Malden, MA. pp. 195–196. ISBN 978-1-4443-3429-6. OCLC 740281727.
{{cite book}}: CS1 maint: location missing publisher (link) - ^ Gussenhoven & Jacobs 2017, p. 64-65.
- ^ Gussenhoven & Jacobs 2017, p. 72-73.
- ^ Administration. "Distinctive features". Macquarie University. Retrieved 2021-05-19.
- ^ Gussenhoven & Jacobs 2017, p. 65.
- ^ Gussenhoven & Jacobs 2017, pp. 66–81.
- ^ a b c d e f g h Arnaudova, Olga. "Overview of Distinctive Features". University of Ottawa. Archived from the original on 13 May 2021. Retrieved 19 May 2021.
- ^ a b c d e f "The Distinctive Features of English Phonemes Definitions". Harvard Faculty of Arts and Sciences. Archived from the original on 17 September 2021. Retrieved 19 May 2021.
- ^ a b Lopes, Edward (1970-05-19). Fundamentos Da Linguistica Contemporanea (in Brazilian Portuguese). Editora Cultrix. pp. 111–112. ISBN 978-85-316-0174-3.
- ^ Godsave, Bruce. 1974. An investigation of the feasibility of using a particular distinctive feature matrix for recording and categorizing fingerspelling errors. University of Cincinnati, doctoral dissertation.
- ^ p. 73. Norrick, Neal. 1985. How Proverbs Mean: Semantic Studies in English Proverbs. de Gruyter.
Sources
[edit]- Chomsky, Noam; Halle, Morris (1968). The Sound Pattern of English. New York: Harper and Row.
- Clements, George N. (1985). "The geometry of phonological features". Phonology Yearbook. 2: 225–252. doi:10.1017/S0952675700000440. S2CID 62237665.
- Flynn, Darin (2006). "Articulator Theory" (PDF). University of Calgary. Archived from the original (PDF) on 2011-01-01.
- Hall, T. A. (2007). "Chapter 13. Segmental features". In de Lacy, Paul (ed.). The Cambridge Handbook of Phonology. Cambridge: Cambridge University Press. pp. 311–334.
- Gussenhoven, Carlos; Jacobs, Haike (2017). Understanding Phonology. Routledge. ISBN 978-1-138-96141-8.
- Jakobson, Roman; Fant, Gunnar; Halle, Morris (1952). Preliminaries to Speech Analysis: the Distinctive Features and their Correlates. Cambridge, Massachusetts: MIT Press.
- Jakobson, Roman; Halle, Morris (1971). Fundamentals of Language. The Hague: Mouton.
Distinctive feature
View on GrokipediaOverview
Definition
Distinctive features are the most basic units of phonological structure that distinguish one phoneme from another within a language's sound inventory, serving as abstract properties that capture the essential contrasts between speech sounds.[3] These features function as the building blocks of phonemes, where each phoneme is conceptualized as a bundle or simultaneous combination of such features, allowing for systematic analysis of phonological patterns and contrasts.[4] For instance, the feature of voicing differentiates the voiceless stop /p/ from the voiced stop /b/ in English, highlighting how a single feature can account for minimal pairs like "pat" and "bat."[5] In most phonological theories, distinctive features are binary, specified as either present (+) or absent (-) for a given sound, which enables the efficient encoding of contrasts and the definition of natural classes of sounds.[6] However, some modern approaches incorporate multi-valued or gradient scales for certain features, such as degrees of place of articulation or sonority, to better accommodate subtle phonetic variations and cross-linguistic differences.[5] This binary foundation, with extensions to more nuanced representations, underscores the role of distinctive features in modeling the perceptual and articulatory relevance of sound distinctions.[7]Role in phonology
Distinctive features serve as the fundamental units in phonological theory for capturing the minimal contrasts between sounds in a language's inventory, enabling the formulation of rules that systematically alter phonetic realizations. By decomposing phonemes into binary or multivalued properties—such as [+nasal] or [-voice]—these features allow phonologists to express generalizations about sound patterns that would be cumbersome or impossible with whole segments alone. In generative phonology, rules operate directly on feature matrices, predicting alternations like the English plural morpheme /z/ surfacing as after voiceless sounds or [ɪz] after sibilants, where voicing and manner features determine the output.[8] A key application of distinctive features is in predicting phonological rules, particularly processes like assimilation, where one sound adopts a feature from a neighboring segment to simplify articulation. For instance, nasal place assimilation occurs when a nasal consonant spreads its place-of-articulation feature to an adjacent obstruent, as in English "input" pronounced as [ɪmpʰʌt] before bilabials or "thank" as [θæŋk] before velars, reflecting the rule that the place feature of the following consonant delinks and relinks to the nasal. This feature-based approach captures the partial or total nature of assimilation across languages, such as complete place assimilation in Korean nasals before stops. Natural classes emerge as groups of segments sharing one or more features, forming the targets or triggers of such rules; for example, the class of voiced obstruents (defined by [+voice, -sonorant]) undergoes devoicing in languages like German word-finally, while voiceless obstruents remain unaffected, highlighting how features define coherent phonological behaviors.[8][9][10] Underspecification theory further refines the role of distinctive features by positing that underlying representations omit predictable or redundant specifications, inserting them via rules to minimize complexity and reflect phonological economy. In radical underspecification, only contrastive features are underlyingly present—for instance, English /p, t, k/ might lack the redundant [-voice] specification shared by all voiceless stops—allowing rules like voicing assimilation to apply without overgenerating unmarked forms. This approach, rooted in lexical phonology, ensures that rules target only relevant features, as seen in Yawelmani vowel harmony where underspecified non-low vowels acquire height features predictably.[11][12] In theories of language acquisition and universals, distinctive features are posited as innate primitives that facilitate the learning of phonological systems by providing a universal inventory of contrasts and accounting for phonological universals, such as the rarity of languages lacking major class features.[13]Historical development
Early foundations
The foundations of distinctive feature theory emerged in the 19th century through advancements in phonetics that emphasized systematic classification of speech sounds based on their articulatory and acoustic properties. British phonetician Henry Sweet, in works such as his Handbook of Phonetics (1877), pioneered a detailed classification of English sounds, describing consonants and vowels in terms of attributes like place of articulation (e.g., labial, dental), manner of articulation (e.g., stop, fricative), and voicing, thereby treating sounds as composites of definable elements rather than indivisible units. Similarly, Danish linguist Otto Jespersen contributed to sound classification in his Fonetik (1897–1899), where he ranked speech sounds by sonority—a perceptual property reflecting loudness—and distinguished phonetic elements like nasality and voicing as key components influencing syllable structure and sound combinations.[14] These efforts marked an initial shift toward decomposing sounds into shared properties, laying groundwork for later phonological analysis without yet formalizing them as binary contrasts.[15] In the early 20th century, precursors to feature decomposition appeared in the work of linguists like Jan Baudouin de Courtenay, who, through the Kazan School, conceptualized the phoneme as a "bundle" or complex of articulatory-acoustic properties, such as those related to nasality or voicing, that function to differentiate meanings.[16] This idea influenced subsequent European linguistics, particularly the Prague School, which emerged in the 1920s and emphasized the functional role of sounds in language systems. The Prague Linguistic Circle, established in 1926, became a hub for developing functional phonology during the 1920s and 1930s, focusing on how sounds serve to distinguish words rather than merely describing their physical form.[17] Nikolai Trubetzkoy, a leading figure in the Circle, advanced the theory of phoneme oppositions as binary contrasts—termed "privative" oppositions—where one phoneme possesses a property (e.g., voicing) that another lacks, enabling minimal pairs like voiced /b/ versus voiceless /p/.[18] In his Grundzüge der Phonologie (1939), Trubetzkoy proposed that phonemes are bundles of such relevant properties or "correlates," including nasality and voicing, which are only those that play a distinctive role in a given language's system.[19] A pivotal event was the International Phonological Conference held in Prague in 1930, organized by the Circle, where scholars discussed functional approaches to phonology, including the decomposition of sounds into oppositional properties that underpin language structure.[20] These discussions highlighted the binary nature of contrasts and the systemic functionality of sound properties, setting the stage for further refinements in phonological theory.Jakobson's contributions
Roman Jakobson, a key figure in the Prague School of linguistics, advanced the theory of distinctive features by formalizing them as binary oppositions in his 1941 monograph Kindersprache, Aphasie und allgemeine Lautgesetze. Drawing on structuralist principles from the Prague School, Jakobson proposed that phonemes are bundles of these minimal, universal binary features, such as vocalic versus consonantal or compact versus diffuse, which serve as the fundamental primitives for distinguishing sounds across languages. This approach emphasized the hierarchical organization of features in speech production and perception, positing that languages acquire and lose contrasts in a predictable order based on feature complexity.[21] In studies of aphasia, Jakobson applied this framework to demonstrate how impairments disrupt specific features, revealing the hierarchical nature of phonological processing; for instance, aphasic patients often retain broad contrasts like consonantal features while losing finer ones, mirroring the reverse of child language acquisition patterns. This work established distinctive features not merely as descriptive tools but as psychologically real units underlying speech disorders and developmental linguistics. Jakobson's analysis highlighted the universality of these binaries, arguing they reflect innate perceptual mechanisms rather than language-specific inventions.[21] Jakobson's collaboration with Gunnar Fant and Morris Halle in Preliminaries to Speech Analysis (1952) grounded these binary features in acoustic properties, linking them to measurable attributes like formant frequencies and spectral patterns in the vocal tract. For example, the compact/diffuse opposition was tied to the concentration or diffusion of energy in higher formants, providing an objective, physics-based foundation for phonological theory. This acoustic orientation shifted focus from purely articulatory descriptions to perceptual and signal-based universals, influencing subsequent models in phonetics.[22] Furthermore, Jakobson integrated information theory into his framework, viewing distinctive features as minimal binary "bits" essential for efficient sound discrimination and communication. In the 1952 work, he explored the informational capacity of these features, calculating how they optimize redundancy and distinctiveness in phonological systems to minimize perceptual errors. This application bridged linguistics with emerging cybernetics, underscoring features' role in encoding linguistic messages with maximal economy.[22]Generative phonology era
The generative phonology era marked a pivotal formalization of distinctive features, building on earlier acoustic-based approaches by emphasizing articulatory properties and innate linguistic universals. In their seminal 1968 work The Sound Pattern of English (SPE), Noam Chomsky and Morris Halle introduced a system of 13 binary distinctive features, such as [±sonorant], to represent phonological segments as bundles within a matrix framework. This represented a shift from the predominantly acoustic definitions of features proposed by Roman Jakobson and colleagues, prioritizing instead articulatory configurations like tongue height and glottal tension to capture the intrinsic content of sounds.[8][23][24] Central to this framework was the conception of a universal feature set as an integral component of Universal Grammar, posited as innate and independent of specific acoustic realizations or language-particular data. Chomsky and Halle argued that these features form a fixed, language-independent phonetic alphabet, enabling the formation of natural classes and simplifying phonological derivations across all human languages. This innateness hypothesis positioned features as a priori elements of the human language faculty, facilitating acquisition by providing a constrained inventory rather than relying on environmental input alone.[8][25] Phonological processes in SPE were modeled through ordered rules that manipulate these features in sequential derivations, transforming underlying representations into surface forms. Rules often employed alpha notation, such as [α voice], to capture spreading phenomena like assimilation, where a feature value propagates to adjacent segments (e.g., obstruents acquiring voicing from neighboring sonorants). This rule-based approach underscored the generative power of features, allowing compact formulations of complex alternations while adhering to principles of evaluation that favored simpler grammars.[8] Despite its influence, the SPE framework faced critiques for oversimplifying phonological contrasts through strict binarity, which struggled to account for phenomena requiring multivalued or privative (unary) features, such as gradient vowel height or laryngeal contrasts. Scholars like Peter Ladefoged highlighted the artificiality of forcing articulatory and acoustic properties into binary oppositions, prompting revisions in subsequent theories toward more flexible systems. These criticisms, emerging in the 1970s and beyond, spurred developments like feature geometry and underspecification, addressing limitations in universality and naturalness.[1][26][27]Major feature systems
Jakobsonian system
The Jakobsonian system of distinctive features, developed in collaboration with colleagues, posits an acoustic-oriented framework using binary oppositions to capture the minimal units distinguishing phonemes across languages.[22] This system organizes features into three primary dimensions: sonority, protensity, and tonality, each reflecting perceptual and acoustic properties of speech sounds.[22] The acoustic foundations of these features trace back to Jakobson's analyses in 1941, emphasizing formant structures and spectral characteristics.[22] Sonority distinguishes vowels from consonants through the opposition of vocalic and consonantal. The vocalic feature applies to vowels, characterized by a single periodic sound source with formants below approximately 3200 cycles per second and minimal spectral discontinuities.[22] In contrast, consonantal identifies consonants by the presence of spectral zeros or high damping that broaden or fuse formants.[22] Protensity captures tension differences via the tense versus lax opposition, where tense involves stronger articulatory effort, greater airflow resistance, longer duration, and larger formant displacements from a neutral position, as in English /p/ compared to lax /b/.[22] Tonality encompasses spatial contrasts, primarily grave versus acute, with grave denoting sounds where lower frequencies predominate due to a larger resonating cavity (e.g., back vowels like Russian /u/), and acute indicating upper-frequency emphasis from a constricted cavity (e.g., front vowels like /i/).[22] Subfeatures under tonality include compact/diffuse for vowel openness and flat/plain or sharp/plain for lip rounding and palatalization, respectively.[22] The system employs a hierarchical organization, structuring features in a tree-like manner to model phonological processes and reduce redundancies through binary branching.[28] Primary features like grave/acute form the root for universal contrasts in consonants and vowels, with secondary features branching off to specify additional distinctions.[22] This hierarchy facilitates analysis of sound inventories by prioritizing oppositional relations over linear listings.[28] A representative example is the analysis of the Russian vowel system, where compact/diffuse oppositions distinguish openness levels: /a/ is compact (higher central energy concentration, wider cavity), contrasting with diffuse /i/ or /u/ (narrower, peripheral energy focus).[28] In some cases, such as the series /ae/, /e/, /i/, the opposition allows ternary distinctions, with /ae/ compact relative to /e/, and /e/ non-diffuse relative to /i/, supported by perceptual experiments on vowel blending.[28] Similarly, in English, "pet" (/pɛt/, compact) contrasts with "pit" (/pɪt/, diffuse) via this tonality subfeature.[22]Chomsky-Halle system
The Chomsky-Halle system, detailed in The Sound Pattern of English (SPE), establishes a set of binary distinctive features within generative phonology, emphasizing articulatory properties to capture phonological contrasts across languages.[8] These features serve as the primitive elements in phonological rules, enabling systematic derivations from underlying representations to surface forms.[8] Unlike prior acoustic-based approaches, this framework prioritizes physiological articulation, such as vocal tract obstruction and airflow dynamics, to define universal phonological categories.[8] The system comprises 13 core binary features ([±]), organized into major classes for efficient representation of segments. Major class features distinguish broad categories like vowels, consonants, and glides: [±vocalic] (syllable nucleus formation via vocal tract resonance), [±consonantal] (degree of vocal tract obstruction). Manner features specify articulation type: [±continuant] (uninterrupted versus momentary closure of airflow), [±nasal] (airflow through nasal versus oral cavity), [±strident] (turbulent, noisy airflow from specific closure geometries like in or [ʃ]), and [±tense] (muscular effort in constriction or vowel length). Place features locate articulation: [±anterior] (constriction forward of the palato-alveolar region), [±coronal] (involvement of the tongue blade or tip), [±high] (tongue body elevation toward the palate), [±low] (tongue body depression), and [±back] (tongue body retraction). Laryngeal features include [±voiced] (vocal cord vibration). Vowel-specific features are [±round] (lip protrusion). All features are articulatorily grounded; for instance, [±strident] arises from airflow turbulence over a grooved surface, distinguishing fricatives like ([+strident]) from [θ] ([-strident]).[8]| Feature | Binary Specification | Articulatory Basis | Category |
|---|---|---|---|
| vocalic | ± | Resonance forming syllable peak | Major class |
| consonantal | ± | Obstruction level in vocal tract | Major class |
| nasal | ± | Nasal versus oral airflow path | Manner |
| continuant | ± | Continuous versus interrupted airflow | Manner |
| strident | ± | Turbulence from grooved closure | Manner |
| voiced | ± | Glottal vibration | Laryngeal |
| tense | ± | Articulatory force or duration | Manner |
| anterior | ± | Frontal versus dorsal constriction | Place |
| coronal | ± | Tongue apex/blade raising | Place |
| high | ± | Tongue dorsum height | Place (vowel height) |
| low | ± | Tongue dorsum lowering | Place (vowel height) |
| back | ± | Tongue dorsum retraction | Place (vowel backness) |
| round | ± | Lip rounding | Place (vowel rounding) |
Feature geometry
Feature geometry represents a significant advancement in phonological theory, organizing distinctive features into a hierarchical tree structure rather than a flat matrix, thereby capturing natural classes and phonological processes more effectively.[29] This approach builds briefly on the binary feature system outlined in Chomsky and Halle's The Sound Pattern of English (1968) by imposing a structured geometry that reflects articulatory and phonological groupings.[30] The modern formulation of feature geometry emerged in the 1980s, with Elizabeth Sagey's 1986 MIT dissertation providing a foundational proposal for tree-like representations of segments.[29] Sagey introduced a root node dominating major class nodes such as Laryngeal (governing features like [±voiced] and [±spread glottis]) and Supralaryngeal, which further branches into nodes for Place and Manner.[29] Place, for instance, subsumes articulator nodes like Labial, Coronal, and Dorsal, each linked to terminal features such as [±round] or [±anterior].[31] Class nodes like Manner group features such as [±continuant] and [±constricted glottis], while terminal features remain binary privative or equipollent specifications at the leaves of the tree.[32] This organization allows for complex segments, such as affricates or diphthongs, to be represented through shared nodes or multiple articulator linkages under a single root.[29] A key advantage of feature geometry lies in its ability to model phonological rules involving feature spreading or delinking in a principled manner, particularly for assimilation processes.[33] For example, in nasal place assimilation—observed in languages like English where a nasal consonant adopts the place of a following obstruent (e.g., /n/ becoming before )—the entire Place node can delink from the nasal and relink to the obstruent's Place node, affecting all subordinate features simultaneously without specifying each one individually.[33] This contrasts with linear models, where such rules require ad hoc conjunctions of features, and it unifies diverse assimilation patterns across languages by treating node spreading as a single operation.[32] Additionally, the hierarchy imposes cooccurrence restrictions; for instance, incompatible articulators under the same Place node are prohibited, explaining why segments like [tp] are unattested.[31] While binary feature geometry gained prominence in generative phonology, alternative models have proposed variations emphasizing monovalent (privative) features over binary oppositions. Dependency phonology, developed by John Anderson and Colin Ewen in their 1987 work Principles of Dependency Phonology, replaces strict trees with dependency relations among monovalent components, allowing features like |labial| or |coronal| to combine asymmetrically without a fixed hierarchy.[34] Similarly, element theory, an extension of government phonology associated with Jonathan Kaye and colleagues since the mid-1980s, posits a small set of universal monovalent elements (e.g., |A| for openness, |I| for frontness, |U| for roundness) that function as interpretable primes, capable of independent phonetic realization and reducing redundancy in representations.[35] These approaches prioritize phonetic interpretability and cross-linguistic flexibility, challenging the universality of binary nodes while retaining hierarchical insights for processes like assimilation.[36]Feature inventory
Major class features
Major class features in distinctive feature theory categorize speech sounds according to their sonority hierarchy and capacity to act as syllable nuclei, forming the foundational distinctions between consonants, vowels, and intermediate classes like glides and liquids. These binary features—primarily [±sonorant], [±consonantal], and [±syllabic]—enable the identification of natural classes that behave cohesively in phonological processes, such as assimilation or cluster simplification.[8] Introduced in generative phonology, they provide an efficient framework for representing contrasts without reference to specific articulatory details.[37] The feature [±sonorant] separates obstruents ([-sonorant]), including plosives like and fricatives like , which involve turbulent airflow and restricted voicing, from sonorants ([+sonorant]), such as nasals (, ), approximants (, , ), and vowels, characterized by relatively free airflow and inherent sonority.[8] This distinction is crucial for rules involving voicing or airflow, as sonorants permit spontaneous voicing due to minimal obstruction in the vocal tract.[37] [±consonantal] classifies sounds by the extent of vocal tract closure; [+consonantal] applies to obstruents, nasals, and liquids, which feature a radical midsagittal obstruction (e.g., , , ), while [-consonantal] denotes vowels and glides with an open tract (e.g., , ).[8] In combination with related features like [±vocalic], it defines core categories, such as true consonants as [+consonantal, -vocalic].[37] The [±syllabic] feature marks a segment's potential to function as a syllable peak; [+syllabic] includes vowels and syllabic sonorants, like the nasal in English "button" realized as [bʌt n̩], which can form a nucleus without a vowel, whereas [-syllabic] applies to non-nuclear elements like glides or unsyllabified consonants.[8] This feature accounts for phenomena such as syllabic consonants in languages with vowel reduction.[37] Cross-linguistically, the sonorant-obstruent contrast manifests prominently in tone languages, where obstruents typically do not bear tones but condition the realization of tones on adjacent sonorants; for example, in languages like Mandarin, voiceless obstruents raise the fundamental frequency of a following vowel, enhancing tonal contrasts, while voiced obstruents lower it.[38] These features thus support natural classes that undergo tone spreading or perturbation rules in such systems.Laryngeal features
Laryngeal features in distinctive feature theory describe the state of the glottis and vocal folds during the production of speech sounds, primarily distinguishing contrasts in voicing, aspiration, and glottalization. These features are crucial for capturing phonological oppositions that involve laryngeal adjustments, such as those found in obstruents across many languages.[1] The feature [±voice] specifies whether the vocal folds vibrate during the articulation of a sound, with [+voice] indicating voiced segments and [-voice] indicating voiceless ones. This binary opposition is particularly relevant for obstruents, where it accounts for contrasts like voiced stops /b, d, g/ versus voiceless stops /p, t, k/ in languages such as English and Spanish. In the Chomsky-Halle system, [voice] is one of the core laryngeal features that enables natural classes, such as all voiced obstruents sharing [+voice].[1] The feature [±spread glottis] captures the degree of glottal opening, where [+spread glottis] denotes a widened glottis allowing for breathy or aspirated airflow, and [-spread glottis] indicates a neutral or closed state. It distinguishes aspirated sounds, such as voiceless aspirated stops /pʰ, tʰ/ in Hindi, from their unaspirated counterparts /p, t/. For example, the voiceless glottal fricative is [+spread glottis] due to its open glottal configuration producing aspiration-like friction, in contrast to the voiceless alveolar fricative , which is [-spread glottis] with minimal glottal spreading.[1][39] The feature [±constricted glottis] refers to the narrowing or closure of the glottis, with [+constricted glottis] marking glottalized or ejective sounds produced by raising the glottis to create supraglottal pressure buildup followed by a release. This feature accounts for contrasts in languages with ejectives, such as Navajo or Quechua, where sounds like [p'], [t'], [k'] oppose non-glottalized stops, and it also applies to the glottal stop [ʔ]. In the standard system, [+constricted glottis] defines the natural class of glottalized consonants.[1] Extensions to the basic laryngeal features include [±murmur], which specifies a breathy voice quality involving simultaneous voicing and glottal spreading, often proposed to handle contrasts in languages like Hindi where voiced aspirates (e.g., /bʱ, dʱ/) differ from modally voiced stops (/b, d/) through a murmured release. In Hindi phonology, this feature captures the distinction in stop series, such as /kəri/ 'raw' versus /kəri/ 'edge' with murmured /kʱ/, treating murmur as a primary laryngeal contrast rather than a derivative of [voice] and [spread glottis].[40][40] In feature geometry models, laryngeal features like [voice], [spread glottis], and [constricted glottis] are organized under a dedicated Laryngeal node to reflect their phonological coherence and spreading behaviors.Place features
Place features in phonological theory specify the position of the primary articulator in the vocal tract, distinguishing consonants based on where articulation occurs, such as at the lips, tongue blade, or tongue body.[8] In the Chomsky-Halle system, the primary place features are [labial], [coronal], and [dorsal], which identify the active articulator: [labial] for lip involvement (e.g., /p/, /b/, /m/), [coronal] for the tongue blade or tip (e.g., /t/, /d/, /s/), and [dorsal] for the tongue body (e.g., /k/, /g/, /ŋ/).[8] The binary feature [±anterior] distinguishes sounds articulated with the primary constriction in front of (or at) the palato-alveolar region [+anterior], such as labials (/p/), dentals, and alveolars (/t/, /s/), from those behind it [-anterior], such as palatals, velars (/k/), and postalveolars (/ʃ/).[8] Similarly, [±distributed] differentiates the extent of articulator contact within coronal sounds, with [+distributed] for blade-wide contact in sibilants like /ʃ/ and /s/ (spanning about 1.5 cm) and [-distributed] for tip-concentrated contact in stops like /t/.[8] In feature geometry models, these place features are dominated by a place node, which groups them hierarchically under the root node to reflect articulatory and perceptual unity.[41] This structure facilitates whole-place assimilation, where the entire place node spreads to a neighboring segment, as in nasal place assimilation: /n/ becomes /m/ before labials (e.g., "input" → [ɪmpʊt]) or /ŋ/ before velars (e.g., "bank" → [bæŋk]), simplifying rules across languages like English and Southern Paiute.[41][8] Place features are typically arranged in a universal hierarchy, with labial as the most unmarked and pharyngeal as the most marked.[41]Manner features
Manner features in phonological theory describe the configuration of the supraglottal vocal tract and the resulting patterns of airflow, distinguishing consonants based on how constriction affects sound production. These features, primarily articulated in the Chomsky-Halle framework, capture essential contrasts in obstruction, resonance, and turbulence without reference to specific articulatory locations.[8] The binary feature [±continuant] differentiates sounds according to the continuity of airflow through the vocal tract. Sounds specified as [+continuant], such as fricatives (e.g., /s/, /f/) and approximants (e.g., /w/, /j/), are produced with a relatively unimpeded passage of air past a narrowed constriction, allowing prolonged emission without quality change. In contrast, [-continuant] sounds, including stops (e.g., /p/, /t/) and affricates, involve a complete or near-complete blockage of oral airflow, resulting in brief bursts upon release. This opposition is central to rules governing spirantization and stop formation in generative phonology.[8][8] The feature [±nasal] specifies the path of airflow relative to the velum. [+nasal] sounds, like nasals (e.g., /m/, /n/, /ŋ/), are articulated with the velum lowered, permitting air to resonate through the nasal cavity alongside or instead of oral emission. Conversely, [-nasal] sounds, such as oral stops and fricatives, maintain a raised velum, directing airflow exclusively through the mouth. This feature accounts for nasal assimilation processes, where adjacent segments influence velum position, and is unmarked as oral in many phonological systems.[8][8] For approximants, the feature [±lateral] distinguishes airflow direction around the tongue. [+lateral] approximants, exemplified by /l/, involve partial tongue contact with the alveolar ridge or palate, allowing air to escape laterally along the sides of the tongue while the tongue tip or blade forms a central approximation. [-lateral] approximants, such as /ɹ/ or /j/, direct the airstream centrally without such side channels. This binary captures laterality contrasts in liquids and supports rules differentiating lateral from central resonance.[8][8] Stridency, encoded by [±strident], refines the characterization of continuant fricatives based on acoustic turbulence. [+strident] fricatives, including sibilants like /s/, /z/, /ʃ/, and /ʒ/, exhibit high-intensity noise from sharp, compact constrictions producing turbulent airflow with concentrated energy. [-strident] fricatives, such as /f/, /θ/, or /x/, generate less noisy turbulence due to broader or less abrupt constrictions. This feature is restricted to [+continuant] segments and underlies distinctions in fricative inventories, influencing perceptual sharpness and phonological rules like sibilant harmony.[8][8] In feature geometry approaches, manner features like these are hierarchically organized under a manner node to reflect natural classes and spreading behaviors in phonological processes.[42]Height and vowel features
In phonological theory, vowel quality is primarily distinguished by features that capture tongue height, backness, rounding, and tenseness, which together define the contrasts within a language's vowel inventory. These binary features, as articulated in the Chomsky-Halle framework, allow for a systematic representation of the vowel space, where height is specified by the opposition of [+high] and [+low], backness by [+back], rounding by [+round], and tenseness by [+tense].[8] The [+high] feature denotes a raised tongue body toward the palate, as in high vowels like /i/ and /u/, while [+low] indicates a lowered tongue below the neutral position, as in low vowels like /æ/ and /ɑ/; crucially, no vowel can simultaneously bear [+high] and [+low], with mid vowels specified as [-high, -low].[8] Backness, marked by [+back], reflects tongue retraction, distinguishing front vowels ([-back], e.g., /i/, /e/) from back vowels ([+back], e.g., /u/, /o/), while central vowels are often treated as [-back] or contextually derived.[8] Rounding is captured by the [+round] feature, which signifies lip protrusion and narrowing of the oral orifice, typically associated with back vowels in many languages but contrastive in others, such as front rounded vowels like /y/ in French; unrounded vowels are [-round], as in /i/ and /e/.[8] The [+tense] feature, particularly relevant in languages like English, differentiates tense vowels (with greater articulatory effort, longer duration, and more peripheral quality, e.g., /i/, /u/) from lax vowels ([-tense], e.g., /ɪ/, /ʊ/), influencing processes such as diphthongization and vowel reduction, where tense vowels resist centralization under weak stress.[8] In the Jakobsonian system, these dimensions are reframed acoustically, with vowel height corresponding to the diffuse-compact opposition (diffuse for high vowels like /i/, compact for low like /ɑ/) and backness to grave-acute (grave for back, acute for front), while rounding aligns with flat-plain.[22] These features model the vowel space as a structured inventory, often visualized in a triangular or trapezoidal chart that arrays vowels by height (vertical axis: high at top, low at bottom) and backness (horizontal axis: front to back), with rounding as an additional parameter modifying quality.[8] For instance, the high front unrounded vowel /i/ is specified as [+high, -low, -back, -round, +tense], contrasting with the high back rounded /u/ [+high, -low, +back, +round, +tense] and the low back unrounded /ɑ/ [-high, +low, +back, -round, -tense].[8] This featural geometry enables phonological rules to operate uniformly across the space, such as tensing lax vowels in open syllables or backing non-low vowels in certain contexts, ensuring economical representations of contrasts like those in English minimal pairs (e.g., "bit" /ɪ/ [-tense] vs. "beat" /i/ [+tense]).[8]| Feature | Articulatory Description | Example Vowels | Specification for /i/ |
|---|---|---|---|
| [±high] | Tongue raised toward palate (+); neutral or lowered (-) | /i/, /u/ (+); /e/, /a/ (-) | + |
| [±low] | Tongue lowered below neutral (+); neutral or raised (-) | /æ/, /ɑ/ (+); /i/, /e/ (-) | - |
| [±back] | Tongue retracted (+); advanced (-) | /u/, /o/ (+); /i/, /e/ (-) | - |
| [±round] | Lip protrusion (+); no protrusion (-) | /u/, /o/ (+); /i/, /e/ (-) | - |
| [±tense] | Greater effort/peripheral quality (+); reduced effort/central (-) | /i/, /e/ (+); /ɪ/, /ɛ/ (-) | + |
Applications and extensions
In phonological analysis
In phonological analysis, distinctive features serve as the foundational units for formalizing rules that capture sound patterns and alternations within a language. Rules are typically expressed using binary or multivalued feature specifications, where segments are represented as bundles of features, and transformations involve changing one or more features under specified structural conditions. This approach, central to generative phonology, allows for concise notation of natural classes and processes like assimilation or spreading. For instance, alpha notation [αF]—where α stands for a variable feature value—enables rules to propagate a feature from one segment to another, as in vowel harmony systems where the backness feature spreads iteratively from a root vowel to affixes.[8][43] A classic application is the rule for backness harmony in languages like Turkish, formalized as progressive assimilation where suffix vowels adopt the [back] value of the last root vowel:V → [αback] / V [αback] C₀ __
V → [αback] / V [αback] C₀ __
[ -sonorant, -voice ] → [ αvoice ] / [ αvoice ] __
[ -sonorant, -voice ] → [ αvoice ] / [ αvoice ] __
